- today
Category
📺
TVTranscript
00:00Betty White, in Life with Elizabeth, featuring Del Moore.
00:20Incident number one in the life of Elizabeth occurred because her mother...
00:25You know, if I told you that, it would tip the whole thing off.
00:27Let's see. Incident number one in the life of Elizabeth occurred because all the stores...
00:33Now, that would tip it off, too.
00:36Why don't you just take a look for yourselves?
00:40Elizabeth!
00:42How are you this morning?
00:45Those are sure pretty flowers. What kind are they?
00:49Glad?
00:51Hey, you'd better say hello to Alvin. He's headed this way.
00:54Hi, honey.
00:57Well, hi. I see you've been out in the garden again. You've got...
01:01How come you said hi before I got here?
01:05I heard the pitter-patter of your tiny gunboat.
01:08Oh. Hey, look at me not sitting down.
01:13Darling! And you're not hanging on to anything.
01:15I knew you'd be proud.
01:17Well, of course I'm proud. Come on, take a step toward Mom.
01:20Oh, I'm afraid.
01:21Oh, you can do it. You'll soon be 35.
01:25Twice.
01:27Good boy.
01:29Now, just as soon as you learn to wave bye-bye, Mommy's going to take a nice long trip without you.
01:35You know, it's fun being married to you. You're out of your mind.
01:38Well, it makes it easier to talk to you.
01:41Come on, darling. Sit down. You don't look natural.
01:43No, I'm not going to sit down, Elizabeth.
01:45Why not?
01:45The minute I do, you'll think of some place to send me.
01:49No.
01:49To the store, maybe. Huh?
01:51Well, none of the stores are open and there's nothing to do. Come on, sit down and relax.
01:54Why aren't the stores open?
01:55Because it's Tuesday. I love Tuesdays, don't you?
01:59I somehow have a feeling that this conversation is getting away from me.
02:02Why do you love Tuesdays?
02:05Because I can tell myself day after tomorrow, I can say day after tomorrow is Saturday.
02:11Brother.
02:12What's so special about Saturday?
02:15Well, the next day is Sunday.
02:18I love Sundays because you can always tell yourself that day after tomorrow is Tuesday.
02:22And then I can tell myself the day after tomorrow, I can say the day after.
02:29Aren't you going to stop me?
02:30No, you said yourself there's nothing to do.
02:32Go on.
02:34Rattle on about day after tomorrow.
02:35It's dull, but it is.
02:36It's very uninteresting.
02:38Okay.
02:38I love January, too.
02:42Because right in the middle of a storm, I can say in two months it'll be March.
02:45And I love March because then in...
02:47Why aren't the stores open?
02:50Because they're all closed.
02:52Say, you know, it's a good thing that you taught me to walk just now.
02:55Because that's just what I'm going to do.
02:56And I can also wave bye-bye.
02:58So I'll see you, kid.
02:59Why are you home today?
03:01It's a national holiday.
03:02That's why the stores are closed.
03:04Not all of them.
03:05Surely there must be one drugstore that you can send me to.
03:08Not a one.
03:09It isn't only a national holiday.
03:11It's national give the clerks a break day.
03:14Bye-bye.
03:15Oh, really?
03:16Yeah, but all the clerks in all the stores have the day off.
03:18It's really a good thing when you start and think about it.
03:20It's a good thing for me, too.
03:22I'm not going to move from this seat all day.
03:24Right here.
03:25Well, I have work to do.
03:27Oh, no, you don't.
03:28You're going to relax, too.
03:29Here's the paper, Reed.
03:30Sweetie, the house is a mess.
03:31Don't care.
03:32Go on and read the paper.
03:33Relax.
03:36Well, maybe for just a few minutes.
03:38All right.
03:39If you read the entire front page, I'll let you do a little work.
03:41All right?
03:42All right.
03:44All right.
03:45Starting at the top, it says the Daily Enterprise.
03:49The paper for people who think they can get a better paper.
03:53And then it says seven cents.
03:57And then it gives the date, Tuesday the 21st.
