Deniz is the daughter of a wealthy family as a child. She is so special for her school because of her beauty and popularity. Yiğit is the short and fat kid with glasses that everyone is making fun of at school. These two cross paths with each other while they are in middle school. Even though Yiğit is frozen out by everyone, Deniz takes him under her wing. They build up an unforgettable bond. Deniz becomes Yiğit's first friend and childhood crush.
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
Category
📺
TVTranscript
00:00And our hero will be locked up in this junkyard for a while in order to rehabilitate himself for science, internal and external care, washing, lubrication and such things.
00:21After that, when he comes back to society, he will leave.
00:23I think he'll get out of it before he goes any further.
00:32Michael, didn't I just leave you behind after a great storm of emotion?
00:37Of course, honey. Those storms are always happening. Those storms break. If it breaks, let it break. Now the important thing for me is to let you in.
00:43That's not a good idea.
00:47I already have bad ideas. I'm a bad person. There are a lot of them. But I'm going to let you in and I'm going to get out. That's it.
00:55I think you have a chronic weakness that I can't say no to.
00:58I have a habit of going over your weaknesses.
01:01At least be honest.
01:03When it's necessary, where it's necessary, as much as it's necessary. I'm going now.
01:16I was going to ask you something.
01:25Since the day this hospital was built, a patient has been coming here for the first time with Museb Bibi.
01:34Museb Bibi, you're so cool.
01:37I know.
01:38Really, you're always cool.
01:47Good morning.
01:53Do you know what's going on right now?
01:55Beta and delta waves in the brain.
02:00Good morning.
02:03Good morning.
02:06Yes?
02:07I'd like two breads, one milk. If you don't mind, can I bring a glass of jam while the kid is coming?
02:13What can I say, brother? I came to the hospital. I'm going to bed.
02:15What's your name?
02:16Selami.
02:17But you can call me Tuna Ertugrul.
02:26Number 207, Mr. Tuna.
02:27But we don't accept visitors after this hour.
02:30I'm not a visitor.
02:31I mean, I'm not visiting.
02:33He's just going in. We'll go together.
02:36I'll leave the suitcase. I'll say goodbye.
02:38Then I'll go out.
02:39It takes about five minutes.
02:40In fact, you continue to rest.
02:42I'll go in and out right away.
02:43No, I was resting my eyes.
02:45Yes, I'm sorry.
02:48Here, I'll take you to your room.
03:02Here, leave your room.
03:10Your sister-in-law will be here soon.
03:21Yes.
03:23So this is where my ship hit the ground.
03:25Nice.
03:26Okay.
03:29You lift your head. There's no food on your head.
03:31What are we doing?
03:32We're eating our heads while we're greeting the ants.
03:34That's it.
03:40It's a cold place here, Aykala.
03:43It makes a healthy man sick.
03:46I don't eat calories.
03:47Let me see.
03:48Take it, take it.
03:50It's not like that, Aykala.
03:53It's a cold place.
03:54There's no human warmth.
04:01Seriously, what's our problem?
04:04Our problem right now is decoration.
04:06This is all about decoration.
04:08Don't fool me.
04:09Now, first of all, there's this side.
04:12For example, I put a vase here.
04:14I have toys, I put them there.
04:16These are all shaped things.
04:17Besides, I put biscuits next to the bed, like in your house.
04:21Now food and stuff.
04:22These will always add liveliness.
04:24I put funny magazines.
04:25I put what I want from the magazines.
04:27After that, I don't know what it is, a lot of things.
04:31What?
04:35It's not that long, Aykala.
04:54Wow.
05:01Now the roles have changed.
05:10I think it's time for me to go.
05:12I've talked a lot.
05:14Okay.
05:15I mean, I'll come tomorrow.
05:17Don't take this as a good idea.
05:18We both know that.
05:20It's not an idea.
05:21I swear it's not.
05:22I don't have an idea.
05:24Not at all.
05:25It's just...
05:27You know what?
05:28I don't know this very well either.
05:30I'm aware of what's happening.
05:32I mean, I think I'm aware.
05:36I want to be sure of some things.
05:38I want to see.
05:40When I think I'm sure...
