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  • 4/27/2025
Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote | dG1fbVpuWllHUWJDbW8
Transcript
00:01Who else is good in the...
00:03Pauline Kael.
00:04Yeah.
00:05She's never said a good thing about me yet.
00:07But you like her?
00:08Dirty old broad.
00:11Since 1968, Pauline Kael has written film criticism for The New Yorker.
00:16I understood her voice, and I related to her voice, even when I disagreed with her.
00:20We grew up reading Pauline Kael.
00:22She seemed to notice everything.
00:24There is a sense that people really don't know what they believe in anymore.
00:28She turned the movie review into this expressive vehicle.
00:33It was as expressive as the short story or the sonnet.
00:37She said, I know that some of my reviews have sent people to bed for two weeks.
00:41Pretty sharp-tottened.
00:43What was referred to as that ghastly woman.
00:45There's very few critics who have the guts to go out there and write an honest review of a bad movie.
00:52She refused to be intimidated.
00:54Any woman in that position is going to collect a lot of the animosity and really craziness that's out there.
01:02There's tremendous hatred of women.
01:04The real hate mail is for men, and it is vicious.
01:08And there are a great many critics who are just trying to get through the day, who know their second rate,
01:14and who are scared of their editors, and scared of their readers, and scared of the movie companies.
01:19If you're good enough, then you bring something to a magazine or a newspaper.
01:23You bring it readers, and so you can hold your round judgment.
01:26If you're not good enough, then you're at the mercy of everybody, and you have to give in.
01:31And so the point would be really to develop more courage.
01:43But she's probably the most qualified critic in the world, because she cares about film and those that are involved in it.
01:50Thanks, Jennifer.
02:06Singapore

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