04:00And then there's a big fat headline.
04:05Mama.
04:06Oh, my gosh.
04:06What's she done?
04:07It's your birthday.
04:08Who's?
04:09Mama's and I forgot all about it.
04:11I think you've run down to the drugstore and see if you can...
04:12Oh, no.
04:13National, give the clerks a bright day.
04:15Well, there must be one store that's open.
04:17Now, I didn't even send her a card.
04:19Well, honey, how come you forgot it?
04:20Well, she usually reminds me.
04:22Easy.
04:24Let's see.
04:25There must be something around here that we can wrap up and take over to her.
04:29That's an idea.
04:31Hey, honey, how about that horrible vase in the front room?
04:34She gave that to us.
04:36How about that brand new book just came in the mail?
04:38We haven't even opened it yet.
04:39Good.
04:40You go get it and I'll see if I can find something to wrap it in.
04:42Here we go.
04:44Here we are.
04:47This writing paper ought to do it.
04:49If I just had some ribbon...
04:50You put the book down, honey.
04:51That way?
04:51Yeah.
04:52Right, right.
04:54Okay.
04:56Think of something else.
04:57What's wrong?
04:59You can cut...
04:59Fat, 50, and famished.
05:04I'll tell you what you do.
05:05You make her a card.
05:07Here, you can use this.
05:08And just think of something cute, honey.
05:11Why don't you draw a picture?
05:12Maybe we can burn it around the edges and make it real fancy.
05:15Let's see what I can dig out.
05:16I'll tell you what I'll do.
05:16I'll make a poem and I'll draw a picture.
05:21Alvin, how about some records, maybe?
05:23No, honey, that's too scratchy.
05:25Would it do any good if I sandpapered them?
05:28That's silly.
05:30Alvin, we just have to think of something for her.
05:32I wouldn't hurt her feelings for the world.
05:35Hey, she collects steel engravings.
05:38Well, you're going to steal engravings, isn't it?
05:40What are you mumbling about?
05:42Steel engravings.
05:45Steel engravings.
05:46With the president's pictures on them.
05:48I don't get it.
05:50Money.
05:51No, it's too cold.
05:52Yeah, it's a little hard to get, too.
05:54How do you like that?
05:55Huh?
05:57We didn't forget, though.
05:58You might think...
06:00Alvin, why the picture of the elephant?
06:03Oh, honey, I wasn't thinking.
06:04You know, an elephant never forgets.
06:05It's just...
06:06Why don't you change that to a pig?
06:07No, honey, I didn't mean that.
06:08No, change it to a horse.
06:09Honey, I didn't mean that.
06:10Look, honey...
06:10No, to a cow.
06:11Look, honey, I'm sorry.
06:12Honestly, I wasn't thinking.
06:13You see, I just meant to...
06:14Oh, it isn't that, Alvin.
06:15It's just that...
06:15I don't have anything for Mama's birthday.
06:18And the stores are all closing.
06:20I can't think of anything.
06:21And she'll be hurt.
06:23And when she's hurt, somebody else gets hurt.
06:25And take these silly flowers out of here.
06:27Oh, yes, yes, I will.
06:28I'll take them right out, honey.
06:28Wait!
06:30The flowers.
06:30Alvin, look.
06:31Flowers.
06:32I'll write another note.
06:33Write another card.
06:36And listen, don't draw any elephants this time.
06:39Just something real skinny.
06:40Trust me.
06:41No!
06:42No pictures.
06:43I'm just going to say happy birthday, love.
06:45And where's the one with the elephant?
06:47What?
06:47Where's the only elephant on it?
06:48Give me that one.
06:49Oh, no.
06:50Oh, good.
06:53Now.
06:53Hurry up, honey.
06:54I'm hurrying.
06:55How do you spell Mama?
06:56M?
06:57Oh, no.
06:57You do the flowers.
06:58I'll do that.
06:58Here.
07:00Here, go on.
07:02All wrapped up.
07:03Hurry up, honey.
07:04I'm...
07:04Are there two M's in Mama?
