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IR Interview: Charlotte Kirk For "Duchess" [Saban] - Part I
The Inside Reel
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8/19/2024
Actress/Producer/Writer Charlotte Kirk talks to The Inside Reel about focus, inspiration and evolution of character with her new movie, the action thriller “Duchess” from Saban Films.
Category
🎥
Short film
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00:00
♪♪
00:10
♪♪
00:14
Nicely done, Duchess.
00:16
Duchess?
00:19
She handled that with grace.
00:20
♪♪
00:23
Real power...
00:25
can never be given.
00:27
It has to be taken.
00:28
♪♪
00:31
You've got some balls on you, Princess.
00:33
It's Duchess.
00:34
♪♪
00:39
You know, creating a character,
00:41
but creating a character from the birth of it throughout
00:45
is so important, I think,
00:46
both for a creator and an actor.
00:48
And I talked to, obviously, Neil about it before,
00:51
but can you talk about seeing Scarlet?
00:53
Obviously, your company is named for it.
00:56
Could you speak to that and the key with her as a character?
01:01
Yeah, so Duchess is an interesting one
01:05
because obviously me and Neil had done two films previously,
01:08
very, very different kind of films.
01:10
One was an action horror and one was a drama horror.
01:14
And we just wanted to make a very different kind of movie
01:19
that we'd made before.
01:20
And what was nice about this film was
01:23
we focused on Scarlet as opposed to the genre.
01:29
It was very character-driven.
01:31
And it was kind of the first film that I'd done
01:34
that the idea was based on a character,
01:38
which was very, very exciting.
01:40
And I think it shows through a lot.
01:42
And I think with a lot of gangster films,
01:44
great gangster films, the selling point,
01:47
the driving force is the main character, right?
01:50
Like Tony in Sopranos, Tony in Scarface.
01:53
It's all that driving force of the character.
01:55
So as Neil said, it was the funnest script he had ever written.
02:02
He had the most fun writing the script.
02:04
And it was just a blast because Scarlet is such an interesting,
02:09
fun, tough, no-nonsense character.
02:13
So it was definitely the most fun I had playing a role
02:17
and writing it and developing it.
02:19
It was very, very cool developing her.
02:23
Come here.
02:24
Whatever happens, I got you.
02:28
I never meant to put you in any danger.
02:30
Someone stabbed me in the back.
02:34
It's going to be okay.
02:39
To really understand where this all started,
02:41
we have to go back a bit.
02:46
So this is me, named Scarlet.
02:48
Got some nice moves.
02:50
That's Rob McNaughton, the future lover of my life.
02:54
Well, with films like, obviously,
02:56
it also speaks not just to Scarface and those,
02:58
but like obviously Lock, Stock, Snatch,
03:00
those things like Guy Ritchie did.
03:02
But the great thing about those,
03:03
they always had humour and perspective.
03:06
And that's the great thing that Scarlet has,
03:08
is that you see her perspective, but her humour shines through,
03:11
even in the darkest situations.
03:12
Like, well, I should do it.
03:14
Doesn't matter.
03:15
Could you sort of talk about that and finding the voice,
03:17
both dialogue-wise,
03:19
but then just the whole package of her, per se?
03:22
Yeah, I think, like, every film,
03:25
it's nice to have some comic relief or some humour to it,
03:28
some dark humour.
03:29
I think that's very important.
03:30
Like, there's some real tragic moments in Duchess.
03:33
Real tragic.
03:35
But then it's, I think, with this film in particular,
03:38
it's almost like a rollercoaster of emotions.
03:40
So, and you need that relief of a funny line,
03:45
a funny moment, a funny scene,
03:47
because it is otherwise very heavy.
03:50
Her story overall, her, you know,
03:53
almost her rise to power.
03:55
This film is her rise to power.
03:56
So, and it's, I think, actually,
04:01
a lot of gangster films have that in a way, right?
04:03
Just to add that flavour to it.
04:05
And it has definitely got that Guy Ritchie feel to it
04:08
with the whole, you know, freeze frames and the voiceovers.
04:11
I love a good voiceover.
04:13
One of my favourite gangster films is Goodfellas.
04:15
I just think, for me, the audience,
04:17
it just automatically drags me in.
04:19
It pulls me into it when there's a voiceover.
04:22
It just automatically connects me with it.
04:26
So, and it was, I had a lot of fun doing that.
04:29
A lot of fun with the voiceover.
04:34
Welcome to your new home.
04:37
You must be Scarlett.
04:38
Scarlett.
04:39
Welcome.
04:40
Tell me who you really are.
04:42
I deal in diamonds.
04:44
Diamond trade is dirty and corrupt.
04:48
That's when I saw the real one.
04:56
The man who killed for me.
04:59
Because you were talking about,
05:00
even when we're looking at Goodfellas,
05:01
Neil and I talked about that too,
05:02
is that it's sort of funny because it's the ironic element
05:05
of raising the stakes of how dark this place they can be is in,
05:09
and then just sort of flopping it.
05:11
You know, can you talk about stakes in here?
05:13
Because it's in, unlike the other two films,
05:15
this is, and Neil said this too,
05:17
is in the real world.
05:18
So you have to take certain, even though it's heightened,
05:21
it's more set in our world, per se.
05:24
Yeah, exactly.
05:25
That's so true.
05:26
It's heightened, but we wanted to make it as real
05:29
and as nitty gritty as possible.
05:31
It's almost like a My Fair Lady story, right?
05:33
Taking her from the streets, from a little fishbowl world
05:37
to this incredible other dark underground criminal world.
05:43
So, yeah, it was just, it was-
05:46
Because you play with the tropes too.
05:48
You play with the tropes, even with, you know,
05:50
the way you dress at certain times.
05:53
It's sort of playing against that, you know?
05:55
Well, we wanted to make it as real as possible.
05:57
I think that what I like about Neil's characters,
06:01
when he writes them, is he makes,
06:03
she's not a superhero, she's not a spy,
06:05
she's an ordinary girl in extreme circumstances.
06:09
Extraordinary circumstances.
06:10
But we wanted to make her as real and relatable as possible.
06:13
Remember, she's an anti-hero.
06:15
So for the audience to really like and connect to this character,
06:18
she has to be relatable, I think.
06:21
And I think she is.
06:22
You know, and then, obviously, for our-
06:25
And another really important thing was,
06:27
the revenge comes quite late in the film,
06:30
which I think is very important,
06:32
because a lot of these revenge films now,
06:34
they happen within the first five, 10 minutes.
06:36
So you don't really get to connect or love
06:39
or care about the characters.
06:40
No, you see the romance here,
06:42
and you see why she's drawn in, you know?
06:44
Exactly.
06:45
And a big inspiration for this one was Man on Fire,
06:48
Denzel Washington.
06:49
That doesn't happen until halfway through the film.
06:51
So you start to love and care about these characters,
06:54
and then it happens.
06:55
Then you care.
06:56
So that's why a part of it, again,
06:58
we wanted to make it as real as possible.
07:00
You wanted to, the audience wanted to be on her journey,
07:03
falling in love with Robert.
07:05
So when stuff happens,
07:06
then the audience really feels it as well.
07:08
And then you're on her path with her,
07:10
on the revenge path.
07:13
I'm going to kill all the men that betrayed me.
07:16
They will eat you alive.
07:20
Do your worst.
07:23
It's not enough to be as good as a man.
07:27
You have to be twice as ruthless.
07:31
And ten times a bitch.
07:32
Oi.
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