KLASS 95 Capitulo 1 EL PODER DE LA BELLEZA
Category
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Short filmTranscript
00:00:00There are people who say that beauty is not physical,
00:00:29but it depends on how you feel inside.
00:00:32Others say that even beauty is tiring.
00:00:35But if I'm honest, I would prefer to live tired.
00:00:40It is that sometimes nature makes some masterpieces.
00:00:44And this is one of them.
00:00:47Andrea Vanessa, the most famous model this country had.
00:00:52And although it seems incredible, this beauty was not always so perfect.
00:00:57Let's say it was a raw diamond.
00:00:59A diamond that only an expert could polish.
00:01:02Shayo DomĆnguez, protagonist of this story
00:01:05and creator of the most important and controversial model agency in the history of Colombia.
00:01:14If someone wonders what makes this couple of perfect women entering this building,
00:01:18well, what any woman who knows she is beautiful does better,
00:01:21handle the world around her.
00:01:24Please follow, Dr. Miller is waiting for you.
00:01:29I have been asked for favors of all kinds, but this one is unique.
00:01:33How do you want me to lend you the company's helicopter?
00:01:38What do you mean? Haven't you read the newspapers?
00:01:40With the agency we decided to bring the most famous designer in Italy, Tabuchi.
00:01:44It is the first time that a guy of this level comes to the country to direct a fashion show.
00:01:48He is invited by everyone. All the innate cream of Colombia.
00:01:52I see you got the invitation.
00:01:54And what happened to the Italian?
00:01:56It happened that we introduced him to a friend
00:01:58and he decided to go to an island over there in the Pacific,
00:02:00knowing that he had to return at dawn today,
00:02:03before the tide rose, because otherwise the boats would not leave.
00:02:06He did not leave.
00:02:08But if he does not arrive today, there is no event tomorrow.
00:02:11Are you aware that the helicopter cannot fly for people who do not belong to the company?
00:02:16Unless the president gives the order.
00:02:20You can.
00:02:22Ask me whatever you want.
00:02:25I organize the event you want, with the models you want,
00:02:28of the size that provokes you.
00:02:31Whatever it is.
00:02:32But I need the Italian here today.
00:02:35Whatever you want?
00:02:37Why don't we do something?
00:02:41You call Pozo and tell him, the one from the union, that you will not be able to go today.
00:02:48And so you thank Shaio every time he has invited you to parties at the agency,
00:02:54bringing the Italian.
00:02:58In the meantime, you can invite me to lunch.
00:03:01And then you accompany me to the rehearsal, if you want.
00:03:06What do you think?
00:03:08I really...
00:03:09Oh, really?
00:03:11A lot to ask for?
00:03:19Good morning.
00:03:20Captain.
00:03:22How are you?
00:03:23Very well, thank you.
00:03:47Luis, take the day off if you want.
00:03:50I'm going to an important meeting.
00:03:52And leave, in case you ask.
00:03:54Good.
00:04:16If you think money is the ultimate power on this earth,
00:04:20it's because you clearly don't know the power of beauty.
00:04:25And this is what this story is about.
00:04:27The moment we discover how far a man can go to have a beautiful woman by his side,
00:04:32and how far she is willing to go to get anything with her beauty.
00:04:45My name is Oscar Lorduey.
00:04:47Nobody knows me, I'm not famous.
00:04:50But I worked for years in the most important model agency this country has ever had.
00:04:57I worked behind the scenes, of course.
00:05:00The reason I'm making this video is this.
00:05:04The manuscript of my second book.
00:05:07The book that contains the story of everything that really happened in that agency.
00:05:10And that ended up touching a lot of people and transforming a lot of lives.
00:05:14For better or for worse.
00:05:17I just sent the book to several publishers and I don't know what's going to happen to it.
00:05:20If they're going to dare to publish it or not.
00:05:24What I mean is that if anyone is watching this video,
00:05:29it's because I'm dead.
00:05:33Let's get started.
00:05:36It was the year 1991,
00:05:38and the country had just gone through one of the darkest periods in its recent history.
00:05:43Colombia was plunged into a painful wave of violence.
00:05:47The news that came out all over the world about us was of terror.
00:05:51Deaths, bombs, attacks, kidnapping, guerrilla warfare and drug trafficking.
00:05:56Recognizing a Colombian at any airport in the world was easy.
00:06:00It was enough to see the panic he had when he went through immigration.
00:06:05Hello.
00:06:07I promised the boy that if he did well in school, we would bring him to Disney.
00:06:12And since they gave us the visa,
00:06:14and I met a friend of a brother-in-law at a aunt's house and he told us he was going to receive us,
00:06:17well, here we are.
00:06:19Right, son?
00:06:23Let's see, gentleman.
00:06:24To Cuartico.
00:06:26We haven't done anything like that.
00:06:28And what was the crime?
00:06:29That ass.
00:06:30That scare.
00:06:31That complex of guilt of being Colombian, dad.
00:06:34And the shame?
00:06:35Being sent to the fearsome Cuartico, which no one knew would ever leave.
00:06:39And it didn't matter if one had been saving 15 years for the trip.
00:06:42Or if he had passed the maximum humiliation test, which was going to get the visa.
00:06:49They always treated you like a mule.
00:06:55But that year,
00:06:57that year,
00:06:58something was about to happen that would change the course of this town.
00:07:02Something that would not only change the way they looked at us abroad,
00:07:05but also everyone's life.
00:07:07And no, I'm not talking about the new constitution that was being signed.
00:07:13Or that Pablo Escobar finally surrendered to the authorities.
00:07:17I wish to add all the years of cancer that are necessary to achieve the peace of my family,
00:07:22the peace of Colombia.
00:07:24Of course that also helped.
00:07:26But what truly changed the fate of this country,
00:07:29happened unexpectedly,
00:07:31any day of 1991,
00:07:33in the church of a children's school.
00:07:42Chapter 3
00:07:50Pao.
00:07:52Ay, Chaito.
00:07:54Are you going to church?
00:07:55Of course.
00:07:56What a blessing, right?
00:08:00Hey, I wanted to talk to you about something.
00:08:02Well, what plans do you have when we get out of here?
00:08:04I don't know, I don't even want to think about it.
00:08:07And you, do you know what you're going to study?
00:08:09Well, I think I'm going to go for direction and television production.
00:08:14Really?
00:08:15I think, I think.
00:08:16Congratulations, I love the career.
00:08:18Yes, well, let's see.
00:08:20But you didn't think of anything, it can't be.
00:08:22Well, yes.
00:08:23You know I love social work and all that.
00:08:25So, like, something related to the subject.
00:08:28Psychology, maybe.
00:08:29Oh, I don't know.
00:08:31And if you say I want you to finish this school,
00:08:33it's not for everyone, because I don't give more.
00:08:35Come on, but you do know what my mom does, right?
00:08:38Well, obviously, ruined.
00:08:40She prepares queens and that.
00:08:42Yes?
00:08:45Have you ever thought of being a queen?
00:08:47Oh.
00:08:48Well, yes, introduce yourself to Miss Bogota and suddenly Miss Colombia.
