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Premiere Party Featuring Thalía | Billboard Latin Music Week 2023
Billboard
Follow
10/7/2023
Global sensation Thalía hosts an exclusive premiere party where she will debut never-before-heard music, discuss her artistic process and answer fan questions in an intimate setting.
Category
🎵
Music
Transcript
Display full video transcript
00:00
Look, I'm being asked what it feels like to be in fashion,
00:04
and I say that we've always been in fashion,
00:07
that our music has always been in force,
00:10
on fire.
00:13
Now, what's happening now is that the new generation, I feel,
00:18
is getting into the sounds that move your guts,
00:24
the requintos, the accordions,
00:27
they're rediscovering it, the young people are grabbing a guitar
00:31
and they're learning notes to sing.
00:35
I think they're doing it their way, right, Jimmy?
00:39
My love!
00:40
Hello!
00:44
Hey, it's so nice to be here!
00:46
It's so good to have you, it's so good to have you,
00:48
our powerful global...
00:49
And Jimmy?
00:51
Lidia.
00:51
My love.
00:53
Hey, it's so nice, my love.
00:55
I'm fascinated to be here, to greet you,
00:59
to talk a little bit about music, about what unites us,
01:04
and well, I'm here for you.
01:06
Well, congratulations on this beautiful project, really.
01:10
My love, my love.
01:11
I'm excited that some very fortunate people
01:14
will have the gift of listening to it before it comes out.
01:19
And I imagine you're excited too,
01:21
because at midnight the first video is released.
01:23
Tell me how you feel.
01:24
I'm happy, excited, precisely because
01:29
tonight, like Cinderella,
01:33
the carriage is going to change.
01:35
I mean, we're going to go full out.
01:38
This new video is going to come out.
01:39
"Bebé, perdón" is the song, my dear Jimmy.
01:43
And I have been working on this surprise
01:46
for several months, half a year,
01:49
maybe more.
01:50
About that.
01:51
Yes.
01:52
And then, well, I've been planning this
01:55
with the team for about a year and a half,
01:58
and the video turned out spectacular.
02:01
I'll tell you more details.
02:03
Jimmy, I'm very happy that you're here.
02:06
No, imagine me, you still make me nervous.
02:09
How do we Mexicans see each other here?
02:11
How do we see each other?
02:12
Yes, let's see.
02:13
Woo!
02:14
Viva Mexico!
02:15
We see each other like crazy, or what?
02:19
Let me tell you, I look at Thalia and I say,
02:22
"It looks like you're about 22 years old."
02:26
It looks like it.
02:28
And the energy.
02:29
It looks like it.
02:30
Well, it's a truly exciting moment
02:33
for Mexican regional music and Mexican music.
02:35
And Jimmy, you've had a very important role
02:37
in this new wave of Mexican music,
02:40
which is now a global phenomenon.
02:44
Thalia, what do you think?
02:45
You, as a Mexican who grew up singing Mexican music,
02:49
what do you think about this global emergence of the genre?
02:53
Look, people ask me how it feels to be in fashion,
02:58
and I say that we've always been in fashion.
03:00
That our music has always been in force,
03:04
on fire.
03:06
We've never stopped in all musical genres
03:10
that Mexican music embodies,
03:12
which is totally vast, beautiful, beautiful.
03:16
What's happening now is that the new generation,
03:19
I feel, is getting into the sounds
03:24
that move your guts.
03:27
The requintos, the accordions, they're rediscovering it.
03:31
The young people are grabbing a guitar
03:34
and they're learning notes to start singing.
03:38
I think they're doing it their way, right, Jimmy?
03:41
And also, like Urban,
03:43
a very normal look, very relaxed, you know?
03:47
That's how I feel.
03:49
We have Vicente Fernandez and Tupac.
03:52
Yes, yes, yes.
03:54
I feel that.
03:56
The new music, the new era,
03:59
and that it's adapting,
04:00
and that it's starting to support this genre,
04:05
it's incredible.
04:06
Imagine having someone with so much name,
04:09
so much power, and so much trajectory,
04:12
and entering the new genre
04:15
that we have in our Mexican music.
04:17
It's something really cool.
04:19
But you know what, Jimmy?
04:20
I think it's...