07:06Honey, I don't know.
07:07I'll get a dictionary.
07:08Here.
07:09Elizabeth.
07:10He wrapped the elephant picture around the flowers again.
07:14Wait a minute.
07:15Aren't you ashamed?
07:16Oh!
07:16Oh, my God.
07:20Incident number two in the life of Elizabeth occurred when the man at the paint store sold her five
07:25quarts of varnish.
07:26So what do you do when you've got five quarts of varnish around the house?
07:30You slap it all over the floors, naturally.
07:32Well, maybe you don't.
07:34But Elizabeth sees to it that Alvin does.
07:36Elizabeth, let me take a look at this.
07:55Elizabeth!
07:55I'm right here.
07:58Well, that was clever.
08:01Elizabeth, what are you doing in that closet?
08:03Apparently, I'm waiting in here for the varnish to dry so I can get out.
08:08Elizabeth, will you save your sarcasm for a time when you haven't been stupid?
08:12Alvin, I'm going to ask you a direct question, and I want a direct answer.
08:15Shoot.
08:16Don't tempt me.
08:17How often do you saw yourself off of a tree limb?
08:20The same number of times you go into the closet to sleep.
08:24Well, that was a pretty good answer, darling, but it doesn't get me out of here.
08:28Elizabeth, don't do that.
08:29Oh, don't.
08:29I just wanted to see if it was wet.
08:31Well, of course it's wet.
08:32I just put it on.
08:36Oh, here we go with the funny stuff again.
08:41Now, don't you see what a ridiculous situation this is?
08:44You've actually painted me in the closet.
08:48I checked it out.
08:50How often do you saw yourself off of a tree limb?
08:52Take it easy.
08:53I'll think of something.
08:54I've already got it figured out.
08:55I'll tell you what you do.
08:56Uh, go get me a rope and a mop and a jack handle and a gallon of kerosene.
09:04What do you want with all of that junk?
09:05Well, nothing, but while you're out looking for them, I'll just walk across.
09:09Come on, please.
09:09Don't do that.
09:10Now, just take it easy.
09:11Just take it easy.
09:12Now, you can always walk across as a last resort, right?
09:16Now, I'll think of something to keep us from ruining all my work.
09:18That's right.
09:19I mean, we wouldn't want to tarnish the varnish.
09:21Is there a trap door in there, Elizabeth?
09:23Well, there is, but it leads down into the dungeon, and I'm afraid of the dragon.
09:27I mean up above.
09:29What?
09:32There is a trap door in the ceiling.
09:36What did you have in mind, Einstein?
09:37Well, I thought maybe you might crawl up through the trap door, crawl through the attic, and
09:42crawl down through the trap door in the hall.
09:44Uh-huh.
09:46Well, sure, the trap door is only about eight feet up.
09:49I've got it.
09:50I could put on a light spring dress, and if it's springy enough, see...
09:53Elizabeth.
09:54Elizabeth.
09:55Well, all right, but there's only one thing wrong with your trap door idea.
09:59Too high up?
10:00It's that big.
10:02I don't want to say it's small, Alvin, but you'd have trouble getting a sugar cube through it.
10:05Elizabeth, is there a trap door in there?
10:08There was, but you kept talking, and it healed up.
10:13Elizabeth, can you...
10:14You think you can jump across?
10:16Well, why not?
10:17I could get a long running start from the back of the closet.
10:21Will you stop being so clever and think of something?
10:23All right.
10:24All right, now the brain goes to work.
10:26The brain.
10:28There isn't a chandelier, so I can't do my trapeze act.
10:31And I'm not happy, so I can't walk on air.
10:35How about a tightrope?
10:36I never trust a rope that drinks.
10:42Uh-huh.
10:43Uh-huh.
10:44Uh-huh.
10:45Uh-huh.
10:45Spelled backwards is uh-huh.
10:47Here, catch.
10:48Now, look.
10:49Elizabeth, this is no time to read.
10:51Please, under me.
10:52Elizabeth.
10:53Please, will you...
10:54There you go.
