- 5/1/2025
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00:00:00It was on the day of the May dance that Tessy's father encountered the parson, who revealed
00:00:10to him what would better have been left forgotten. A chance encounter, a chance remark, yet such
00:00:18things determine our fate.
00:00:20Thank you. Good day, Sir John.
00:00:25Now, sir, beg your pardon.
00:00:28What might be your meaning in calling me Sir John, when I be playing Jack Durbeyfield,
00:00:35the dealer?
00:00:36On account of a discovery I made not some little time ago, I thought you might perhaps know
00:00:42Durbeyfield, that you are the lineal descendant of the ancient and knightly family of the
00:00:48Durbeyvilles.
00:00:49Well, daze my eyes.
00:00:52One of the noblest families in England.
00:00:54And shall we ever come into our own again?
00:00:56I mean, where'd be our family mansions and estates, our lands?
00:01:03Oh, you haven't any.
00:01:04You're extinct.
00:01:07As a county family.
00:01:09But it was my whim to tell you.
00:01:12Well, you'll turn around and have a quart of beer on the strength of it?
00:01:17No, thank you, Durbeyfield.
00:01:21You've had enough already.
00:01:29Durbeyfield.
00:01:30Oh, oh, oh.
00:01:55Hey, hold me to the horse!
00:02:15No, no, Tester, I'm a build.
00:02:17If it isn't your father, I'd know him in a carriage.
00:02:20Well, he had to get a lift home because his horse had to rest today.
00:02:23Yes, and he'll have to rest tonight. He's had a belly full!
00:02:29Look, I won't walk another inch with you if you say jokes about my father.
00:02:35My dear brother, I know you think you're self-agnostic,
00:02:38but surely you must agree that Christianity has been
00:02:41and continues to be the dominant influence on our civilisation.
00:02:45Yes, which is precisely why so many people are still living in the Dark Ages.
00:02:50My dear brother.
00:02:53I think so.
00:02:57I think so.
00:02:59I think so.
00:03:01I think so.
00:03:03I think so.
00:03:05I think so.
00:03:07Two dogs.
00:03:09Two dogs!
00:03:10Two dogs!
00:03:11There's that Seiteぁ!
00:03:13One dog!
00:03:16You.
00:03:17One dog!
00:03:19Yeah!
00:03:49Angel, what are you doing?
00:03:54I'm inclined to go and have a fling with them.
00:03:55Oh, no.
00:03:56No.
00:03:57Dancing in public with a trip of country hollings.
00:04:01Suppose we should be seen.
00:04:02Oh, that would never do.
00:04:04Go on, I'll catch you up in five minutes.
00:04:08Sissy, look.
00:04:12Do you like the Mayday dance, sir?
00:04:15Yes.
00:04:15It seems a pity, though.
00:04:17Where are all your partners?
00:04:18Well, they're all at work.
00:04:20They'll be here soon.
00:04:21Till then, you'll be the one, sir.
00:04:24Certainly.
00:04:25But what is one among so many?
00:04:27Oh, I'm sure you've got more than enough for us, sir.
00:04:29Sissy, so forward.
00:04:31Now pick a partner.
00:04:32They can choose, sir.
00:04:33Yes.
00:04:34What?
00:04:46Oh, I'm sure.
00:04:50Oh, I'm sure.
00:04:52Will you dance with me, Tex?
00:05:15No, with me.
00:05:16I was going to ask her.
00:05:17I asked her first.
00:05:18I'm not dancing with either of you.
00:05:20I'm having a rest.
00:05:22I'm having a rest.
00:05:52I'm having a rest.
00:06:22I'm having a rest.
00:06:52I'm having a rest.
00:07:22Good evening, Robert.
00:07:25Good night, Tess.
00:07:26Good evening, Tessie.
00:07:30Good evening, Tessie.
00:07:38Good evening, Tessie.
00:07:50Good evening, Tessie.
00:07:52Good evening, Tessie, love.
00:07:52Good evening, Tessie.
00:07:53Good evening, Tessie.
00:07:54Good evening, Tessie.
00:07:55Good evening, Tessie.
00:07:56Good evening, Tessie.
00:07:57Good evening, Tessie.
00:07:58Good evening, Tessie.
00:07:59Good evening, Tessie.
00:08:00Good evening, Tessie.
00:08:01Good evening, Tessie.
00:08:02Good evening, Tessie.
00:08:03Tessie.
00:08:04Good evening, Tessie.
00:08:05Good evening, Tessie.
00:08:06Good evening, Tessie.
00:08:07Good evening, Tessie.
00:08:08Long ago.
00:08:09He was...
00:08:11It must tell you what's happened?
00:08:12Has it anything to do with father making such a show of himself in the carriage this afternoon?
00:08:14foil felt like sinking into the ground with shame.
00:08:17Shamed, because he had something to celebrate, that's why.
00:08:21Listen to me.
00:08:22We've been found to be the greatest gentlefolk in the old county.
00:08:26Our family reaches way back before Oliver Grumbel's time.
00:08:29Our family?
00:08:30On account of our real name not being Durba Field, but Durba Ville.
00:08:35Tis thought great things may come of it.
00:08:38Where's Father now?
00:08:39You'll have to be up by midnight, won't we,
00:08:41if he's to deliver the beehives to Casterbridge for tomorrow?
00:08:43Now, don't you be bursting out angry, Tess.
00:08:46But the poor man was so shaken by the Porison's nose
00:08:49that he went up to Rolliver's to get his strength up for the journey.
00:08:52He went to Rolliver's to get his strength up for the journey?
00:08:55And you agreed, Mother?
00:08:56I did not agree.
00:08:57I've been waiting for you to get back and keep out so I can go and fetch him.
00:09:00I'll go.
00:09:01No, no, it is no reason going.
00:09:16Abraham.
00:09:20Abraham.
00:09:22He's here.
00:09:23He's here.
00:09:28Hello, John.
00:09:28Go on.
00:09:29Hello, Joan. Go on, Earl.
00:09:41All my ancestors, eh? Dozens of them. All of the perfect marvels.
00:10:01It was just passing train, you told me.
00:10:05He's told you what's happened to us, I suppose.
00:10:10Yes, in a way. Do you think there's any money hanging by you?
00:10:14No, that's the secret.
00:10:16We've got a great family vault at Kingsbury and finest skeletons than any man in Wessex.
00:10:23Find me as good as some folks here and there.
00:10:28Don't be so loud, my good man, in case any member of the government might be passed in and I can lose my licence.
00:10:35Jackie, listen to me.
