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This Nigerian artist redefines African art
DW (English)
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4/8/2025
Nigerian ceramist Ngozi-Omeje Ezema creates unique art pieces which seem to float in the air. She wants to show that African ceramics is not just about pots. Now, she is the first African artist with a solo show at Munich’s Pinakothek der Moderne.
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00:00
Thousands of clay elements that make up one piece of art.
00:04
These are the creations of Ngozi Omeje Ezema in Munich's Pinakothek de Modena.
00:09
The ceramic artist hails from Nigeria.
00:11
Why do her vases look as if they had shattered to tiny bits in transport?
00:16
This size of work, you would have imagined how frightening
00:21
to ship them from Nigeria to this place if they are just one solid wall.
00:27
When Ngozi Omeje Ezema first began working with ceramics,
00:31
she did in fact turn out massive clay vessels.
00:34
But they are limited by their sheer size, and so she felt limited in her creativity.
00:40
I once fired, though I wasn't patient enough.
00:43
I wanted to finish quickly so I didn't allow the work to dry properly.
00:48
The body broke, so you see that kind of experience.
00:52
She had that kind of experience more than once.
00:56
But with the myriad of tiny terracotta elements, that can't happen.
01:01
But unpacking and hanging them up does have its pitfalls too.
01:05
It took the artist a week of working at dizzying heights
01:08
to get her boundless vases into the proper shape.
01:11
Boundless vases to me is a way of expanding the boundaries of ceramics and a way of breaking free as a woman.
01:23
We possess enormous potentials that shouldn't be limited by what we are expected to do.
01:30
We can climb to the highest.
01:32
As a little girl, she modeled shapes in wet sand.
01:35
There was no clay in her East Nigerian village.
01:38
Her sister supported her ambition to study art.
01:41
At the University of Nigeria in Ensuka, she finally got an opportunity to work with clay.
01:47
Now she teaches there.
01:48
In her studio close to campus, she sketches the designs and makes the individual clay leaves.
01:53
The medium I'm using is a fire clay and it's high-temperature clay, less impurity.
02:02
The leaves were rigid.
02:04
This one with hand, it gives it different forms.
02:07
They are never the same.
02:09
It's painstaking work.
02:11
It took a month for her to finish one big vase.
02:14
As a mother of four children, she can't do it alone.
02:17
She's hired helpers.
02:20
Her kids also like to come to the studio and help out.
02:24
What's left for the artist to do herself?
02:29
And then the installation, I have to wait on my own.
02:36
Ngozi Omeje Ezema's original technique has brought her success at biennales in Africa and East Asia.
02:43
Her themes come from her own cultural background, but they're universal nonetheless.
02:48
The elephant, for instance, turns up again and again.
02:52
Her father was nicknamed Elephant.
02:55
He died in 2013.
02:57
She's still trying to come to terms with it.
03:00
You know, the strings gives life to the elephant.
03:03
The idea was to allow the audience to co-create with me by cutting down the strings.
03:09
But if I allow others to cut this down and be able to bear it, then I'll be able to bear the passing of my father.
03:17
Back to the vases.
03:18
The Munich exhibition is her first in Germany.
03:21
For the curator too, the solo presentation of an African artist is a first.
03:26
Her approach is highly unusual.
03:33
I don't have anything to compare it with.
03:36
In a way, she's coming from the tradition of her country, this African approach.
03:41
But still very different, completely modern.
03:48
And that's why we see her at the vanguard of contemporary artists.
03:56
Ngozi Omeje Ezema has made the big leap to Europe.
04:00
A cause for celebration.
04:02
Her art is also a plea to adopt a new contemporary view of Africa.
04:08
Seeing this as an opportunity also to get to outer world, apart from Africa.
04:15
It is also to create an awareness that African art is not necessarily just the pot.
04:23
It's not just smaller pots or smaller vessels.
04:27
It seems to predetermine what can only come from Africa.
04:32
Her floating vases are a direct assault on the cliché of African ceramics.
04:37
It recalls anything from beehives to swarms of leaves.
04:50
But then I heard that it's clay.
04:53
That's very impressive.
04:55
I think it's sensational.
04:58
It complements the space very nicely and I think it's great to see an African artist here.
05:02
It's amazing.
05:04
Just how the scale of the works comes across in this space.
05:08
It's really a great new idea that we haven't seen before.
05:12
Ngozi Omeje Ezema hasn't reached her own creative limits by any stretch.
05:18
She's dreaming of a vase that fills an entire room.
05:22
She may soon be able to make that dream a reality.
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