સપ્તક સંગીત સમારોહ દિવસ 11: નાદ, નૃત્ય અને તાલના સંયોજને શ્રોતાઓને અવિસ્મરણીય પ્રસ્તુતિ કરવી

ETVBHARAT

સપ્તક સંગીત મહોત્સવનો અગિયારમાં દિવસના આરંભમાં કથક, બાદ ભક્તિ ગાન અને અંતે સંતુરના સૂર થકી સપ્તકની 11મી રાત રસપ્રધાન બની રહી હતી.

Transcript

00:00Bhakti Sangeet

00:30Jai Teerth Mevandi ji.

00:33First of all, your singing of Bhakti in the 2nd Satra was excellent.

00:40So, which Gharana is this and what were its words?

00:44The performance I did today, the first raga was Shuddha Kalyan.

00:51Shuddha Kalyan is a very important raga in our music.

00:56So, I tried to sing it today.

01:00The words were,

01:02Tum bina kaun khabare ya leta

01:04And in Shuddha Kalyan, Dhrut was

01:07Mandar baje bhajore

01:09So, the next word was Raag Sohini.

01:13I sang in Raag Sohini.

01:15And that bandish was made by Pandit Kumar Gandharva.

01:22He had made it himself.

01:25And the next bhajan I sang was called Abhang.

01:29Marathi Abhang.

01:31Bharat Ratna Pandit Bhimsen ji called it the Abhang of Ajramar.

01:38Whatever it is, be it classical music or any other bhajan,

01:44I think it should be dedicated to God.

01:49You belong to Kirana Gharana.

01:53And you are interested in Bhakti music.

01:55So, how interested are the youth in Bhakti music?

02:01I am from the Kirana Gharana tradition,

02:04Abdul Karim Khan Sahib.

02:06After him, there were so many great artists,

02:08Bhimsen ji, Gangubai Hangal, Firas Dastur ji,

02:11Manek Kurma, Prabha Hatre,

02:13and many others.

02:14Ustad Amir Khan Sahib.

02:16So,

02:19Bhakti music,

02:22I belong to the village of Karnataka.

02:26In Karnataka, Bhakti music has a strong influence.

02:30Even before that.

02:32My mother used to sing Bhakti music at home.

02:37So, I am interested in Bhakti music.

02:40And it is connected to spirituality and music.

02:44So,

02:46whether it is in Kannada language,

02:48or in Marathi, or in Hindi bhajan,

02:50that is why I got that influence.

02:53The rest of the young generation is still learning.

02:56They are doing very well.

02:58They are practising, singing and playing.

03:00So,

03:02they are interested in Bhakti music.

03:05You see,

03:07whether it is YouTube or any other media,

03:09the interest in Bhakti music,

03:12the young generation gets to listen to it a lot.

03:16There is another thing.

03:19The new generation,

03:21they do more music on YouTube.

03:23They also use Bhakti music.

03:26But the guru-disciple tradition,

03:29has it been influenced by YouTube or technology?

03:35What do you think?

03:38Look, the guru-disciple tradition,

03:41which was there earlier,

03:43is not that much.

03:44It is decreasing.

03:45Because,

03:46the social media,

03:49people do not have time.

03:51The young generation is learning,

03:52they do not have time.

03:53The young generation stays on mobile.

03:56They stay on uploading.

03:58They have Facebook and Instagram.

03:59Whatever has come,

04:01the mind has strayed a little.

04:04But not everything.

04:06There are some very good students,

04:08young students,

04:09who come in front of the guru,

04:11respect the guru,

04:13stay at the feet of the guru,

04:15and learn.

04:16There are such children.

04:17In Kolkata, Delhi, Karnataka,

04:20everywhere.

04:21But,

04:22it is not the same as it was earlier.

04:24People are a little,

04:27those who go through the media,

04:30they have to go as time goes.

04:33But there are,

04:34those who do it are very good.

04:35Jaitir ji,

04:36you are connected to Saptak,

04:38you also come to Gujarat.

04:39So, what is your experience?

04:41Look,

04:42I have been coming for many years,

04:44in Saptak,

04:45in Ahmedabad,

04:46in Baroda,

04:47I have been to many places.

04:50But, especially,

04:51in Saptak,

04:52which I have been coming for years,

04:54Manju didi,

04:55has called me many times,

04:56has given me to sing.

04:58So,

04:59I always feel very good here.

05:01Because,

05:02the audience,

05:03the audience is so good here.

05:04And,

05:05for 12-13 days,

05:06I was speaking there.

05:07For 12-13 days,

05:08listening to all the artists,

05:09supporting them,

05:10praising them,

05:11sitting in front of them.

05:13And,

05:14each and every audience,

05:16is knowledgeable here.

05:18And,

05:19especially,

05:20I saw Young Generation.

05:21Young Generation is very good here.

05:23I got to see them.

05:26So,

05:27Saptak,

05:28is a very big,

05:29good stage.

05:30Whoever performs here,

05:32sings,

05:33plays instruments,

05:34they keep watching us

05:35singing in Saptak.

05:36This is how it has become.

05:37So,

05:38this was Jaitirth,

05:39Pandit Jaitirth,

05:40who said that

05:41Young Generation also comes here,

05:42they are connected,

05:43they are connected to Bhakti music.

05:44And, this is

05:45the speciality of Saptak.

05:47With Cameraman Mukesh Jodia,

05:48Parijit Dev,

05:49ETV Bharat, Ahmedabad.

06:03Music

06:08Music

06:13Music

06:18Music

06:23Music

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