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How To Create Easy Chords With MIDI Effects Using Ableton Live 11 | Music Radar
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5/3/2024
How to make a track in Ableton Live 11 Lite: creating easy chords with MIDI effects
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Tech
Transcript
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00:00
Hi everyone, welcome back to this video series on getting started with Ableton Live Lite.
00:05
So in the last video, I showed you how to add a bassline to the beat.
00:08
Now we're going to add some more musical elements and continue building up the layers
00:12
of the track.
00:13
In this video, I'll be adding some chords using two different sounds, making use of
00:17
Live's fantastic MIDI effects and also recording in a melodic part from a hardware synth.
00:23
Things are getting serious, let's get into it.
00:26
So because we want to add some more parts, we need to create some more MIDI tracks and
00:29
you can see we've already used up two of our MIDI tracks already.
00:32
So what we can do is just create some more.
00:34
So we just go up to here, create and insert MIDI track.
00:39
We can also do that with shift command T as well.
00:43
So there we go, we've got two new MIDI tracks.
00:46
So I want to look for a piano sound now.
00:47
So first I'm going to click on the arm recording button on this channel here and we're going
00:52
to use the search function.
00:54
It's a really really useful feature of the browser.
00:56
So if we're in the sounds category and we click on here and then type in piano, you
01:03
can see that any presets that have piano in the title will come up here.
01:07
So let's go to piano and keys and let's try this grand piano sound.
01:14
Double click on it to load it into the track, there we go.
01:23
Now the bass line I played went like this.
01:29
Okay so the key signature of this track is A minor and it's just all the white notes.
01:35
Very very simple.
01:37
Now I want to play some chords and a chord is defined as when you play more than one
01:41
note at the same time.
01:43
One of the simplest chords is a triad and this is often called a stack of thirds.
01:47
So we have the first note, the root note, we go up a third and then a fifth.
01:54
So this is A minor.
02:01
Now what's brilliant about Live is there's actually a MIDI device that can do that for
02:05
us without having to play the notes.
02:07
So it's really good if you're not that familiar with playing the keyboard.
02:10
Let's go over to the MIDI effects category here and go on to chord and I'm just going
02:16
to click on this triangle here to bring up some of the presets and the one that I'm
02:21
going to choose is this one, it's called house for the go and all I have to do is just double
02:26
click on it and it will load it up for me just before the piano device.
02:30
So if I now play the keyboard, it's playing those chords for me, fantastic.
02:40
And you also might be able to hear that the volume of the chords is changing and that's
02:46
because the keyboard I'm playing is velocity sensitive.
02:50
So if I play very softly, it's quiet and if I play very hard, it's much louder, kind of
02:54
what you'd expect from a real piano.
02:57
But for this style of music, I'd rather that it was more of a constant volume.
03:00
So again, there's another MIDI effect we can use for that and it's called velocity.
03:04
I'm just going to scroll down and we're going to select this one, fix 127, so let's double
03:08
click on it.
03:12
So whatever velocity I play on the keyboard, it's always going to be the same volume.
03:16
Now I can hear that's already a bit loud, so I'm just going to take the volume down.
03:22
So let's try jamming something onto this third scene here.
03:30
Okay, we can use capture again, I quite like that first riff that I played.
03:44
It's captured it all but it's just looped that last bar, so let's just drag the loop
03:48
brace back here and see what that sounds like.
03:58
Okay so let's quantize it, again going up here, quantize, we could just do command U
04:04
and let's not forget to apply that groove as well.
04:15
Okay great, so that's really working for that kind of more funky section there.
04:19
Now I'd quite like to find some chords that are maybe a bit more mellow and for that often
04:22
pad sounds are really good.
04:25
So this time I'm going to go up to the first scene and let's go over to this MIDI track
04:31
and let's look for a pad sound.
04:33
So I'm going to go over to the sounds again and there's actually a sound category for
04:38
that called pad.
04:40
So let's just listen to some of those, oh that's really nice and that sounds like it's
04:49
actually got a chord kind of built into it, maybe a chord device which is really good.
04:53
So let's drag that over and again I'm going to bring the volume level a little bit down.
05:03
So what we have here on the left hand side of this device are things called macro variations
05:08
and you can see these are actually preset chords, that's a major, minor, major 7th,
05:14
minor 7th or even no chord at all.
05:18
So this is one of my favorite chords, it's a minor 9.
05:25
So let's just try playing that with the first scene here.
05:36
Okay so as you can see that's quite tricky to play but I've actually created my own chord
05:41
device preset and I want to quickly show you how I created it.
05:45
So I'm just going to go to the user library here and if you just go to presets and MIDI
05:50
effect rack you'll see it's here, skis minor 9.
05:53
So let's just go over here and I'm just going to double click on that, now you have to make
05:58
sure that no chord is selected on the pad device but now if I play this.
06:09
So let's have a quick look at my effects rack, I've set the chord device here so these are
06:13
the settings for the semitones, I'm also pitching it down two semitones so I can just play the
06:20
appropriate key and I've also added a velocity device here, not fixed at 127 like the other
06:26
velocity preset but it's got a lower limit of 86 and I'm just going to adjust the filter
06:31
cutoff on this pad to make it sound a little bit more mellow.
06:41
And let's just try recording something in, I'm going to record it in manually this time
06:45
so we've still got our counting as one bar, there we go, you can see it's recorded it
07:03
in nicely, let's quantize it and one great feature I wanted to show is the fold function
07:13
as this will focus the clip by only showing the notes you've recorded or programmed in.
07:20
So let's supply the groove again to that and let's duplicate that down to the second scene.
07:34
Just playing through the scenes.
07:43
Okay so now we've got the chord parts in, I want to record a melody and for this I want
07:48
to use one of my hardware synths, my Korg Minilogue.
07:52
So up until now we've just been using MIDI tracks, now we're going to use an audio track.
07:56
So I'm going to click on this track here, click on Arm Recording and what we need to
08:01
do is to select where we want the audio to come from.
08:04
So if we go back to the preferences here, this is where you can set which inputs are
08:10
active depending on which sound card you're using.
08:13
So click on Input Configuration and I'm going to be using these inputs here.
08:21
Okay so now I can select input 14 which is where my Minilogue is coming in and let's
08:28
just play something now and you can see we have an input.
08:37
So let's record this on the first scene here and we'll just record it into this clip and
08:42
then we can kind of jam something down and then edit it afterwards.
09:06
Okay I quite like that part so let's just put auto on now and let's just solo it so
09:10
we can listen back to it.
09:20
Now another great thing about Ableton Live is the fact that you can quantise audio in
09:25
the same way that you can quantise MIDI and you can see in this clip there are these little
09:30
kind of white marks and these are called Pseudo Warp Markers and what it's done is identified
09:37
the transients which mean the peaks in the audio signal and it's added a marker there.
09:43
Now what we can do is we select all so do Command A and then Command U to quantise.
09:53
It's then quantised it all to the setting we had which was 16ths and even better than
10:00
that we can now apply the groove and let's play it.
10:09
Now this is called warping and with warping there are some different settings according
10:13
to the type of audio that you're trying to warp.
10:15
Now the default setting I've got here is beats but this isn't a beat this is a melodic part
10:20
so I would suggest selecting the complex mode just to get a better quality.
10:26
So let's just play it now.
10:37
Great really happy with that I'm just going to duplicate that part down there.
10:51
Okay great so the track is really taking shape now.
10:54
We actually have two distinct sections.
10:56
In the next video I'm going to show you how to use a device in Live called Simpler to
11:00
play a vocal sample.
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