05:46I'll be gone anyway.
05:48You'll be gone.
05:53I'll go.
05:55Okay, okay.
05:56Okay.
05:58See you.
06:00See you.
06:31Night
06:32Angel
06:34Are our children
06:38Night
06:39Angel
06:42Are our children
06:49We've hung from every cliff
06:55We've sold his mother
06:57We've made his father cry
07:03Have we fallen?
07:05Or have we stayed?
07:10Confused things
07:13These
07:16I'm bored.
07:17I know.
07:20Anayka.
07:22Didn't you and I experience this separation a few minutes ago?
07:24Didn't we?
07:27Yeah.
07:28We did.
07:30Yeah?
07:31Yeah.
07:32I don't know.
07:33That's how it is.
07:38Welcome, Mr. Tuna.
07:39Let me check on you.
07:41Hello.
07:43Good luck.
07:44I was on my way anyway.
07:46See you then.
07:48See you.
07:55Let's measure your blood pressure first.
07:58Okay.
08:16Who is it at this hour?
08:25God.
08:36Yes?
08:38Hello, Mr. Yiğit.
08:39Dr. Funda.
08:41How are you?
08:42I'm fine. You?
08:44I'm fine.
08:46I mean, I'm trying to get better.
08:49What's up?
08:50I'm sorry.
08:51I bothered you at this hour.
08:52Your results are out.
08:54Can you come to the examination room tomorrow morning at nine?
08:58Of course.
09:00Is something wrong?
09:02It would be better if we met face to face.
09:06Okay, let's talk.
09:10Should I be worried?
09:12Mr. Yiğit.
09:13Let's meet face to face.
09:15Anyway.
09:16I won't force you.
09:19As you said, I'll come tomorrow.
09:20We'll meet face to face.
09:22Okay, I'll be waiting tomorrow.
09:50Let's go.
10:09Yiğit.
10:10Let's take you to the hospital.
10:20Okay.
10:44Luckily, it is not what we were afraid of.
10:47The mass is big, but it is benign.
10:49It is easy to operate and remove the tumor.
10:52But he has to be careful from now on.
10:56His body can generate new tumors.
11:00I see.
11:18I see.
11:38Once again.
11:40It's a benign tumor.
11:41However, your body is generating the tumor.
11:44This tumor, four times in three years, is very worrying.
11:49Yiğit.
11:50You must watch your health.
11:51And you must never skip your exercises.
11:57It's okay, doctor.
12:03Go exercise from time to time.
12:06And be careful about your living.
12:09If your body becomes tough,
12:11you will be tough and durable too.
12:14Allowing a kiss to build in your body is in your hand.
13:41I love you.
14:11La la.
14:11La la la.
14:13La la la.
14:15La la la.
14:16La la la.
14:20La la la.
14:21Brother, why are you making me crazy?
14:24We were supposed to sing lullaby.
14:32La la la.
14:36La la la.
14:41Good morning.
14:47Good morning.
14:52Is it morning?
14:53What else is going to happen?
14:55This place is going to be decorated.
14:57Today is decoration day.
14:58Let's watch it on TV.
14:59I'm going to do it here.
15:00Now, first of all, clean pajamas.
15:06Yes.
15:07Yes.
15:12Books.
15:13I mean, I didn't know how to buy books for a writer like you, but...
15:17Writers like to read better than themselves.
15:20I mean, it could be, it makes sense.
15:21I don't know.
15:24I guess I couldn't hide it, but...
15:28Muddy sweat.
15:31Look, it's a terrible thing.
15:33I'm going to say something.
15:34Really, don't wear these without changing your socks.
15:36If it smells, this gift is ruined.
15:38Please, I know your value.
15:39These will protect you.
15:40Really?
15:42Yes.
15:46Then, there are pillows here.
15:48Because this is a home environment.
15:56Are you ready?
15:58Now, this is really important.
16:01The most emotional, sweetest, warmest house.
16:10Dantel.
16:11I can't believe it.
16:12What can I say?
16:13This is more of a home than your own.
16:15Is it?
16:16Yes.
16:18Really, I'm so sorry.
16:21Yes, Dantel.