00:08:52And by the way, she gets into doing all the social services.
00:08:55No?
00:08:56No.
00:08:58Well, you know I might be interested.
00:09:00But only if I'm Miss Universe, not a ...
00:09:04Can you imagine?
00:09:06Paola Turbay, Miss Universe.
00:09:16Don't laugh, you make me nervous.
00:09:20I would never have thought of telling Paola that she was a queen.
00:09:23You're divine, you're perfect, look.
00:09:25You're beautiful.
00:09:27You're beautiful.
00:09:28You're divine, you're perfect, look.
00:09:30Yes.
00:09:32She has a face, a body, class.
00:09:36Slow steps.
00:09:38And best of all, she doesn't know shame.
00:09:41Yes.
00:09:43And she has a great boyfriend too.
00:09:45Colombia, very good.
00:09:47Yes, that.
00:09:49Good, good, good.
00:09:51And the rest, ladies and gentlemen, was history.
00:09:53That's how the road to the Philippines began.
00:09:58And the queen of Miss Santa Fe of BogotĆ”.
00:10:13Here is Paola Turbay smiling.
00:10:15Very emotional.
00:10:17Maximum emotion.
00:10:18Very emotional.
00:10:27But at least the whole country was sitting in front of the TV
00:10:30waiting for the Philippines to find, in front of hundreds of millions of people,
00:10:34the national queen.
00:10:36The sovereign of all Colombians.
00:10:38I think I will leave the name of the country very high
00:10:41and finally they will know that we are mostly good people.
00:10:44We deserve this victory.
00:10:46We deserve a crown.
00:10:48But in a single night, dignity is lost.
00:10:51So, who are you now?
00:10:53How are you now after all this hard training?
00:10:56I know how to take care of myself physically.
00:10:59But after being here, now I also know what to improve.
00:11:03Next is Miss Venezuela.
00:11:06Carolina Issa.
00:11:08I think you're worth it.
00:11:10I think you're worth it.
00:11:12Excuse me, Tuli. Thank you. Excuse me.
00:11:15Well, let's go.
00:11:17What do you mean?
00:11:19Where were you? We are already among the ten finalists.
00:11:22No, from now on it's life or death races.
00:11:25Anything that happens is super important.
00:11:28Wherever you put your foot, you become the queen of this town.
00:11:33I'm already the queen.
00:11:35Thank you very much.
00:11:37And where is your boyfriend?
00:11:40Killing himself at the gym.
00:11:42Come on, another ten.
00:11:44Come on, brother, come on.
00:11:46That's it.
00:11:48Ten. Come on.
00:11:50Nico, come on.
00:11:52Do it, do it. Nine more to go.
00:11:54According to him, becoming a beast for the day we get married.
00:11:57Yes, a beast.
00:11:59A beast who has not realized that the coach has his eyes on him.
00:12:08Mr. Berni.
00:12:10A little question.
00:12:12Can I go now?
00:12:13Yes, you can go.
00:12:15We agreed to see Paola's kingdom with some friends.
00:12:18Yes, but of course, start, that's already started.
00:12:21Berni, help!
00:12:23Go, go, go.
00:12:25What happened, brother?
00:12:27Calm down.
00:12:29What's up?
00:12:31Are you okay? Did you get hurt?
00:12:34No, no, no, perfect, wonderful, delicious.
00:12:38How good it is, it made me suffer.
00:12:40The good thing is that I'm starting to notice it, right?
00:12:44Yes, it looks hard.
00:12:46Yes, I'm big, I'm starting to get scared.
00:12:48I don't have any clothes left.
00:12:50So I want to start dieting.
00:12:52I've been looking, there are several, but none convince me.
00:12:55Which one do you do?
00:12:57Me? Yes.
00:12:59I do the easiest of all, brother.
00:13:01Which one?
00:13:03The cuckoo.
00:13:05Which is the cuckoo?
00:13:07Eat your girlfriend a lot.
00:13:10Good, good.
00:13:12Excuse me, I have to go.
00:13:14Are you staying here alone?
00:13:16No, no, no, I'm going to stay there alone.
00:13:18Well, I can, but it's better to go.
00:13:20Be careful.
00:13:22You know what? I'm going to take care of Lombard.
00:13:24All right, see you, kid.
00:13:26Hey, tell me, I need this guy to go to bed early, okay?
00:13:30I put him to do legs and he walks like a fool with diarrhea.
00:13:34I'll see you later.
00:13:36Nicolas, come on, let's do legs.
00:13:38But which leg?
00:13:40No, Lombard, but with legs, I was doing chest.
00:13:43Come on, come on, come on, come on.
00:13:45Let's go with 15.
00:13:47Oh, 15.
00:13:49Let's put 20.
00:13:51Let's go with 20.
00:13:53Let's see.
00:13:55No, no, no, wait, Lombard, wait.
00:13:57No, no, no, wait, wait, I can't, I can't.
00:13:59Let's go, let's go, let's go.
00:14:01That's it, let's go with another one.
00:14:03Here, here, here, Nicolas, here.
00:14:05Let's make a deal.
00:14:06If Paola wins, she'll kill you.
00:14:09I want to see her very angry with her dark eyes.
00:14:12Oh, Nicolas.
00:14:14You have to concentrate, she's going to answer Paola.
00:14:25Those translators should keep quiet.
00:14:30No, right now I'm comfortable.
00:14:32She also wants to know if Paola needs a translator,
00:14:33but of course she says no, which is fine.
00:14:36She's kind of a gringa.
00:14:38She's perfect.
00:14:40Paola was asked about everything and she always took it out of the stadium.
00:14:43What did you want to do with your career as a psychologist?
00:14:46What do you hope to do with your career?
00:14:48Well, my mother and I, we have a school for disabled children.
00:14:53I decided to study psychology to continue this work with my mother.
00:14:58And one of your uncles is...
00:15:00One of your uncles is the ex-president.
00:15:03With all the achievements your family has,
00:15:06does that worry you or inspire you?
00:15:10It inspires me, because my family has always tried to do the best.
00:15:16They work a lot, they inspire me to do my best.
00:15:19Yes, she answered perfectly.
00:15:21Yes, perfect, but I don't understand why she was asked about her family.
00:15:24No, what's that? Like there's nothing to do with it?
00:15:26Super hateful.
00:15:27Oh, honey, don't suffer for the question. She answered perfectly.
00:15:31She's divinely prepared.
00:15:33Well, very well. Thank you.
00:15:35Very good. Thank you very much, Miss Colombia.
00:15:39What's the average?
00:15:4896!
00:15:49And what's that?
00:15:50No, it's the third.
00:15:51Third?
00:15:52Third!
00:15:53Bravo!
00:15:55Not only where everything had stopped on Sundays,
00:15:58but that Sunday the whole country had stopped to watch that transmission.
00:16:24And well, we went from 20 to 10.
00:16:28We have six extraordinary women.
00:16:31This is the moment we...
00:16:33And now the judges must choose three finalists
00:16:36in our search for the new Miss Universe.
00:16:39You are all winners.
00:16:42You are all beautiful.
00:16:45Number one, finalist number one is...
00:16:48Namibia!
