લોક બોલીમાં ગવાતા લગ્નમાં ગવાતા ફટાણા, આજે આધુનિક સમયમાં અસ્તિત્વની લડાઈ લડી રહ્યા છે

ETVBHARAT

ફટાણા એ લગ્નગીતનો એક પ્રકાર છે. ફટાણા જુદી જુદી જ્ઞાતિએ જુદા જુદા પ્રદેશે, જુદી જુદી રીતે, જુદા લય સાથે ગવાતા હોય છે.

Transcript

00:00In the center of the festival, there is the groom and the bride's side.

00:04So the bride and Udhesi come to sing the song of the festival.

00:07Where did you come from? Where did you come from?

00:11Like a cloud of dust.

00:14The groom is asked, where did you come from like a cloud of dust?

00:19The bride is asked, where did you come from?

00:22Where did you come from?

00:25In this way, they talk to each other in upalamp.

00:30But upalamp means that only those who love each other very much can talk to each other in upalamp.

00:48In literature, there is a Sanskrit word called bhaama.

00:52It is a poem with a dictionary.

00:54The word is used in a meaningful way.

00:59It is called literature.

01:00And there is another word called lok.

01:02People of this world, people of the other world, people of the dead, people of heaven, all these are called.

01:07But why is the word lok here?

01:10Lok means that the society which is not affected by the real cultural heritage.

01:18That is, it is a little above the mainstream.

01:22That is, it is alive, it is alive.

01:24There has not been any particular change in it.

01:26It is called lok.

01:28So, the famous expression is such that it is written in folk language by the people for the people.

01:36Literature.

01:37That's why it's called folk literature.

01:38And in particular, it comes under the pressure of people's living life.

01:43So, there is no question of copyright in this.

01:47People sing songs.

01:48If you want to bring change in words, you can do it yourself.

01:52And in particular, there is no use of pure language in these songs.

01:56It should be written in folk language only.

01:58So, it is said that it is not to be spoken in a modern way, but in a modern way.

02:02Only then will it remain unauthorized.

02:05So, this is the fun of folk songs.

02:07Especially folk literature.

02:09In the forms of folk literature, there are pages and columns.

02:11So, in the column, we see that folk stories come.

02:15So, the main type of songs in the columns are folk songs.

02:17And there are ten types of folk songs.

02:21Before a person is born, the songs of Randalma come.

02:25Then the songs of Janoi, Halarda.

02:29Then the songs of Lagna.

02:32And when a person dies, Marasia comes to sing behind him.

02:36That is also a type of folk song.

02:38So, among them, the songs of Lagna.

02:39And we have called it Lagnotsav there.

02:42Because it is a festival.

02:44A person is a festival lover.

02:47And he considers marriage to be a festival.

02:49So, in the songs of Lagna, we get to see that

02:53In the beginning, from Ganpati Ganesh,

02:58to Kanyavidai,

02:59we get to see the songs of Lagna of every occasion.

03:04But when the moon has come,

03:06and at that time, the husband's side and the wife's side

03:10are sitting face to face,

03:14at that time, they sing Khatana.

03:17Khatana is a literary form of Tikhal.

03:21Tikhal is to be done to each other.

03:23But in the context of weapons, we get to see very little.

03:26Because of that, in some societies,

03:28each other feels wrong.

03:30And because of that,

03:32because of the laughter, it becomes Khasu.

03:34So, now the proportion of Khatana is decreasing.

03:38But it was a type of joy.

03:40And we have called it patience in today's society.

03:44So, to show patience,

03:48Khatana was a form of popular education.

03:53And Khatana is like that,

03:56there is a kind of blood,

03:58it flows in a stream,

04:00and if we look at its words,

04:03we get to see a combination of Khatana.

04:06And it is very simple.

04:08It does not have to be very complicated.

04:10People can understand it easily.

04:12We get to see such types of Khatana.

04:14In modern times,

04:16Khatana is almost dead.

04:19Because if there was Tikhal in front of each other,

04:22then in some societies,

04:24there is a lot of anger.

04:26And as a result,

04:28it is said not to sing Khatana.

04:30Because of that, it becomes Khasu.

04:33In reality, this is such a thing

04:37that makes people open.

04:40The whole heart talks about it.

04:42And then it becomes Sankrant.

04:44It comes down to others.

04:46That is why Khatana is necessary

04:48in today's age.

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