16:23Yes, sir.
16:24Teas.
16:25What are you saying?
16:26Exactly.
16:27Cold sandwich.
16:28Cold sandwich, sir.
16:29Eat it before it gets cold.
16:30I was joking.
16:33Look, what's behind you?
16:34What?
16:35What happened?
16:36What?
16:37Is it something?
16:38It's a wing.
16:39A wing?
16:40Yes.
16:44Mr. Tuna?
16:45You have a meeting with the doctor.
16:47He's waiting for you in his room.
16:49Okay, I'm coming.
16:52You're welcome.
16:57Maykala.
16:58Shouldn't we go?
16:59It's your first class.
17:00Don't you have classes?
17:01What?
17:02Actually, we...
17:04Let's run away from here, Maykala.
17:05Shall we?
17:06Let's run away.
17:08No way.
17:10No way.
17:11Do you know why?
17:13Because I decorated this place.
17:16I'm going to deal with this place all day.
17:18I created a house.
17:20Respect this effort.
17:21Then you slowly take your feet out.
17:24Yes.
17:25You put them in the pockets.
17:29Please.
17:31Yes.
17:34Let's not get cold.
17:35Yes.
17:36Let's not get cold.
17:37Yes.
17:39Shouldn't we go, Maykala?
17:40I'll tell you something.
17:42You're nervous.
17:44You're nervous.
17:45It's normal.
17:46But there's nothing to be nervous about.
17:47I can come to you if you want.
17:49I'll come.
17:50Okay, I'll come to you.
17:54I'm itching.
17:55I'm itching, you know?
17:56But I can't reach it from above.
17:57Okay, it's for that arm.
18:06.
18:15Tuna Bey, we usually have direct interactions.
18:19But I allowed Ms. Deniz to participate today.
18:22Because I wanted to see her as an acquaintance.
18:26The first thing we'll do now is to determine the factor that causes the problem.
18:33Because I'm an operative patient.
18:39I also have a factor.
18:41Did I find the factor?
18:43Now, right away.
18:44Now, as the first step in your treatment...
18:48Actually, there is a saying in our culture...
18:50...that the nail will be removed.
18:52For example, if I walk around with my wife all the time...
18:54...wouldn't we reach something like removing that nail?
18:57Instead of that nail...
18:59...why don't you talk about your connections?
19:02For example, if we go back to your childhood...
19:06Here we are.
19:07Now, let's go back to our childhood.
19:12We can't refuse that.
19:14But I came here because...
19:16...I'm a fan of the case of love.
19:19And the reason is obvious.
19:20Wait a minute. I object, doctor.
19:22I object.
19:23What is innocence?
19:25There is something called innocence.
19:27Don't let him know.
19:28Why am I being guilty?
19:29Why am I being guilty right now?
19:31Because you understand.
19:33Look.
19:34Situations related to connection problems...
19:36...are usually related to childhood and parents.
19:40That's why your mother and...
19:44Let's not talk about my mother.
19:45Because I don't have a mother.
19:46I understand.
19:47Let's not talk about that.
19:48We need to talk about something.
19:50I'm 7 percent.
19:51I'm 7 percent.
19:52I'm being guilty.
19:54I'm sorry, doctor.
19:55It's okay.
19:57Mr. Tuna.
19:58What makes you feel that you don't have a mother?
20:03Doctor.
20:04What makes you feel that you don't have a second satellite in the world?
20:09I never knew my mother.
20:10How can I know that she doesn't exist?
20:11How can I understand that I don't know her existence?
20:14If you had a mother...
20:17...how would you want her to be?
20:20What does that have to do with it?
20:21Maybe the cause of this trouble you are experiencing...
20:23...is related to a mother trauma.
20:25There is a song called Ananı Niyolay, doctor.
20:27It was very good in the 90s.
20:29Did you know that?
20:30Now, my problem is not about that mother trauma, doctor.
20:33Do you know what I want?
20:34I want her to put water in this glass...
20:36...and then give me two pills.
20:38I want her to turn my head into concrete with those pills.
20:41Okay?
20:43I think it's okay.
20:54Is it me?
20:55Am I guilty?
