- 11/20/2024
Silk, the smoothest, toughest, and sexziest cop in Honolulu is hot on the trail of ruthless art smugglers who are after a priceless Asian Scroll. Silk will stop at nothing to get her man, even if it means blowing up an entire building.
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🎥
Short filmTranscript
00:00:00ten masked men who claim they belong to the dreaded left-wing pflp our popular front for
00:00:21the liberation of palestine have taken full control of the israeli embassy here on makaoni point in a
00:00:28spectacular thirty minute raid the terrorists blasted their way into the office of the consul
00:00:34general sustaining only one casualty while killing six and seriously wounding eight of the
00:00:40thirty-man security force unfortunately they've kept a tight lid on their operation i came as soon
00:00:46as i heard this is out of our hands the fbi has his hamstrom all right so uh what's the best way
00:00:58now they execute one hostage every 15 minutes until you comply the counting starts now
00:01:18what the hell are you doing what has to be done
00:01:21we'll go after her for christ's sake before she gets herself killed
00:01:39so
00:01:50so
00:03:52I'm going to throw the goddamn book at you, smartass.
00:03:56The fuck are you trying to prove?
00:03:58Crime doesn't pay.
00:03:59It used to be a man's world.
00:04:24Now it's changing.
00:04:29She's made a do.
00:04:31She's come to take a share.
00:04:37The old days gone and it does.
00:04:40Someone let her eyes in.
00:04:43Things have gone wrong, but no one seems to care.
00:04:51Who's going to see through all the pain?
00:05:01She's got a chance she'll take you there.
00:05:07And then she's soft, fat, gentle brain.
00:05:17She'll take you through when no one's there.
00:05:22All right, what the hell's going on here?
00:05:33You know, party on your own time, not the taxpayers.
00:05:35Come on, Chris.
00:05:49No, take it.
00:05:50It's yours.
00:05:51It's a token of my appreciation for keeping me alive.
00:05:54I don't remember.
00:05:56I don't remember doing that.
00:05:58Oh, yeah, you're right.
00:05:59No, no, no, no.
00:06:09Oh, Chris, it's beautiful.
00:06:13Must have cost a fortune.
00:06:14You hawk your gun?
00:06:15So I splurred, so what?
00:06:19Look, three diamonds.
00:06:21It's one for each year we wrote together.
00:06:25Thanks, Chris.
00:06:27I'm going to miss you.
00:06:29Oh, I'm not going to die.
00:06:31I intend to be around a long time yet.
00:06:35I'll hold you to that.
00:06:36Welcome to Honolulu, Yokio-san.
00:07:04Kempe.
00:07:06Give me the case.
00:07:36I'll be right back.
00:08:06Mr. Gish.
00:08:35Have him come in.
00:08:48Mr. Gish.
00:08:49Yokio-san.
00:08:52Please come this way.
00:08:53Come this way.
00:09:49Please send Dr. Fujima my deepest gratitude for the loan of these most precious scrolls.
00:10:02I shall be happy to tell Dr. Fujima of your appreciation.
00:10:06And as agreed upon, here's the token of my esteem.
00:10:12It is an honor to do business with you, Mr. Gish.
00:10:16The privilege is mine, you Gishan.
00:10:21I am only sorry that your journey was marred by that outrageous attack at the hangar.
00:10:27Please assure Dr. Fujima that I will take every possible measure to protect those sacred scrolls against the fanatic campaign.
00:10:37I shall do so, Mr. Gish.
00:10:40Well, I'd like to wish you a very safe and pleasant flight back to Japan.
00:10:46Sayonara, Mr. Gish.
00:10:48Mr. Gish.
00:10:57Jean-Paul!
00:10:59Make sure these fakes go up on the wall tomorrow for the exhibit.
00:11:03Oh, and as planned, the originals go to the warehouse for safekeeping.
00:11:07Yes, sir.
00:11:53Meadows, yeah? Japan? Who is this? Kashi! Is it really you, you old bandit?
00:12:10It is me, old friend. I quarrel because of a serious matter.
00:12:16Sure.
00:12:17Last night, a very precious shipment arrived from Hokkaido.
00:12:23The Four Scrolls of the Temple of Immortality, which was in transit to the Gish Museum of Oriental Arts in Kona.
