Top 10 Greatest WWE Women's Entrance Songs Ever

WatchMojo

Get ready to rock out as we dive into the most electrifying and memorable entrance themes in WWE women's wrestling history! From punk rock to pop anthems, we're counting down the tracks that defined an era and became legendary in their own right.

Transcript

00:00Welcome to WatchMojo and today we're counting down our picks for the catchiest and most

00:13dynamic theme songs to sound the entrance for the WWE Women's Roster.

00:22Number 10.

00:23Celtic Invasion – Becky Lynch The best pro wrestling themes are those that

00:28are immediately recognizable.

00:30Celtic Invasion lets the audience know immediately what's up and who's about to dominate

00:35the ring.

00:41Becky Lynch has retained this awesome theme from her NXT steampunk days for a good reason.

00:47It still suits her character, an energetic punk rock piece that's aggressive but also

00:52melodic.

00:57Celtic Invasion is also perfectly sing-alongable, which is always a good thing at a WWE live

01:03event or PLE.

01:04We're always excited when The Man comes around and Celtic Invasion serves as the clarion

01:10call for Becky Lynch to deliver the grappling goods.

01:19Number 9.

01:20Wildcat – Sable The WWE recycles a lot of their themes, often

01:25tinkering with them to create different visions for different wrestlers.

01:29Wildman Mark Merrow utilised the Wildcat theme when he still retained ex-wife Sable as his

01:36manager and valet.

01:41The song eventually found its way to the latter as her popularity skyrocketed in the wake

01:47of Merrow's heel turn.

01:50This composition from legendary songwriter Jim Johnston strides the line between the

01:5580s and 90s stylistically and incorporates animal sounds that, well, sound like a wildcat.

02:02The tune almost sounds like a more upbeat version of Jake the Snake Roberts' theme,

02:06a slinky and slithering gem that welcomes Sable to the ring.

02:17Number 8.

02:18Let's Light It Up – AJ Lee The much-missed AJ Lee employed something

02:23of an underrated entrance theme when she used to skip down to ringside.

02:31Let's Light It Up plays it smart by opening up with the chorus, an electro-alternative

02:36earworm that immediately brightens the room.

02:39It's a little poppy, a little punky, and perfectly suited to the Chaotic Lee's ever-unpredictable

02:45persona.

02:46Let's Light It Up is also snotty enough to work for both a face or heel, two sides

02:56that AJ Lee definitely played over the years.

02:59The song has also been so closely associated with her over the years that the WWE hasn't

03:05dared to repurpose it for any other superstar.

03:13Number 7.

03:14Time to Rock and Roll – Trish Stratus The evolution of Trish Stratus' character

03:19from manager to Day One Hall of Fame talent necessitated a change in music.

03:30Time to Rock and Roll would go on to become a defining entrance theme for Stratus, a tune

03:35that featured Lil' Kim adding her own unique stamp and style.

03:39Kim's opening giggle on the track works extremely well at letting the audience know

03:44what's up, while the actual composition is a soulful hip-hop track with a driving backbeat.

03:57Some WWE entrance themes rely on guitar hooks or percussion to get their message across,

04:02but Time to Rock and Roll is a vocal-driven tune with swagger that definitely works.

04:14Number 6.

04:15Sky's the Limit – Sasha Banks Every day was boss time back when Sky's the

04:19Limit introduced Sasha Banks to the squared circle.

04:27It's just a banger through and through, an electro-pop track with hip-hop vibes that

04:33nevertheless rocks with pure energy.

04:36Sky's the Limit hypes things up with a short lead-in that drives home the super-memorable

04:41chorus to the masses.

04:49The song just feels like a big deal, like a true superstar is present within the WWE

04:54universe, and Sasha Banks definitely fit that bill to a T.

04:59Meanwhile, the group credited with its composition, CFO, more than proved here that they could

05:04fill the shoes of Jim Johnston in the modern era.

05:17Number 5.

05:18All The Things She Said – Victoria Sometimes WWE's habit of licensing other

05:24songs for their superstars strikes a bit of a kismet with a certain performer.

05:32All The Things She Said from Tattoo was a controversial one back then, and today almost

05:37feels as anachronistic as the WWE's former treatment of their women's roster.

05:42Yet, Victoria remained an outlier through all of this, a talented performer who could

05:47go in the ring while also fitting into the male-focused gaze of the WWE circa the late

05:5290s and 2000s.

05:59All The Things She Said is an undeniably catchy slice of electro-pop from a bygone era, yet

06:05we wonder whether or not the company would still retain the tune if Victoria worked for

06:09them today.

06:14Number 4.

06:15The Future – Oscar The Empress of Tomorrow deserves a theme song

06:19as badass as she is, and CFO certainly pulled through with that when creating this killer

06:25track.

06:32It was a pleasant surprise that her song didn't lean too into the fact that Oscar is Japanese,

06:37as was the case with many of her pro-contemporaries within the WWE in the past, because as we

06:43know that's not her entire identity.

06:51She's tough as nails, a technical wizard and a fierce fighter, and what was certainly

06:58clear at the time was that she was indeed the future.

07:02Unfortunately she did eventually replace the theme with the updated You Can't Hide, but

07:07for our money, The Future is far superior.

07:17Number 3.

07:18Love Fury Passion Energy – Lita As a slow, tribal build to Love Fury Passion

07:23Energy by Boy Hits Car, this song was utilised for WWE superstar Lita as one of her themes

07:30during an era where WWE definitely embraced this sort of alternative rock.

07:41Love Fury Passion Energy seemed to fit Lita well too, thanks to a Titantron presentation

07:46that celebrated the superstar's iconic personality and certifiable skill in the squared circle.

07:56It's an entrance theme that's certainly of its time, while also embracing its nostalgic

08:01time capsule status with grace.

08:07Number 2.

08:08Who I Am – Chyna Jim Johnston eschewed a lot of instrumentation

08:13when it came to composing Who I Am for Chyna back in 1999.

08:25The tune instead features a vocal-led approach that speaks to Chyna's dominance within

08:30the traditionally male-dominated landscape of old-school WWE.

08:34Who I Am is both tough and feminine, boasting hard guitar riffs and a shouted vocal that

08:40will not be silenced.

08:48It underlines just how viable Chyna was competing against just about anybody in that ring, and

08:54also sold the character to an audience that seemed willing to accept this shift in the

08:58paradigm.

09:25Number 1.

09:26Demon In Your Dreams – Rhea Ripley The nu-metal era seemed to live again when

09:32Rhea Ripley debuted this collaboration with Motionless in White for her theme titled Demon

09:38In Your Dreams.

09:48This track wisely starts things out with a screamed catchphrase that sets up the theme

09:52before Motionless in White kickstart their guitars.

09:56The sung chorus is juxtaposed against the more aggressive verses in a way that's formulaic,

10:01but not really in a bad way.

10:07Instead, Demon In Your Dreams feels almost nostalgic for that bygone era of muscular

10:19WWE anthems that connected the brand to the then current crop of metalcore and alternative

10:25artists.

10:26What's your preferred era of WWE entrance themes?

10:31Let us know in those comments below!

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