00:10:38Hey, Joan, you stay here.
00:10:40Thank you, Ted.
00:10:41I have something to tell you that's come into my head about that.
00:10:44A grand project.
00:10:46Now, I've been thinking since you've got to that...
00:10:49...that there's this great lady out near Trantridge on the edge of the chase.
00:10:53Her name be Durberville.
00:10:55That lady must be our relation.
00:10:58And my project is to send Tess to claim kinship.
00:11:01Joan Durberville, better be careful.
00:11:03She'll be getting that Tess into trouble.
00:11:05Tess is a fine figure of fun.
00:11:07There is a lady of the name.
00:11:09But nothing beside us.
00:11:11Junior branch to us.
00:11:13Junior maybe, but that lady is rich.
00:11:16Tess ought to go and see this other member of her family.
00:11:19Likely enough, it ended some noble gentleman wanting to marry the maid.
00:11:24And, er, what does our Tess say?
00:11:27Oh, well, I haven't asked her yet.
00:11:29But it certainly put her in the way of her grand marriage.
00:11:32And she won't say nay to go in.
00:11:35Oh, Tess is queer.
00:11:38Oh, yeah.
00:11:39Yeah, but she's tractable at bottom.
00:11:40Jack!
00:11:47Leave it to me.
00:11:55I've got her family vault in Kingsbury.
00:12:00You'll never make it to Casterbridge tonight.
00:12:02Oh, I will.
00:12:03Mother, what'll we do?
00:12:05Someone must go.
00:12:06It's late for the beehives already.
00:12:08Some young fellow, perhaps.
00:12:09One of them is so keen to dance with you.
00:12:11Oh, no.
00:12:12I wouldn't have it for the world.
00:12:13I'll let everyone know why father can't make the journey.
00:12:15I'm the head of the noblest family in all Wessex.
00:12:21Mother, I think I could go if Abram came with me to keep me company.
00:12:25Oh, would you, Tess?
00:12:26You're a good girl.
00:12:28You're a good girl.
00:12:30Yeah.
00:12:31Oh, I am, yeah.
00:12:32Hold on, Tess.
00:12:34Yes, Abram?
00:12:35Aren't you glad we've become gentlefolk?
00:12:37Not particularly glad.
00:12:38Well, aren't you glad you're going to marry a gentleman?
00:12:40What?
00:12:41That's our great relation without you marry a gentleman.
00:12:42We have no such relation.
00:12:43Pop it down to your head.
00:12:44Are your mother talking about it when they came back tonight?
00:12:46There's a rich lady of ours out at Troutbridge.
00:12:47And Mother said, if you came kin with her, she'd put you in the house.
00:12:49I'm sorry.
00:12:50I'm sorry.
00:12:51I'm sorry.
00:12:52I'm sorry.
00:12:53I'm sorry.
00:12:54I'm sorry.
00:12:55I'm sorry.
00:12:56I'm sorry.
00:12:57That's our great relation without you marry a gentleman.
00:13:00We have no such relation.
00:13:03Pop it down to your head.
00:13:06I had mother talking about it when they came back tonight.
00:13:09There's a rich lady of ours out at Troutbridge.
00:13:12And Mother said, if you came kin with her, she'd put you in the way of marrying a gentleman.
00:13:19Baby, you must have been dreaming.
00:13:24Tess?
00:13:25Yes, Abram?
00:13:26How far away are the stars?
00:13:29Oh, millions of miles.
00:13:33He's got on the other side of them.
00:13:35Yes.
00:13:37And on this side too, they say.
00:13:43If you got rich, you could buy a giant spyglass and see them right close.
00:13:48I mean, if you marry the rich gentleman, maybe don't go on about that.
00:13:54Lay back now and get some sleep.
00:14:18Look out!
00:14:19Look out!
00:14:20Look out!
00:14:21Put your head down!
00:14:22Whoa!
00:14:23Whoa!
00:14:24Whoa!
00:14:25Come on!
00:14:26Whoa!
00:14:27Whoa!
00:14:28Whoa!
00:14:29Whoa!
00:14:30Good job!
00:14:31Whoa!
00:14:33Whoa!
00:14:34Your lights are drowning!
00:14:35What are you playing at?
00:14:36Whoa!
00:14:37Whoa!
00:14:38Now come down here!
00:14:39Come on!
00:14:40Unhitch the other out of this horse!
00:14:41Come on!
00:14:42Come on!
00:14:43Come on!
00:14:44Come on!
00:14:45Come on!
00:14:46Come on!
00:14:47Come on!
00:14:48Come on now!
00:14:49Come on!
00:14:50Come on!
00:14:51Steady, lad!
00:14:52Steady!
00:14:53No, he's still.
00:14:54Oh, no!
00:14:55Yes!
00:14:56Oh, Prince!
00:14:57I have to go on with the mail bags.
00:15:02Best thing for you to do is stay here and I'll send someone to help you as soon as I can.
00:15:09Dead, love.
00:15:21Hey, Bea!
00:15:23I'm sorry!
00:15:26I'm sorry.
00:15:31Aby. Wake up and kill Prince!
00:15:46Poor Prince.
00:15:52Has he gone to heaven?
00:15:54He has, boy.
00:15:59It's right that he rests with us here.
00:16:03I couldn't have sold his old body.
00:16:06Those are fine feelings, Jackie, but we could have done with that money.
00:16:09How are we going to manage?
00:16:10How are we going to make do without a horse?
00:16:12Let the knacker keep his shillings.
00:16:14Yes. Old Prince served us well in his lifetime.
00:16:17Well, I won't part with him now.
00:16:22Well, we must take the ups with the downs.
00:16:25But Tess never was your fine blood found at a more called for moment.
00:16:29You must go to Mrs. D'Urberville and claim kin.
00:16:32And ask for some help in our time of need.
00:16:34I'd rather try to get work myself.
00:16:36I know you would.
00:16:38But Tess, you've tried to get work and found none.
00:16:40There is no work.
00:16:41And how are we going to eat?
00:16:42D'Urberfield, you can settle it.
00:16:45If you say she ought to go, she will go.
00:16:47I don't like my children going and making themselves beholden to strange kin.
00:16:52I'm the head of the noblest branch in the family.
00:16:56And as such, I ought to live up to it.
00:16:58Oh, Father.
00:17:01I don't know.
00:17:04Suppose as I killed Orse, I ought to do something.
00:17:08I don't mind going and seeing her.
00:17:11But you must leave it to me about asking for help.
00:17:15And don't think about her making a match for me.
