- 9/15/2014
Thriller / Horror (1964) 84 minutes ~ Black & White
A cancer researcher on a remote Caribbean island discovers that by treating the natives with snake venom he can turn them into bug-eyed zombies. Uninterested in this information, the unfortunate man is forced by his evil employer to create an army of the creatures in order to conquer the world.
Director: Del Tenney
Writer: Del Tenney
Stars: William Joyce, Heather Hewitt and Betty Hyatt Linton
A cancer researcher on a remote Caribbean island discovers that by treating the natives with snake venom he can turn them into bug-eyed zombies. Uninterested in this information, the unfortunate man is forced by his evil employer to create an army of the creatures in order to conquer the world.
Director: Del Tenney
Writer: Del Tenney
Stars: William Joyce, Heather Hewitt and Betty Hyatt Linton
Category
🎥
Short filmTranscript
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00:08:43We've got some dictating to do.
00:08:45Hey, Harris.
00:08:46Oh, honey, keep your pencil sharp, will you?
00:08:48I'll be right back.
00:08:55But, honey, you don't understand.
00:08:59Sorry, old man. No room, no room.
00:09:03Harris, I'm gonna kill you.
00:09:06It's a little drafty in here.
00:09:07I'm gonna kill you, Harris.
00:09:13Harris!
00:09:27Where to, sir?
00:09:28Straight to the airport, Enrico, and step on it.
00:09:30Wait a minute. What do you mean, airport?
00:09:32When I was in Monte Carlo, I met Lord Carrington at the casino.
00:09:36He had a most interesting tale to tell.
00:09:38Was he winning or losing?
00:09:39There's wealth, Tom. It really doesn't matter.
00:09:41Lord Carrington inherited an island in the Caribbean,
00:09:44and this island is so remote that only he could approximate its location.
00:09:48What pray tell does all this have to do with me?
00:09:51You, playboy writer, my card-playing wife, and I are going to this island.
00:09:55You're starting on your next bestseller.
00:09:57Oh, no. Enrico, pull over.
00:09:59Now, wait just a minute.
00:10:01Let me finish.
00:10:02If you don't like my story, I'll take you back to the hotel,
00:10:05and you can continue your debauchery.
00:10:08The more that I heard what was happening on Voodoo Island...
00:10:12Voodoo Island?
00:10:13Yes, that's the name of the island.
00:10:15The more I began to think what a wonderful background this would make for an adventure novel.
00:10:19In the first place, the Venetians practiced voodoo.
00:10:22So they practiced voodoo.
00:10:24Secondly, there's a large quantity of highly poisonous snakes in the island.
00:10:28You're hurting your cause.
00:10:30Now, listen, please.
00:10:32Lord Carrington has set up a foundation to perform experiments with the snake venom.
00:10:37There's been a famous scientist there for years trying to find a cure for cancer.
00:10:42Interesting, but not interesting enough. Sorry.
00:10:45Now, wait. Let me finish.
00:10:46I haven't gotten to the most important part yet.
00:10:48These voodooists actually perform human sacrifices,
00:10:53and that there's some superstition about an army of walking dead.
00:11:00I presume you would call them zombies.
00:11:04Zombies?
00:11:07You actually contemplate taking that lovely, voluptuous kook of a wife whom you claim to love,
00:11:12and me, your breadwinner whom you claim to be your best friend,
00:11:15to an island overrun with dead people,
00:11:18practicing human sacrifices and voodoo for the sake of a good book?
00:11:22There is one important thing I did leave out.
00:11:26What is that?
00:11:27Girls.
00:11:28Girls?
00:11:29Virgin natives.
00:11:31Just waiting for some sophisticated swinger like you to come along
00:11:34and pluck them off their tropical vines.
00:11:37Yeah.
00:11:39It was very funny.
00:11:40Lord Carrington said that a few years ago,
00:11:43all the men of the island were out to sea fishing when a hurricane struck,
00:11:46and that they left the island populated with five girls to every one man.