00:16:50Namibia!
00:16:51Namibia!
00:16:52Namibia!
00:16:54Perfect!
00:16:55What?
00:16:56Perfect!
00:16:57What?
00:16:58Because Namibia has nothing to do with it.
00:16:59This has helped us a lot.
00:17:01Bravo!
00:17:03Oh my God, please, Colombia.
00:17:05It's not that wherever Venezuela is, we're screwed.
00:17:07Well, we went from 20 to 10.
00:17:09People who have bought the kingdom always win.
00:17:12Oh my God, please, I beg you.
00:17:14Please, Colombia.
00:17:17Namibia.
00:17:18Namibia.
00:17:19A beautiful woman.
00:17:20A beautiful woman.
00:17:21We have our hopes in her.
00:17:24Finalist number two.
00:17:25Finalist number two.
00:17:28The Miss...
00:17:35Miss Colombia.
00:17:36Colombia!
00:17:40Colombia!
00:17:41Colombia!
00:17:44And now, among the three finalists,
00:17:46Miss Colombia.
00:17:51Miss Colombia.
00:17:52I loved that interview.
00:17:54It's so smart.
00:17:55Wait, wait.
00:17:56There's still one left.
00:17:57Let's see what else.
00:17:58Fulfilling the dream.
00:17:59Miss India.
00:18:00And yes, gentlemen, we did it.
00:18:02And this country was falling with joy,
00:18:04as if we had qualified for the World Cup.
00:18:08India seems fair.
00:18:12India.
00:18:18And who is this man?
00:18:20It was Edgar Trejos.
00:18:22A vereda metrosexual.
00:18:24Interior decorator.
00:18:25Businessman.
00:18:26And eternally in love with Laura.
00:18:29Hours later, we would find out that he was crisp
00:18:31and that he made himself the blogger every day.
00:18:36You have to observe him very well
00:18:38because this man
00:18:39is the one who is going to turn this story around.
00:18:46The expectation that night was not only in BogotĆ”.
00:18:48It was in the whole country.
00:18:50Hundreds of kilometers away,
00:18:52in a land hit by all forms of violence.
00:18:55People had also stopped everything
00:18:57to see in front of Gisela IƱƔrritu's house
00:18:59if a Colombian woman
00:19:01was capable of becoming the most beautiful woman in the world.
00:19:05And before we go back to the broadcast,
00:19:07I want you to meet the artifice of all this.
00:19:10The person who discovered Paola
00:19:12and who saw in her
00:19:14that portrait of the universal queen of beauty.
00:19:16Sayo LĆ³pez.
00:19:18First of all, allow me to congratulate you.
00:19:20What an eye you have.
00:19:21No, thank you very much.
00:19:23Paola is already in my universe.
00:19:25She always believed that she was going to get to Mexico.
00:19:27Well, the truth is that you never know
00:19:29where the ideas you have can get to, right?
00:19:32What, what?
00:19:34Oh, what's up with that mouth?
00:19:36Slow down a little, Gisela, please.
00:19:39What do you need to have that eye that discovers queens?
00:19:42I saw my mother prepare queens.
00:19:44I think that was what gave me the eye
00:19:46to know that Paola had what she needed to get far.
00:19:50Well, seeing her now in my universe proves it.
00:19:53God.
00:19:54Hey, people like that are the ones you need in life, right?
00:19:56People with a vision.
00:19:58People who think big.
00:20:00What do you say, Gisela?
00:20:01Yes, that's right, like me.
00:20:03I'm going to be the dress of the next Miss Universe.
00:20:06Let's see what she's going to do.
00:20:07Sign it.
00:20:08Yes, ma'am.
00:20:09Kelly!
00:20:12Kelly!
00:20:14Kelly, come on, I want to tell you something.
00:20:16Kelly!
00:20:19So, my princess, what do you say?
00:20:23Let's see, young man.
00:20:25You don't understand that I don't want to see you around here again.
00:20:27I saw you run.
00:20:28Who's going to see that you didn't run?
00:20:29Who's going to see?
00:20:30Milton!
00:20:32You don't have the right to do that.
00:20:34I have the right to do it because I'm your mother, Kelly.
00:20:37And I have to take care of you.
00:20:38And now, let him go and I hope he doesn't come back.
00:20:41Well, I'm not going to leave him.
00:20:42Because I love him and he loves me too.
00:20:44Get one thing in your head, pretty.
00:20:46You're too much of a woman for such a glutton.
00:20:49How could you?
00:20:50And how do you know he's not for me?
00:20:52Because I've told you many times.
00:20:55If you want a boyfriend, wait a few years.
00:20:58And go and take a look at one of the oil workers.
00:21:01A guy who has to get her out of my life.
00:21:03A guy with money.
00:21:05No, honey, I'm hungry.
00:21:06I'm going to leave her pregnant and then I'm going to abort her.
00:21:08Of course.
00:21:10Like my aunt and you.
00:21:12Who paid you with a mansion
00:21:14the services that those guys from the camp lent you.
00:21:17And you don't respect me!
00:21:21Come on, come on, come on, aunt.
00:21:23Kelly, you're not going to win the queen's results anymore, okay?
00:21:27Come on, come on.
00:21:31Look, Kelly, listen to me.
00:21:35Maybe you don't understand what I'm saying right now.
00:21:38But believe me,
00:21:40there are mistakes that you can't make in life because you screw up.
00:21:44And one of them is messing with a guy who's useless.
00:21:51Look.
00:21:58Lombana, Chinazo.
00:21:59Lend me your phone.
00:22:01Go ahead.
00:22:03I'm training well, Nico.
00:22:04Like a bull.
00:22:06As always, my Chino.
00:22:08A couple of pills when you get home, okay?
00:22:10No, no pills.
00:22:11I'm strong.
00:22:12Of course.
00:22:16But come on, Chinazo, what are the pills called?
00:22:18Just in case.
00:22:19I can't stay with Chairo.
00:22:21Well, any anarchist who is in his office.
00:22:24Go inside and feel the relief in five minutes.
00:22:29So funny.
00:22:33Oh, no, come on, but you guys are so stingy.
00:22:35What happened?
00:22:36So a phone with coins?
00:22:37Nothing.
00:22:38Come on, lend it to me.
00:22:39Lend it to me, I left the wallet upstairs.
00:22:41It looks like it's cheap.
00:22:50Hello?
00:22:52Hello?
00:22:53Hello, what's up?
00:22:54You haven't arrived yet?
00:22:55Hello, love.
00:22:56No, I'm here at the gym.
00:22:58I'm just finishing changing and I'm on my way there.
00:23:00I wanted to ask you if you have any food.
00:23:03The thing is, I'm starving.
00:23:04Besides, I want you to make me aware.
00:23:06I want to be with you.
00:23:08Nico, are you serious?
00:23:10Is that all you're going to say?
00:23:12Hello, you're a finalist and you don't ask.
00:23:15I trained very hard.
00:23:16My legs don't hurt much.
00:23:17I want to be with you.
00:23:18I want you to make me aware.
00:23:19But no, the only important thing here is you.
00:23:21Your problems, not mine.
