Bharateeyudu 2 Pre Release Event In Hyderabad
#Bharateeyudu2
#KamalHaasan
#Siddharth
#Shankar
#RamCharan
#GameChanger
#pawankalyan
~CA.43~PR.38~ED.232~HT.286~
#Bharateeyudu2
#KamalHaasan
#Siddharth
#Shankar
#RamCharan
#GameChanger
#pawankalyan
~CA.43~PR.38~ED.232~HT.286~
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NewsTranscript
00:00Namaskaram to everyone.
00:11It's coming, it's coming.
00:16Now, after shooting the first part of Bharatiyedu,
00:20I went to another movie.
00:23After each movie, I read the newspaper.
00:27Whenever I read the newspaper,
00:30I would get the news about the bribery,
00:32the bribery of this officer,
00:34the bribery of that officer.
00:37Whenever I see that news,
00:39the first thing that comes to my mind
00:41is the character of Bharatiyedu Senapathi.
00:46But, after each movie,
00:49when I read the newspaper,
00:51I would think of Bharatiyedu again and again.
00:54The story is good, but the story is not perfect.
00:57In 2.0 time,
00:59the story was set correctly.
01:02I said okay, let's do it.
01:04I went to Kamal sir and told the story.
01:06He also liked it.
01:08At this time, I have to say one thing.
01:10When Bharatiyedu was doing the first part,
01:13Kamal sir gave the front picture and profile picture
01:17to design the old man character.
01:20His father's photo,
01:22front picture, profile picture,
01:24Kamal sir's brothers' photos,
01:27they also gave the front picture and profile picture.
01:30After giving all these,
01:32I gave it to our art director, Thotta Dharani,
01:35told the story,
01:37and asked him to design something from it.
01:40The sketch that Thotta Dharani designed at that time
01:44is the character of Senapathi.
01:48As soon as I saw the sketch,
01:51I got goosebumps.
01:53Because the character we imagined came out well.
01:56Similarly, when Bharatiyedu was shooting the first part,
02:00on the first day,
02:02he came to the set wearing an old man's make-up.
02:05As soon as I saw it,
02:07I got goosebumps.
02:09Similarly, after 25 years,
02:12when he was doing part 2,
02:14for the make-up test,
02:16when he came in the get-up,
02:18I got the same goosebumps.
02:20I believe you will also get it.
02:22Not only that,
02:24when he was shooting on the set,
02:26I know Kamal sir very well.
02:28But when he came in the get-up,
02:30I had a respect, a fear,
02:32a consciousness that
02:34Bharatiyedu is shooting here.
02:36Whenever I saw him,
02:38I had a feeling that
02:40Bharatiyedu is close to me.
02:43I strongly believe,
02:45when you watch the film,
02:47after 28 years,
02:49you will also get goosebumps.
02:51I believe you will get it.
02:53When I write each scene,
02:55I write how best the writers write it.
02:58Similarly, when I write it,
03:00when he comes and performs,
03:02that scene,
03:04it elevates 10 times.
03:06That's what I saw.
03:08His screen presence,
03:10his performance,
03:12it elevates it so much.
03:14There is no one
03:16who can do this scene
03:18better than him.
03:20He did such a performance.
03:22Kamal sir,
03:24you will enjoy
03:26all the scenes of Bharatiyedu.
03:28I believe you will.
03:30He said about
03:32the prosthetics make-up,
03:34I will tell you one incident.
03:36In one scene,
03:38he has to hang himself
03:40in a rope
03:42and act.
03:44Not just one or two shots,
03:46he has to be in a rope
03:48for four days.
03:50This prosthetic make-up.
03:52Then,
03:54we shot that scene in slow motion.
03:56There is a dialogue
03:58to be shot in slow motion.
04:00First, it has to be recorded
04:02in Nagara
04:04and played in 12 frames.
04:06Then, it has to be played
04:08in fast speed.
04:10After hearing that fast sound,
04:12it has to be synced
04:14and acted.
04:16It is not a normal language.
04:18It is Punjabi.
04:20In Punjabi language,
04:22he has to act in fast motion
04:24in that rope
04:26and draw with his hand.
04:28He did all these things
04:30so well.
04:32Not just Tamil Nadu or India,
04:34it is very difficult
04:36to make an actor like him.