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Dora Carrington: Beyond Bloomsbury, 9 November 2024 until 27 April 2025, Pallant House Gallery, Chichester
SussexWorld
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14/11/2024
Dive into the life and work of Dora Carrington – a remarkable artist who defied social norms with her bohemian lifestyle.
Category
😹
Fun
Transcript
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00:00
Good afternoon, my name is Phil Hewitt,
00:04
Griep Arts Editor at Sussex Newspapers.
00:06
Lovely this afternoon to speak to Ariane Banks,
00:08
who is co-curator of the new exhibition
00:11
Dora Carrington Beyond Bloomsbury,
00:13
which is currently at Pallent House Gallery
00:15
in Chichester, running until next April,
00:18
I believe, and we must call her Carrington
00:20
rather than Dora, mustn't we?
00:22
But goodness, what a tragic but fascinating
00:25
and in some ways happy character.
00:27
There's everything there, isn't there,
00:28
in this very complex individual.
00:30
Yes, I mean, we don't like to think of her as tragic,
00:33
although she did take her own life at the very,
00:36
in 1932, when the love of her life
00:39
lit and straight she died.
00:41
She lived life, she lived her short 38-year-old
00:44
life to the full.
00:46
She lived with great passion, great intensity,
00:49
and that you can see in all her works,
00:51
particularly in her paintings, which have
00:53
an extraordinary density to them.
00:55
They have a real, they have so much in them.
00:59
She was a brilliant draughtswoman,
01:01
but she was also an intensely feeling human being,
01:05
and that really comes through.
01:07
All her paintings are imbued, I think,
01:09
with her love of life and her intense feelings
01:12
about either the people or the landscapes
01:14
that she painted.
01:16
So you imagine an exhibition about someone
01:18
who died at the age of 38 isn't going to be
01:20
particularly fun, but this is, isn't it?
01:23
You're talking about a great thing which shines through.
01:26
She had enormous sense of humour.
01:28
She had a great sense of sort of fun,
01:30
and she teased all her friends mercilessly.
01:34
And there are drawings and letters in the exhibition
01:38
and little cartoons that she made,
01:41
which are just joyful.
01:43
They're funny, they're wry, and they're very
01:48
sort of subversive in a way.
01:50
She was a subversive character from the off.
01:53
And that's part of the complexity,
01:55
because alongside the joyfulness and the exuberance
01:57
and everything, the intensity of her feeling,
02:00
there is the fact that she was extraordinarily
02:02
diffident about her work, and the sad thing is
02:05
she destroyed so much of it, didn't she?
02:07
Well, she destroyed a certain amount of it,
02:09
but luckily we do have some really stunning
02:13
pictures left, and we have gathered the very best
02:17
of those on the walls of Pallard House.
02:20
They are masterpieces in their own right, I think.
02:24
And given this diffidence, what would she make
02:27
of this 90 years later, more than 90 years later,
02:30
do you think?
02:31
That's a very, very good question,
02:33
and my co-curator and I have often discussed this.
02:37
You know, I think she would be sneakily pleased
02:40
because it shows what extraordinary talent
02:43
she did have, but her diffidence during her lifetime
02:47
was misplaced.
02:48
And now there will be a whole new generation
02:51
waking up to this very remarkable woman,
02:54
remarkable on every level, remarkable as a person,
02:57
remarkable as a rebel, remarkable as a painter,
03:01
and a woman of enormous life and passion.
03:06
Fantastic.
03:07
You'll have to take that, sneakily pleased
03:09
as a compliment, won't you?
03:11
It was lovely to speak to you, and it was a fabulous exhibition.
03:14
Thank you very much.
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