20:56Ms. Deniz.
20:58I think we just identified the culprit.
21:07I understand.
21:10You are welcome.
21:19These are all the same.
21:20I would be surprised if they weren't the same.
21:22It's so weird.
21:23Really.
21:24Really.
21:25It's so weird.
21:27What are you doing?
21:28If you come here every time the doctor gets angry...
21:30...what will happen?
21:31You will stay here longer.
21:32Michael, she says mother.
21:33Are you aware?
21:34I think there is a situation like this.
21:35If someone has a psychological problem...
21:37...the doctor says, mom.
21:38Somehow we got out of it.
21:39There is no problem.
21:40I mean, somehow it connects there.
21:41Right?
21:42Why are you crazy?
21:43You are not crazy because of the mother issue.
21:45Really, Michael.
21:46Really.
21:47Do you really think so?
21:49That's all.
21:50But of course, you are also out of the situation.
21:53Out of the situation?
21:54I mean, running away?
21:55Yes.
21:56I'm running away.
21:57What am I doing here if I'm running away?
21:58What am I doing with the doctor?
21:59What am I doing if I'm running away here?
22:07Can it be suicidal, Michael?
22:11Suicide?
22:14Suicide.
22:16You want to blame me, do you understand?
22:18You want to blame me.
22:19I'm guilty.
22:20Okay, I'm guilty.
22:21I made you crazy.
22:22I admit it.
22:23I couldn't love you.
22:24I couldn't love you.
22:25I loved someone else.
22:26I couldn't love you.
22:27I loved someone else.
22:28I'm sorry.
22:29I'm sorry for loving someone else and suffering.
22:31I'm sorry for asking you for help for the man I love.
22:34Okay?
22:35It's my fault.
22:36It's all my fault.
22:37I'm sorry.
22:38But I'm not here to comfort my conscience.
22:39You can't tell me that I'm here to comfort my conscience.
22:42You don't have the right to do that.
22:43Do you understand?
22:53I'm sorry.
22:56I got mad at the doctor.
22:58Then I got mad at you.
23:00I'm sorry.
23:10Yes.
23:11Since I admit my guilt,
23:14I think you can face your trauma now.
23:18I don't have a mother trauma.
23:20I don't have a mother trauma.
23:22If the doctor is wrong, I don't care.
23:26Do you know what I'll do?
23:28I'll take two pills the doctor gave me.
23:30Then I'll take a nice shower.
23:32Then I'll put a blanket on me.
23:34I'll put a pair of socks on me.
23:35Okay?
23:36Then I'll hit my head.
23:37I'll sleep.
23:38I won't have anything left.
23:39That's great.
23:40I wish everyone could get rid of all their troubles when they sweat.
23:48You won't.
23:49I have a crazy report.
23:50It's not a problem.
23:52I have a crazy report.
23:54I'll do it.
23:57You don't help me.
23:58You have to suffer here.
24:00I'm the crazy one.
24:05Whether you want it or not, you'll get better.
24:08And I won't leave you alone here, okay?
24:19Why are you crazy about my love after that?
24:22How can I be crazy?
24:49Can you get me that bag?
24:51I'll get it.
24:52What are these?
24:53I bought something for Tuna.
24:54Slippers, slippers, snacks.
24:58She couldn't think of these now.
25:00Thank God you're here.
25:03A lot of people don't think so.
25:08You mean Deniz and my brother.
25:11I don't understand.
25:13You're all so good, so sweet people.
25:16How did you end up hating each other so much?
25:19Because there's no such thing as a good person or a bad person.
25:23There are benefits and disadvantages.
25:25And the benefits don't clash.
25:28I hope I don't get in trouble then.
25:30I hope not.
25:39He didn't waste any time.
25:42Hi.
25:44What are you doing here?
25:46Nothing.
25:47Nothing?
25:49Why are you coming here?
25:51Don't you know you shouldn't be here because of Tuna?
25:54I came here because I was bored.
25:57You came here because you were bored?
25:59Yeah.
26:00Your mind should be at ease.
26:02Nothing else matters.
26:03It doesn't matter what other people are doing, does it?