00:17:17It's silly.
00:17:18Well said, Tess.
00:17:19Well, who said I had such a thought?
00:17:21I fancy it's in your mind, Mother.
00:17:24But I'll go.
00:17:24Oh, no.
00:17:25No.
00:17:29No.
00:17:37No.
00:17:38No.
00:17:50No.
00:17:51No.
00:17:58Walk on.
00:18:22Tess had never traveled outside her own village before, but having made the long journey
00:18:29across country to her ancestor's estate, she was expecting to find the ancient D'Urbeville
00:18:35mansion, but found instead a newly built house of brick.
00:18:52Well, my beauty, what can I do for you?
00:19:13I'm looking for Mrs. D'Urbeville.
00:19:16She's my mother, but I'm afraid you can't see her.
00:19:20She's an invalid.
00:19:22May I be of help?
00:19:25What was the business that you wished to see her about?
00:19:29It's not business, it's...
00:19:32I can hardly say what.
00:19:33Oh, not business?
00:19:35Then pleasure?
00:19:36Oh no, no, it isn't pleasure, it's...
00:19:39Tell me.
00:19:40Sir, if I tell you, it'll seem so foolish.
00:19:46No matter.
00:19:47I like foolish things.
00:19:50Well, my mother asked me to come.
00:19:54I came, sir, to tell you that we are of the same family as you.
00:19:58Oh, poor relations.
00:20:01But our mother said we ought to make ourselves known to you, as we've lost our horse by a
00:20:07bad accident, and are the oldest branch of the family.
00:20:10Though our name has worn away to D'Urbeville, there are several proofs that we are D'Urbe-
00:20:13I see I amuse you, sir.
00:20:20No, no, your mother was quite right.
00:20:22And I, for one, do not regret her sending you.
00:20:27So you've come on a friendly visit, as, well, relations.
00:20:33Well, I suppose I have.
00:20:35Then I must make you welcome.
00:20:37Come.
00:20:38I'll show you around.
00:20:39No, no, thank you, but no, I think I ought to...
00:20:42How did you get here?
00:20:44I took the van to Trentridge Cross.
00:20:47Well, it's a while before he returns that way.
00:20:52Supposing we walk around the grounds a while, to pass the time.
00:20:57I really must think if I can't do something to help, my mother must find a birth for you.
00:21:02But listen, no more nonsense about D'Urbeville.
00:21:06It's D'Urbeville only, you know, it's quite another name.
00:21:09I wish for no better, sir.
00:21:13Do you like strawberries?
00:21:14Yes.
00:21:15Is it too warm for you?
00:21:30Are you uncomfortable?
00:21:33The fragrance, it's delicious.
00:21:36There's some beautiful specimens here.
00:21:42You must take some home with you.
00:21:44As many as you can manage.
00:21:51This is a British queen.
00:21:52It's a real beauty.
00:21:53This is a British queen.
00:21:54It's a real beauty.
00:21:56No.
00:21:57No.
00:21:58No.
00:21:59No.
00:22:00No.
00:22:01No.
00:22:02No.
00:22:03No.
00:22:04No.
00:22:05No.
00:22:06No.
00:22:07No.
00:22:08No.
00:22:09No.
00:22:10No.
00:22:11No.
00:22:12No.
00:22:13No.
00:22:14No.
00:22:15No.
00:22:16No.
00:22:17No.
00:22:18I'd rather take it with my own hand.
00:22:19Nonsense.
00:22:20No.
00:22:21No.
00:22:22No.
00:22:23No.
00:22:24No.
00:22:25No.
00:22:26No.
00:22:27No.
00:22:28No.
00:22:29No.
00:22:30No.
00:22:31No.
00:22:32No.
00:22:33No.
00:22:34No.
00:22:35No.
00:22:36No.
00:22:37No.
00:22:38Let's go.
00:23:08Why, you'll be quite a posy.
00:23:12Such roses early in June.
00:23:14Oh, the flowers were given to me.
00:23:38So you think she could manage the fowl farm, do you?
00:24:02I'm sure she could.
00:24:06Would you mind standing in front of me?
00:24:08I'd prefer you to face me.
00:24:18Of course, Mother.
00:24:19Forgive me.
00:24:22Derby Field.
00:24:24How embarrassing.
00:24:26Well, she was under the impression that our families were related.
00:24:29You didn't explain that we merely adopted the name.
00:24:33No.
00:24:34No, she'd never have understood.
00:24:35I thought you said she seemed highly intelligent.
00:24:39She does.
00:24:40It's just...
00:24:41I think she'd be shocked to learn you could just legally annex an old name.
00:24:45She's rather naive.
00:24:51But the main thing is, Mother, that she seems very capable, very...
00:24:56Is she pretty?
00:24:59Yes, she is quite pretty.
00:25:01Quite womanly for her years.
00:25:04Then I suppose you'd better go and get her.
00:25:17So Tess had to abandon any hopes for the future,
00:25:21that she might become a teacher,
00:25:23and instead accepted the role that fate had decreed for her.
00:25:34Don't she, don't you, lovely Derby Field?
00:25:48Ah.
00:25:49She'd do that.
00:25:52Now,
00:25:52you tell that young man
00:25:55I will consider
00:25:57selling the title.
00:26:00Tell him I'll take
00:26:01a thousand pound.
00:26:04Well, maybe less.
00:26:08A hundred.
00:26:14No.
00:26:15Say he may have it
00:26:16for twenty pound.
00:26:19And that's the lowest.
00:26:21Family honor
00:26:22is family honor.
00:26:29Goodbye, Father.
00:26:31Goodbye, my maid.
00:26:34Tess.
00:26:38No, mother.
00:26:39Father.
00:27:09Father.
00:27:10Father.
00:27:11Father.
00:27:39Father.
00:27:40Father.
00:27:42Father.
00:27:47Lord.
00:27:50Father.
00:27:56Father.
00:28:08What's the matter with you then?
00:28:10I don't know exactly.
00:28:13Perhaps it would have been best if Tess had not gone.
00:28:16Oh, wouldn't you have thought of that before?
00:28:20Still, it is a chance for the maid.
00:28:24I'm sure to make her away with him as she plays her trump card, right?
00:28:28And if he doesn't marry her before, he will soon after.
00:28:30What's her trump card, then?
00:28:34A D'Urberville blood, you mean?
00:28:36No, stupid, her face.
00:28:38Yes, as t'was mine.
00:28:40Squat! Squat!
00:28:52Whoa!
00:28:56Whoa! Whoa! Good boy.