00:11:52Five to one?
00:11:54Interesting.
00:12:01Baby, did you miss me?
00:12:11Oh, Tommy, I longed for your arms, your lips, your...
00:12:17All right, will you please tell me what this cockamamie thing is all about?
00:12:21You won't believe it. Let Moneybags explain.
00:12:23I love...
00:12:25All right, okay, what the hell is this all about?
00:12:28Now, Carl, calm down.
00:12:30I'm right in the middle of the greatest canasta game ever.
00:12:33I've got Sophie into me for $3.42,
00:12:36and the beach boy walks by and says if this smoke hauls,
00:12:39and says pack for a week and to meet him at the airport.
00:12:42Now, give her the explanation.
00:12:45Carl, lovely, because I love you so much
00:12:48and because I want you to have everything,
00:12:50I'm taking you and your best lover away on a vacation.
00:12:54Just think, four or five hours across that lovely blue Caribbean
00:12:57lies a land of every man's dreams
00:13:00where we can lie in the hot sun all day
00:13:02and drink long, cool, exotic rum drinks.
00:13:08I can do that at the Fountain Blue.
00:13:11Okay, big mouth, just get in the plane.
00:13:13But...
00:13:14Just get in the plane.
00:13:16Don't talk to me like that.
00:13:18If you don't get in the plane this very minute,
00:13:21I'm going to cancel every one of your charge accounts
00:13:24in the department store, couture, saloon in this country,
00:13:28and in Paris, and in London.
00:13:31Well, you don't have to get dirty about it.
00:13:34In.
00:13:49What am I doing up here?
00:13:51I get sick in elevators.
00:13:53Carl.
00:14:04It's all right, darling, we'll be there soon.
00:14:13Can you see it?
00:14:15It doesn't seem to be where we marked it on the map, sir.
00:14:19I don't understand Lord Carrington marked it himself.
00:14:23Well, we'd better find something soon.
00:14:32Look.
00:14:33I think you can make it.
00:14:35We'll make a go at it, sir.
00:14:37Well, switch over to the emergency tank.
00:14:39We are on the emergency tank now, sir.
00:14:41Here, let me take over. Maybe I can make the beach.
00:14:48All right, hold on. Here we go, we're going in.
00:15:19Well, let's see where we are.
00:15:25I wonder where the inhabitants are, Tom.
00:15:27Well, I spotted a glimpse of a house up at that end of the island.
00:15:30Hey, would you bring me a banana or coconut or something?
00:15:33Well, I get hungry with excitement.
00:15:36You could do with a little dieting, honey.
00:15:38Whoa, get a load of Talking Tubbo.
00:15:41Look, none of that. You don't know me.
00:15:44Whoa, get a load of Talking Tubbo.
00:15:46Look, none of that. You stay with the plane. I'll be back as soon as possible.
00:15:50Enrico, you better give me my gun.
00:15:59Hurry back.
00:16:14Hurry back.
00:17:44Hey!
00:17:45Hey!
00:17:46Hey!
00:18:14Hey, look out!
00:18:16Hey, look out!
00:18:46Hey, look out!
00:19:17Buenos dias, senor.
00:19:18Buenos dias, senor.
00:19:19We've been forced to land on the beach.
00:19:21Can you tell me where I can get some help?
00:19:23Si, senor. Follow me.
00:19:25Bien. Vienen conmigo.
00:19:27Here, let me take those for you.
00:19:47What are those drums?
00:19:49Ah, senor, they are voodoo drums.
00:19:59Sacrifice?
00:20:05What's going to be sacrificed?
00:20:16Sacrifice?
00:20:46Sacrifice?
00:21:16Sacrifice?
00:21:37Senor, senor, I got that car out of here.
00:21:39Eh?
00:21:47Tomas, venga aqui.
00:21:56Mr. Fairchild.