10:56All right, now pile those up, and I'll do the same over here.
10:59Elizabeth, what does the reading matter?
11:02You get it?
11:02Reading matter?
11:04Elizabeth, come back here and listen to my joke.
11:07Honey, I told...
11:07Honey, you were throwing the books, and I said, what is the reading?
11:10What's that?
11:11All right, just watch.
11:13Now, wait a minute, honey.
11:14Stand back, Alvin.
11:15Look out.
11:15Get out of the way.
11:16I'm out.
11:17Okay.
11:18Timber!
11:19Oh!
11:20A bridge.
11:21Elizabeth, you made a bridge.
11:23Huh.
11:24I should have sent you a dental bill.
11:26Okay, come on.
11:27Let's cross.
11:29Ah!
11:29Oh!
11:30Oh, Holly, what's the matter?
11:32Come on, walk across.
11:34You know I can't stand heights.
11:36All right, so Elizabeth, walk across the board.
11:38No.
11:39You come on over here and carry me back.
11:41Look, it won't hold my weight.
11:42Come on, walk across.
11:43Well, how do you know it'll hold mine?
11:45You're not exactly a tub of lard, you know.
11:47You keep Mama out of this.
11:49Elizabeth, look, you do something very intelligent, and then you get silly.
11:52Will you walk across that board?
11:56I'll try.
11:57Okay, come on.
11:58Boy, it doesn't seem very steady, Alvin.
12:00Wait a minute now.
12:01Look out.
12:02Wait a minute.
12:02Hold it on.
12:03Just a minute.
12:05Here we are.
12:07Come on.
12:08Oh, look, I got it.
12:10Wait a minute.
12:11Now I've got it.
12:11Here we are.
12:12Ah, here we are.
12:13Give me your hand or something.
12:14Well, here, take this.
12:15And turn it around.
12:16What's wrong with it this way?
12:18Well, it's just like grabbing a hold of a wet beard.
12:20Come on.
12:22Got her?
12:22Yeah, now, don't pull.
12:24I'm not.
12:24Come on.
12:25Oh, Alvin, I can't.
12:28Oh, sissy.
12:29Bully.
12:31Wait a minute.
12:32I'm myself.
12:33Aha.
12:35How did you spell that?
12:36Never mind.
12:38Take a hold of the yardstick.
12:39What am I supposed to do?
12:40Inch my way across?
12:42Yeah, exactly.
12:43Come on.
12:44All right, now, don't pull.
12:46Don't pull, Alvin.
12:46I won't be able to do it if you pull.
12:47Oh, baby, come on.
12:49Oh, come on.
12:49Now, look, look up.
12:50Come on.
12:50You're wigging it.
12:51I'm not either.
12:54What do you think you're crossing?
12:55Come on.
12:58Oh.
13:00I'm glad that's over.
13:02I'm glad I'm over, too.
13:04That's pretty smart thinking for a sissy.
13:07And that's pretty bully-bullying for a bully.
13:10I'll tell you what you do.
13:11Why don't you finish the room, and I'll fix you something to eat, huh?
13:14All righty.
13:14Where's it?
13:17Alvin.
13:18Honey.
13:18Yeah.
13:22Oh, for goodness sake.
13:23Go over the board.
13:24Cross the board and get it.
13:25Oh, not on your life.
13:26I'm going to stay right here on the mainland.
13:28Well, look, honey, that board won't hold me.
13:30Go ahead.
13:31Go on.
13:31Live dangerously.
13:32Why don't you try?
13:33Well, don't push me.
13:34I'll go.
13:34I'll go.
13:35Wait a minute, now.
13:39Is it sagging, Elizabeth?
13:41No, but the board is.
13:43Elizabeth, I mean, wait a minute.
13:48Hold it.
13:50That was close.
13:52Yeah, we might as well give up, huh?
13:54You might as well pick the board up.
13:55Yeah, I guess so.
13:57The brush won't be any good, but I can get another one.
13:59Yeah.
13:59Hey, by the way, what were you doing in the closet so long?