00:29:00You will go down slow, sir, I suppose?
00:29:03Why, Tess, it isn't a brave bouncing girl like you that asks such a question.
00:29:06I always go down at full gunner.
00:29:24Don't hold my arm. We'll be thrown to the car.
00:29:26Don't hold my arm, we'll be throwing to the clock.
00:29:33I'll grab my waist, that's it!
00:29:41Stop!
00:29:43Get him!
00:29:56Safe, thank God, in spite of your fooling!
00:30:01Sorry by that temper!
00:30:02It's true!
00:30:03You needn't let go of your hold of me so thanklessly the moment you feel yourself out of danger.
00:30:08Tom, put your arms round my waist again.
00:30:10Never!
00:30:11Then let me put one kiss on those Holmberg lips, or even on that reddened cheek and I'll stop, I swear!
00:30:18But I don't want anyone to kiss me, sir! Then I wouldn't have promised right now!
00:30:22Mwah!
00:30:23Woohoo!
00:30:24Why, you're mighty sensitive for a cottage girl!
00:30:27You'll be made sorry for that, unless you let me do it again, and this time, no handkerchief!
00:30:33Very well, sir!
00:30:36Oh!
00:30:37Let me get my hat!
00:30:38Whoa!
00:30:39Whoa!
00:30:41I'll get it!
00:30:42I'll get it!
00:30:47Why, you look pretty with it off, if that's at all possible.
00:30:50Come set us up!
00:30:51No!
00:30:54What, you won't get up here with me?
00:30:56No, I should walk!
00:30:57But it's five or six miles yet!
00:30:59I don't care if it's dozens!
00:31:02Besides, the luggage cart is following!
00:31:05Mrs. D'Urberville wants the fowls now!
00:31:06She wants the fowls?
00:31:07Oh, you...
00:31:08She likes to have the fowls brought to her each morning!
00:31:11Ha!
00:31:12Ha!
00:31:13Ha!
00:31:14Ha!
00:31:15Ha!
00:31:16Ha!
00:31:17Ha!
00:31:18Ha!
00:31:19Ha!
00:31:20Ha!
00:31:21Ha!
00:31:22Ha!
00:31:23Ha!
00:31:24Ha!
00:31:25Ha!
00:31:26Ha!
00:31:27Ha!
00:31:28Ha!
00:31:29Ha!
00:31:30Ha!
00:31:31Ha!
00:31:32Ha!
00:31:33Ha!
00:31:34Ha!
00:31:35Ha!
00:31:36Ha!
00:31:37Ha!
00:31:38Ha!
00:31:39Ha!
00:31:40Ha!
00:31:41Ha!
00:31:42Ha!
00:31:43Ah, you're the young woman come to look after my birds.
00:32:04I hope you'll be kind to them.
00:32:08Well, where are they?
00:32:13Is she eating enough?
00:32:35I believe so, ma'am.
00:32:37Feed her up, feed her up.
00:32:39Yes, I will.
00:32:43Can you whistle?
00:32:51Whistle, ma'am.
00:32:53Yes, whistle tunes.
00:32:58I think I can.
00:32:59Then you'll have to practice it every day.
00:33:02I want you to whistle to my bullfinches.
00:33:05As I cannot see them, I like to hear them.
00:33:09And we teach them airs that way.
00:33:12Mr. Durberville whistled at them this morning, ma'am.
00:33:15He?
00:33:15He?
00:33:15He's so cute.
00:33:20Oh, no.
00:33:21They're so cute.
00:33:21Oh, no.
00:33:23Oh, no.
00:33:24Oh, no.
00:33:26Oh, yeah.
00:33:28Oh, no.
00:33:28Oh, no.
00:33:30Oh, no.
00:33:32Oh, no.
00:33:36Oh, no.
00:33:41Oh, forgive me, cousin.
00:33:57How dare you!
00:33:57I cannot resist the sight of you trying to whistle.
00:34:00Upon my honour, cousin Tess, I have been watching you
00:34:03pouting up that pretty red mouth of yours to whistling
00:34:06and whing and whing and privately swearing.
00:34:09I didn't swear.
00:34:10Yes, you did, and not being able to produce a note.
00:34:12Why, you are quite cross that you can't do it.
00:34:14I may be cross, but I didn't swear.
00:34:16I'll teach you how to do it.
00:34:18Oh, no, you won't.
00:34:20Oh, don't be silly, Tess.
00:34:21I'm not going to touch you.
00:34:23And look here, you're screwing your lips up too harshly for whistling.
00:34:27Try it like this.
00:34:33Try it.
00:34:36Oh, come on, Tess.
00:34:37Mother won't be happy with you unless you can whistle to her birds.
00:34:43Try it.
00:34:52That's it.
00:34:55And a whistle.
00:34:56That's it, that's it.
00:35:07But it's more effective if you shave your mouth like this.
00:35:17I taught you whistling, cuz.
00:35:18Every Saturday night, the maids of the slopes repair to the local market town for a night
00:35:32of drinking and merrymaking.
00:35:35For a long time, Tess did not join the weekly pilgrimage, but under pressure from the others,
00:35:41she went along with them.
00:35:43She went along with them.
00:38:13Oh, God, it's the treacle.
00:38:23It's spilt from the basket.
00:38:25Oh, God.
00:38:27Oh, God.
00:38:29Oh, God.
00:38:31Oh, God.
00:38:33Oh, God.
00:38:35Oh, God.
00:38:37Oh, God.
00:38:39Oh, God.
00:38:41Oh, God.
00:38:43Oh, God.
00:38:45Oh, God.
00:38:47Oh, God.
00:38:49Oh, God.
00:38:51Oh, God.
00:38:53Oh, God.
00:38:55Oh, God.
00:38:57Oh, God.
00:38:59Oh, God.
00:39:01Oh, God.
00:39:03Oh, God.
00:39:05Oh, God.
00:39:06Oh, God.
00:39:07Oh, God.
00:39:08Oh, God.
00:39:09Oh, God.
00:39:10Oh, God.
00:39:11Oh, God.
00:39:12Oh, God.
00:39:13Oh, God.
00:39:14Oh, God.
00:39:15Oh, God.
00:39:16Oh, God.
00:39:17Oh, God.
00:39:18Oh, God.
00:39:19Oh, God.
00:39:20Oh, God.
00:39:21Oh, God.
00:39:22Oh, God.
00:39:23Stop it, stop it, stop it, stop it, keep it away, keep it away.
00:39:31What the devil's going on here?
