- 4/26/2025
Deniz is the daughter of a wealthy family as a child. She is so special for her school because of her beauty and popularity. Yiğit is the short and fat kid with glasses that everyone is making fun of at school. These two cross paths with each other while they are in middle school. Even though Yiğit is frozen out by everyone, Deniz takes him under her wing. They build up an unforgettable bond. Deniz becomes Yiğit's first friend and childhood crush.
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
Category
📺
TVTranscript
00:00♪
00:30You've got a lot on your plate.
00:31You've got a lot on your plate with Yiğit, right?
00:34What do you mean by that? We both know it very well.
00:36Yes, you know very well what I mean.
00:38I'm working. I'm an assistant.
00:40I have to do my job.
00:41While Mr. Yiğit is working, I have to work.
00:43Because I can't come home and lie down.
00:45I don't have that luxury.
00:46When you say Mr. Yiğit, you cover everything up, don't you?
00:49Very nice.
00:50Why are you laughing?
00:51What am I covering up?
00:52Tell me that.
00:53What is being covered up?
00:54No, I don't need to say anything.
00:56You understand what you understand.
00:57Forget it.
00:58You understand what you understand.
00:59You're talking about something.
01:00You're annoying me.
01:01After that, you understand what you understand.
01:03Don't deceive me.
01:04Tell me what it is.
01:05Tell me clearly.
01:06I'm listening to you.
01:07Tell me.
01:08You don't tell Yiğit who he really is.
01:11You don't leave his side either.
01:13You keep Tuna with empty hopes.
01:15You included me in your game.
01:17After that, you act like the most innocent person in the world.
01:21How nice.
01:22What are you talking about?
01:24When someone told you the truth for the first time, you were surprised.
01:26Of course, it's normal.
01:28Do you love Tuna?
01:31You don't have to think.
01:32This is not something to think about.
01:33Answer me.
01:34I love him.
01:36Do you love Yiğit?
01:44Why are you silent?
01:48Because if you say no, your hypocrisy will come out, right?
01:52You pushed me in front of Yiğit.
01:54Because of you, I fell in love with this man like crazy.
01:57But if I ask you,
01:59you did everything you could to be with Yiğit, right?
02:04I did.
02:07I didn't.
02:08You did.
02:10Then you went behind my back and did everything to win Yiğit's heart.
02:15You played the innocent girl in the background.
02:17You played the innocent girl in the background.
02:19You fooled Tuna like that, too.
02:21Because you discovered your weakness.
02:25I couldn't help but save you.
02:27It's so nice.
02:28Innocent girl.
02:29How nice.
02:30Everyone is playing with you like this.
02:33But actually, everyone does it because they love him so much.
02:36Everyone thinks a lot.
02:38He wants everyone to be happy.
02:40Actually, he's suffering a lot.
02:42He's in pain.
02:43Right?
02:44I don't understand what you're doing right now,
02:46but I don't deserve what you're saying.
02:48You know that.
02:49You deserve everything I'm saying.
02:55Because you don't love anyone.
02:57Neither Yiğit, nor Tuna, nor me.
02:58You only love yourself.
03:00You sacrificed us all for your game.
03:06You made everyone unhappy.
03:08You're guilty.
03:10Are you comfortable?
03:11Are you comfortable?
03:13You told everyone.
03:14You got angry.
03:15Are you comfortable?
03:19Things wouldn't go on like this, Deniz.
03:21I know that.
03:41I know that.
04:02Good morning, everyone.
04:06Good morning, everyone.
04:07Are you all sick, brother?
04:08We're all sick.
04:10Look behind you.
04:11Look at the slippery animal.
04:12He stretched his legs like that.
04:14He's got a lot of microbes.
04:17Bacteria hole.
04:19Coach, I got better one day.
04:20I'm like iron.
04:22Why?
04:23Because you're always washed.
04:24Your immune system has collapsed.
04:27You're out of your nature.
04:28I'm telling you not to wash all the time.
04:30If something good happens, I'll do it.
04:32That's not why.
04:33You're a microbe yourself.
04:34There's no microbes on you.
04:36I'm like a caveman.
04:37What does it have to do with it?
04:41Achoo!
04:52I'm so sorry.
04:53Because it's too late.
04:54I said, should I get on the bus?
04:56But if I had gotten on the bus at that time,
04:59I would have been sleeping on my grandfather's shoulder.
05:01That bus would have been going around.
05:03When I woke up, it was morning.