00:12:35I am told that before the Scrolls could be transferred to a private place, some youths tried to steal them.
00:12:44I am blamed for the attempted robbery.
00:12:48But you had nothing to do with it.
00:12:49Nothing at all. My informant tells me the Scrolls being displayed on the Gish Museum are fakes.
00:12:58Well, I'll look into the case, Dumadachi. You can count on that.
00:13:01I knew I could depend on you.
00:13:05I owe you, Kashi. I owe you.
00:13:08I am leaving for a caller to get closer to look at the fakes scrolls.
00:13:12I will call again to give you my number there.
00:13:17Sumil Sae, good friend.
00:13:18Has the yacht arrived yet?
00:13:23No sign of it.
00:13:25Trent checked in yet?
00:13:27No. You must be waiting for things to cool down.
00:13:30What about the explosives? Have you picked them up?
00:13:33As you ordered.
00:13:35All right, carry on.
00:13:37Shit.
00:13:38I didn't realize how much time I've spent with Colby.
00:13:41Oh, no problem. This is a juicy book.
00:13:44Sorry to have kept you waiting.
00:13:46So what's up with you and Colby?
00:13:48Huh?
00:13:49No, nothing.
00:13:50Come on, let's go.
00:13:55Drop me off at the next corner.
00:13:57Don't wait for me.
00:13:58I'll get off on my own.
00:14:08Oh, baby.
00:14:21Mark up.
00:14:24I'm clean, Sarge.
00:14:26I swear on my mother's grave.
00:14:29I haven't moved a single piece this whole month.
00:14:31No, I'm not here to bust it, please.
00:14:33I want some info.
00:14:34Oh, man.
00:14:35You're barking up the wrong tree.
00:14:38Canaka Pete never squealed on his associate.
00:14:42No, sir.
00:14:43Never have.
00:14:44Never will.
00:14:46Maybe Canaka Pete would like me to drag his butt downtown to answer some interesting question.
00:14:52Just so loud, man.
00:14:54You don't want to bring down my market value, Neil.
00:14:56The department has nothing to do with it.
00:14:58It's between you and me.
00:15:02Cross me, and I'll break every bone of your body.
00:15:08Ladies and gentlemen, welcome to Honolulu.
00:15:13Please have your wallets, purses, and watches ready.
00:15:16This is a stick-up.
00:15:17Okay, get back.
00:15:23All right.
00:15:23That's good.
00:15:25You, over there.
00:15:27Open up that drawer.
00:15:31Come on.
00:15:33Get back up against there.
00:15:342-11 in progress at 1245 Kalakaua Avenue.
00:15:46Please respond.
00:15:47It's only a block away.
00:15:48Tell them we'll take it.
00:15:50This is car 12 responding to that.
00:15:56Over there.
00:15:57Give me that.
00:16:03Come on.
00:16:03Let's hurry up.
00:16:04Let's go.
00:16:09Oh, shit.
00:16:10It's the cops.
00:16:10Come on.
00:16:11Let's get out of here.
00:16:12Get in.
00:16:14Drive.
00:16:18Police.
00:16:19Let's go.
00:16:26Come on.
00:16:26Run.
00:16:27Quick.
00:16:44Breathe.
00:16:44Get in.
00:17:14Let's go.
00:17:44Let's go.
00:18:14Okay, P. We don't like to...
00:18:17You don't want to know.
00:18:20What's wrong, Chris?
00:18:31Ah, this retirement thing.
00:18:34Oh, I'm just menopausing, I guess.
00:18:35Look, drop me off at Koala Basin, okay?
00:18:43Hey, I'm your partner.
00:18:45I want to help.
00:18:46I don't need your help.
00:18:47I'm sorry.
00:18:55Just let me go solo this time, okay?
00:18:57I don't need your help.
00:19:10Chris?
00:19:11Chris, take care.
00:19:15Okay.
00:19:16Here we go.
00:19:17Okay.
00:19:18I don't know.
00:19:48Ah, I wouldn't do that. Dodge here's got a very itchy trigger finger. Who are you? What do you want? It's not important who we are, but you best know what we want. We want you to stop being so damn nosy. Oh, you're going to wind up like your friend here.
00:20:18Speechless. You won't get away with this. Oh, yes, we will.
00:20:22Oh, no.
00:20:24Oh, no.