00:23:23Look, I'm not going to argue with you now, okay?
00:23:26Hurry up, I'll wait for you here.
00:23:34And that noise, what is it?
00:23:35What is it?
00:23:36Now the domiciles enter the lobby?
00:23:39Well, I'll take advantage of the commercial break to eat.
00:23:41Are you hungry?
00:23:42Come on, let's go.
00:23:45Understand that if you are hungry,
00:23:47understand that if you announce me,
00:23:49I will be surprised.
00:23:50What I want is for her to open the door,
00:23:52see me and be happy, please.
00:23:54Brother, look, I understand the romantic detail and everything,
00:23:57but you understand me,
00:23:58what do you do to me if I get angry?
00:24:00It seems that you don't take any chances.
00:24:02I don't know how I'm doing.
00:24:03All right?
00:24:04Two favors.
00:24:05Yes, sir.
00:24:06Hire some mariachis,
00:24:07they will arrive at any time.
00:24:08As soon as I have them, let them pass without warning.
00:24:10Okay?
00:24:11And two, do me a favor and get this to the lady.
00:24:15Laura Dominguez.
00:24:16Laura Dominguez, 602.
00:24:21What's up?
00:24:22What's up, brother?
00:24:23Let him in, he's a friend of mine.
00:24:25Come on.
00:24:26Hey, it's good to see you, dad.
00:24:28Really?
00:24:29Did you see that I knew the people here?
00:24:32Hello.
00:24:33Hello.
00:24:34Miss Chayo Dominguez?
00:24:35Hey, you're lucky because I'm going up there.
00:24:38I'm the brother, Bernie Dominguez.
00:24:40If you want, I'll take this.
00:24:41Don't worry.
00:24:42Thank you very much.
00:24:43Have a good night.
00:24:44Brother.
00:24:45It's good to see you.
00:24:48Come in.
00:24:49I've never been so happy to see you.
00:24:56I didn't know you were door-to-door neighbors.
00:25:00Yes, sir.
00:25:01And that's priceless, my dear Ben.
00:25:04From there I can always see Laurita.
00:25:06Wow.
00:25:08Hey, brother, what a great apartment.
00:25:11Keep going, keep going.
00:25:12Come on, brother, come on.
00:25:13Whiskey?
00:25:14Hello.
00:25:15Hello.
00:25:16No way I'm not going to have a whiskey in this palace, right?
00:25:19Thank you very much.
00:25:23Hey, Bernie.
00:25:25Those flowers you threw down were from this boy...
00:25:28Yes, from Nicolas Rocha, the boyfriend.
00:25:30But brother, it's just that precisely today those flowers
00:25:34can't reach their destination.
00:25:35I have a lot to learn, brother.
00:25:37Cheers.
00:25:39Cheers, dad.
00:25:45Bernie.
00:25:46And you come here to this building without an appointment
00:25:48and they let you in without a problem?
00:25:50How's it going?
00:25:51No, no, no.
00:25:52This is the first time I've been here,
00:25:54but since today is all about the contest,
00:25:56I wanted to congratulate you and, well,
00:25:58chat a little bit with her.
00:26:00Well, she got where she was, brother.
00:26:02Be careful.
00:26:03As soon as we have Miss Universe,
00:26:05we enter with the mariachis.
00:26:07The euphoria is going to be total.
00:26:08They're going to thank me all their lives.
00:26:10They're going to realize what I'm telling you.
00:26:13Hello.
00:26:14And the ceviche?
00:26:15Oh, no, that's for Nico.
00:26:17Ah.
00:26:18If this doesn't end there, I'm going to end up with the whole table.
00:26:22No, no, no.
00:26:23Be careful with those cakes.
00:26:24That has like a thousand calories each.
00:26:26Then he's going to have to go to the gym and burn that every day
00:26:29like a mad woman.
00:26:30Eat it, calm down.
00:26:31She's the happiest at the gym.
00:26:34Ala, and those flowers?
00:26:35Oh, Nicolas.
00:26:37No wonder I hadn't arrived because I wanted them to arrive first.
00:26:41No, Miss Chayo, they're not for you.
00:26:44They're for your sister.
00:26:45How?
00:26:46For me?
00:26:47How, how, who sends them?
00:26:48For me?
00:26:49The neighbor.
00:26:50Don Edgar making that feeling.
00:26:52With whose permission?
00:26:54Put them in the washing machine, please.
00:26:56And don't even think about putting them in a vase.
00:26:58That brings bad luck.
00:26:59What a bear.
00:27:00This one.
00:27:02Unwrap it.
00:27:03And the moment of truth came.
00:27:05There were only three finalists.
00:27:07And Paola was one of them.
00:27:12Let's go!
00:27:13We are back.
00:27:14Let's go, let's go.
00:27:15We're back.
00:27:17I know your countries are very proud of you.
00:27:21And you have all done very well.
00:27:23I know your countries are very proud of you.
00:27:26And you have all done very well.
00:27:29So, the second runner-up is Miss...
00:27:35The first princess is...
00:27:37Miss...
00:27:42Indira.
00:27:44Yes, yes.
00:27:45We're both here.
00:27:49Now we win.
00:27:57Well, guys.
00:27:58This is a matter of seconds.
00:28:00As soon as we have my universes, I'll hit the beat and you guys start playing.
00:28:04And if she doesn't win, we still play, boss?
00:28:07But of course she's going to win.
00:28:09The other one can't even reach Paola's heels.
00:28:11So, you know.
00:28:12Let's go all in, guys.
00:28:13Ready?
00:28:19Let's go.
00:28:20Now, girls.
00:28:21Join me.
00:28:24No!
00:28:25It's going to come out of my heart!
00:28:26Stop it!
00:28:27Cheers!
00:28:28Cheers!
00:28:29I am about to reveal the name of the first runner-up.
00:28:40Let me remind you of the importance of the first runner-up.
00:28:50The first runner-up would become the new runner-up.
00:29:00The first runner-up is...
00:29:04La Virreina esta seƱorita!
00:29:18Miss...
00:29:19Olafencia!
00:29:22Miss Universal esta seƱorita!
00:29:25Navidia!
00:29:26Miss Universal esta seƱorita!
00:29:28Navidia!
00:29:29What did I say?
00:29:30That guy read it wrong.
00:29:31But did we win or not?
00:29:33Yes, Colombia.
00:29:36Navidia!
00:29:37Congratulations!
00:29:38At that moment, everything was a mess.
00:29:40We didn't know who won.
00:29:41If Colombia or Navidia.
00:29:44The truth is that we lost.
00:29:45And we realized that we were just the universal sub-champions of beauty.
00:29:50But as the Maturana philosopher said,
00:29:52losing is winning a little.
00:29:54Did we win or not?
00:29:55Yes, Colombia.
00:30:01No, but it's not La Reina.
00:30:04Not even a second?
00:30:05No, they stole us.
00:30:07They stole us, yes.
00:30:09La Reina was Colombian.
00:30:11La Reina was Colombian.
00:30:12What's up, what's up, aunt?
00:30:15We lost as always.
00:30:17What do you mean we lost?
00:30:18Don't be so sadistic.