05:05I would have come to work.
05:07Nothing would have changed.
05:08That's why I'm so sorry.
05:09Don't apologize too much, Aykut.
05:11Apologizing too much takes a lot of space.
05:12You just apologize.
05:15But in this case, when you apologize,
05:16it's like, what if I didn't do it?
05:18There's no need for that.
05:20Don't apologize.
05:22Isn't there anything?
05:24Aren't you going to act cold at all?
05:26Even a little bit of misbehavior.
05:31I mean, I'm sorry.
05:32Yes, I'm not sorry.
05:34But there's nothing to do.
05:35I'm sorry.
05:38I mean, it's possible, actually.
05:39You can pour it in.
05:40It feels like you're throwing it in.
05:41You're right.
05:42I mean, after all.
05:43I mean, you're right.
05:44Of course, I couldn't come in the middle of the night.
05:46But you're right now.
05:48Because you're sorry.
05:49So say something.
05:50Pour it in.
05:51There's no need for so much chivalry.
05:52Say something.
05:53The outside is you.
05:55The inside is me.
05:57You know?
05:58Never mind.
05:59I mean, I'll even tell you something else.
06:02When I was little,
06:05I used to be a painter.
06:10Esat Cavit Exhibition.
06:11What are you saying?
06:12I'm not saying I'm a number 10, five-star painter.
06:17They have exhibitions tonight, sir.
06:18If you want to compensate.
06:27I'm working tonight.
06:30You couldn't say no, could you?
06:31Should I say no on the day I work while I'm standing?
06:33You'll be fired, God forbid.
06:37There's no need.
06:40I didn't think your compensation could be this early.
06:43I mean, otherwise I'd get permission.
06:45But when it comes back to me...
06:48You're right.
06:49I think that's the problem.
06:52You can't come.
06:54I'm thinking about the compensation.
06:56You can't come to the compensation.
06:57You can't come.
07:02Okay.
07:22Good morning.
07:23Aga.
07:27Aga.
07:34Long live.
07:44Let me ask.
07:50I think ask.
07:51Yes.
07:57Yes.
08:08Yes.
08:18Can I come, Mr. Yigit?
08:27Yes.
08:39This is for you.
08:43For me?
08:49Because I'm back?
08:51What was the need?
08:52You embarrassed me.
08:54Let me put it this way.
08:55Let's say it's a gift you've deserved for a long time.
09:01A gift I've deserved for a long time.
09:04Surprising.
09:06Can I open it with your permission?
09:07Please.
09:09Wow.
09:13CD.
09:17What's in it?
09:19You'll watch it soon.
09:21If there's anything I can watch, it's a movie.
09:24I need a lot of energy and morale these days.
09:27I hope it's a comedy movie.
09:33I don't think it's a comedy.
09:34Anyway.
09:36Let's not spoil the surprise.
09:38Let me get back to work now.
09:41You say I won't spoil the surprise, I won't say it, and I'll wait until the end.
09:45What are you doing?
09:52I don't know if I'll have morale when I watch it.
09:56But you can be sure of one thing.
09:59After watching it, nothing will be the same.
10:06Please watch it now.
10:16In your presence, Asena Hatun.
10:20Yiğit, my dear.
10:22These guys want a lot of money.
10:24Let's give up on this astronomically.
10:27We'll solve this with a loan, don't worry.
10:31And we got a loan.
10:33At the end of the day, it's not a big deal.
10:36It's not a big deal.
10:38It's not a big deal.
10:40It's not a big deal.
10:42It's not a big deal.
10:43It's not a big deal.
10:45At the end of this, we'll all go to the credit union.
10:49Gazi is right.
10:51Then find yourself a new general coordinator.
10:54If we're not going to grow up, I'm not here.
10:56Oh, oh, oh, Yiğit, you're taking a race right now.
10:59We came here because we could find a middle way.
11:01At least if I find a middle way between you and my mother.
11:10Yes, I'm taking a race.
11:11Because I don't want to wait any longer.
11:14After that, the time for me to sneak out is over.
11:18After that, it's time to bite, pick up and catch.
11:27Now you have to make a decision.
11:29If you want to work with me.
11:32Now?
11:33Yes, now.
11:36Do you want to be a hunter or a hunter?
11:39No.
11:41So are we going to bite or are we going to be bitten?
11:45If you want, let's bite.
11:46Here, take it.
11:53Okay.
11:54I'll take the credit.
