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The world’s leading authority and resource for all things guitar. We provide insight and opinion about gear, artists, technique and the guitar industry.

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Fender Player Plus

Guild's F-240E offers vintage looks and modern playability

“I could have done 90 per cent of my career with an SD-1” – why the Boss overdrive has been the pro guitarist’s secret ingredient for 40 years

My Guitar Story: Davy Knowles' PRS Vela

An introduction to alternate tunings: Drop D, Open G and DADGAD for Electric Guitar

How to sound like IDLES, Real Estate and Black Midi using a BOSS SD-1

Deep Dive: Blackstar Dept. 10 Dual Drive

How close does Epiphone's 1959 Les Paul Standard get to the holy grail?

My Guitar Story: Lonely The Brave's Mark Trotter on his Fender Stealth Esquire

The Secret Life of José González

Fender Deluxe shootout: 1961 brown 6G3 Deluxe vs 1965 black-panel AB763 Deluxe Reverb

Nik Huber: "The mission is to make a better guitar" | Meet The Makers

Inside Nashville’s quirkiest vintage guitar shop, Fanny’s House Of Music

Why José González uses black tape on his guitars

Nili Brosh: Solace Solo

Inside one of Nashville's most storied guitar stores, Corner Music

Mike Payne: "I thought a guitar would be easy to build – but it wasn't" | Meet The Makers

Demo: Rivolta Mondata Baritone VII

Descendant vs Mastery: which offset vibrato should I buy?

José González: From biochemistry student to indie folk genius

Taylor GT Demo | Guitar.com

Guitar historian John Thomas on his 1943 Gibson banner-headstock Southern Jumbo | Guitar.com

My Guitar Story: Ariel Posen on his baritone Mule StratoMule

Fender's 70th Anniversary Broadcaster proves this classic design is still relevant in 2020

Vintage gear candy: 1965 Fender Electric XII, 1968 Gibson ES-330 & 1963 J-50

JHG: “I have two things in my life, that’s my daughter and guitars” | Meet The Makers

Taylor's new American Dream models offer sonic and aesthetic character

Checking out a Jimmy Page Les Paul at Nashville's Rumble Seat Music

Frank Deimel: "I cannot imagine doing anything else" | Meet The Makers

Last-surviving Kalamazoo Gal Irene Stearns on working for Gibson in the 1940s | Guitar.com