00:30:20La Reina is Colombian and we have to celebrate.
00:30:23Mom, you're bleeding.
00:30:25The girl lost.
00:30:26Let her study or do something else.
00:30:27Help me turn on the TV.
00:30:28You don't know what's going on?
00:30:30What's going on is that they have it set up for us.
00:30:32That's what's going on.
00:30:33They have it set up for us.
00:30:34It's like a curse.
00:30:35Those people don't care that Colombia gets out of the world.
00:30:38That giraffe had nothing to do with Paul.
00:30:41Nothing.
00:30:42Nothing.
00:30:49What's that?
00:30:53Who is that idiot?
00:31:13Oh my God.
00:31:14Oh my God.
00:31:30Excuse me.
00:31:45Mrs. Paulina.
00:31:46With all my respect and admiration for the achievements obtained.
00:31:51You're welcome.
00:31:52Mr. Joaquin.
00:31:53Congratulations to you too.
00:31:55And it's a pleasure to be here in your house.
00:32:15Mom.
00:32:31Hello.
00:32:36What are you doing here?
00:32:42Mom.
00:32:44Yes.
00:32:47Don't tell me that Nico sent you so you don't catch him
00:32:49for not coming.
00:32:50No, what Nico?
00:32:51Not even close.
00:32:52No one sent me.
00:32:53I sent myself.
00:32:56Well, I really wanted to see you.
00:32:59To congratulate you and celebrate with you this moment.
00:33:04Celebrate what, Bernie?
00:33:06Did we lose everything?
00:33:08Don't say that.
00:33:10A second place is the best thing that can happen to you right now.
00:33:13Oh, look, no.
00:33:14I'm not going to get out of that comfort.
00:33:16No, wait a minute, Nico.
00:33:17Look, look.
00:33:19Look at it this way.
00:33:21What does the queen have to do?
00:33:23She has to be committed to a lot of things for a year.
00:33:26Be there going to charity and all that stuff.
00:33:28Yes or what?
00:33:29Instead, you don't have to do any of that.
00:33:32You can focus on what is really important.
00:33:36In making your dream come true.
00:33:39Yes, my dream was to win.
00:33:41That was my dream.
00:33:44And what he told me the other day, what?
00:33:51It is what is needed in this country and not ...
00:33:57I would like to set up a model agency, but ...
00:34:00The most bitch of all.
00:34:05Do you think my idea is very silly?
00:34:06No.
00:34:08Because it's serious.
00:34:09I want to set up a model agency.
00:34:11And what are you waiting for?
00:34:13I need to study.
00:34:15My dad says I have to study first.
00:34:17You don't need to study for that.
00:34:19What you have to do is set up the agency and that's it.
00:34:22If you want, I can help you.
00:34:25And how are you going to help me?
00:34:28Are you going to model me or what?
00:34:30No.
00:34:32No, but look, I set up this gym by myself.
00:34:35And I know that, look, one day I'm going to have three,
00:34:37because I'm not feeling well.
00:34:39I have the experience to set up a business.
00:34:40And most importantly, that it works.
00:34:44Do you know what you should do right now?
00:34:46Call Paola and set up that agency at once.
00:34:50Look, everyone knows them.
00:34:52They have to take advantage.
00:34:54No.
00:34:56The only thing I want right now, you know what it is?
00:35:00Cry.
00:35:02Cry of the rage I have.
00:35:04Because ...
00:35:06I was very stupid.
00:35:07Very stupid.
00:35:09Very foolish to think that we could win.
00:35:13It's just that we're never going to win, rather.
00:35:15They will never let Colombia win anything.
00:35:19Look, and if maybe, at the end of the day,
00:35:22she wasn't the prettiest,
00:35:24as much as we would like her to be,
00:35:26and we thought she was.
00:35:28Oh, what are you talking about?
00:35:31Paola is the prettiest.
00:35:34You know.
00:35:38Well, if you ask me,
00:35:41the prettiest in the world,
00:35:45I have her sitting here in front of me.
00:35:51And she just looked at me.
00:35:55Are you flirting with me or what?
00:35:57No.
00:35:59No, no, no.
00:36:01But if you had been in the same contest as Paola,
00:36:02Paola would also have been second.
00:36:08I'm engaged, Benny.
00:36:10Oh yeah?
00:36:12And where's the boyfriend?
00:36:14I don't see him anywhere.
00:36:16Let's see, on such a special day,
00:36:18for your wife, for your girlfriend,
00:36:20and he's not there, I think it's very bad.
00:36:22Look, that makes me angrier, more willing to cry.
00:36:24No, no, wait a minute, wait a minute.
00:36:26Sayu, please.
00:36:28Please don't shed a single tear
00:36:29for a person who doesn't deserve her,
00:36:31who doesn't even get her heels.
00:36:33Sayu!
00:36:35Why did you leave?
00:36:38Well, because I wanted to go out for some fresh air, Mom.
00:36:42Let me introduce you to Bernie.
00:36:44He's my coach.
00:36:46Nice to meet you.
00:36:48Nico's coach too.
00:36:50He's our coach at the gym.
00:36:52And Nico?
00:36:54He didn't come.
00:36:56Oh, I'm sorry, honey,
00:36:57but look, the neighbor brings you mariachis to celebrate,
00:36:59you go out,
00:37:01I need you to change quickly and leave.
00:37:03You're not going back to the apartment.
00:37:10Goodbye.
00:37:12Don't go, don't go.
00:37:14Look, let's both escape.
00:37:16Let's go and we're going to celebrate.
00:37:18We had a good time.
00:37:20What do you think?
00:37:22Are you crazy?
00:37:24You just heard my mom.
00:37:25If she finds out about all these people, she'll kill me.
00:37:27Do you know what's going on?
00:37:29I have the solution, the medicine,
00:37:31for that stone you have.
00:37:33It's going to help you.
00:37:35I swear it's going to help you.
00:37:37Do you know what it is?
00:37:39You have to go dance a few steps
00:37:41and that will fly in the air.
00:37:43I assure you.
00:37:45Let's do...
00:37:47Let's do one thing.
00:37:49Don't tell me now.
00:37:52But I'm going to be around here.
00:37:55No.
00:37:57I'm going to leave my phone number here
00:38:00and if anything happens,
00:38:02you call me
00:38:04and I'll come flying.
00:38:06Okay?
00:38:10See you.
00:38:18Laurita,
00:38:20this is for you.
00:38:22Let's go, guys.
00:38:25Let's go.
00:38:40Chayo, the phone is ringing.
00:38:42What happened? Why didn't you come?
00:38:44Honey, don't get mad.
00:38:46Look, I swear she was leaving
00:38:48and I was watching TV
00:38:50and we won.
00:38:52Paola lost.
00:38:54I don't understand why we made a mistake.
00:38:56NicolƔs,
00:38:58I wanted you to be with me today
00:39:00so I could talk to you.
00:39:02I'm sorry.
00:39:04I'm sorry.
00:39:06I'm sorry.
00:39:08I'm sorry.
00:39:09NicolƔs,
00:39:11I wanted you to be with me
00:39:13on this really important night
00:39:15so we could celebrate.