00:21:58Mr. Fairchild, if you can hear me.
00:22:00Don't be frightened.
00:22:02We're friends.
00:22:04We won't hurt you.
00:22:06Oh, Mr. Fairchild, thank goodness you're all right.
00:22:11I'm not Mr. Fairchild.
00:22:13I'm Tom Harris.
00:22:14Oh, yes, Mr. Harris.
00:22:16I'm Charles Bentley.
00:22:18Mr. Fairchild radioed you'd be coming.
00:22:21Terribly sorry this had to happen to you.
00:22:23I've been hunting the man who killed him for over a week.
00:22:25He's violently insane, of course.
00:22:27Suddenly went berserk,
00:22:29slaughtered his wife and child, and now this.
00:22:32I hope he didn't hurt you.
00:22:34Not for the want of trying.
00:22:36Tomas.
00:22:38He ran in that direction, didn't he?
00:22:40Yes, he went that way.
00:22:42Okay.
00:22:43We have to get to him before his own people do.
00:22:46They got him first.
00:22:47I hate to think what they'd do to him.
00:22:49You see, Mr. Harris, these are very simple people.
00:22:52They understand only that deed, not the cause.
00:22:56Deranged mind, a homicidal maniac.
00:22:59It's quite beyond their comprehension.
00:23:01I don't know what they'd do to him.
00:23:04It's quite beyond their comprehension.
00:23:07Well, I saw your plane coming in.
00:23:10I couldn't tell where it landed.
00:23:12We ran out of gas and we had to land on the beach.
00:23:15You had two narrow escapes.
00:23:17Let's hope the rest of your stay on the island isn't quite so hazardous.
00:23:21Come on.
00:23:34Let's go.
00:23:36♪
00:24:02Bring on.
00:24:04♪
00:24:10Mr. Fairchild.
00:24:11What?
00:24:12Look.
00:24:14Hey, quick. Get in the plane. Lock the door.
00:24:16♪
00:24:39¿Por qué vais aquÃ, eh?
00:24:42Vengan ustedes a sus casas.
00:24:44¿Por qué es el avión a la playa, señor?
00:24:46No es importa.
00:24:48Vayan ustedes. Robby.
00:24:50Ustedes cuatro, esperen aquÃ.
00:24:52SÃ, señor. Ustedes cuatro, esperamos aquÃ.
00:24:55Mr. Fairchild, I'm Charles Bentley.
00:24:57How do you do?
00:24:58I'm Lord Carrington's overseer on the plantation here on the island.
00:25:01Mr. Bentley, this is my wife, Coral.
00:25:03Am I glad to see you, honey.
00:25:05Well, it's my pleasure.
00:25:08Well, welcome to our island.
00:25:10Let's go up to the house. You can freshen up.
00:25:13Let's celebrate your arrival.
00:25:15What about the plane?
00:25:17Robby and his men will roll it up on the beach and tie it down.
00:25:43♪
00:26:13Ah, this is Guarita, my housekeeper.
00:26:16Welcome.
00:26:17She'll take good care of you.
00:26:18Thank you, honey.
00:26:20Oh, Mr. Bentley, what a lovely house you have.
00:26:23It's so tropical.
00:26:25Well, come in, come in.
00:26:35Now, please, all of you, me casa es su casa.
00:26:38My house is your house.
00:26:42This way, please.
00:26:44♪
00:26:54This way, please.
00:26:55All right. Come on, honey.
00:26:57♪
00:27:04Oh, dunk. Tom, look.
00:27:07♪
00:27:12What a glorious tropical sunset.
00:27:15Look, you two, there's something very strange going on in this island.
00:27:18I don't know what it is, but this afternoon when I was coming up to...
00:27:22Guarita?
00:27:25Si, senor.
00:27:26Guarita, is it true there is to be a sacrifice tonight?
00:27:29Sacrifice? Who's sacrificing what?
00:27:32I do not understand, senor.