00:39:39Jump up behind me.
00:39:53Stupid cow! Out of the frying pan and into the fire!
00:40:17Where are we?
00:40:18We're in the oldest wood in England.
00:40:23It's foggy. I can't see where we're going.
00:40:34It'll clear. It's a beautiful night. Just enjoy the ride.
00:40:40All right. Set me down, I'll walk home.
00:40:43You can't walk home. We're miles away.
00:40:45I don't care where we are. Only let me get down. Please.
00:40:49All right.
00:40:49I beg you.
00:40:50I'm not even sure myself quite where we are.
00:41:11I'll... I'll go and try and find my bearings. Come, sit here.
00:41:17These leaves aren't damp yet. Come.
00:41:19Don't worry.
00:41:35Oh, and Tess.
00:41:37Your father has a new horse today.
00:41:41Somebody gave it to him.
00:41:42Somebody?
00:41:42You.
00:41:44You.
00:41:46And all the children have new toys.
00:41:50Oh, you're very kind.
00:41:53But I almost wish you had not.
00:41:55Why?
00:42:00It...
00:42:01hampers me.
00:42:02Oh, Tessie.
00:42:06Don't you love me just a little bit now?
00:42:09Ever so little.
00:42:11I'm grateful to you, but I'm afraid I don't...
00:42:15Oh, Tess.
00:42:17Tess.
00:42:19Shh.
00:42:20Come, don't cry.
00:42:21I...
00:42:22Eh?
00:42:23You're cold.
00:42:25Here.
00:42:29Here.
00:42:30Here.
00:42:30That'll keep you warm.
00:42:37Wait here.
00:42:37Here.
00:45:07Some weeks later, in the early hours of the morning, Tess packed her van and left.
00:45:21What do you think you're doing?
00:45:41I'm going home.
00:45:42Well, the way you've been behaving these last few weeks, I can't claim to be surprised.
00:45:47Why are you sneaking off like this?
00:45:49This hour on a Sunday morning with everyone stood in their bed?
00:45:53Why are you going like this?
00:45:54You weren't a prisoner.
00:45:56You weren't a prisoner.
00:45:56Nobody would have stopped you going.
00:46:00But to climb all this way with that load, I followed like a madman just to drive you the rest of the way if you won't come back.
00:46:07I shan't come back.
00:46:09No, well, I didn't think you would.
00:46:10Put up your luggage.
00:46:11Let me help you on your way.
00:46:13Come along.
00:46:14Walk on.
00:46:25Walk on.
00:46:25Walk on.
00:46:25Walk on.
00:46:27Why are you crying?
00:46:33I was only thinking I was born out there.
00:46:37Well, we've all got to be born somewhere.
00:46:39I wish I'd never been born.
00:46:41There or anywhere else.
00:46:46If you didn't want to come to us, Tess, then why did you come?
00:46:49It certainly wasn't for love of me.
00:46:51That, I'll swear.
00:46:52It's true.
00:46:54If I'd gone for love of you, I wouldn't hate myself for my weakness as I do now.
00:46:58My eyes were blinded by you for a little.
00:47:01That was all.
00:47:02Ah, well, that's what all women say.
00:47:03My God, I could knock you out of the cart.
00:47:06Did it never strike you that what every woman says some woman may feel?
00:47:10I'm sorry.
00:47:11I wounded you.
00:47:12I did wrong, and I admit it.
00:47:14In these last three weeks, you've treated me like a leper.
00:47:18Even when I kissed you, you were like marble.
00:47:19I mean, if that's the way you felt, then why didn't you leave?
00:47:22Why didn't you just leave immediately?
00:47:24I should have done, but I didn't know what I...
00:47:26I didn't know what to do.
00:47:33Look.
00:47:35I'm prepared to pay for the wrong that I've done you.
00:47:37You know you needn't work again.
00:47:38You know you can have any dress you like,
00:47:41instead of that sackcloth you've been wearing lately.
00:47:43I've said I will not take anything from you.
00:47:46And I will not.
00:47:47I cannot.
00:47:49I should be your creature to accept that.
00:47:51And I won't.
00:47:52All right.
00:47:53I can say no more, princess.
00:47:55I'm a bad fellow.
00:47:56I was born bad.
00:47:57I've lived bad.
00:47:58And in all probability, I will die bad.
00:48:00But I will never be bad to you again, Tess.
00:48:03You understand?
00:48:06If anything should happen, you understand?
00:48:08If you ever need anything,
00:48:10then you write and you shall have it by return.
00:48:11This is far enough.
00:48:13I'll walk from here.
00:48:15Whoa.
00:48:15Tess, you're not going to turn away like that, are you?
00:48:40Come, for old acquaintance's sake.
00:48:46If you wish.
00:48:49See how you've mastered me.
00:48:54You don't give me your mouth and kiss me back.
00:48:58You never willingly did that.
00:49:01You'll never love me, I fear.
00:49:03I've said so often.
00:49:05It's true.
00:49:05I've never really and truly loved you.
00:49:11And I think I never can.
00:49:15Yet, Tess,
00:49:17won't you come back to me?
00:49:21I don't like to let you go like this.
00:49:23No.
00:49:26Never.
00:49:29I made up my mind as soon as I saw
00:49:31what I ought to have seen sooner.
00:49:35Then good morning,
00:49:37my four-month cousin.
00:49:40And goodbye.
00:49:58And you didn't get him to marry you?
00:50:00He didn't ask me.
00:50:01Oh, any woman would have got him to ask her after that.
00:50:04Perhaps any woman would accept me.
00:50:05Had you no thought of your family?
00:50:06I no thought of marrying him.
00:50:07I don't know if I would have agreed even if he asked me.
00:50:09I'm not sure there was a wedding in the offing.
00:50:11What will your father say?
00:50:11If you've only had been to save face,
00:50:13I didn't love him.
00:50:14Then you ought to have been more careful
00:50:15if you didn't mean to get him to marry you.
00:50:17Mother, how could I be expected to know
00:50:18I was a child when I left this house?
00:50:20Why didn't you tell me there was danger in men?
00:50:22You didn't help me.
00:50:24I didn't want to frighten you off with talk like that.
00:50:39I feared you might lose your chance.
00:50:48Well, we must make the best of it, I suppose.
00:50:53It is nature, after all.
00:50:55In God's will.
00:50:55Tess had run away from her past,
00:51:14hoping to escape it.
00:51:16But there was no escape.
00:51:17She was carrying a child.
