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Using Hybrid Picking For Lead Playing With Andy Timmons | Guitar World
Guitar World
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2/12/2024
MELODIC MUSE by Andy Timmons
-
HYBRID VEHICLE, PART 2
This month, Andy Timmons continues exploring some of the many different and effective ways one can apply hybrid picking to melodic phrases.
#AndyTimmons #ThemeFromaPerfectWorld
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Transcript
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00:00
[MUSIC PLAYING]
00:03
Hey, everybody.
00:19
Andy Timmins here, and welcome back to Melodic Muse,
00:21
my column for Guitar World.
00:22
We're going to carry on the ideas
00:24
that we were working on in the previous segment
00:27
with On Your Way Sweet Soul and using some hybrid picking
00:30
ideas.
00:32
In the first installment, we played some pretty simple
00:34
melodic things, but really getting
00:36
lines to have a dynamic shape by utilizing
00:38
the pick and the finger.
00:39
So let's carry on.
00:40
We're going to come up with some melodic exercises
00:42
now to get you on the path of using hybrid picking yourself.
00:46
So let's look at a few basic ideas
00:49
to kind of get you down the path of working
00:52
on using your pick and fingers.
00:54
I'm going to stick to basic E major
00:55
today, since we were talking about On Your Way Sweet
00:58
Soul in this key.
00:58
But--
00:59
[GUITAR PLAYING]
01:02
--just do a simple phrase like that,
01:03
where I'm just playing E major.
01:06
It's one, two, three on the A string.
01:10
And then using my middle finger, picking up on the note B
01:17
on the D string.
01:17
[GUITAR PLAYING]
01:25
So at first, I'm playing a--
01:28
it's kind of eighth note, sixteenth note.
01:30
[GUITAR PLAYING]
01:33
Speeding up to a little triple D.
01:40
Here's another idea in E major, ascending on the A string.
01:44
We're going to use one articulation for each string.
01:47
So pick on the A string, then up pick with the middle finger
01:53
on the D string.
01:56
Then repeat that on the G string.
01:59
And then on the B. A little multi-step bend at the end.
02:05
[GUITAR PLAYING]
02:09
OK.
02:13
[GUITAR PLAYING]
02:16
I'm bending from that--
02:19
the last phrase, I'm bending from a C sharp down to the D--
02:27
from the C sharp to the E. D sharp,
02:30
and then releasing it to the C sharp.
02:31
Nice little melody there.
02:33
[GUITAR PLAYING]
02:36
And by using the middle finger, it
02:39
just has a different articulation
02:41
and a different flow that you can get just using the pick.
02:43
[GUITAR PLAYING]
02:46
Doesn't sound bad, but--
02:47
[GUITAR PLAYING]
02:50
Here's another one in E major.
02:54
And it's essentially a lick that I played wrong
02:58
for most of my life until I met Jeff Carlese.
03:01
There's a great song called "Hold On Loosely"
03:03
that was a big hit for them in the '80s,
03:04
written by the great Jim Peterick.
03:06
And the solo I used to try to play on my early cover bands,
03:11
I got most of it right, but there was just one lick
03:13
I could never get the feel right.
03:14
And the grouping of notes was--
03:15
[GUITAR PLAYING]
03:19
I could do kind of a version of it,
03:23
but I finally got to meet Jeff.
03:25
It's been about 15 years ago.
03:26
We did one of these rock camps together.
03:28
And then finally, face to face, Jeff,
03:30
you got to show me the lick.
03:31
And oh, man, yeah, he picked my guitar up.
03:33
And it's a hybrid picking thing where he's--
03:36
basically out of the E major chord shape--
03:38
[GUITAR PLAYING]
03:42
--where he's just using the middle finger
03:44
to play the top note.
03:45
[GUITAR PLAYING]
03:49
And everything else kind of flows behind it.
03:52
So thank you, Jeff Carlese, for that lovely tidbit.
03:55
And I used it in one of my recorded solos.
03:57
I forget which song right now, but I totally
03:59
took that from Jeff and put it in one of my own tunes
04:02
as a little tribute to him.
04:03
So I hope you dig that.
04:04
[MUSIC PLAYING]
04:07
(upbeat music)
04:10
you
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