14:02Well, Stormy and I went in there to get a blanket for his bed.
14:07And I got to reading magazines.
14:08You know how you do.
14:09Yeah.
14:10And then Stormy fell asleep and...
14:12Stormy.
14:14Stormy?
14:15In the closet?
14:16Maybe he's still asleep.
14:17Oh, no.
14:19Stay there.
14:20Stay there.
14:21Don't move.
14:21Stay there, honey.
14:22Don't move.
14:22I got some buttons.
14:24No, sir.
14:24No.
14:25Oh.
14:25That's good.
14:26Oh.
14:27Oh.
14:27Oh.
14:27Oh.
14:28Oh.
14:28Oh.
14:28Oh.
14:29Oh.
14:29Oh.
14:29Oh.
14:30Oh.
14:30Oh.
14:30Oh.
14:31Oh.
14:31Oh.
14:32Oh.
14:32Oh.
14:32Oh.
14:32Oh.
14:33Oh.
14:33Oh.
14:33Oh.
14:34Oh.
14:34Oh.
14:34Oh.
14:35Oh.
14:35Oh.
14:36Oh.
14:36Oh.
14:37Oh.
14:37Oh.
14:38She began her singing lessons.
14:39You might say the whole thing turned out to be a howling success.
14:43Anyway, if we hurry, we might get over there in time to see the first lesson.
14:48Now sing.
14:49Oh.
14:50Oh.
14:52Oh.
14:52No.
14:52No.
14:52A little louder now.
14:54Oh.
14:56A little louder, please.
14:57Oh.
15:00Hey, take your hands off her.
15:03Don't worry, honey.
15:04I'll take care of you.
15:05Evan, this is my singing teacher.
15:08A singing teacher?
15:08What do you need a singing teacher for?
15:10Well, I have to sing that stupid women's club song again, and I'm not going to be embarrassed
15:15like I was the last time.
15:15Would you mind?
15:16Well, honey, I'm sorry.
15:17I didn't know.
15:17Hey, not only that, they're putting on an operetta, and I might get the lead.
15:21I hate to be a bother, but I think I'm going to faint.
15:25Well, let go of his arm.
15:26Oh, my gosh.
15:27I'm sorry.
15:29Mr. Dupal, this is my husband, Alvin.
15:31How do you do?
15:31How do you do?
15:32I'd like to shake hands, but I can't find it.
15:36It's still back here.
15:38Oh, that's nice to know.
15:39Easy.
15:40I'm sorry.
15:41It's raining out.
15:41There you are.
15:43Oh, I think I may faint now.
15:45Oh, now, you're going to be perfectly all right.
15:48Alvin, you ought to be ashamed of yourself.
15:50Well, how did I know?
15:52I thought he was trying to choke you.
15:54How's the hand?
15:55Well, I think the bone's sticking out right here.
15:57Oh, no.
15:58Oh, no, it's your cuff link.
16:05Bone's sticking out.
16:07Uh, may I see you for a minute, dear?
16:09Will you excuse us, Mr. Dupal?
16:11Yeah.
16:12Mm-hmm.
16:14Alvin, everybody isn't stupid.
16:16You know, he heard what you said.
16:17What did I say?
16:18Bone's sticking out.
16:19And another thing, don't come leaping in here and practicing jiu-jitsu on my singing teacher
16:24again.
16:25I still think he was trying to break your jaw.
16:27These guys get loose and there's nothing you can do about them.
16:29Go watch your fights.
16:30Go on.
16:30Well, I'll be handy if you need me.
16:32Just go on.
16:32I'm sorry.
16:39Now, should we go on?
16:40He's strong, isn't he?
16:42Well, he just didn't understand.
16:44Uh, should we go on with the Lu-Lu-Lu's, Mr. Dupal?
16:47Oh, my name is Fred.
16:50I thought your name was Frank.
16:52No, that's my brother.
16:53We don't speak about him.
16:57He plays jazz.
16:59Well, how about the Lu-Lu-Lu?
17:03Well, that's my sister.
17:05Oh, I see what you mean.