00:20:26Ah.
00:20:29Ah.
00:20:31Ah.
00:20:35Ah.
00:20:37Headquarters, this is Silk.
00:21:05Come in, Silk.
00:21:06I want to make on Alpha Yankee Yankee 929 Grey Mustang.
00:21:12Roger.
00:21:36Chris?
00:21:46Oh, God, Chris.
00:21:58I know I should never have gone solo.
00:22:04Who did this to you?
00:22:05I don't know.
00:22:06What are you doing getting mixed up with scum like that?
00:22:09Being an old debt.
00:22:11What old debt?
00:22:12I was in Japan investigating an opium run.
00:22:18Turned out to be a coup's operation.
00:22:21They got up with me and tried to run me out.
00:22:25This friend of mine stepped in.
00:22:27I owe him my life.
00:22:30Now he wants my help.
00:22:33What was the objective?
00:22:36These sets of sacred scrolls were stolen, replaced with fakes.
00:22:41You wanted me to find out who was behind the path.
00:22:45I guess we better do that.
00:22:49Headquarters, this is Silk.
00:22:51Go ahead, Silk.
00:22:52Do we have a make?
00:22:53It's a rented car.
00:22:54A guy named Trent Aker signed for it.
00:22:56Records are clean, though.
00:22:57Not even a traffic ticket.
00:22:59Well, put an APB out on him.
00:23:01Grey Mustang tag number Alpha Yankee Yankee 929.
00:23:05Suspects are armed and dangerous.
00:23:07Radio in location of vehicle immediately.
00:23:10This is 401 of Moanacala Bridge.
00:23:11We've spotted suspects.
00:23:12Grey Mustang tag number Alpha Yankee Yankee 929.
00:23:15Heading east of Marina Road.
00:23:17Over.
00:23:18We're on our way.
00:23:23We're on our way.
00:23:24Third
00:23:41the case tell the captain we're shoving off
00:24:11make sure all four scrolls are there police all present
00:24:41let's go let's go
00:25:11freeze
00:25:32I'm dropping a gun now
00:25:38give me the scroll sure
00:25:44open it fast
00:25:51I'm all back
00:26:06you trying to get yourself killed
00:26:24get out of here
00:26:28get the hell out of here
00:26:30I want you to take every outlet from that marina
00:26:47hello yeah Frank
00:26:48look just keep me informed
00:26:49sir we dragged the marina there was no sign of meadows nothing
00:26:53don't check the logs
00:26:54all y'all's enough a past week I want it by tonight
00:26:57where you going
00:26:58my partner's missing I can help
00:27:01I'll call you to identify until then stay out of it
00:27:03captain
00:27:03that's an order
00:27:04call me
00:27:05bitch
00:27:19oh
00:27:23oh
00:27:27oh
00:27:32Oh, my God.
00:28:02Oh, my God.
00:28:32You're compounding the problem by getting underfoot.
00:28:35You get what I'm saying?
00:28:36I didn't send this guy an invitation.
00:28:39All right.
00:28:40Let's put it to rest.
00:28:41I'm going to assign a couple of boys to look after you for a while.
00:28:44Captain, that really isn't necessary.
00:28:46You're on two weeks' leave, starting today.
00:28:49Colby?
00:28:49I want you to give me round-o'-clock security on silk, but keep it discreet.
00:29:04I don't want her to know we're looking after her.
00:29:11You thought I told you to stay home, young lady.
00:29:14I can't help it.
00:29:15I'm worried sick about Chris.
00:29:17Well, so are we.
00:29:18But it's going to complicate matters further if we have to worry about you as well.
00:29:23Just be a good girl.
00:29:24Go home.
00:29:25Relax.
00:29:27Chris is our first priority.
00:29:29You've got something that belongs to us.
00:29:44Maybe.
00:29:45We've got Meadows.
00:29:46How do I know that?
00:29:48Talk to him.
00:29:50Jenny.
00:29:52Chris, you all right?
00:29:53You never told me retirement is going to be like this.
00:29:57Where are you?
00:29:58I don't know.
00:29:59It doesn't matter.
00:30:00Whatever happens, don't give him the scroll.
00:30:05Chris?
00:30:07Look, if you want your nosy friend back, meet us at the Cowanola Botanical Gardens, 8 p.m. tonight.
