સપ્તક દિવસ 12 : તબલા - ઢોલક અને મૃદંગમની જુગલબંદી થઇ તો સારંગીએ એક સૂરે બાંધ્યા - video Dailymotion

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અમદાવાદમાં સપ્તકના 12મા દિવસે હરીશ તિવારી, વિકાસ પરીખ, રોનુ મજુમદાર અને ફઝલ કુરેશી જેવા દિગ્ગજ લોકોએ પરફોર્મ કર્યુ.

Transcript

00:00I am a resident of Uttar Pradesh, in the Devaraya district.

00:05I am a resident of a village.

00:07We did not have music at home.

00:09My uncle encouraged me.

00:12I sent my first guru, Pandit Thakur Chaubey, to Devaraya.

00:17Then I went to Benaras, in Bhechu.

00:21There, I learnt music from Pandit Ajit Bhattacharya and Ashaar-e-Nandan.

00:27He was a student of Pandit Omkarnath.

00:31Omkarnath was from Gujarat, from Suratkar.

00:34He was a student of him.

00:37Then I learnt Punjabi music from Pandit Kundanlal.

00:44My last guru was Pandit Bhimsen Joshi.

00:47I learnt from him in Pune.

00:51This is how our journey started.

00:54Sir, if you look at classical music,

00:57people who come from a musical background,

00:59they move forward in music.

01:02Sir, do you have a musical background?

01:08In our house?

01:10I did not start it.

01:13It is not necessary that you become a good artist only when you are born.

01:19It is not like that.

01:21You should have a good environment.

01:24You should have a teacher, a guru.

01:28You should have a good environment.

01:30You should have good education.

01:34You should do sadhana with them.

01:36Anyone can become a guru.

01:39It is important to have education and truthfulness.

01:43You should have devotion towards your guru.

01:48Only then you will take the subject seriously.

01:52You will take their words seriously.

01:54You will start your sadhana accordingly.

01:57It is important for this.

01:59Sir, what was the level of your life when you started classical music?

02:04What was the time?

02:07Time is done with passion.

02:11First you should have passion in you.

02:14You have to do it.

02:17You have to learn this knowledge.

02:21You have to learn it well.

02:23You have to learn it well.

02:26It is important for us to listen to the artist and know that he is an artist of this tradition.

02:35This is the truth of education.

02:38Sir, this is the 45th year of your musical career.

02:4245th?

02:44Yes, 45th.

02:46Today you are going to give a presentation.

02:48What kind of presentation will you give?

02:50First of all, I have come here for the first time.

02:53I have come to Gujarat for the first time.

02:55I have come to this program for the first time.

02:59I am feeling very good here.

03:03I am a little sad that Manju Mehta is not here.

03:10We thought that we would get to listen to the great artists like Ustad Zakir Hussain.

03:18All these things have been left incomplete.

03:21I am feeling very good that I got this opportunity in my 45th year.

03:29I thank Haital Mehta ji and Sandeep ji from the bottom of my heart for giving me this opportunity.

03:38Sir, what will you do in the presentation?

03:41In the presentation, today we will present Raag Maru Bihag.

03:47We will present two compositions.

03:50The first composition is in one taal, Rashiya Ho Naja.

03:53The second composition is in the third taal.

03:55The words are Parimuri Naav Majhdhara.

03:59All these were sung by my guru Pandit Bhimsen Joshi.

04:03He immortalized this bandish.

04:06This bandish was sung by him.

04:09He has sung it with Mannadej in a film.

04:14Basant Bhaar was made in that film.

04:16Ketaki Gulab Johi Champak Ban Phule.

04:19This composition is in one taal.

04:22Ustad had asked me to present this to him.

04:26So, I will present this to him.

04:32Sir, what is your name?

04:34I am Vikas Parikh.

04:36I am the singer of Mewati Gharana.

04:40I am a disciple of Pandit Jasraj and my father, Krishnakant Parikh.

04:46I run Swaralaya Academy.

04:54I have been teaching since my guru-disciple relationship.

05:00Sir, what do you mean by guru-disciple relationship?

05:04Guru-disciple relationship is taught in the same way in Saptak.

05:11In earlier times, one had to go to the guru's house or gurukul and teach.

05:22One could not go to the guru's house or perform outside the guru's house.

05:32There were certain rules.