26:06First, don't yell here.
26:08Second, I don't have to listen to your insults.
26:11Do you understand?
26:12Why? Are you angry because someone tells you what goods you have?
26:15Please.
26:17Why are you angry?
26:18You're not angry with me.
26:19You're angry with yourself.
26:20You're angry with someone else.
26:22I know who you're angry with.
26:23If Yigit doesn't love you, it's not my fault.
26:25It's no one's fault.
26:26Look at me.
26:28Please, please.
26:29One minute, one minute.
26:30One minute, yes, I'm looking at you.
26:31Look at me, my attention-seeking friend.
26:33You're going to leave Tuna alone.
26:35I'm going to make him pay for this.
26:38First, you're going to put that hand down.
26:39What are you doing?
26:40Do whatever you're going to do.
26:41You'll see what I'm going to do.
26:42Don't worry, you'll see what I'm going to do.
26:44Okay, show me then.
26:45You come and scream.
26:46Show me what you're going to do.
26:47Let's see.
26:48Wait, let me see.
26:49Don't be ridiculous.
26:50I didn't come here for this.
26:51She came here for this.
26:52Show me what you're going to do.
26:53Okay, you're not going anywhere.
26:54Talk, talk, don't go.
26:55Okay.
26:56Get out of here.
26:57Get out of here.
26:58You get out of here.
26:59Take your bag and go, don't be ridiculous.
27:00Okay, go.
27:01Okay, don't go.
27:02Come on.
27:03Can you calm down?
27:04Okay, shut up.
27:05Calm down, please.
27:06Calm down.
27:07I can't calm down right now.
27:08Come, come.
27:09Come, come.
27:10There's nothing to talk about.
27:11Please calm down.
27:12Can you calm down?
27:13Why should I calm down?
27:14Stop, just stop for a second.
27:15Stop.
27:16I'm already stopping.
27:17What are you doing?
27:18Who do you take after?
27:19What are you doing?
27:20What are you living for?
27:21Okay, but doing this has no effect on Tuna.
27:22No, what are you talking about?
27:23Can't you see?
27:24What are you doing?
27:25I can see.
27:26I saw, okay, but we're all nervous.
27:27What we all need to do is to make an effort to make Tuna feel best.
27:28Let's not waste time on such things.
27:29I don't know how to do it.
27:30I don't know how to do it.
27:31I don't know how to do it.
27:32I don't know how to do it.
27:33I don't know how to do it.
27:34I don't know how to do it.
27:35I really don't know.
27:37When I ask her if she's okay now, it's like reading a book.
27:42Just read all the books and check.
27:44Even though that offended her?
27:45Read all the books and check.
27:46Even though that offended her?
27:48Let her go now, I don't know.
27:50Can you calm down?
27:51Okay, calm down.
27:52Let her go, done.
27:54Can you calm down?
27:55She's right now, can you get her tosell me?
27:56I don't know, we should be careful asking us that.
27:57If she knows that we'll be fined, we'll probably be fine.
27:58Will you let her go?
27:59No, I won't, I'm not letting her go.
28:02I'll go to the orphanage for him and find his file.
28:04I'll collect information about his mother.
28:06I think it's important for him to get better.
28:10That's good.
28:11They don't like to give information in such places.
28:16I mean, if I want, I can come with you.
28:18Maybe I can help.
28:20I mean, at least we'll be two people.
28:28Do you trust me because I'm Irem's housemate?
28:30Or is there any other reason?
28:32I'm a little nervous.
28:34It has nothing to do with him. I'm sorry.
28:36I misunderstood.
28:38Let's go.
28:39Let's go.
28:49Michael.
28:53Surprise.
28:54Do you always shake hands with each other?
28:58One goes, one comes.
29:01I'm glad you made the right choice.
29:04Besides, this place isn't as bad as I thought it would be.
29:09Thanks to you, Michael came before you and took care of the decoration.
29:13Really?
29:14Yeah.
29:16I brought something, too.
29:18What did you bring?
29:22Me?
29:24Me?
29:27Unfortunately, Michael came before you and took my wallet.
29:36Yes.
29:37He didn't waste time.
29:39Excuse me?