00:30:15Alone.
00:30:16You give us our scroll back, we give you Meadows.
00:30:21I'll be there.
00:30:23We see one cop out there.
00:30:25He's dead.
00:30:26Is that clear?
00:30:27Is that clear?
00:30:56Is that clear?
00:31:01You get negative?
00:31:02I'm fine.
00:31:02Tim?
00:31:03Yeah.
00:31:12I'm fine.
00:31:14I'm fine.
00:31:15I got one apCon.
00:31:16I'll be there.
00:31:16The scrolls.
00:31:37Where's Chris?
00:31:46Freeze!
00:32:09No!
00:32:14Ah!
00:32:21Ah!
00:32:25Ah!
00:32:26Ah!
00:32:31Ah!
00:32:34Ah!
00:32:38Ah!
00:32:45Ah!
00:32:49Ah!
00:32:52Ah!
00:32:56Ah!
00:32:57Ah!
00:32:58Ah!
00:32:59Ah!
00:33:01Jenny!
00:33:03Bring...
00:33:05Bring scroll!
00:33:07Gashi!
00:33:09Big Island!
00:33:10Kona!
00:33:12Promise!
00:33:13I promise!
00:33:14I promise, Chris!
00:33:20I promise!
00:33:21I promise, Chris!
00:33:22I knew...
00:33:23I could count on you!
00:33:27Chris!
00:33:28Chris!
00:33:29Chris!
00:33:30Don't die on me!
00:33:34Chris!
00:33:35Don't die on me!
00:33:36Chris!
00:33:37Chris!
00:33:38Don't die on me!
00:33:41Chris!
00:33:42What the hell did you think you were doing?
00:33:43Get a hold of yourself, Jenny!
00:33:44You guys killed Chris!
00:33:45Ah, Jenny!
00:33:46Look, we just wanted to make sure you had all the help!
00:33:49I didn't need any help!
00:33:50Look, Jenny!
00:33:51We didn't want things to turn out the way they did.
00:33:55You damn well know that!
00:33:57We felt the best way to neutralize the situation was a show of force!
00:34:03You figured?
00:34:04you had all the help i didn't need any help we didn't want things to turn out the way they did
00:34:10you damn well know that we felt the best way to neutralize the situation was a show of force
00:34:16you figured you have no idea who you're dealing with here these guys are trained mercenaries
00:34:23they're ruthless you should have let me handle it my way all right clearly this is not the best time
00:34:29to discuss the case but there's more to it than you told us let's cooperate don't go it alone
00:34:36that's all i'm asking it seems you've forgotten captain you put me on force sleeve
00:34:41that means i am on my own
00:34:51the lord is my shepherd i shall lack nothing he makes me lie down in green pastures he leads me
00:34:58beside quiet waters he restores my soul he guides me in paths of righteousness for his name's sake
00:35:06even though i walk through the valley of the shadow of death i will fear no evil for you are with me
00:35:12your rod and your staff they comfort me you prepare a table before me in the presence of my enemies
00:35:18you anoint my head with oil my cup overflows surely goodness and love will follow me all the days of my
00:35:25my life and i will dwell in the house of the lord forever
00:35:33i need a ticket to kona
00:35:5290 bottles of beer upon the wall
00:35:54you know what's green and swims in salt water i don't know mr haskins moby pickle
00:36:14thank you mr haskins we're trying to sleep
00:36:16is life always is boring or does it get better when you get older
00:36:23pretty much the same you joined by mistake vacation
00:36:28club meds at vacation this is jera tall hell my name's holly jenny i like your hair thanks
00:36:37so i come all the way from texas to see my dad and what does he do he sends me on this stupid tour
00:36:46somewhere i won't get in trouble he says
00:36:49you're in school first year at texas tech
00:36:53is your work exciting it has its moments what do you do i'm in pest control
00:37:00i just came from silk's house she's gone
00:37:11shit
00:37:20kashi
00:37:30the assault upon your heritage continues yes but we must exercise patience
00:37:54if we wait too long it may be too late
00:37:56the time has come where we cannot continue to allow a criminal like gish to paint the kempe in the image of himself
00:38:03you tread heavily
00:38:07your intention is good
00:38:09but your methods are not our way
00:38:12that is true
00:38:15but we cannot defeat our enemy if we ourselves are destroyed
00:38:20we must give gish a taste of his own medicine
00:38:23violence
00:38:26is a bitter pill to swallow