05:36There was no exam method.

05:40Guru is the final statement.

05:47Sir, can there be a parallel to the guru-disciple relationship?

05:53Not in music.

05:54In music, there are examinations.

05:58There are exams for Visharad, Alankar, MA, BA, and PhD.

06:06But in that, my opinion is that there is only knowledge.

06:12If you want to progress in performance,

06:16The guru-disciple relationship is the best of the best.

06:22Even today.

06:24Sir, today is Saptak.

06:27It is the 13th day of Saptak in the country.

06:30How do you feel about it?

06:32I am not just an Ambedkar. I am a citizen.

06:37I feel very proud that we have been able to organise such a wonderful festival.

06:45I tell everyone that if you go to see a 13 day festival,

06:53You will not find it anywhere else.

06:57I have not heard of any 13 day festival.

07:01We are very fortunate that such great artists have participated in it.

07:10We get the opportunity to sit face to face and listen to them.

07:15We are very fortunate.

07:21Sir, what is your name?

07:23I am Ronu Majumdar.

07:26I play the basuri. You all know that.

07:30I have come to Saptak.

07:33Sir, you have played Hariprasad Chaurasia on the stage of Saptak two days ago.

07:41Will you play it today?

07:43I am not playing it today. I have been playing it for 35 years.

07:46The only difference is that Manju sister is not here this time.

07:49I have been serving since 1991.

07:54Almost every year since Nandan Bhai's time.

07:57Earlier it used to be in Kashi Ram Hall.

07:59Now it is here.

08:02I have played a lot of items here.

08:05I have also introduced many artists who had not come before.

08:12Saptak is a great yagya where everyone offers their aahuti.

08:23Our guruji, Bharat Ratna Pandit Ravi Shankar ji has also come to Saptak.

08:33Ustad Ali Akbar Khan sahib, Bheeshma Pitamahs have also come here.

08:40Ustad Zakir Hussain has also not come physically.

08:51Ustad Zakir Bhai had played two CDs with me.

08:54Heart to Heart and Ethereal Rhythms.

08:57He had played these two CDs with me.

08:59The third CD's planning was going on.

09:02And this time my composition, with the blessings of all of you,

09:09is called Samvedh.

09:13The song sung together is called Samvedh.

09:16My name has been recorded in the Guinness Book of World Records.

09:20A week ago.

09:22So I am sharing this news with you.

09:25With the audience of Ahmedabad.

09:27This is Guru Kripa.

09:30The special thing was that I conducted and composed the largest Indian orchestra.

09:36But the special thing was that the three raags composed by Sangeet Samrat Tansen,

09:42I had combined them.

09:45One is Mia Malhar, one is Mia Ki Todi and Darbari Kanada.

09:50Darbari was composed by Tansen in Akbar's Darbar.

09:55He had taken Darbari from Adana.

09:58So that is why I am sharing this big news with you today.

10:09Sir, tell us about your performance today.

10:12We haven't seen a tabla performance like this before.

10:16You played the tabla with your mouth.

10:19We should do something new.

10:21We do a lot of performances.

10:25So we should do something new in which the audience feels it is something new.

10:29Like you said, we have never seen anything like this.

10:31So we were having a conversation with the tabla syllables.

10:36Between me, Naveen and Shridhar.

10:40We were showing our playfulness,

10:44We were showing our playfulness,

10:46We were showing our playfulness,

10:49We were showing our playfulness,

10:54and we didn't decide anything.

10:56What you heard was happening on the spot.

10:58What you heard was happening on the spot.

11:0395% of classical music is improvised.

11:08Only 5% is raga, which is fixed.

11:12Only 5% is raga, which is fixed.

11:13The rest is happening on the spot.

11:16The rest is happening on the spot.

11:17Sir, can you give us a name for your performance today?

11:24Sir, can you give us a name for your performance today?

11:27No, nothing like that.

11:28We thought we should do something new.

11:30We thought we should do something new.

11:32These tabla syllables that we call rap,

11:35these tabla syllables that we call rap,

11:37have been around for thousands of years.

11:39have been around for thousands of years.

11:41This is a gift of Indian classical music.

11:44This is a gift of Indian classical music.

11:46Whatever you are playing, you are saying it.

11:48Whatever you are playing, you are saying it.

11:50Whatever you are playing, you are saying it.