00:39:17Honey,
00:39:19I also wanted to celebrate with you.
00:39:21Of course.
00:39:23But we lost.
00:39:25We can't celebrate.
00:39:27You know what, NicolƔs?
00:39:29You're right.
00:39:31We can't celebrate here.
00:39:33No, no, Chayito.
00:39:35Chayito, hello?
00:39:36Si Laurita quisiera ser mi novia,
00:39:40si Laurita fuera mi mujer,
00:39:43le comprarĆa un vestido de cena
00:39:47para llevarla a bailar al cuartel.
00:39:53Ā”Bravo! Ā”Otra! Ā”Otra! Ā”Otra! Ā”Otra!
00:39:59Edgar, Edgar. Muchas gracias.
00:40:03De verdad, que detallazo todo esto.
00:40:06Pero todos mis amigos me estƔn esperando para celebrar, entonces...
00:40:10InvĆtalos a mi apartamento. Tengo comida, trago, todo.
00:40:13No, lo que pasa es que estƔn en el bar, en Gato Blue,
00:40:16y lo abrieron solo para nosotros.
00:40:18SĆ, seƱores, de verdad, no les quitamos mĆ”s tiempo.
00:40:21Estamos agotados, hay que madrugar maƱana, asĆ es que buenas noches.
00:40:24Gracias. Gracias. Gracias, Edgar.
00:40:29Gracias. No trasnochen mucho, Āævale?
00:40:34Este no se va a rendir asĆ de fĆ”cil.
00:40:37ĀæY si vamos y los traemos?
00:40:40ĀæO los mandamos a recoger?
00:40:42Ya estĆ”n sĆŗper enrumbados, va a ser sĆŗper difĆcil sacarlos ya.
00:40:45Yo los conozco. Edgar, para una prĆ³xima.
00:40:49Pero muchas gracias.
00:40:52Insisto, que los invitan a mi casa.
00:40:54Ves que comprƩ comida, tengo mesero.
00:40:57ĀæUsted llega a Gato Blue?
00:41:00ĀæLe parece?
00:41:02SĆ, sĆ, sĆ, buenĆsimo.
00:41:05ĀæY usted sabe dĆ³nde es?
00:41:07ĀæGato Blue? SĆ, claro.
00:41:10SĆ, yo voy allĆ” todo el tiempo.
00:41:13Entonces, ya nos vemos.
00:41:16Gracias.
00:41:21Hola.
00:41:22A mĆ se tocĆ³ invitarlo a Gato Blue.
00:41:24ĀæCĆ³mo asĆ? ĀæEntonces quĆ© querĆa que hiciera?
00:41:26ĀæCĆ³mo lo Ćbamos a sacar de acĆ”?
00:41:28Bueno, a mĆ se me da mucha familia ir allĆ” con Ć©l, no, no, no.
00:41:31Me voy a mi casa a dormir.
00:41:33Moni, Moni, pero Ć©l ni siquiera va a ir.
00:41:38Bueno, entonces vamos nosotros.
00:41:40Yo no sƩ usted quƩ va a hacer con Edgar en Gato Blue,
00:41:43pero mucha suerte con eso.
00:41:46Yo me voy a celebrar a mi manera.
00:41:48No.
00:41:49ĀæCĆ³mo asĆ, Chayo? ĀæUsted tampoco va a ir?
00:41:55ĀæUsted sabe algo que yo no sĆ©?
00:41:57No, no, no.
00:41:58ĀæSeguro?
00:42:01Yo solo sabĆa que las ganas de celebrar eran tan grandes
00:42:04que poco importĆ³ ese segundo puesto.
00:42:06Ā”Vamos, vamos, vamos!
00:42:23Ya no peleemos mĆ”s, ĀæsĆ?
00:42:28Vea, yo le juro que usted y yo juntos vamos a llegar muy lejos.
00:42:33Pero necesito que me haga caso.
00:42:35Bueno, yo la voy a llevar allĆ”.
00:42:39A que se ponga esos vestidos.
00:42:42A que hable inglƩs.
00:42:44ĀæY usted no querĆa que yo me consiguiera un tipo de esos de la refinerĆa?
00:42:47Ay, no. No, no, no. Eso no es verdad.
00:42:51Esas son cosas que yo digo, pero...
00:42:53Pero no, usted tiene razĆ³n.
00:42:55Esa tampoco es la soluciĆ³n.
00:42:57ĀæSabe quĆ© es lo que pasa?
00:42:59Es que usted es demasiado mujer.
00:43:02Y eso vale.
00:43:04Y si yo le digo que a ese muchacho no le conviene,
00:43:07es porque yo sƩ que usted con ese porte y esa elegancia que tiene
00:43:11puede llegar muy lejos.
00:43:15Deme la oportunidad de darle la vida que ni mi hermana ni yo pudimos tener.
00:43:23DiscĆŗlpeme por ser tan grosera.
00:43:34āŖ
00:44:04āŖ
00:44:20Entonces...
00:44:23ĀæUsted vino hasta acĆ” para salir corriendo?
00:44:26āŖ
00:44:36ĀæPor aquĆ?
00:44:40Adelante.
00:44:49āŖ
00:44:56ĀæQuĆ© pasa?
00:45:00Hola.
00:45:05Venga, hablemos.
00:45:06No, no, no, venga.
00:45:07ĀæQuĆ©?
00:45:08ExplĆqueme algo antes.
00:45:09ĀæQuĆ©?
00:45:10ĀæUsted de verdad quiere que yo la bese?
00:45:12Ay, Oscar, ya le dije que sĆ.
00:45:14ĀæNo ve que es la Ćŗnica manera?
00:45:16El plan es este.
00:45:18Cuando se sienta que el tipo este se empieza a poner intenso,
00:45:22usted me besa asĆ, apasionadamente, como si fuera mi novio.
00:45:26Y listo, me lo quito de encima.
00:45:28Listo.
00:45:29ĀæListo de quĆ©?
00:45:30ĀæDe quĆ©?
00:45:31SĆ, vamos a fingir ser novios toda la vida.
00:45:33Venga, ahora usted de verdad cree que se va a quitar a Edgar
00:45:36asĆ como asĆ.
00:45:37Ay, Oscar, mire, yo no sƩ.
00:45:39Lo importante es que hoy lo soluciono.
00:45:41Ya.
00:45:42Hola, hola.
00:45:43ĀæQuĆ©?
00:45:44Ese plan suyo no me cuadra.
00:45:45Oscar, deje de ser tan gallina.
00:45:47Ay, no.
00:45:48ĀæGallina?
00:45:50ĀæPero por quĆ© yo?
00:45:52ĀæUsted no se da cuenta de que de todos mis amigos
00:45:54usted es el Ćŗnico que no es tan bruto como para ilusionarse conmigo
00:45:57porque le doy un beso?
00:45:59Ay, no, pues gracias.
00:46:01QuƩ orgullo.
00:46:02Yo le hago la vuelta.
00:46:04Un beso y no me ilusiono, Āæno?
00:46:06ĀæEso quiere?
00:46:07Favor completo.