11:59Right decision.
12:00A woman has such a sense of humor.
12:02She always makes the right decision.
12:10I finally found you here, Mr. Tuna.
12:13But I might not want to be here.
12:15I came to tell you that I finished all my work.
12:18You told me to organize the pages.
12:20I took care of them all.
12:21You can take a look at them now.
12:25Okay, I'll go then.
12:40Are you okay?
12:41Is it bad?
12:43You look a little tired.
12:45What do you mean tired?
12:49I think I know.
12:50I've been an eavesdropper in your conversations with Deniz.
12:53I mean, I'm sorry.
12:54It's not that I want to listen.
12:58Michael and I are sometimes so behind.
13:04Actually, it's never happened before.
13:05So it happens, Yaman.
13:06Everything has a beginning.
13:08Oh, I'm sorry.
13:12If you want to get down to business.
13:17Okay.
13:21Are you mad at me?
13:22Can I say one more thing?
13:24I'm probably not mad.
13:26That...
13:27Exhibition in the evening.
13:29I'm not mad at you.
13:31I'm mad at you.
13:32I'm mad at you.
13:33Exhibition in the evening.
13:36Esat, Cavit.
13:38I love that painter.
13:40If you're not going,
13:42can you give me your invitation?
13:44I mean, you're not going to give it to anyone else, of course.
13:47I'll give it to you.
13:48No problem.
13:49They're upstairs.
13:50I'll give it to them when I get upstairs.
13:51Okay.
13:53In fact, why don't we go together?
13:57You wouldn't have missed it.
14:01No.
14:04Actually, yes.
14:06Why don't we go?
14:07Why am I sitting idly at home?
14:09Yes.
14:10And I can't imagine you like that.
14:12How?
14:13Idly.
14:14Don't you see?
14:16So?
14:17We're going.
14:19Okay.
14:20See you then.
14:34I'm here right now, aren't I?
14:35There's no one.
14:36Yes.
14:37I mean, I could get in.
14:38I'm inside.
14:39Is there something, assistant?
14:43Yes, there is something.
14:44There's something I need to tell you.
14:46It's very important.
14:47Tell me.
14:49Yes.
15:04By the way, what is this?
15:06Is it a gift?
15:08Ms. Neşe gave it to me.
15:10It's important.
15:11I couldn't look at it, but I'm curious.
15:13Anyway, that's not our topic now.
15:15Yes.
15:16Come to the point.
15:17What are you going to say?
15:18Yes.
15:19Let's come.
15:20I'm trying to say this.
15:22Now, if this business is going to last today.
15:24I mean, if we're going to work for a long time.
15:26Can I go somewhere and come back
15:29between that long work?
15:30Is there such a possibility?
15:32It was rejected, assistant.
15:34But here I am in the evening.
15:36I'm telling you what you're going to do in the evening.
15:38You can fill out this loan application form I mentioned to you.
15:41Those forms can be filled out, but in the evening...
15:43We'll go out together in the evening, assistant.
15:45But I have an appointment.
15:48You have an appointment.
15:50It's not like that, assistant.
15:52That, you know,
15:54the owner of the Blue magazine
15:56we're trying to make a deal with,
15:57Mr. Halit,
15:59we're going to buy him a gift.
16:01Oh, that gift?
16:03I'll buy it, I'll buy a tie,
16:05I'll choose a nice one, I'll put it in a nice box.
16:07It can't be such a simple, ordinary gift, assistant.
16:09It has to be a gift that we're going to paint his eyes with.
16:11What are we going to paint his eyes with?
16:13You'll see when you go in the evening.
16:15Your idea is important.
16:18Don't forget to wear something stylish in the evening, assistant.
16:21So, we're going out shopping.
16:23Why am I wearing something stylish?
16:25This is one of the shopping you know.
16:27It's not important.
16:29Okay? This is what you're going to wear.
16:31Please be stylish.
16:40What did you buy?
16:44What is this?
16:47Is it for the CD package?
16:49Oh my God.
16:51Is it a movie?
16:53I guess he found one of the old movies.
16:55It doesn't say anything.
16:58Deniz, Deniz.
17:00There's no one in the office. Can you help me?
17:02There's something black on my table.
17:04Okay, I'll be right there.
17:21Come on, Deniz.
17:24Hello, welcome.
17:25Hello, welcome.
17:27Hello, nice to meet you.
17:29Let me give it to you.
17:33Come on, take off your coat. Let's give it to the lady.