00:27:34I'll show you to your room.
00:27:36This way, please.
00:27:41We'll talk about this later.
00:27:43♪
00:28:06♪
00:28:36♪
00:28:56♪
00:29:16♪
00:29:28Oh!
00:29:31You frightened me.
00:29:34Oh, I am sorry.
00:29:40What part of heaven did you fly down from?
00:29:43Oh, boy.
00:29:44Mr. Harris, I've read some of your books,
00:29:47and I only hope you're more original in person.
00:29:50Well, I'm afraid that's one of the occupational hazards of being a writer.
00:29:53You, uh, stand naked before the world.
00:30:00Well, the least you can do is tell me your name.
00:30:02Only on one condition.
00:30:04If you mix me something very cold to drink.
00:30:07Well, either way.
00:30:09♪
00:30:29Well?
00:30:30I'm Janine Bilodeau.
00:30:32My father, uh, Dr. August Bilodeau,
00:30:35is here on the island doing some experimental research.
00:30:38Oh, so your father is the man that's going to find the cure
00:30:41to the world's deadliest disease.
00:30:44Let us say, Mr. Harris, that my father is doing his very best.
00:30:48He works hard.
00:30:50Too hard, perhaps.
00:30:54We'll hear.
00:30:56Mm-hmm.
00:30:58A salute?
00:31:01♪
00:31:06Um, I see you at least mix an excellent drink, Mr. Harris.
00:31:11What is it?
00:31:12A Rob Roy.
00:31:14Oh.
00:31:16What brings such an important person such as yourself to, uh, Voodoo Island?
00:31:21To find you.
00:31:23A wandering sailor came by one day and told me
00:31:26of a beautiful blonde goddess who inhabited this island.
00:31:31From which one of your books was that line?
00:31:34My next one, I hope.
00:31:36I see you've already met Janine.
00:31:38Mm-hmm.
00:31:39Mr. Harris, this is Dr. August Bilodeau.
00:31:41Oh, how do you do, Doctor?
00:31:42How do you do?
00:31:43Charles was telling me in the garden about your arrival, Mr. Harris.
00:31:46And if, as I understand it,
00:31:48you're here to gather background material for a new novel,
00:31:51you've certainly made a very successful start.
00:31:53Well, I'm afraid I prefer to fictionalize that incident.
00:31:56It must have been horrible.
00:31:58Well, that native that killed the fisherman and attacked me this afternoon,
00:32:02there was something very unnatural about him.
00:32:05That skin and those eyes.
00:32:07You know, I've heard a rumor that there's an army of walking dead on this island.
00:32:12Is there any truth to that?
00:32:15Well, maybe I can't explain this, Mr. Harris.
00:32:18Growing on this island is a very rare plant.
00:32:21That when the roots are crushed and left to dry in the sun,
00:32:24it forms a very toxic narcotic.
00:32:28And for centuries, the natives have used this as we use alcohol.
00:32:32But excessive use of this narcotic
00:32:35sets up a strong chemical reaction in the body tissues.
00:32:39Maybe that can explain the abnormal appearance of the native and his deadly intent.
00:32:43Well, I see you've started without us.
00:32:47Hi, everybody.
00:32:49I must apologize.
00:32:51We had a little trouble deciding what to wear.
00:32:54I think I'll make that a double.
00:32:56Oh, I feel like swinging tonight.
00:32:59Well, who's this pretty little thing?
00:33:02Coral and Duncan Fairchild.
00:33:04This is Janine and Dr. August Bilodeau.
00:33:06Charmed, I'm sure.
00:33:08Dinner's served, senor.
00:33:10Gracias, Clarita.
00:33:12Bienvenidos.
00:33:15If you want those cocktails,
00:33:17I'm afraid you'll have to bring them to the table with you.
00:33:21Clarita is a magnificent cook.
00:33:23One thing she will not tolerate is food getting cold.