00:46:08Pero al menos gĆ”stese algo, Āæno?
00:46:10Porque asĆ, para no ser muy derraco.
00:46:12Ćgale, pues, ĀæquĆ© quiere?
00:46:14Un whisky.
00:46:15Un whisky, por favor.
00:46:16Y una champaƱa.
00:46:17Doble.
00:46:20Nada puede salir mal esta noche, Āæno?
00:46:22AsĆ que mucho cuidadito con ir a hacer un comentario de esos suyos
00:46:25que me haga quedar como un gamin al frente de...
00:46:28Ay, de mi Laurita.
00:46:30No, ĀæcĆ³mo le ocurre, Edgar?
00:46:32No.
00:46:33ĀæCuĆ”ndo le he hecho quedar mal yo a usted?
00:46:35Oiga, Āæy las amigas quĆ©?
00:46:38Esas estƔn prohibidas para usted, seƱor.
00:46:41Mucho cuidadito con irles a hablar porque me joden la noche.
00:46:44Lo conozco.
00:46:45Vea, Albert, esas mujeres son muy sofisticadas
00:46:48para un tipo tan ordinario como usted.
00:46:51No, pues, ĀæserĆ” que sĆ son para un hombre como usted?
00:46:58ĀæUsted quiere que lo pongan en el listado de los que jamĆ”s
00:47:00regresaron a su casa?
00:47:01No, Edgar, no.
00:47:03Era una broma, hijo.
00:47:05Oiga.
00:47:06No, no, no.
00:47:07No, no, no.
00:47:08No, no, no.
00:47:09Corre, corre.
00:47:10No, no, no.
00:47:11Y tres horas echando de secador.
00:47:14Yo quiero proponer un brindis.
00:47:20A ver.
00:47:21Quiero que brindemos por Miss Namibia.
00:47:25SĆ, porque si no fuera por ella, usted no estarĆa aquĆ.
00:47:29AsĆ que salud y gracias, Miss Namibia.
00:47:32Salud.
00:47:33No se burle.
00:47:35Salud.
00:47:40Escuche.
00:47:41Le dedico esta canciĆ³n y quiero que la bailemos.
00:48:11Yo no sĆ© si soy para ti, si serĆ”s para mĆ,
00:48:16si lleguemos a amarnos o odiarnos.
00:48:21Yo no sƩ maƱana, yo no sƩ maƱana,
00:48:26quiĆ©n va a estar aquĆ.
00:48:32De un cafƩ pasamos al sofƔ.
00:48:35De un botĆ³n a todo lo demĆ”s.
00:48:37No pusimos reglas ni reloj.
00:48:40AquĆ estamos solos tĆŗ y yo.
00:48:42Todo lo que ves es lo que soy.
00:48:45No me pidas mƔs de lo que doy.
00:48:47Espere, espere.
00:48:49Esto no estĆ” bien.
00:48:53Dios.
00:48:57ĀæPor quĆ©?
00:49:02Bernie, porque yo estoy comprometida.
00:49:05Puede que Nico sĆ la hayan barrado con toda esta noche,
00:49:07pero es mi novio.
00:49:12SĆ, es verdad.
00:49:16Pero tambiƩn es verdad que esto no es una casualidad.
00:49:20Y si usted estĆ” aquĆ, es porque usted quiere estar aquĆ.
00:49:24ĀæNo?
00:49:28AdemƔs, cada vez que yo la veo con NicolƔs,
00:49:32cada vez que yo la veo con NicolƔs,
00:49:34yo sƩ que usted no estƔ contenta.
00:49:36Y que siguiĆ³ con ese cuento de casarse y todo,
00:49:39simplemente porque sĆ.
00:49:41Pero usted no quiere estar ahĆ.
00:49:43Se lo hace sonar muy simple.
00:49:45Y no es asĆ.
00:49:46Porque yo sĆ me quiero casar.
00:49:49Pero no con NicolƔs.
00:49:50Ese es el detalle.
00:49:53Entonces, segĆŗn usted,
00:49:56Āæyo con quiĆ©n me tengo que casar?
00:49:58Con alguien que la valore.
00:50:02Que la respete.
00:50:03Que la quiera con todo el corazĆ³n.
00:50:07Y que no la sienta segura.
00:50:09Que cada vez que la mira a los ojos,
00:50:11sienta mucho miedo de que en cualquier momento la pueda perder.
00:50:14Ay, Dios mĆo, ĀæquĆ© estoy haciendo?
00:50:33Esto es una locura.
00:50:35ĀæPor quĆ©?
00:50:37Bernie, porque estoy comprometida.
00:50:40Porque yo no voy a botar a la basura
00:50:42una relaciĆ³n por alguien que...
00:50:44PerdĆ³n, pero es que yo a usted no lo conozco.
00:50:47No tengo ni idea de quiƩn es usted.
00:50:49No conozco su mundo, su familia, sus amigos.
00:50:52Nada.
00:50:54No, yo no debĆ venir.
00:50:56Espera, espera, espera.
00:50:59Ese es el problema.
00:51:01Que no me conoce.
00:51:04Pues entonces vamos a solucionarlo.
00:51:07Camine.
00:51:08Camine a dĆ³nde?
00:51:09Te voy a mostrar quiƩn soy.
00:51:11ConfĆa en mĆ.
00:51:13No, es que yo casi me muero cuando lo ganĆ³.
00:51:42Las pensƩ tanto, Lauris.
00:51:44Yo sĆ© todo lo que se esforzĆ³ Shayo para que saliera perfecto.
00:51:47O sea, cĆ³mo va a perder.
00:51:48SĆ.
00:51:49QuƩ piedra.
00:51:50Y la confusiĆ³n mĆa, que yo no sabĆa si estaba diciendo
00:51:52el nombre de la primera o de la segunda.
00:51:54Ay, no, Dios mĆo, quĆ© angustia.
00:51:55SĆ, total.
00:51:57Y a todas estas, Shayo...
00:52:00ĀæDĆ³nde estĆ”?
00:52:01No la he visto en toda la noche.
00:52:02Ni a ella ni a Nico.
00:52:04Hola, hola.
00:52:07ĀæCĆ³mo estĆ”s?
00:52:10No, no, no, no.
00:52:12ĀæCĆ³mo se le ocurre?
00:52:13Es que me quisiera cambiar de ropa y ir a recogerme a mi golo.
00:52:16Camilo.
00:52:19Camilo.
00:52:20Lu, mucho gusto.
00:52:21Camilo.
00:52:22Juanita.
00:52:26Mucho gusto.
00:52:27Camilo.
00:52:28Ay, encantado.
00:52:32ĀæY quĆ© estamos tomando?
00:52:34Yo estoy bien con este whisky, gracias.
00:52:36Yo tambiƩn estoy bien con este champaƱa, gracias.
00:52:38ĀæPor quĆ© no cambia whisky?
00:52:40Hay uno de Malta, 21 aƱos, suavecito, delicioso.
00:52:45TrƔelo.
00:52:46Bueno, estĆ” bien.
00:52:47Amigo, whisky, Malta, 21 aƱos, con todo el servicio.
00:52:52Y una autotumita de manĆ.