11:52It becomes a language for us.

11:54We can have a conversation with each other.

11:59I was thinking that there were three different styles of percussion.

12:06Tabla is North Indian.

12:08Mridangam is South Indian.

12:10And dholak is used more in folk and films.

12:16These three styles are coming together.

12:19And who is tying it?

12:21And who is tying it?

12:22Sarangi.

12:23Sarangi was tying us.

12:25Sarangi was tying us.

12:27We were having a conversation with each other.

12:30We were discussing how we could play together.

12:32We were discussing how we could play together.

12:34We were discussing how we could play together.

12:36Music is one.

12:38Taal is one.

12:40Whether we are from the South, North or folk,

12:42we are all one.

12:44We showed how we can become one.

12:48Tell us about saptak.

12:50You have been playing saptak for so many years.

12:52You have been playing saptak for so many years.

12:54Today is the saptak of this year.

12:56It is dedicated to Saqib Hussain.

12:58It is dedicated to Saqib Hussain.

13:00Saptak has been playing for so many years.

13:03For the last 45 years.

13:04I myself have been playing for 35 years.

13:06This is the only festival that has been running for so long.

13:11This has been happening for long.

13:14Running for 12-13 days is not easy.

13:19Asaan baat nahi hai, aur yeh isme jo organizer hain, un log ka itna shrey jaata hai unko,

13:26Nandan bhai ko jaata hai, Manju bhai unko jaata hai, ab yeh log, young log jo hain,

13:31Sandeep hai, Hetal hai, Purvi hai, yeh log aage badha rahe hain.

13:36To in log ko jaata hai.

13:37To main sab tak ko, main unko, main unko, matlab kehta nahi hai ki parivaar ki tarah

13:43hai.

13:44Zakir bhai bhi aise hi soshte the.

13:46Zakir bhai yahan pe itne saal se baja rahe hain, itne saal se unhone yahan pe performances

13:51diya hai.

13:52Sab abhi yaad karte hain unka jo performance.

13:55To it is like a family to me and I will be coming, whether they call me or not, I will

14:00be here.

14:01Sir, ek aakhari sawal, sir, Shastriya Sangeet mein aage ki journey aapko kaise lag rahi

14:07hai?

14:08Nahi log kaise jhudayenge?

14:11Sir, aamtoor par dekhene to abhi bhi jo log jhud rahe hain, wo kahi na kahi Sangeet

14:15ke background se hote hain.

14:16Toh nahi log nahi jhud rahe hain.

14:18Dekhiye, nahi log jhud rahe the aur jhud rahe jhud rahenge mere isaap se.

14:22Ab jaise kalakar jaise Zakir bhai the, ki jo music ke logon ko jo music bhi nahi, jaise

14:28kisi ne mujhe posha hai ki Zakir bhai ki speciality kya hai?

14:32Mene ka speciality yeh hai ki jab wo concert karte the, jo aage jo connoisseurs, jo jaanne

14:38wale jo baithe hain, wo bhi enjoy kar rahe hain aur jo peechhe jo baithe hain, jinko

14:42music ke baare mein kuch nahi pata, wo bhi enjoy kar rahe hain.

14:45Toh yeh khasiyat thi unki aur aise wajah se itne saare log aate hain.

14:50Aaj bhi dekhiye, kaafi log baithe hain aur program sun rahe hain aur baara din se,

14:54tera din se aaya aaya karke baithe hain aur sun rahe hain.

14:57Toh kalakar jo hai, wo Shrota pe depend karta hai aur Shrota jo hai, wo kalakar pe.

15:04Toh ek doosre pe dependent hain, symbiosis jaise hota hai.

15:08Aur yeh sab tak, yeh classical music mein dekha jaata hai.

15:12Toh main yeh nahi keh raha hai ki abhi kitne log aakar ke mujhe mile hai, abhi itna chota

15:16bachcha aakar ke bol rahe hai, main bhi tabla seekh rahe ho.

15:18Toh yeh mujhe, jab inn logon ko dekhta hoon, toh I get very confidence ke bhai yeh hamara

15:23music aur aage padhega.

15:24Mujhe pata hai.

સપ્તક દિવસ 12 : તબલા - ઢોલક અને મૃદંગમની જુગલબંદી થઇ તો સારંગીએ એક સૂરે બાંધ્યા

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