00:33:33Thank you, honey.
00:33:37Perhaps it's just as well.
00:33:39I have a bourgeoise I'm very proud of.
00:33:42Hard liquor will just dull the palate.
00:34:13The only smoke that's ever going to be safe is a good cigar.
00:34:17Oh, I disagree.
00:34:19Someday they're going to get the clean tobacco in the right filter.
00:34:21Now, you mark my words.
00:34:23Gentlemen, gentlemen, shall we continue this in the other room?
00:34:25That was a very good idea.
00:34:27Very good.
00:34:29All that was fine.
00:34:31Now, Mr. Harris,
00:34:33what do you think of our island now?
00:34:35Oh, it's beautiful.
00:34:38Almost unreal.
00:34:41What are those drums?
00:34:43That fisherman told me this afternoon
00:34:45that there would be a sacrifice tonight.
00:34:48Sacrifice?
00:34:50Nonsense.
00:34:52In your cosmopolitan cities,
00:34:54when you want to enjoy yourself,
00:34:56you go to a nightclub.
00:34:58Even in your small towns,
00:35:00you have bars and movies and dances.
00:35:02Well, here on the island,
00:35:04when the natives want to have fun,
00:35:06they beat on drums.
00:35:08Well, why do they call this island
00:35:10Voodoo Island?
00:35:12Any voodoo that's practiced on this island today
00:35:14is quite harmless, I assure you.
00:35:16Oh, really?
00:35:22Mr. Bentley, I noticed that you had
00:35:24quite an interesting library,
00:35:26and especially the section
00:35:28on local religions and customs.
00:35:30Oh, yes, that's one of my hobbies.
00:35:32I was wondering if you minded
00:35:34taking a look at it.
00:35:36I was wondering if you minded
00:35:38if I browsed around a while.
00:35:40Not at all. Help yourself anytime.
00:35:42Thank you very much.
00:35:44You'll excuse me.
00:35:46I'm afraid I have to be in the fields
00:35:48rather early in the morning.
00:35:50And I to my laboratory.
00:35:52Oh, Doctor, I was wondering if you allowed
00:35:54outside observers to enter your domain.
00:35:56I'd like very much to see your laboratory.
00:35:58Well,
00:36:00maybe in the morning,
00:36:02after I've finished my rounds,
00:36:04on a tour of the island.
00:36:06I would like that very much.
00:36:08Well, good night.
00:36:10Anyone for a nightcap?
00:36:12Not for me.
00:36:14I feel slightly dizzy as it is.
00:36:18I'm game if you are, honey.
00:36:20Okay, cutie.
00:36:28Care to take a walk?
00:36:30Okay.
00:36:32But I warn you, I've studied jujitsu.
00:36:40You two care to come?
00:36:42Now, wouldn't you hate us if we did?
00:36:46No, we're just going to stay here and get loaded.
00:36:52Doug?
00:36:54Don't you feel
00:36:56tired or something?
00:36:58Carl.
00:37:02Come on.
00:37:20Oh, look at that moon.
00:37:22That's nice.
00:37:24Whoops.
00:37:26Bread and butter.
00:37:28Don't you ever get lonely
00:37:30when there's no other young people down here?
00:37:32Sometimes.
00:37:34But I paint,
00:37:36and I swim,
00:37:38and I horseback ride,
00:37:40and I go to San Juan
00:37:42about twice a year.
00:37:44Maybe I can talk you into coming to Miami.
00:37:46Perhaps.
00:37:48If only I could get my father to leave this island.
00:37:50Why?
00:37:52Is there something wrong?
00:37:54Maybe I can help.
00:37:56If only you could.
00:38:00Oh!
00:38:08Aah!
00:38:10Aah!
00:38:16Aah!
00:38:18Aah!
00:38:26Aah!
00:38:30Aah!
00:38:50Good Lord, what happened to you?
00:38:56Harry!
00:39:00Hang on.