00:51:44The seasons turned,
00:51:45and the time for harvesting arrived
00:51:48with its opportunity for remunerative work in the fields.
00:51:53At last, Tess ended her long seclusion,
00:51:56though even now she felt like a stranger.
00:52:00She had broken the laws of society,
00:52:03but in her feelings of guilt and distress,
00:52:06she believed mistakenly
00:52:08that she had broken the laws of nature itself.
00:52:15Here, Joyce.
00:52:20The young under the serenade.
00:53:23Tessa look after it. She loves that baby.
00:53:26Why does she say that she wishes it was in the churchyard?
00:53:29Poor girl. It's a thousand pities it should have happened to her of all others.
00:53:34It's always the comeliest. The plain ones are safe as churches.
00:53:38Eh, sissy?
00:53:39Oh, what is it?
00:53:58Oh, Tess, poor little Mike took sick this afternoon. He can't breathe properly.
00:54:04I miss you all my little baby.
00:54:19Tess, they say you might last the night.
00:54:23That has.
00:54:24I miss him for the parson.
00:54:28No parson?
00:54:30No parson!
00:54:31Father, he's not baptized.
00:54:34I'll have no parson in here.
00:54:36Crying into her affairs.
00:54:39Not now.
00:54:39But with the way things be as they be now.
00:54:45Mother, do something.
00:54:47Are you really going to christen him, Tess?
00:55:15Yes.
00:55:19Yes.
00:55:28Yes.
00:55:29Laisaloo, wake up. Wake up.
00:55:32I'm going to baptize him. Wake up.
00:55:34Hope. Hope.
00:55:37Good girl.
00:55:38Good girl.
00:55:38Good girl.
00:55:38Good girl.
00:55:42What's his name going to be?
00:55:55Sorrow.
00:55:56I baptize thee in the name of the Father, and of the Son, and of the Holy Ghost.
00:56:11Children, say amen.
00:56:17Amen.
00:56:17Amen.
00:56:18I'm in.
00:56:38My precious, what chance had you?
00:56:43No chance at all.
00:56:50Forgive me.
00:56:54Forgive me.
00:56:55So will it be the same for him as if you had baptized him?
00:57:04My dear child, it will be just the same.
00:57:07Then will you give him a Christian burial?
00:57:10Ah.
00:57:11Well, that's another matter.
00:57:12Another matter?
00:57:14Why?
00:57:14I must not, for certain reasons.
00:57:17Just for once, sir.
00:57:18No, really, I must not.
00:57:20Then I don't like you, and I'll never come to church no more.
00:57:23Don't talk so rashly.
00:57:27If you don't, will it be just the same for him?
00:57:30For God's sake, don't speak to me as saint to sinner, but as you yourself.
00:57:35To me, myself.
00:57:36It will be just the same.
00:57:43It will be just the same.
00:58:06Some two years later, on a time-scented bird-hatching morning,
00:58:36morning in May, Tess left home for the second time.
00:58:41The irresistible universal impulse to find happiness somewhere had at length mastered her.
00:58:51She wanted to walk uprightly to make her life anew, and so she made the long journey to the
00:58:58Valley of the Great Dairies.
00:59:00She had never before visited this part of the country, and yet she had the strange feeling
00:59:09of returning home.
00:59:12In fact, she had returned to the ancestral seat of the Derbevirs, where once their grand estates
00:59:19had dominated the landscape.
00:59:20there was a lot of Aye.
00:59:24And yet she was restrained.
00:59:27Well, it just caused a little bit of a graffiti at the Slaven Court hall, which was part of the
00:59:33Hi-Haw.
00:59:36How do?
00:59:36Theresa Derbeffield?
00:59:38Ah, the girl from Ireland.
00:59:40That's right.
00:59:40How do?
00:59:41I'm crick.
00:59:42Now, your mother wrote me.
00:59:44That's right.
00:59:44You know, there was an old woman of 90 used to live here, long dead now.
00:59:50And I remember she told me how a family with a name like yours once ruled these parts.
00:59:54Derby Field, Derbyville, something like that.
00:59:58Very ancient family, all but perished.
01:00:01Their bones lie in Kingsbury Church near here.
01:00:04Or so she said.
01:00:06Would they be your family long ago?
01:00:09Oh, I don't know.
01:00:11Well, you've travelled a long way today.
01:00:14Are you sure you won't have something to eat or drink?
01:00:16I'd rather begin milking right now, if that's right.
01:00:21Well, have a drop of milk.
01:00:24All right, you can swallow it.
01:00:26I haven't touched it for years, Rob, the stuff lying inside me like lead.
01:00:30Here, follow me.
01:00:31Try your hand on her.
01:00:47There you go.
01:00:48Good girl.
01:00:50Good girl.
01:00:55Yeah.
01:00:55That'll do, matey.
01:00:59Good.
01:01:00Good.
01:01:03They're not giving down their milk as usual today.
01:01:07It's because a new hand has come among us.
01:01:12And I've been told it goes up to their horns at such times.
01:01:16If you're getting a concertina, sir, they likes a bit of melody.
01:01:19Oh, but what a fiddle is best.
01:01:24Why?
01:01:24A fiddle can even quiet a mad bull.
01:01:28I knew a fiddler was faced by a bull one night,
01:01:33snorting and scraping in front of him.
01:01:36Then he thought how he'd seen the cattle kneel on Christmas Eve at dead of night.
01:01:42So, he played the nativity, him on his fiddle.
01:01:47And lo and behold, down went the bull on his bended knee.
01:01:55That's a wonderful story.
01:01:57It takes us back to medieval times when faith was a living thing.
01:02:05Take it, sir.
01:02:07Take it, gentle.
01:02:09It's knack, not strength, that, does it?
01:02:12So I find.
01:02:14I think I finished her, though she made my fingers ache.
01:02:39There.
01:02:42So who is he, then?
01:02:55He's a gentleman born.
01:02:57Seems he studied sheep farming, and now he's learning the dairy work.
01:03:01He plays a concertina.
01:03:03You'll hear him in the evenings.
01:03:05Amen.
01:03:06He never says much to us.
01:03:07He's a parson's son, and too busy with his own thoughts to notice girls.
01:03:14His father is the Reverend Clare, and all his sons are parson's, except our Mr. Clare.
01:03:20What's his name?
01:03:24Angel.
01:03:26His name is Angel.
01:03:29Angel Clare.
01:03:32Hmm.
01:03:32I don't know about ghosts, but I do know that our souls can be made to go outside our bodies when we are alive.
01:03:53Really, no matey.