17:07No, no, your Lu-Lu-Lu's are excellent.
17:10Really?
17:10And now we're going to have a new exercise right up the scale.
17:14You know, starting with do.
17:17Do.
17:19Do.
17:20Do.
17:21Do.
17:22Paul.
17:23Paul.
17:24Paul.
17:25Paul.
17:26Paul.
17:26That's right.
17:26Fred, do.
17:27Paul.
17:28Oh, I see.
17:33I do my exercises and end your commercials at the same time.
17:37When you get better, we'll open the window while you rehearse.
17:40Yes.
17:41And if I get real good, I could do regular singing commercials.
17:44You know, like, um, Fred Dupal, $3 a lesson.
17:48That's too much.
17:50Alvin.
17:50Alvin.
17:54Even his voice has muscles in it.
17:56Oh, well, there were actually two of them.
18:04There's the duet from the operetta they're going to put on.
18:06And then there's the stupid women's club song.
18:12Well, I think I'd like to hear the stupid women's club song first.
18:15Hail, hail, hail to the women's club, across the street from the bus depot.
18:29Long, you see, it used to be across the street from the jail, but we moved.
18:34But, you know, I don't particularly care for your bus depot.
18:40Why not?
18:41It's a beautiful building.
18:42It's brand new.
18:43Oh, no, no, no.
18:44No, I don't mean that.
18:45I mean, I mean your tone.
18:46Now, I want to feel your throat vibrate, you see.
18:51Now, bus depot.
18:53Bus depot.
18:54Now, louder, please.
18:56Bus depot.
18:58Beat Alvin.
18:59Oh, now, your Alvin had a much richer sound than your depot.
19:06If we ever moved across the street from a bank, you'd really hear some notes.
19:10Well, let's not have any levity, please.
19:15Now, let's try your Alvin again.
19:19Alvin.
19:20A little louder now.
19:22Alvin.
19:24Louder now.
19:25Alvin.
19:26More.
19:27Alvin.
19:28I got it.
19:31Don't you tell me this bluebird wasn't trying to choke you.
19:34That's bluebeard, not bluebird.
19:36What's the difference?
19:37One is feathers and one is hair.
19:39Well, he had his hands at your throat, didn't he?
19:41Oh, take a go of his arm.
19:44Well.
19:47Look at his eyes.
19:47Do something.
19:52May I have my arm back now?
19:56Here it is.
19:57Easy.
19:57Easy.
19:59Alvin, what has come over you?
20:00Well, what kind of a husband would I be if I didn't do something when I saw somebody choking you?
20:04Well, I was only trying to show her the difference between her Alvin and her depot.
20:08Oh, there's a bulletin.
20:11You go watch, Tom.
20:12Go on.
20:13And don't watch the fights.
20:14It makes you be legit.
20:15Oh, honey, look, I think I'll stay here.
20:16The fights are bad anyway.
20:17All I do is clench.
20:18You like to stay here?
20:19That's fine.
20:20I hope they'll be very happy.
20:21Well, if you need me, I'll be handy.
20:22I'm just standing right out over here.
20:23Just look in there.
20:23Don't you think we'd be safer if we tied him up?
20:30I think he's protecting me.
20:33Well, you know something?
20:34He is.
20:35Uh, uh, would you like to try the duet now?
20:38Oh, well, very well.
20:41Here.
20:42Oh, yes, I'm familiar with that, you know.
20:48Would you mind putting my hand on the keys, please?
20:52Does your arm still hurt?
20:54No, no, you're sitting on my hand.
20:58Come on, not.
21:00You are.
21:00Oh.
21:02I guess, I guess it's still numb.
21:04You must be numb all over.
21:15Excuse me.
21:18See, I play the part of Griselda, and you'll have to sing the part of, uh...
21:23Wait a minute, now, where is it?
21:25Here, here it is.
21:25Charles, Inc.
21:27No, that's the publisher.
21:29No, I, I sing the part of the jealous lover.
21:34At last, you've returned, oh, my jealous lover.