00:39:18I'll be all right.
00:39:20I'll be all right.
00:39:22What's happened?
00:39:24That's what I'd like to find out.
00:39:26We were out there walking in the garden
00:39:28until the eyes jumped on us, three of them.
00:39:30I had no idea the natives
00:39:32were using the drug so extensively.
00:39:34I'll post guards around the house.
00:39:36First thing in the morning,
00:39:38my men and I will go after them.
00:39:40Now, I think it might be best
00:39:42if all of us tried to get some sleep.
00:39:44Mr. Bentley,
00:39:46perhaps you could answer one question first.
00:39:48Well, I'll try, but I'm not sure I know
00:39:50what's going on right under my nose.
00:39:52Well, these men or creatures or things
00:39:54or whatever they are,
00:39:56they tried to kill me.
00:39:58Tonight, they did everything possible
00:40:00to kidnap Janine.
00:40:02Now, why? What do they want?
00:40:04Mr. and Mrs. Fairchild,
00:40:06would you take Janine upstairs, please?
00:40:08Certainly. Come along, darling.
00:40:18I didn't want to frighten them,
00:40:20but you certainly have a right
00:40:22to know as much as I know.
00:40:24You know the subtlety of these people's religion.
00:40:26I don't think any outsider does.
00:40:28Here.
00:40:32Why these creatures want Janine?
00:40:34I can only guess.
00:40:36My guesses frighten me.
00:40:38Now, this book
00:40:40was written by
00:40:42one of the foremost experts on voodooism
00:40:44in the world.
00:40:46Now, in it, he tells the story of a medical missionary
00:40:48in Africa
00:40:50whose daughter was killed by the local tribe.
00:40:52Yes, here it is.
00:40:54Dr. Jacobson had been treating the natives
00:40:56for a disease which they'd been stricken with for some time.
00:40:58So many of them were dying
00:41:00that they were willing to try anything.
00:41:02All the young virgins of the tribe
00:41:04had been sacrificed to their god,
00:41:06Dambela Owida.
00:41:08The only girl left
00:41:10was Dr. Jacobson's blonde daughter.
00:41:12Now, one night,
00:41:14the son of the tribe's chief was stricken with the disease.
00:41:16The chief had the blonde girl sacrificed
00:41:18and his son recovered.
00:41:20The fact that the doctor treated the boy, of course,
00:41:22was the thing that saved his life, but
00:41:24the tribe believed that the sacrifice
00:41:26of the young blonde girl
00:41:28had saved the boy's life.
00:41:30Now, I know
00:41:32that the descendants of that tribe
00:41:34are the natives on this island.
00:41:36They were brought here
00:41:38by the slave traders centuries ago.
00:41:40You mean to tell me that the natives
00:41:42on this island today still believe
00:41:44they can avoid a catastrophe
00:41:46by sacrificing a young
00:41:48blonde virgin, in this case, Janine?
00:41:50It seems to fit.
00:41:52Well, can't you
00:41:54put a stop to this? Don't you have any control
00:41:56over your own people? Mr. Harris,
00:41:58these people have had
00:42:00their superstitions for centuries.
00:42:02Now, you can't expect them
00:42:04to drop them in a matter of decades.
00:42:06I thought you said, Mr. Bentley,
00:42:08earlier this evening, that the voodoo practiced
00:42:10on this island was harmless.
00:42:12I don't know.
00:42:14I don't know
00:42:16what to think.
00:42:18I'll go post those guards. Good night.
00:42:20He's here.
00:42:46What are you doing?
00:42:48Please go look. I'm sorry. I didn't mean to frighten you, but I have to talk to you
00:42:56Now I don't know what's going on in this island, but I do know you're in serious trouble I
00:43:01Want you to leave with us tomorrow afternoon at low tide I can't I
00:43:06Can't go without my father. I'm all he has in the world
00:43:10Well your concern is very commendable, but I think this is a little one-sided if you're all he has in the world
00:43:15I should think he'd want to protect you. He's a dedicated man
00:43:19You don't understand that do you?