17:37Yes.
17:39What happened?
17:41It's wrong.
17:43Isn't it?
17:45If it's not suitable here,
17:47I'll take it back.
17:49I'll wear my coat back.
17:51My coat. Sorry, Ms. Vesliye.
17:53Should I wear it?
17:56I'll wear it.
17:58I'll wear it.
18:00I'll wear it.
18:02I'll wear it.
18:04I'll wear it.
18:06I'll wear it.
18:08Are you deaf? Did something happen?
18:10Did I do something wrong?
18:12Ms. Vesliye, do you have water?
18:14No, thank you.
18:16You look beautiful.
18:20I'm out of breath.
18:23My throat is like...
18:25It's like...
18:27No, honey. Don't exaggerate.
18:29It's nothing like that.
18:31I'm not exaggerating, Deniz.
18:33In fact, you're the most beautiful,
18:35the most chic lady here.
18:36I'm sorry but
18:38am I wrong?
18:40No, honey.
18:42Isn't it?
18:44The miracle of the shoes.
18:46Yes.
18:48Are you real?
18:50What is real?
18:52I don't know.
18:55Yes.
18:57Where are we really?
18:59Come.
19:01You'll see.
19:06Let's go.
19:20Are these paintings telling a dream
19:23or a nightmare?
19:25What happened?
19:27We were going to buy a gift.
19:29I don't know.
19:31Why are we at Esat Cavit's exhibition?
19:33Why?
19:34He's a good collector.
19:36We'll buy his gift from here.
19:39Okay.
19:47It's a beautiful work.
19:49Isn't it?
19:55I said I'd stay for work.
19:57But I'm in the middle of Esat Cavit's exhibition.
20:00Please don't come.
20:01You'll get me wrong if I say
20:03tickets are half sold out.
20:05Please don't come.
20:07What will I do?
20:09I'll let you know.
20:11Deniz, what are you doing?
20:13I'm curious about the painting.
20:32It will be a unique comment.
20:35Of course.
20:39It's amoeba.
20:48It's a slimy animal.
20:54It counts again.
20:57It's a slimy animal.
20:59Good evening.
21:02Good evening.
21:07Good evening.
21:13Can we talk?
21:14No need.
21:15I can see.
21:16I don't need to listen.
21:18You were looking for a place to work.
21:21You needed a quiet place.
21:23You wore fancy clothes
21:25and came to the exhibition.
21:27It makes sense.
21:30If you won't listen,
21:31I won't talk.
21:32But you invited me.
21:34I couldn't come.
21:36Donald Trump will come with his nephew.
21:39I guess that's what happened.
21:47What should I say?
21:49Don't change the subject.
21:51I'm not changing the subject.
21:53That's the subject.
21:54What should I do?
21:57What a coincidence, Mr. Yiğit.
22:00We met.
22:01Yes.
22:02It's an interesting coincidence.
22:06I'll go to the bathroom.
22:07I won't stay here.
22:14I'll go with Deniz.
22:27What are you doing?
22:29What are you doing?
22:30You put it on your arm.
22:31You brought it.
22:32I didn't know we'd come here.
22:33I didn't know.
22:35Let go of my feet.
22:40Eat it.
22:47What are you doing here?
22:48This is a women's bathroom.
22:50I'm in your head.
22:51What happened to my head?
22:52Did I walk?
22:53Did I go to the bathroom?
22:54What happened?
22:55I can't calculate.
22:56I can't calculate.
22:57Calculate it yourself.
22:59For God's sake.
23:00I can't calculate anymore.
23:03God.
23:15Hi, honey.
23:16Hi.
23:18Honey.
23:20I'll ask you something.
23:21Ask.
23:22Did you get your hair brazilian?
23:24Did you get your hair brazilian?
23:25Or did you get it brazilian?
23:27What?
23:32Are you real?
23:35I'm beautiful enough not to be real, right?
23:38Just kidding.
23:40Deniz.
23:41We couldn't sit and talk in the office.
23:44Actually, we have a common point.
23:46Do you know?
23:47A common point?
23:49Of course, Tuna.
23:51Being with him.
23:52Being with him.
23:54I mean, how can I say?
23:55I don't know.
23:56You're very lucky.
23:58What can I say?
24:00I hope your wedding goes well.
24:02But be careful, honey.
24:04Time is bad.
24:05And Tuna is a very attractive man.
24:08And every woman wants to be with Tuna.