00:38:36it's a bitter pill to follow us
00:38:37oh hi fancy meeting you here oh hi holly
00:38:43well i didn't know you were into oriental art
00:38:45it's sort of a sideline do you want to go to the museum
00:38:48they're featuring the complete works of yamaguchi including the four sacred scrolls of the temple of immortality here
00:38:58what time is the exhibit
00:38:59we have just we have just enough time to make it we have just enough time to make it come on
00:39:03ladies and gentlemen please welcome mr hancock
00:39:07geese
00:39:16ohio gasmasu
00:39:19legend has it
00:39:20the great sun god wanted the great sun god wanted man to revere the four seasons
00:39:26he promised immortality as a prize for the best expression of man's reverence
00:39:34for the spirits of summer winter fall and spring
00:39:37hidayoshi yamaguchi
00:39:40hideyoshi yamaguchi a warrior monk took up the challenge and painted a scroll for each season
00:39:46the hokkei
00:39:48the hokkei
00:39:48the hokkei zikuri
00:39:50or the sacred scrolls of the temple of immortality
00:39:54fortunately in 1981 the tokohachi gallery of treasures came upon the scrolls
00:40:02then guarded by a fanatic sect of monks called kempe
00:40:07presented by an order of the emperor for the release of the scrolls
00:40:11the kempei could do nothing but turn them over
00:40:14the rest of course is history
00:40:21beautiful isn't it
00:40:26the sound of
00:40:27bullshit in a museum
00:40:29bullshit in the air
00:40:32bullshit on the walls
00:40:34i beg your pardon
00:40:37you heard me
00:40:40you
00:40:41are
00:40:41bullshit
00:40:42those are not the authentic hokkei zikuri
00:40:48go ahead gish have me thrown out but you know and i know that those pieces of paper up there
00:40:55are only copies of the authentic scrolls which he has stolen for himself
00:41:01go ahead gish show them the fake watermark those are fake watermarks on those scrolls because no one
00:41:08and i mean no one can copy those characters put there by yamaguchi as a security seal
00:41:15you are a fake
00:41:16if bullshit was art you'd be priceless
00:41:18please uh excuse this unseemly outburst
00:41:25excuse me hey you troublemaker
00:41:32you addressing me yeah i want to talk to you about what the fake scrolls well one out of six do
00:41:39you believe me that's not a bad average
00:41:41i have a reason to believe you i have one of the genuine scrolls
00:41:49you what
00:41:50i have one of the scrolls
00:41:53oh another copy i bet
00:41:55i don't think it's a copy but i'm not an expert maybe you could tell what's the catch okay i want
00:42:07you to do something for me i knew there was a catch i want you to arrange a meeting with a japanese
00:42:14art collector called kashi who's he my friend chris meadows asked me to give him the scroll
00:42:22when can i see the scroll as soon as you get me in touch with kashi i'm at the kailua kona hotel room 105
00:42:32all right i'll see what i can do
00:42:44jenny where'd you go i checked the ladies room i checked the lobby i needed some fresh air oh
00:42:54uh holly i gotta go
00:42:58bye
00:43:14tell that range rover sure great just like in the movies are you a cop lady yeah
00:43:35you get that damn scroll back i've got the boys looking out for her that is here in kona
00:43:42she won't get away this time you get that scroll back immediately trent but that's the end for you
00:43:48yes sir are the remaining three pieces safely in the warehouse yes sir
00:44:11wait for me hey if you're not out in five minutes i'll come in and get you right i guess not
00:44:32so
00:44:40so
00:44:43I don't know.
00:45:13Oh, it looks like everything's here.
00:45:21Can you sign here?
00:45:22Sure.
00:45:28Okay, thank you.
00:45:55Lock up, will you?
00:46:09Let's see it.
00:46:11Let's see it.
00:46:15Let's see it.
00:46:45What the hell is going on?
00:47:10Come on, let's get out of here.
00:47:16This is fun.
00:47:17Oh, shit.
00:47:25Are they firing real bullets?
00:47:40God damn it.
00:47:53Shit.
00:47:54We're making Dirty Harry look like shit, aren't we, lady?
