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How To Produce A Bass Line With Automation Using Ableton Live 11 | Music Radar
Music Radar
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1/15/2025
Tutorial using Ableton Live 11 Lite with Ski Oakenfull - part of the Music Radar series
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Tech
Transcript
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00:00
Hi everyone, welcome back to this video series on getting started with Ableton Live Lite.
00:06
So in the last video I showed you how to program some basic drum patterns into clips in Session
00:10
View. Now let's start adding some other musical elements to build up the layers of
00:14
the track. In this video I'm going to program a melodic bassline which will act as a foundation
00:19
to add some more parts on top. Let's go!
00:24
So before we get started, one thing I want to mention is about going into the red or
00:27
clipping as this can cause the mix to become distorted as we start adding more layers
00:32
to our song. If I just adjust the track volume and turn it up, you can see it goes into the
00:38
red on the master channel here. So we don't want that, we're going to bring that down
00:42
and that's going to give us a bit more headroom when we start adding tracks.
00:49
Okay so now we've got the beat, we're going to look for a bass sound. So we've just been
00:54
working on this one drum track here. I'm now going to go over to this MIDI track and
00:59
I'm going to set the record arm on so we can monitor this channel. I'm also going to go
01:04
back to the first scene so we can record into the adjacent slot. Okay so let's look for
01:09
some bass sounds. So I'm going to go to the sound section here and open up bass. There
01:16
we go. And in the same way as we did with the drums, as we're flicking between the sounds,
01:30
we can audition them at the same time. We can do that either by clicking on the sound
01:37
or just using the up and down arrow keys as well. Now I quite like this organ bass, sounds
01:43
very very housey. So let's make sure we're selected on this track, double click and you
01:52
can see that it's just loaded in. Okay so just so you can see the notes that I'm playing,
02:00
I'm just going to bring up a thing called the virtual MIDI keyboard, there we go. So
02:04
I'm just going to play along with the beat and see if I can come up with an idea.
02:14
Oh quite like that one there, that was really good. Now you may have noticed that I didn't
02:23
press overdub and record anything into a clip. But there's a fantastic feature in Ableton
02:28
Live which is called Capture. And what Live is doing is actually capturing everything
02:33
that's going on whether you hit record or not. So we just have to click on this button
02:37
here and you can see that it's come up amazingly there. Now it's a little bit out of time,
02:47
it's not quantized but I'm sure we can fix that. And we can do that just by pressing
02:53
command U, there we go. And remember we set the groove for the drums, well we can apply
03:00
that groove to this bass line as well. Now I don't think we want any of these other parts
03:09
that I recorded in, we just want these two bars here. So I'm going to do the similar
03:13
thing I did before, I'm going to use the crop clip function. So press control and click
03:17
to bring up the menu and crop clip, there we go.
03:30
So I think we can duplicate that clip to the next clip slot just by pressing command
03:37
D. But it might be quite nice for this scene here to create a slight variation of the bass
03:47
line. So let's bring back the keyboard again and this time rather than using capture I'm
03:55
going to try recording directly into the clip. Now what's very useful for this is to give
04:00
ourselves a count using the metronome and we can do that just by clicking here and setting
04:06
the count into one bar. We can also actually change the sound of the metronome, so we can
04:12
change it for example to the wood sound, a particular favorite of mine and we can also
04:16
change the volume of our click as well. So let's just put that on. So let's try recording
04:24
in a slight variation of that bass line. I played a slight wrong note at the end but
04:31
never mind. Okay so this time I'm going to change the quantize settings and so rather
04:53
than quantizing to the grid I want to change it to 16. So let's go to the quantize settings,
04:59
there we go and let's set that to 16th and have a listen through and see which part of
05:07
this MIDI we want to keep. Okay I quite like this middle section here so I'm just going
05:14
to set the loop brace so it just loops around the section I want to keep. There we go so
05:33
it's four bars. Great. So let's do the same thing with the middle section. So I'm going
05:44
to do the same thing, let's apply the groove and control click and crop the clip. So we
05:56
can also adjust some of the parameters of this sound to change the timbre. So if I just
06:00
double click on the track we can see that this is the instrument here and there are
06:04
various parameters that we can adjust. Now that we've got two sounds, we've got the drums
06:08
and the organ, I just want to solo this sound so I can hear what it sounds like by itself.
06:13
So if I click on the S button here, this will solo that sound. Now we can change the
06:20
filter cutoff for example and the FM setting, I really like that. Now we can actually record
06:37
those parameter changes into the clip as it's playing. We're going to press the overdub
06:42
button here and that's going to record it into the clip. And you can see that little
06:58
red dot there indicates that we've recorded in something called automation which we can
07:02
actually look at. If we just double click on the clip now and then we go over to the
07:08
envelopes tab, you can see that parameter change has been recorded into the clip. Let's
07:17
take it out of solo now. Now I'm just going to lower the bass sound a little bit just
07:24
so it's balancing nicely with the drums. And now we can trigger these scenes. So we're
07:32
building up the sections. Okay, so we've got a great starting point now with the drums
07:39
and the bass. In the next video, I'm going to show you how to build on this by adding
07:42
some chords to the track.
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