29:43I'm saying that Deniz doesn't look good on you,
29:45but he's always with you.
29:50I have no objection.
29:51That's the problem.
29:52He knows he's hurting you, but he doesn't leave you.
29:56Because you're the one who's always sulking. Don't do this.
29:59What should I do, Mirem?
30:00Should I fire her? Should I do this?
30:04Do it if you have to.
30:06If you say you can't do it, I can do it for you.
30:17Mirem.
30:23It's not that I can't do it.
30:26Do it.
30:29What do you think will change if I give up on Deniz?
30:33Will the problem be solved?
30:35Of course it will.
30:37Because you're addicted.
30:38How will you get better if you don't give up on your addiction?
30:43Like you gave up on Yiğit.
30:45It's not the same thing.
30:48It's the same thing, Mirem.
30:50You know that.
30:52It's the same thing.
31:01We have to start chemotherapy as soon as possible.
31:05We can't do it right away.
31:07But we can do it for a while.
31:15Mr. Yiğit.
31:16Mr. Yiğit.
31:19Mr. Yiğit.
31:22Are you listening to me?
31:24Yes.
31:26So you heard what they said.
31:29Yes.
31:32Tumor in the brain stem.
31:33Yes.
31:35It's malignant.
31:36I have very little chance of survival with surgery.
31:39Did you listen to the rest?
31:42The rest?
31:43I've been talking for five or six minutes.
31:47I'm sorry, I couldn't hear the rest.
31:50No, please.
31:51Then I'll repeat it.
32:03We have to start chemotherapy as soon as possible.
32:07Even if we can't operate at this stage,
32:09we can slow down the progress of the disease.
32:18Then we'll follow up.
32:19If the tumor is smaller in the treatment result,
32:22maybe there's a chance of surgery.
32:24I can't give you hope at any cost.
32:26I'm just talking about chances.
32:30Just in time for you...
32:32Doctor, how much time do I have left?
32:34If things don't go well, at most two years.
32:49TUMOR IN THE BRAIN
33:19TUMOR IN THE BRAIN
33:20TUMOR IN THE BRAIN
33:49TUMOR IN THE BRAIN
33:50TUMOR IN THE BRAIN
34:09I'm sorry, but I can't give you information about Tuna.
34:12Look, I'm telling you again, he's sick.
34:15That's why we need information about his mother.
34:18I know, you just said that.
34:20So you're aware that we're insisting.
34:23Your insistence doesn't change anything.
34:25I can't just spread these official documents
34:27because two people came and asked.
34:29Ma'am, look, we understand you, you're right,
34:32but what we want is not to get the documents from you.
34:35We'll just take a look and then we'll leave.
34:37It's a look, it's very simple.
34:38I mean, we don't want any documents.
34:40Let's do this.
34:41Information, just information.
34:43He's very sick, Tuna is very sick, please.
34:45Look, I know Tuna much better than you do.
34:47He grew up in front of my eyes.
34:48I'm really sorry about his situation.
34:50I wish I could do something.
34:52But I can't give you official information
34:54without a court decision.
34:57I don't have that authority.
35:01Now if you'll excuse me, I have things to do.
35:04Please, this way.
35:13I'm sorry I couldn't help.
35:15No, it's okay.
35:17We understand.
35:19I actually want to meet you.
35:22Of course, come in.
35:28It's not very easy to meet.
35:31There's a kid.
35:32There's a kid.
35:33There's no place to stay.
35:34How is it going?
35:35Well, there must be some conditions
35:37for him to stay in our institution.
35:39He must not have parents
35:41or be in a situation where he can't take care of them.
35:43Yes.
35:44Now,
35:46since it's a private matter,
35:48I'm going to tell you the situation,
35:50but before I do,
35:51can we be alone?
35:52Of course, of course.
35:54Because it wouldn't be right.
35:56Of course.
35:57I'm sorry.
36:11That's it.
36:13Tuna.
36:14Tuna Ertürk.
36:15You can see his last name.
36:20Don't miss it.
36:22Don't miss it.
36:24Don't miss it.
36:31Tuna Ertürk.
36:32I found you.
36:43I found you.