00:47:58Come on, what did you last year?
00:48:17There she is now.
00:48:19Sure.
00:48:19Get in, I'm being chased.
00:48:21Jerry, you're stuck.
00:48:22Come on, get in.
00:48:31Dining my balls of beer.
00:48:33Dining my balls of beer.
00:48:35Dining my balls of beer.
00:48:37Who did you say those guys are?
00:48:39Dining my balls of beer.
00:48:40Killers.
00:48:41One of them took out my partner.
00:48:43You're a cop, I knew it.
00:48:52Dining my balls of beer.
00:48:52If you think you're going to get a refund from not joining this excursion, you've got another thing.
00:49:09Come in, drive!
00:49:14Hey, hey, those guys have been following me all day.
00:49:18Damn.
00:49:22Thanks for saving a damsel in distress, guys.
00:49:33Anytime.
00:49:37Uh, time for the cops to get off work around here.
00:49:41As soon as my buddy gets that tire changed.
00:49:43Yeah?
00:49:43Uh-huh.
00:49:50So, you have the Hokei Sucuri?
00:49:57Yes, I have one of them.
00:49:59My monastic order cared for the Hokei Sucuri.
00:50:08I know them like the palm of my hand.
00:50:10But the scrolls in the Gish Museum?
00:50:13Are fakes.
00:50:14Good fakes, but not good enough.
00:50:16The watermarks are totally bogus.
00:50:18If you have, what do you say you have?
00:50:23What do you intend to do with them?
00:50:27Depends.
00:50:28What does the name Chris Meadows mean to you?
00:50:30My very dear friend, ten years ago, I had the privilege of doing him a favor.
00:50:41You saved his life.
00:50:45He just gave up his for you.
00:50:49Chris died trying to recover the scrolls for you.
00:50:52I will finish what he set out to do.
00:50:55No.
00:50:59You're against men who are cold-blooded killers.
00:51:02Stay away.
00:51:06Kashi.
00:51:07This man is a criminal.
00:51:09You're not going to recover the scrolls by waiting for the wind to blow them your way.
00:51:13We have to fight fire with fire.
00:51:17I made, Chris, a promise to return the scrolls to you.
00:51:22I won't let him down.
00:51:29Translated, this spells Kempe.
00:51:31What does that mean, Mr. Gish?
00:51:33Well, first let me say that these were once beautiful and, may I add, irreplaceable 12th century scrolls that were completely destroyed.
00:51:47Now, luckily, if I can use such a word under these circumstances, they were insured.
00:51:52And now, to answer your question, Kempe is an ancient nationalistic policing force, formed to keep the Japanese race pure.
00:52:01Apparently, these fanatics have found their way to our island and plan to use their terroristic tactics against me.
00:52:07So, what do you plan to do now, Mr. Gish?
00:52:10Nothing beyond stronger security.
00:52:13I will not be intimidated.
00:52:15It's ironic that these Kempe, who are so worried about others destroying their culture, rush to destroy their very same culture themselves.
00:52:26You know something?
00:52:31You and I make a pretty good team.
00:52:33You ever think about becoming a cop?
00:52:36No, I don't think so.
00:52:37I don't think Kashi would approve.
00:52:39How did you get involved with him?
00:52:41I met Kashi while studying Buddhism in Japan.
00:52:47I've been kind of devoted to him ever since.
00:52:52How about you?
00:52:54How did you get to be a cop?
00:52:56Ten years ago, my parents came to Hawaii to escape the growing crime rate in L.A.
00:53:04Their drugstore was getting robbed all the time.
00:53:08They thought it would be peaceful here.
00:53:14Shortly after we moved here,
00:53:17two men came into their store and...
00:53:23shot and killed him.
00:53:26And Chris, you know...
00:53:33he was more than my partner.
00:53:38He was my best friend.
00:53:42And he's gone, too.
00:53:56He's gone, too.
00:54:00He's gone, too.
00:54:05He's gone, too.
00:54:09He didn't kill him.
00:54:14He's gone, too.
00:54:15He's gone, too.
00:54:17Don't you make it?
00:54:18He's gone, too.
00:54:18Did he come?
00:54:19He's gone, too.
00:54:20He's gone, too.
00:54:20Hello?
00:54:28Hi, is Jenny there?
00:54:29Holly?