04:23
doing it with respect,
04:25
with love, with pride,
04:27
that we feel, right?
04:28
It's not, "I got on the wave,"
04:30
or, "You got on the wave," or, "We did it."
04:32
No, no, no, no, no.
04:33
It's happiness to see what's happening.
04:36
It's a celebration, it's a party.
04:39
She's super passionate about what we did.
04:41
The truth is, it's not a lie.
04:44
The passion has been there in both of us.
04:46
I sent her a song and she said,
04:48
"I love it! Send it to me!"
04:49
And I said, "Wait."
04:51
-So... -Wait, wait, wait.
04:52
I'm like Spiri Gonzalez, right?
04:54
-And she's got the moves. -I don't stop.
04:57
I don't stop.
04:58
Jimmy said,
04:59
"How did they call him to work with you
05:01
and he froze?"
05:03
Tell me how they decided that it was Jimmy Humilde,
05:05
the person they had to call.
05:07
Look, I'm going to tell you a little bit,
05:08
because I think Jimmy doesn't know either.
05:11
My father was a criminologist.
05:14
He died when I was six years old.
05:16
And what I remember about him was his lab,
05:20
on the top floor of my house,
05:23
all the metal tables
05:25
and all the cases he was building
05:28
and solving.
05:29
I remember I would sit at the table
05:32
and he'd say, "Look, do you see this photo?
05:33
What's different about this photo?
05:35
What do you feel is off,
05:37
that doesn't match this picture, this frame?
05:40
What's out of place?"
05:42
He always asks, he always analyzes.
05:45
Even if they tell you this is,
05:47
you look for something you need to know.
05:51
And when this movement started,
05:53
I got the criminologist, Talia Sodi,
05:56
because I said, "Where did this come from?
05:59
Who was the precursor?
06:01
Who was there from the beginning?
06:03
Who started the fire?
06:05
Who blew it up so it got bigger?"
06:09
And I got Mr. Humilde.
06:12
I got Mr. Humilde.
06:14
-Bravo. -Criminologist.
06:16
Be careful,
06:17
because I can smell the Lorena Bobby.
06:21
No, be careful, that's worth a lot.
06:23
The one who knows, knows.
06:27
You have to take care of Tommy.
06:29
Poor Tommy.
06:30
Oh, I'm so sorry.
06:31
Yes, poor Tommy.
06:31
I'll let you talk to him later.
06:34
And how long did it take to get Jimmy
06:37
and start working on the project?
06:40
I don't know how we got connected,
06:42
but we got connected.
06:43
We started talking later.
06:45
We met in Westchester,
06:47
on the outskirts of New York,
06:49
in a lost studio.
06:50
We met in that studio.
06:52
Jimmy took his producer.
06:56
And Ergar, Ergar from Yellow Room.
06:59
-He's a co-producer. -Ergar Rodriguez.
07:01
Yes, yes.
07:02
Ergar from Yellow Room.
07:05
He's a person I've worked with for many years
07:07
and I've been working with him,
07:08
as I told you earlier.
07:09
And he was the person I trusted the most
07:13
and I was able to bring him to the table
07:14
to do what was discussed
07:17
in the first conversations.
07:19
So, Ergar and I arrived and...
07:21
And they asked for, who knows how many chickens,
07:23
and they ate them.
07:24
And they ate like five chicken sandwiches.
07:28
Never.
07:29
Look, he's laughing
07:30
because he already gave him the face of a dragon.
07:32
Never in my life have I seen a person
07:34
with that size eat three chicken burgers.
07:37
Come.
07:38
He already gave me the face.
07:40
No, but seriously, we started listening to music.
07:43
We were...
07:44
Ergar, Jimmy, Tommy was there.
07:46
You know he loves music.
07:48
He's passionate about it.
07:49
He's been one of the great promoters
07:51
of the movement of music,
07:53
of what is the Latin Explosion.
07:56
Of the Latin...
07:57
I mean, of everything.
07:58
So, he's always been there.
08:01
And hearing the echoes...
08:02
What did he say?
08:03
"Man, this is so cool!"
08:05
What did Tommy say?
08:06
"You feel this?
08:07
This shit is awesome, man!"