21:43Handsome and full of conceit.
21:47You're sweet.
21:50Why did you leave me, my jealous lover?
21:57Soon, I'll be quite obsolete.
22:00You're sweet.
22:02Life is a gay chancenille.
22:06You're a bold one.
22:08Love, and then quickly forget.
22:11You're a cold one.
22:13There's a mad menu.
22:16And you're an old one.
22:20Yes, lover of mine.
22:24Wine, you're sweet.
22:29You're sour.
22:32Well, as long as he stays in his cave, we'll be safe.
22:36Do you know the next part?
22:38I think so.
22:40Where he discovers she's been running around with the village.
22:43Village what?
22:44The entire village.
22:45She can't make up her mind, remember?
22:47Oh, yes, now I remember it.
22:48And then he enters from over here, you know.
22:50He says, I, I, uh, hear, I, I, I hear you're going out with every single out in the village.
23:01No, no, no.
23:07Come here and take a beating, girl.
23:10No, no, no.
23:11Come here and take a thrashing, girl.
23:13No, no, no.
23:14Oh, that's very good.
23:15That's very good.
23:16And now the high note.
23:17Help.
23:19Help.
23:20Help, help, help.
23:21Why must I keep repeating, girl?
23:24Come here and take a beating, girl.
23:26No, no, help, help.
23:27Except a little thrashing, girl, or just a little lashing, girl.
23:31No, no, help, help.
23:32Yes, yes, yes.
23:36Alvin, you know perfectly well we were, we were singing that time.
23:40Honey, you didn't sound any different than the other times.
23:43That's not a very nice thing to say.
23:45Your wife needs confidence and you're destroying it along with my arm.
23:50She sings at the women's club all the time.
23:53No, darling.
23:54I need singing lessons.
23:56I was absent one day and everybody thought they'd had the piano tuned.
24:01That's different.
24:02I don't know.
24:04Let's hear that duet.
24:05Okay?
24:07Should we do your suite for him?
24:08Sure.
24:09Hold on, Al.
24:09Why don't you sing this with us, Alvin?
24:11Me?
24:12Oh.
24:12It's right easy.
24:13All right, what do I read?
24:14Yeah.
24:14There.
24:14A few minutes.
24:15Yeah.
24:16All right, Angel.
24:18At last you've returned, oh, my jealous lover.
24:23Handsome and full of conceit.
24:27You're sweet.
24:28Hey, say goodbye to the people.
24:33Goodbye, everybody.
24:34Why do you live here?
24:38And now here to say goodbye to you is the lovely star of our show, Betty White.
24:41Thank you, Jeff, and thank you.
24:46And thank you.
24:47And you know, it might interest you to know that Alvin is now taking singing lessons in
24:52exchange for jujitsu lessons.
24:54Until we see you again.
24:56Goodbye, everybody.
24:57Goodbye, everybody.
25:27Goodbye, everybody.
25:28Goodbye, everybody.
25:29Goodbye, everybody.
25:30Goodbye, everybody.
25:31Goodbye, everybody.
25:32Goodbye, everybody.
25:33Goodbye, everybody.
25:34Goodbye, everybody.
25:35Goodbye, everybody.
25:36Goodbye, everybody.
25:37Goodbye, everybody.
25:38Goodbye, everybody.
25:39Goodbye, everybody.
25:40Goodbye, everybody.
25:41Goodbye, everybody.
25:42Goodbye, everybody.
25:43Goodbye, everybody.
25:44Goodbye, everybody.
25:45Goodbye, everybody.
25:46Goodbye, everybody.
25:47Goodbye, everybody.
25:48Goodbye, everybody.
25:49Goodbye, everybody.
25:50Goodbye, everybody.
25:51Goodbye, everybody.
25:52Goodbye, everybody.
25:53Goodbye, everybody.
25:54Goodbye, everybody.
25:55Goodbye, everybody.
25:56Goodbye, everybody.
Recommended
25:19
|
Up next
3:14
0:44
3:44
8:14
0:19
5:15
2:29:22
4:00
4:35