00:54:30Yeah.
00:54:33Hi.
00:54:33Hi, I got your message in the key. What's going on?
00:54:36Look, in my suitcase there's a brass tube.
00:54:39I need you to bring it to 939 South Lanai Drive.
00:54:43Got it.
00:54:45Thanks.
00:54:50I got it.
00:54:56Open it up.
00:55:07Call three.
00:55:11What?
00:55:17Come on.
00:55:19Somebody!
00:55:20Shut up!
00:55:21I want to tuck this in your neck!
00:55:22Goddammit.
00:55:23Ouch.
00:55:24You're on your car!
00:55:25Hold on to her!
00:55:26Ah!
00:55:27Ah!
00:55:28Ah!
00:55:29Ah!
00:55:30Ah!
00:55:31Ah!
00:55:32Ah!
00:55:33Ah!
00:55:34Ah!
00:55:35Ah!
00:55:36Ah!
00:55:37Ah!
00:55:38Ah!
00:55:39Ah!
00:55:40Ah!
00:55:42Ah!
00:55:43Ah!
00:55:44Ah!
00:55:45Ah!
00:55:46Ah!
00:55:47Ah!
00:55:48Ah!
00:55:49Ah!
00:55:50Ah!
00:55:51Ah!
00:55:52Ah!
00:55:53Ah!
00:55:54Let's get out of here!
00:56:19Ah!
00:56:21Ah!
00:56:22Ah!
00:56:23Ah!
00:56:24Ah!
00:56:25Ah!
00:56:26Let's go.
00:56:56Oh, my. At last.
00:57:03Good work, Trent.
00:57:05It's just a matter of time, sir.
00:57:08Now to cover our tracks.
00:57:10No one must know that we've got the scrolls.
00:57:13No one must even suspect us.
00:57:17It must be Hashi who is to blame.
00:57:19You sure about this number?
00:57:21Yes, sir.
00:57:23Hello.
00:57:23Now, I should like to speak to Mr. Kashi Hashimura.
00:57:29Yes.
00:57:30Is this Mr. Hashimura?
00:57:32Yes, it is.
00:57:35This is Hancock Gish.
00:57:38I have reason to believe there's something we'd both like to have.
00:57:42The four sacred scrolls of the Temple of Immortality.
00:57:46What do you want?
00:57:48Merely to share their magnificence with someone who can appreciate them.
00:57:52Is this some sort of bad joke?
00:57:54Not at all.
00:57:56I think I have the original scrolls.
00:57:59The very same scrolls that you want so much to return to Fujiyama.
00:58:04So, you call just to gloat.
00:58:09On the contrary.
00:58:11I call you in utter humility.
00:58:14I'm seeking your expert opinion to ascertain whether or not these pieces are actually genuine.
00:58:20Well, uh, may I have the honor of your company at my private museum this evening?
00:58:30That's where the scrolls are kept.
00:58:33I would like to see the Hockey Sugar Hill.
00:58:36And I can expect you.
00:58:40I will be there.
00:58:45Splendid.
00:58:50Splendid.
00:58:54Holly?
00:58:54Yeah!
00:58:55Jenny?
00:58:57Some guys grabbed me at the hotel.
00:58:59They tried to take me with them, but I got away.
00:59:01They put some, some spike thing to my neck.
00:59:03Kisses, ma'am.
00:59:04Well, where's the scroll?
00:59:05They took that metal tube you asked me to bring here.
00:59:07Oh, God.
00:59:09Oh, shit!
00:59:10Anybody follow you here?
00:59:11No.
00:59:12Good.
00:59:13I'm all right if anybody cares.
00:59:15What, what, what do we do now?
00:59:17We move.
00:59:18Right now, in the middle of the night?
00:59:20When they least expect us.
00:59:22Yeah, but, uh, I haven't even tied my shoes.
00:59:31You are a thief.
00:59:33And a fraud.
00:59:35Well, yes, but, uh, nobody else knows that.
00:59:41And you're not going to tell anyone.
00:59:44Because you are going to become the victim of a Kempe terrorist attack.
00:59:49See, under the vicious control of that zealot Kashi, the Kempe will lose all semblance of sanity
01:00:00and decide to destroy all of my co-opted works of Japanese arms.
01:00:07Something's wrong.