08:08
He grabbed himself and said, "Okay, let's do it."
08:09
But we were still where...
08:10
Do you remember I said, "Hey, you can't come in,
08:11
but calm down with your scream."
08:12
Do you remember?
08:13
And then I said, "Put the scream in, put the scream in,
08:14
put it in here!"
08:15
And he said, "But Marimar isn't here, Karen.
08:16
I want her to be there."
08:17
And I said, "Don't even think about it."
08:18
But that scream ended up in a song.
08:19
Yes.
08:20
Yes.
08:21
And I said, "I'm going to put it in here."
08:22
And he said, "Okay, put it in here."
08:23
And I said, "Okay, put it in here."
08:24
And I said, "Okay, put it in here."
08:25
And I said, "Okay, put it in here."
08:46
And I said, "Okay, put it in here."
09:12
And I said, "Okay, put it in here."
09:19
And I said, "Okay, put it in here."
09:28
And I said, "Okay, put it in here."
09:48
And I said, "Okay, put it in here."
10:09
And I said, "Okay, put it in here."
10:31
And I said, "Okay, put it in here."
11:00
And I said, "Okay, put it in here."
11:01
And I said, "Okay, put it in here."
11:02
And I said, "Okay, put it in here."
11:03
And I said, "Okay, put it in here."
11:04
And I said, "Okay, put it in here."
11:05
And I said, "Okay, put it in here."
11:06
And I said, "Okay, put it in here."
11:07
And I said, "Okay, put it in here."
11:08
And I said, "Okay, put it in here."
11:09
And I said, "Okay, put it in here."
11:10
And I said, "Okay, put it in here."
11:11
And I said, "Okay, put it in here."
11:12
And I said, "Okay, put it in here."
11:13
And I said, "Okay, put it in here."
11:14
And I said, "Okay, put it in here."
11:15
And I said, "Okay, put it in here."
11:36
And I said, "Okay, put it in here."
12:00
And I said, "Okay, put it in here."
12:28
And I said, "Okay, put it in here."
12:35
And I said, "Okay, put it in here."
12:36
And I said, "Okay, put it in here."
12:37
And I said, "Okay, put it in here."
12:38
And I said, "Okay, put it in here."
12:39
And I said, "Okay, put it in here."
12:40
And I said, "Okay, put it in here."
12:41
And I said, "Okay, put it in here."
12:42
And I said, "Okay, put it in here."
12:43
And I said, "Okay, put it in here."
12:44
And I said, "Okay, put it in here."
12:45
And I said, "Okay, put it in here."
12:46
And I said, "Okay, put it in here."
12:47
And I said, "Okay, put it in here."
12:48
And I said, "Okay, put it in here."
12:49
And I said, "Okay, put it in here."
13:13
And I said, "Okay, put it in here."
13:39
And I said, "Okay, put it in here."
13:46
And I said, "Okay, put it in here."
13:51
And I said, "Okay, put it in here."
13:55
And I said, "Okay, put it in here."
13:58
And I said, "Okay, put it in here."
14:01
And I said, "Okay, put it in here."
14:04
And I said, "Okay, put it in here."
14:07
And I said, "Okay, put it in here."
14:10
And I said, "Okay, put it in here."
14:13
And I said, "Okay, put it in here."
14:16
And I said, "Okay, put it in here."
14:19
And I said, "Okay, put it in here."
14:22
And I said, "Okay, put it in here."
14:25
And I said, "Okay, put it in here."
14:28
And I said, "Okay, put it in here."
14:31
And I said, "Okay, put it in here."
14:34
And I said, "Okay, put it in here."
14:37
And I said, "Okay, put it in here."
14:40
And I said, "Okay, put it in here."
14:43
And I said, "Okay, put it in here."
14:46
And I said, "Okay, put it in here."
14:49
And I said, "Okay, put it in here."
14:52
And I said, "Okay, put it in here."
14:55
And I said, "Okay, put it in here."
14:58
And I said, "Okay, put it in here."
15:01
[Spanish]
15:25
[Spanish]
15:38
Yes!
15:40
[Spanish]
15:43
[Applause]
15:45
[Spanish]
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[Spanish]
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[Spanish]
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[ Applause ]
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[BLANK_AUDIO]
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