01:03:55Lay on the grass, and look up at some big, bright star, and by fixing your mind on it, you'll soon find that you're hundreds and hundreds of miles away from your body, which you don't seem to want at all.
01:04:06Oh, it's a rum thing, Christiana, eh?
01:04:10Think of all the miles I've covered on Starlit Nights, and never feel my soul rise so much as an inch above my shirt collar.
01:04:15Eh?
01:04:18Oh.
01:04:20It's only my fancy.
01:04:32You having trouble there?
01:04:34I'm all right, Mr. Crick.
01:04:35Get on with it.
01:04:36Oh, my God.
01:05:06You look like Demeter standing there.
01:05:32Demeter?
01:05:33The Greek goddess of fruitfulness.
01:05:35Or perhaps not Demeter, perhaps I should call you Artemis, the goddess of purity.
01:05:41Call me Tess.
01:05:42Tess, don't go. Please.
01:05:44You're not afraid, are you?
01:05:46No, sir. Not of outdoor things.
01:05:49But you have your indoor fears, eh?
01:05:52Well, yes, sir.
01:05:54What of?
01:05:58Couldn't quite say.
01:06:00The milk turning sour.
01:06:04No.
01:06:06What then?
01:06:09Life in general?
01:06:12Yes, sir.
01:06:13No.
01:06:14So do I.
01:06:17Very often.
01:06:20This business of being alive is pretty serious, don't you think?
01:06:26It is.
01:06:27It is.
01:06:30Now you put it that way.
01:06:32All the same.
01:06:33I shouldn't have expected a young girl like you to sit like that just yet.
01:06:38Why is that?
01:06:39Come, Tess.
01:06:41Tell me.
01:06:43In confidence.
01:06:44All ahead of you, you seem to see a number of tomorrows.
01:06:53All in a line.
01:06:55And one of those tomorrows is the day you die.
01:06:58Though you don't know which it'll be.
01:07:01And all of them seem to be saying,
01:07:03Beware of me.
01:07:05Such horrid fancies.
01:07:09But you, sir, you can raise up dreams with your music and drive them all away.
01:07:16But they aren't just fancies, Tess.
01:07:19They're very modern ideas.
01:07:21Although the ancient Greeks would have known exactly what you meant.
01:07:23They were humanists who...
01:07:24Oh, don't talk to me about ancient Greeks.
01:07:26I know nothing about all of that.
01:07:35...
01:07:46...
01:07:48...
01:07:56...
01:07:58...
01:08:00...
01:08:04When I look at you, I sometimes feel as though our paths have crossed before.
01:08:23Do you?
01:08:24No.
01:08:27Have I said something to upset you?
01:08:29No.
01:08:30I thought I had last night, but...
01:08:32It's only me.
01:08:32Me, myself.
01:08:35Why?
01:08:36What?
01:08:38When I see the things you know about, what you've seen and read and thought, I feel what nothing I am.
01:08:47I feel as if my life has been wasted.
01:08:50No, Tess.
01:08:51You're wrong.
01:08:53Quite wrong.
01:08:55If you did want to study something, history, any line of reading, I'd only be too...
01:08:59I've read in some old book only to discover that there were thousands of people like you
01:09:03in the past, and you're just repeating their experiences.
01:09:07Better not to know.
01:09:08Not to know?
01:09:09You mean you don't want to study anything?
01:09:11I'd like to know why the sun shines on the just and the unjust.
01:09:15But books won't tell me that.
01:09:17Tess.
01:09:19Such bitterness.
01:09:23Shh.
01:09:24There he is again.
01:09:34Don't push.
01:09:35You can see as well as I.
01:09:37It's no use you being in love with him, is he?
01:09:39Who says I am?
01:09:40I saw you kissing his shade on the wall.
01:09:43What did you see her doing?
01:09:45The shade of his face fell on the wall behind her, and she turned around and kissed the shade
01:09:50of his mouth on the wall.
01:09:51Oh, is he away?
01:09:53There's no harm in it.
01:09:55And if I am in love with him, so are you.
01:09:58We can't both of us marry him.
01:10:00And we shan't anyway, either of us.
01:10:02Why?
01:10:03Because he likes Tess Derbyfield.
01:10:09No, it's silly.
01:10:11He won't marry us, and he won't marry her, either.
01:10:13A gentleman's son who wants to be a landowner and a farmer abroad?
01:10:17What he's more likely want is his farm hands.
01:10:19I heard him tell Mrs Crick it'd be useless in marrying a fine lady.
01:10:23But he hates old families, anyway.
01:10:25But he said the sensible thing to do would be to marry a farm woman.
01:10:32What could be wrong with the churn?
01:10:59Why won't it make the butter?
01:11:01Blessed if I know it.
01:11:02Sometimes happens, that's all.
01:11:03Perhaps someone in the house is in love.
01:11:05I've heard that will cause it.
01:11:08Why, Crick, that maid we had, the butter wouldn't come.
01:11:11That had nothing to do with the loving.
01:11:13The churn was damaged.
01:11:15Thanks to Jack Dollop and the maid's mother.
01:11:17Jack were a milker here, and he deceived the girl like he deceived many another.
01:11:22But he didn't reckon on having her mother to deal with.
01:11:24She marched up here with a great brass umbrella that would have felled an ox.
01:11:30When Jack saw her coming, he said, she'll murder me.
01:11:35And he jumped inside the churn.
01:11:38They were huge in those days, remember?
01:11:41And then the mother came in, dragging the door behind her.
01:11:45Where is he, says she, I'll claw his face off.
01:11:51And the poor maid, or young woman rather, she was stood by the door, crying her eyes out.
01:11:59I'll never forget it.
01:12:01And then the mother, she got hold of the witch, and she spun the churn around, with Jack flopping around inside him.
01:12:14And up Popsie's head, and he says, stop the churn.
01:12:17Oh, I'll be churning the boat.
01:12:19Stop the churn, you old witch.
01:12:22So she churns it even faster.
01:12:27You call me a witch, do you?
01:12:30But you shouldn't be calling me Mother in Love.
01:12:44Well, the churn's that damaged now, isn't it?
01:12:47And nobody here's in love, not to my knowledge.
01:12:51Are they?
01:12:56The past came back to haunt Tess, reminding her of the fragility of her happiness.
01:13:04What was comedy to them, was tragedy to her.
01:13:17I would have expected the river to rise like that in the summertime.
01:13:30Isn't there any other way round?
01:13:32Yes, but we'd be too late.
01:13:42He's not going to church.
01:13:43No, I wish he was.