01:00:18Kashi's car is here.
01:00:20I better go in first.
01:00:24Call the police.
01:00:25Give me any hand with this here, Joe.
01:01:06Okay, slow now, slow, slow. Don't go so fast, Harry.
01:01:10Go these stairs, man.
01:01:12Right.
01:01:14Come on, wait, wait.
01:01:20I'd like to see Mr. Gish.
01:01:22Up!
01:01:36Put one over there.
01:02:06What?
01:02:08Shut up.
01:02:10I need to make my ears.
01:02:12You're not afraid of the time being said,
01:02:14we need to make our ears.
01:02:16You're just a little bit.
01:02:18I'm going to make my ears.
01:02:20I'm going to keep my ears.
01:02:22I'm going to make my ears.
01:02:24That's a good thing.
01:02:26Don't go.
01:02:28You're not too much.
01:02:30You're not too much.
01:02:32You're not too much.
01:02:34I found this guy sneaking around downstairs.
01:02:40Well, well, a foul-mouthed buffoon again.
01:02:44Is there something we can do for you?
01:02:46I'm here to see Mr. Hashimoto.
01:02:48Why? Is there a problem?
01:02:50I'm looking for an explanation.
01:02:54Well, perhaps I ought to explain a few things to you.
01:02:58Well, the interesting thing about art is that it's worth more dead than alive.
01:03:07A priceless work of art.
01:03:11What can you do with it?
01:03:13Can you look at it?
01:03:19But a priceless Ming vase insured for five million dollars.
01:03:25That's worth something.
01:03:27Destroy the fakes, collect the insurance, and sell the originals on the black market.
01:03:33I assume that's your plan for the scrolls.
01:03:36Ah, yes, our precious scrolls.
01:03:39Naturally, I had a business arrangement about those.
01:03:45One hundred million dollars in insurance.
01:03:49Ninety-four million dollars on the black market.
01:03:53Not bad for an evening's work, eh?
01:03:55The explosives are all in place, sir.
01:03:58Good.
01:04:01Set the timer to go in five minutes.
01:04:04Yes, sir.
01:04:06I guess this is sayonara.
01:04:08Ah.
01:04:16And here you are.
01:04:18No?
01:04:22I mean, you do it AS a 2 obligations.
01:04:26I even choose it af.
01:04:31You don't forget the hair.
01:04:32You're right.
01:04:32I'd never forget.
01:04:32AHHHHH!
01:04:45AHHHHH!
01:04:58Let's go.
01:05:28Let's go.
01:05:58Oh, no!
01:06:14Holly!
01:06:16This is getting very complicated!
01:06:20I want you to grab the case and get out of here as soon as possible!
01:06:27The building is going to blow!
01:06:29Oh!
01:06:37Oh!
01:06:39Oh!
01:06:43Oh!
01:06:45Oh!
01:06:47Oh!
01:06:49Oh!
01:06:51Oh!
01:06:53Oh!
01:06:59Oh!
01:07:01Oh!
01:07:03Oh!
01:07:04Oh!
01:07:05Oh!
01:07:06Oh!
01:07:07Oh!
01:07:08Okay!
01:07:09Oh!
01:07:10Oh!
01:07:11Oh!
01:07:12Oh!
01:07:13Oh!
01:07:14Ah, that's it. Don't be a damn fool. I must die here. You can have no strong love.
01:07:22What do you want?
01:07:23In the world of your kind.
01:07:44What do you want?
01:08:14What do you want?
01:08:44Ah, drop it. Drop it.
01:08:51Get out of here.
01:08:59Let's go, hustle, hustle.
01:09:01Let's go, hustle, hustle.
01:09:06Let's go, hustle.
01:09:13Let's go, hustle.
01:09:20You all right?
01:09:27You all right?
01:09:34Yeah.
01:09:36Where are the schools?
01:09:42Where are the schools?
01:09:49I got them.
01:09:56Where's Kashi?
01:09:58Kashi!
01:10:05There used to be a man's world.
01:10:12Now it's changing.
01:10:14There used to be a man's world.
01:10:21Now it's changing.
01:10:23There used to be a man's world.
01:10:24There used to be a man's world.
01:10:25Now it's changing.
01:10:30There used to be a man's world.
01:10:31One of them is changing things.
01:10:33It's changing things.
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