00:43:22Without his work. He'd be nothing. It's his whole life. I
00:43:27Thought you told me you were his whole life, please. I don't want to talk about it anymore. I
00:43:39Don't know why I'm getting involved in something that's none of my business
00:43:42I
00:43:53Realize you're just trying to help
00:44:12I
00:44:42I
00:45:12I
00:45:42I
00:46:12I
00:46:42I
00:47:12I
00:47:42Come on
00:48:12Oh
00:48:14Oh
00:48:40Good morning, mr. Bentley Oh cafe, por favor
00:48:43You seem to have found food for thought. I hope you've done as well by your stomach. Oh
00:48:48Yes, I've been very well taken care of. Thank you. Where are mr. And mrs. Fairchild
00:48:54They haven't come down yet, what time is it just after 10?
00:49:00You either work very quickly or you got up very early this morning when a story interests me I move right along
00:49:06This one must be fascinating. Yes, it is. I'm writing about what's happened to us since we arrived on this island
00:49:13But I'm afraid like so much of life. No one will believe it
00:49:16I don't like to seem inhospitable but in view of what's happened
00:49:20I think it might be best for you and your friends to leave the island as soon as possible. Oh, I quite agree
00:49:26I've instructed Enrico to locate gas for the airplane
00:49:30Terribly sorry this had to happen right now
00:49:33Last night. You said you'd show me. Dr. Bill. It is laboratory
00:49:38I'm afraid I'll have to declare the laboratory out of bounds
00:49:42If you'll excuse me, I'll get back to work
00:50:01Good morning Tom coffee, please morning doc. Well, well, good morning lover. Hi, sweetie pie
00:50:08I
00:50:10Look doc your genius has been working
00:50:13Hey, buddy boy. It looks like you jumped off the mental wagon with vengeance. Oh boy. I love you. I love you
00:50:21Hey lay off you'll get the paper all soggy
00:50:25If you're gonna wear that I can't stay around here you're sweet, honey
00:50:33I'll see you two children later
00:50:38After what happened last night, do you think it's a good idea to go wandering around this island?
00:50:43I've got to find out what's going on around here, but don't you want me to go with you?
00:50:47No, you stay here with coral and be ready to leave at 3 o'clock this afternoon
00:50:51I've got Enrico loading the plane with gas and we'll try to take off in the wet sand. All right
00:51:08I
00:51:28Sleepyhead, you know what time it is
00:51:39You
00:51:49You'll be happy to know that I've given our conversation of last night a great deal of thought I've decided to ask father if
00:51:56He'll leave the island with us
00:51:59That is if you want us to come. Oh, you know I do. I
00:52:05Suppose we can get everybody into the plane
00:52:08Of course coral will have to leave some of her luggage behind
00:52:14Come on you get dressed and we'll go tackle your father
00:52:38I
00:52:48Don't know
00:53:08These are symbols that are used in voodoo sacrificial rites
00:53:39I
00:53:41Can't see a thing
00:53:47Like this
00:54:08But I know you're coming with us this afternoon, where's your father's laboratory
00:54:19This is your father's lab, yes
00:54:22During the war that the Navy built a gun emplacement in the cliffs to protect the bay
00:54:27Father built it over into his lab
00:54:33Come on
00:54:38I
00:54:48Know him. He's my friend
00:54:51Fernando what on earth are you doing here? I'm sorry, Miss Janine. I wanted to warn you you must leave the island
00:54:57Why must she leave the island? She's in great danger. She must leave now today in danger from home, Fernando
00:55:04Papa Nebo he wants to make you the goat without horns. What do you mean? Go without I must leave now
00:55:10Please miss you must go
00:55:21What's in here I don't know
00:55:33I
00:56:03Don't know