24:12You are a very good-natured, but naive young girl.
24:17There's nothing to thank you for.
24:19But thank you.
24:23Look, honey.
24:24Always be awake.
24:26If you're not awake,
24:28they'll kill him in a minute.
24:31No.
24:32Okay?
24:37Come on.
24:38Crazy.
24:39Another crazy came to the office.
24:41Crazy.
24:44Crazy.
24:52Crazy.
25:04What do you think this picture tells?
25:06Are you kidding me?
25:07No.
25:09I was just curious about your comment.
25:14Let's see.
25:16I wonder what this picture tells.
25:19What should we look at?
25:20Lines.
25:21Tones.
25:22Colors.
25:23Now.
25:24This picture.
25:25Tones.
25:26Lines.
25:27Colors.
25:28They were ridiculous to each other.
25:30As if none of them were enough for what they had.
25:34They tried to make fun of each other.
25:36Right?
25:37Look at this.
25:38For example.
25:40Your neighbor's chicken looks like a goose to you.
25:43It's exactly like that.
25:45Actually, if you ask me what the name of this picture is,
25:48the answer is a thief.
25:52What happened?
25:53It was funny, of course.
25:54You enjoyed it, didn't you?
25:56Nonsense.
25:58All of this is just nonsense.
26:00Wow.
26:01Of course, we couldn't support Americans like you, right?
26:04We are Europeans.
26:05Tell me.
26:06What does it say?
26:08Nothing.
26:09This picture doesn't tell anything.
26:11It just tells that the painter knows his job well.
26:15Do you know who the best painter is?
26:17Come on.
26:18Who is he?
26:19Don't make fun of me.
26:20Okay.
26:24The best painter is the painter who knows who will buy his works.
26:29This guy obviously followed the latest trends well.
26:32He mixed with the classics.
26:35He created works that could be easily sold.
26:39But it's just a polo cut.
26:41Tell me.
26:47From what we said, I understand that there are huge differences between us.
26:52You are an imitated artist who has never been sold.
26:55I am a reality artist who has never been sold.
27:01I'm so happy to be an imitated artist.
27:04Look, but we have to do something with that peak.
27:06Look carefully.
27:11First, we take it to here.
27:15We draw a mountain. Do you know what we do after that?
27:17We draw from here to here.
27:19You think the painting is done.
27:20But then he makes a pine tree. I don't know how he does it.
27:22But...
27:23Pine.
27:27Assistant.
27:28If you want, you can tour the exhibition with Tuna.
27:30After all, I don't force you to stay with me.
27:35No, there is no need for that.
27:36I have already seen all the paintings.
27:39I saw what I saw.
27:40So...
27:43I'll go.
27:44Are you going?
27:45Can't I go?
27:46You can go, honey. You can go.
27:48You can go wherever you want.
27:49If you want, go to the warmest places.
27:51If you want, go to the bottom of those warm places.
27:53I can't get involved anyway.
27:54For example, Rio.
27:55This season is great.
27:58For example, this season is great.
28:01Very good.
28:02Let's choose this painting.
28:04Let's go.
28:07Let him go.
28:08Yes.
28:09It's your job.
28:10Let it be.
28:12I should go now. I have a long way to go.
28:14See you.
28:20See you.
28:25It's a really ridiculous coincidence.
28:38I think this is the place, right?
28:39Yes.
28:40We are here.
28:41The music is great, isn't it?
28:43Shall we go somewhere and drink something?
28:49It's late.
28:51I think we should go.
28:52We have work to do.
28:54I have coffee.
28:55I brought it from Bali.
28:56Would you like to have a cup?
28:59As I said, it's late.
29:00Let's go home.
29:01We have work to do tomorrow.
29:02Let's go.
29:03Let's go.
29:04Let's go.
29:05I think we should go home.
29:06We have work to do tomorrow.
29:08Okay.
29:10You will sit like a bird and write again, right?
29:13Good.
29:14Okay, then.
29:15Good night.
29:16Good night.
29:36Ouch!
29:37Ouch!
29:46What happened? Are you okay?
29:47I hit my foot on the tunnel.
29:49It hurts a lot.
29:50What should we do?
29:51Should we take you to a Turkish doctor?
29:53No, no.
29:54It's not that important.
29:56My life is a little sweet.
30:00It hurts when I step on it.
30:01Wait a minute.
30:03I worked all night for you.
30:06Yes.
30:07You are so strong.
30:08Don't ask.