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Travel Track On Sirk TV: UPTOWN JAZZ LOUNGE [Birmingham, Alabama] - Part II
Travel Track
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11/2/2023
Co-Owner Roderick Conwell talks to Travel Track about genre, style, location and booking in regards to his new performance venue and club: Uptown Jazz Lounge in Birmingham, Alabama.
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Because, I mean, music in general has changed so much.
00:50
Yep.
00:50
That the thing is that most people think,
00:52
well, there's no melodies left.
00:54
There's no--
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Yep.
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You know, I think seeing somebody improvise
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is a rarity, you know?
01:00
Absolutely.
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But jazz is still that grand sort of genre
01:04
that you can do that in.
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Yep.
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That was one reason we wanted to stick with jazz music.
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Because it is the instruments.
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It's the sounds.
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Like, we have horns on stage.
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We have, you know, pianos, keys.
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We have the lead guitar, the bass guitar.
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We have all of the real instruments
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that put out the real sound.
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Nothing against those synthesizers
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or those systems that allow those sounds to be replicated
01:34
through those systems.
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But it's nothing like the real thing.
01:37
Live.
01:39
All the way live.
01:39
Yeah.
01:40
Nice.
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All the way live.
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Which is a song from Back Aloud Fast, too.
01:44
Yeah.
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[MUSIC - BACK ALOUD FAST, "ALL THAT I'VE GOT TO SAY"]
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(SINGING) All that I've got to say.
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What is it?
01:51
Somebody say that.
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A love that time won't last.
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What can I tell you?
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Baby, all that I've got to say.
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Tell you, baby.
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Sing it!
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This is no ordinary love.
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No ordinary love.
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This is no ordinary love.
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Oh, yeah.
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No ordinary love.
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Hey!
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[MUSIC - BACK ALOUD FAST, "ALL THAT I'VE GOT TO SAY"]
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[DRUMMING]
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You'll be going to heaven real quick, tell them I said it.
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Hey!
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What'd he say?
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I can feel it coming in the air tonight.
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Oh, oh, Lord.
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Hey!
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We've been waiting for this moment for all of our lives.
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Oh, oh, Lord.
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Oh, oh, Lord.
03:16
Hey!
03:19
Could you talk about making sure the space was right, too,
03:22
for you?
03:23
Yeah.
03:23
You know, because that's--
03:25
the fact that it's open and has that feeling,
03:28
but also where it is.
03:29
Could you talk about that?
03:31
That's just-- that's more of a business question.
03:33
But that's an important thing, and especially the way
03:35
this operates with the mall.
03:37
Well, you know, real estate--
03:40
there's an old saying with real estate, location, location,
03:43
location.
03:44
I found that to be really true with this.
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We've been looking-- my partner and I have been looking
03:50
for a few years, actually.
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But we wanted to stay in Birmingham proper.
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We wanted to stay in the downtown area, if you will.
03:58
We looked at a lot of different venues.
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For this reason or that reason, they weren't right for us.
04:03
We actually looked at this location previously.
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And circumstances didn't allow us to come in at that time,
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which is about five, six years or so ago.
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We were fortunate to come back to it.
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And I guess you could say full circle.
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The location had changed in that six-year period
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that we initially looked at it.
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The vibe, the energy around this area completely changed--
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changed for the better.
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There was a lot going on with this area.
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It was already here and established.
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But it was pre-stadium.
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But it was pre-stadium.
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So it was established, but there was a need
04:45
to have a live entertainment venue here.
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So it was, if you will, the perfect marriage.
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There was a need to have live entertainment here.
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We were looking for a place that was vibrant,
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that had good energy.
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They were revitalizing this area, adding things to it.
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So it was just-- it was a perfect marriage,
05:04
what we needed and what the area needed.
05:07
So the location, location, location was perfect
05:09
and allowed us to revamp the area from what this building was
05:14
before we came here.
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So what we try to do is, if I'm familiar with the bands that
06:48
come through, which I am, a lot of them,
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because I, again, I follow music for years,
06:53
not just here within the city or within the state,
06:55
but regionally and nationally too.
06:57
So I'm familiar with a lot of the bands that perform here.
07:00
Those that I'm not familiar with, I do a little research
07:02
and do my due diligence to make sure that that vibe,
07:06
that music playlist that they're bringing to Uptown Jazz
07:09
Lounge, to make sure that it fits in with what we're
07:11
trying to do.
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And what we're trying to do, again,
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is blend in various forms of jazz and all of its forms,
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but again, make sure that it's something
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that we'll also equate to what our customer base is looking
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for.
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So it's a certain style, yes.
07:27
Certain vibe or--
07:31
Yeah, because, again, we want to stick with--
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we want to stick with either contemporary and traditional
07:41
jazz, or we will also have R&B. But we want to also make sure
07:46
that R&B stays within the jazz element itself.
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We've had our nights that have been exclusive or specific
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to a particular style of music, but that's because of an event
07:58
that we're having that night or the group that we know
08:01
is coming in that night.
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So we've done some straight R&B.
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We've done some straight blues.
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We've done a little bit of rock and roll as well.
08:11
But for the most part, we provide
08:13
the bands that's going to give us Uptown Jazz Lounge.
08:16
We didn't name it Uptown Jazz Lounge for any other reason
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with the exception that we want to have a jazz feel and flavor
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and all its variances here.
08:25
bass, drums, & keyboard play
08:28
Has your taste changed over here, your palate for jazz?
08:50
Hmm, over the years?
08:52
Well, even in the past 10 years.
08:55
Yes, yes, absolutely, absolutely.
08:58
Yeah, 'cause when I first was introduced to jazz,
09:01
I was definitely introduced to it
09:03
with more contemporary jazz fusion.
09:05
Like who?
09:06
Jeff Lorber,
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you had a lot of David Sanborn,
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Grover Washington, current jazz artists today,
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Hughes Grew, Walter Beasley, Gerald Albright.
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But--
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And a lot of those performers,
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they did go into fusion.
09:27
Yep, yep, yep.
09:29
Even Terrence Blanchard.
09:31
Yep, absolutely, absolutely.
09:33
They themselves saw the change and the transformation,
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so they would actually, I wouldn't say crossed over,
09:41
but they blended in fusion with what they were doing as well,
09:45
the traditional jazz.
09:47
So that changed for me just the opposite.
09:49
I came into it more with those artists,
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but then as I got more into it,
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then I also became more accustomed
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to traditional jazz artists
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from yesteryear and current.
10:01
Definitely the--
10:05
I was trying to think what the brothers there in New Orleans,
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the family--
10:10
Marcellus?
10:11
Yes, all of Marcellus' brothers, and their dad.
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So I got more into that with Winston and Marcellus
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and his dad and Brandon,
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so I got more into that form of jazz,
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New Orleans-style jazz,
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but I also started going back.
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I started going and listening to Counting Bald Adelists,
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I started listening to John Coltrane
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and Birdman, Charlie Parker.
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So I tried to see where it all began,
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since jazz began in the United States.
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So I wanted to see where it began
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and how it evolved and how it's still evolving.
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