00:56:33I
00:57:03Don't know
00:57:33I
00:58:03I
00:58:33I
00:59:03I
00:59:33I
01:00:03I
01:00:33I
01:00:45Janine
01:00:49What are you doing here I told you never to come here mr. Harris
01:00:52I thought I left word that I wasn't to be disturbed father. Please. I've never seen you like this before
01:00:59Tom and I came to ask you to leave the island with us. You've been wanting to leave for a long time
01:01:04Now's your chance come with us doctor. I have reason to believe your daughter will be in serious trouble if you stay on here
01:01:09Please leave at once Janine you go to the house and go to your room
01:01:23It's too late
01:01:28Believe me it is too late. I
01:01:31Know I was very selfish and wanting to keep you here with me. Mr. Harris. I'd appreciate it if you took Janine with you, of course
01:01:40What's going on in here? What are you people up to? It's best that you don't know
01:01:45There's nothing anyone can do. I
01:01:48Think you'd better go now
01:01:52Please come with us. I can't leave without you. Goodbye, baby
01:01:58It's late we're going to have to leave if we're gonna catch that tide
01:02:28Where are they sir past three o'clock here they come now
01:02:46You girls stay here Enrico duck come on, let's get this thing airborne
01:02:58Oh
01:03:28Oh
01:03:58Oh
01:04:28Oh
01:04:58Oh
01:05:28Oh
01:05:35Nothing else for it see you buddy
01:05:48No, no swindlers, no
01:05:58I
01:06:09Want to know
01:06:28Oh
01:06:58Stop reparados sacrificial
01:07:28Oh
01:07:58Oh
01:08:28Oh
01:08:53What are you gonna do with a flare gun, I don't know but it's better than nothing
01:08:58I
01:09:06Wonder where this leaves, I don't know but we haven't got much choice
01:09:28Oh
01:09:58Oh
01:10:28Oh
01:10:39Wait a minute, I've got an idea
01:10:48Put these on
01:10:50Come on come on
01:11:04Look comedian put it on
01:11:20Oh
01:11:50Oh
01:12:20Oh
01:12:50Oh
01:13:20God it's better
01:13:50Oh
01:14:20Oh
01:14:31What happened what's that noise the end of voodoo island and Charles bet his dream of conquering the earth with an indestructible army
01:14:50Oh
01:15:20Oh
01:15:50Oh
01:16:20Oh
01:16:37Don't take over please don't touch it
01:16:50Oh
01:17:21I
01:17:25Was getting no place with the injections of the animals
01:17:29So I started using natives as human guinea pigs
01:17:34And instead of getting closer to a cure for cancer
01:17:38The bombarded snake venom was setting up a curious reaction in the body tissues
01:17:44making a subject
01:17:46devoid of will a
01:17:48Human vegetable, please doctor don't talk
01:17:52Three natives died because of my futile attempts
01:17:57And when he found the results of my experiments
01:18:01Bentley became obsessed with the idea of creating an army of these unfortunate people
01:18:07And he threatened to expose me to the authorities
01:18:11Unless I helped him with his mad scheme
01:18:15But why did Bentley try to kill Janine?
01:18:18Bentley needed father
01:18:19With me out of the way that you wouldn't have any fear of him leaving. Oh
01:18:24my baby
01:18:26What a life I've given you
01:18:29Mr. Harris
01:18:31Yes, sir
01:18:33perhaps
01:18:48I
01:19:18I
01:19:23Then he reached the top of the trellis which led to her bedroom and cautiously he peeked inside
01:19:27There she was on the bed naked her bedclothes thrown off because of the heat his heart stopped at her magnificence
01:19:34He climbed through the window
01:19:37Stood there looking
01:19:39Slowly she stirred in her sleep
01:19:43Slowly her eyes began to open and they looked at each other
01:19:48At that rare moment. They knew they must have each other
01:19:51He stripped off his clothes and was about to go to her when oh you you oh, hi
01:20:18Oh
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