00:52:55No mentir, el manĆ no.
00:52:59Bueno, pues gracias.
00:53:07Vamos.
00:53:08Vamos.
00:53:09Vamos.
00:53:10Vamos.
00:53:11Vamos.
00:53:12Vamos.
00:53:13Vamos.
00:53:14Vamos.
00:53:16Vamos.
00:53:17Vamos.
00:53:18Vamos.
00:53:19Vamos.
00:53:20Vamos.
00:53:21Vamos.
00:53:22Vamos.
00:53:23Vamos.
00:53:24Vamos.
00:53:25Vamos.
00:53:26Vamos.
00:53:27Vamos.
00:53:28Vamos.
00:53:29Vamos.
00:53:30Vamos.
00:53:31Vamos.
00:53:32Vamos.
00:53:33Vamos.
00:53:34Vamos.
00:53:35Vamos.
00:53:36Vamos.
00:53:37Vamos.
00:53:38Vamos.
00:53:39Vamos.
00:53:40Vamos.
00:53:41Vamos.
00:53:42Vamos.
00:53:43Vamos.
00:53:44Vamos.
00:53:45Vamos.
00:53:46Vamos.
00:53:47Vamos.
00:53:48Vamos.
00:53:49Vamos.
00:53:50Vamos.
00:53:51Vamos.
00:53:52Vamos.
00:53:53Vamos.
00:53:54Vamos.
00:53:55Vamos.
00:53:56Vamos.
00:53:57Vamos.
00:53:58Vamos.
00:53:59Vamos.
00:54:00Vamos.
00:54:01Vamos.
00:54:02Vamos.
00:54:03Vamos.
00:54:04No, no, no, no, no.
00:54:05How can you introduce me to your mom?
00:54:07Yes, of course.
00:54:08I always tell her that you're the one who makes my life better
00:54:10every time I go to the gym.
00:54:13No, no, no, yes, yes, I almost never go.
00:54:16Well, well, of my classes, then.
00:54:18No, come on, don't wake her up.
00:54:20No.
00:54:21Mom!
00:54:24What happened?
00:54:25What was it?
00:54:26No, no, everything's fine, Mom.
00:54:28No, Mom, we're celebrating.
00:54:30Guess who I brought?
00:54:32The most beautiful woman in the world.
00:54:34You know I always talk about her, right?
00:54:36Chayo, Mom, Mom, Chayo.
00:54:37Oh, no, I know who she is.
00:54:40Oh, but how do you two know each other?
00:54:43Oh, no, I thought it was a story about him.
00:54:45How does he sometimes talk so much?
00:54:47Oh, no, it's a pleasure to have you here.
00:54:50Oh, what a shame, I'm so ugly.
00:54:52Why didn't you tell me you were bringing her?
00:54:54Aren't you ashamed to know me like this?
00:54:55No, no, no, it's just that she's so beautiful.
00:54:57And I wanted you to meet her like this, just got up.
00:55:00You look beautiful with what you're wearing, Mom.
00:55:03Well, then don't come in and have a drink.
00:55:05No, you know what?
00:55:07We just came to say hello.
00:55:08And we're going to have breakfast over there.
00:55:10Do you want me to bring you something?
00:55:11Oh, yes, a little arepa.
00:55:12Yes, a little arepa.
00:55:13Okay, Mom, I'll see you later.
00:55:15All right?
00:55:16Yes, well, take care of him, take care of him.
00:55:18What a shame to arrive like this at this hour.
00:55:20No, calm down, everything's fine.
00:55:21Bye, Mom, everything's fine.
00:55:22Have a good day.
00:55:24What do you think, Edgar?
00:55:26The party's over and you don't care about Laura anymore.
00:55:31Those people don't care about each other
00:55:33not even for a minute of the night they're with us.
00:55:35They're going to take her away from you.
00:55:37No, man, that's a fool.
00:55:40He's the friend of a lifetime and nothing happens, you see.
00:55:44Well, I don't think they're dancing
00:55:46as if they were just friends.
00:55:48Look at the look on that fool's face when he takes her away.
00:55:51I'm going to make him dance.
00:55:53Watch and learn, Edgar.
00:55:55Edgar, there's nothing to be mad about.
00:56:03He's coming this way.
00:56:04Yeah?
00:56:05He's coming this way?
00:56:08He's going to make me dance.
00:56:09Yeah?
00:56:10Yes, yes, he's going to make me dance.
00:56:12He's coming this way.
00:56:13He's coming this way.
00:56:14He's coming this way.
00:56:15He's coming this way.
00:56:16He's coming this way.
00:56:17Yeah, yeah, he's going to make me dance.
00:56:20He's coming this way.
00:56:21He's coming this way.
00:56:30That's what that man up there got
00:56:33from the stolen kisses.
00:56:37You know what's going on?
00:56:40That idiot's making good use of Laura
00:56:41because she's in a coma.
00:56:43Coward.
00:56:44No.
00:56:46What's wrong? What's that look on your face?
00:56:48Now?
00:56:49What?
00:56:50That guy is looking at me. I don't know what to do.
00:56:52Well, you're my girlfriend, so show him.
00:56:54No, no, no.
00:56:55Oscar.
00:56:56No.
00:56:57Oscar!
00:56:58What?
00:57:07What's wrong with you?
00:57:08What? I'm doing what you told me to do.
00:57:10Yes, but don't grab me like that.
00:57:12Hey, what are you doing?
00:57:15Hey, didn't I teach you to respect women?
00:57:17Edgar.
00:57:18Edgar, calm down, okay?
00:57:19Calm down, I'll fix this.
00:57:21No, don't worry.
00:57:22Don't worry.
00:57:23Are you deaf or what? Didn't you hear me?
00:57:25German.
00:57:26This is a problem between my girlfriend,
00:57:28my girlfriend,
00:57:30and me.
00:57:31Get in or you're such a snitch.
00:57:33That's not how you treat your girlfriend, you idiot.
00:57:35Edgar!
00:57:44Edgar!
00:58:14Edgar!
00:58:45Edgar.
00:58:46Edgar, Edgar.
00:58:52Edgar!
00:58:53Edgar!
00:58:55Call the police!
00:58:57Call the police!
00:59:03Edgar!
00:59:04Edgar.
00:59:05Edgar, let him go.
00:59:07Let him go, brother.
00:59:08Let him go.
00:59:09The least you need is the police.
00:59:11Besides, he's a kid.
00:59:13Besides, I saw that he dropped water on your head.
00:59:31Laurita, I'm sorry if I went a little overboard.
00:59:34I apologize.
00:59:38You too, young man.
00:59:41I'm sorry.
01:00:01You saw how I left him, didn't you?
01:00:03Farid gets really scared.
01:00:06That's where the police are.
01:00:11Don't move!
01:00:12Albert!
01:00:41Farid?
01:00:45Farid?
01:00:51Farid?
01:00:54Farid?
01:01:10Farid?
01:01:40How I like it when she moves her hips.
01:01:44She's a bomb and there's no one like her.
01:01:52How I like it when she moves her hips.
01:01:56Because she alone is the power of beauty.
01:02:10I love you.