01:13:50You're trying to get to church?
01:13:53Yes, but it's getting late, and...
01:13:55Well, I'll carry you through.
01:13:57Every gel of you.
01:13:59I think you can, sir.
01:14:01It's the only way you'll get there.
01:14:06Who's first?
01:14:07I am.
01:14:13Oh, my God.
01:14:41Easy.
01:15:42I may be able to climb along the bank, perhaps. I can climb better than they.
01:15:46No. No, Tess.
01:15:47You must be so tired, Mr. Clare.
01:15:49No.
01:15:53I hope I'm not too heavy.
01:15:55No, you should lift Marion. Such a lump. And Izzy squirming and shifting in my arms.
01:16:04They're both pretty girls, though.
01:16:06Pretty? Yes, they are pretty girls.
01:16:09And excellent dairywoman.
01:16:11Yes, but not better than you.
01:16:15Oh, no, they skim the milk better than I do.
01:16:18Do they? Yes.
01:16:21Tess, you know that I've done two parts of this job just in order to do the third.
01:16:27No.
01:16:27I didn't expect this today.
01:16:33You're right. The water came up so sudden.
01:16:37Bless the rains.
01:16:38Oh, Tess.
01:16:41Oh, Tess.
01:16:57He likes you best.
01:17:17The very best.
01:17:18We could see it as he held you.
01:17:21He'd have kissed you if you'd encouraged him.
01:17:25No.
01:17:27No, you're quite wrong.
01:17:29Poor Tess.
01:17:36Poor Tess.
01:17:38I never stand in your way.
01:17:40Neither of you.
01:17:41But you know he favours you, Tess.
01:17:43I can't help that.
01:17:45I don't think Marion is in his mind at all.
01:17:48And even if it was, I'd refuse him.
01:17:50Because I'd refuse any man.
01:17:52Would you, Tess?
01:17:54Why?
01:17:55It can't be, that's all.
01:18:00Ah, well.
01:18:01It's all dreaming, isn't it?
01:18:04I heard him tell Mrs. Crick that his family had looked out some lady for him.
01:18:08I wonder what she's like.
01:18:10Some lady?
01:18:11Yes.
01:18:12Of his own rank and his father's parish.
01:18:15He says he don't care much for her.
01:18:17But she's his family's choice that he's sure to marry her.
01:18:23Well, I'm sorry.
01:18:49Let's go along.
01:18:50What the hell?
01:18:52What the hell?
01:18:53Oh no, my loved ones are right.
01:18:54That's crazy.
01:18:59Come over there.
01:19:30I love you, truly.
01:20:00She'll kick over the milk.
01:20:06Oh, Tessie.
01:20:29Why are you crying?
01:20:34I...
01:20:35I...
01:20:38I don't know.
01:20:40Well, I've betrayed my feelings, Tess.
01:20:45At last.
01:20:47That I love you, I need not say, but I see that it's upset you.
01:20:53Tess, I'm as surprised as you are.
01:20:57Do you feel that I've rushed you, taken too much for granted?
01:21:09I don't know.
01:21:12I can't tell.
01:21:14I don't know.
01:21:28I don't know.
01:21:30I use a puesa and a like to pop it in person.
01:21:36A good slice of the cake and the of the cake is so fun.
01:21:41It's just like I'm going to eat a lot of corn.
01:21:44I got to cook a little bit.
01:21:48I'm going to eat it CHEFISHY again.
01:21:52I'm going to eat a lot of昆布.
01:21:55I'm going to eat this whole thing.
01:21:57Morning, all.
01:22:06Morning.
01:22:07Morning, morning, morning, Kate.
01:22:14You haven't seen anything of Mr Clare this morning.
01:22:17I'm all right. Is he all right?
01:22:19He's gone back to his family.
01:22:20To his family?
01:22:22All right.
01:22:23Well, he didn't say goodbye.
01:22:24No.
01:22:25Well, he's getting on to all the end of his time with me.
01:22:29He's learnt near all he needs about the dairy and side of things.
01:22:32Now he must sort out his future.
01:22:34That's why he's gone to see his family.
01:22:36And there's the lady they have in mind for him.
01:22:52Oh.
01:22:53Oh.
01:23:14Oh.
01:23:15Let's go.
01:23:45Mr. Clare, you gave me a start.
01:23:52Dear darling Tessie, please don't mister me anymore.
01:23:56I've rushed back on account of you.
01:23:59I've told my family that I should soon want to marry
01:24:02and that my wife must be a woman who can help me in my farming.
01:24:08Will you be that woman, Tess?
01:24:11Mr. Clare, I cannot be your wife.
01:24:16I cannot.
01:24:23Do you love me?
01:24:28Yes.
01:24:30Yes.
01:24:31I'd rather be yours than anybody's in the world.
01:24:36But I cannot marry you.
01:24:43Well, is the...
01:24:45Are you engaged to somebody else?
01:24:48No.
01:24:48No.
01:24:49Then why?
01:24:50Why not?
01:24:51I don't want to marry.
01:24:53I haven't thought of...
01:24:54I only want to love you.
01:24:58Well, if you wanted to love me, why'd you blow so hot and cold?
01:25:01Why'd you keep tantalising me?
01:25:04I tell you, Tess, I'd take you for a flirt, for a city coquette,
01:25:08if I didn't know just how honest and pure you are.
01:25:10If you love me, why don't you like the idea of being my wife?
01:25:13I can't.
01:25:14I can't.
01:25:15Never.
01:25:16Is it...
01:25:16Am I rushing you again?
01:25:18Yes.
01:25:19I didn't expect it.
01:25:26Think it over.
01:25:29I won't press you.
01:25:31For now.
01:25:49It's four o'clock.
01:26:03Mr. Clare.
01:26:06Mr. Clare.
01:26:10Wake up, Mr. Clare.
01:26:15Now, Miss Flirt, before you flee,
01:26:19some time since I said my peace,
01:26:21and now that I've seen you in your nightgown,
01:26:25you must give me an answer,
01:26:26or I should be forced to leave this house.
01:26:29For your own safety, I must go.
01:26:32Mr. Clare, I'm only just up.
01:26:34It's too early.
01:26:35Call me Angel, then.
01:26:39Angel, then?
01:26:40Angel dearest.
01:26:44Angel dearest.
01:26:49If I must.
01:26:52Purple!
01:26:52Purple!
01:27:05Will you ride with me to the station, Tess?
01:27:09Go on, matey.
01:27:10Come on, you three.
01:27:13Back to work.
1:27:26
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