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After The Divorce, The Heiress Takes It All - Full Movie
Transcript
00:00Congratulations to Dorothy for winning the Best Original Screenplay at the Rising Stars
00:16Movie Awards.
00:17You did it.
00:19Three years ago, I was the most sought after screenwriter.
00:23Three years later, I fell in love with Drake,
00:28keeping my identity a secret for the sake of his pride.
00:32I thought we were happy until...
00:38Hi.
00:45Where the hell have you been?
00:47I told you that Stephanie was coming to help set up for my brother's birthday
00:50and instead of helping us, he just disappeared.
00:53What, did you bail so you could go and laze around or something?
00:56You know, people say that the only reason you're allowed to stay by Drake's side
01:00is because you're nothing more than a free maid.
01:03Otherwise, why would someone like you be allowed to marry my brother?
01:07What?
01:08A maid?
01:09I just hid my identity for the sake of this marriage.
01:13Well, I think Drake's idea is great and it could be really good for us.
01:17But the risk is way too high.
01:22Dad.
01:23Please.
01:26Okay.
01:27And I'm sure you don't want him to know the real reason why I'm a person.
01:36Think about it, Dorothy.
01:37Since you got married, has he ever even touched you?
01:39How often does he actually come home?
01:41He doesn't even want to look at you.
01:44Let alone sleep with you.
01:46That's enough, Ellie.
01:47We're all here to celebrate Drake's birthday.
01:49I'm sure he wouldn't be happy to see us like this.
01:52Everybody knows that if it weren't for her, you would be married to Drake
01:55instead of being my late brother's widow.
01:58Ellie!
01:59Whatever happened between me and Drake is all in the past.
02:02Besides, I'm carrying Nick's baby.
02:09It's the perfect time.
02:13Oh, my God.
02:14Oh, my God.
02:15Dorothy just pushed Stephanie into the pool.
02:16What?
02:24Quick, save Stephanie.
02:25She's carrying Nick's baby.
02:29Quick, get in there!
02:44He chose Stephanie over me.
02:49My baby!
02:50My baby is gone!
02:52Why would you do this to me?
02:56How dare you!
02:57You pushed Stephanie into the pool to try and kill her and her unborn baby.
03:01Are you happy now that Stephanie's baby's gone?
03:03I didn't do it.
03:04I know you don't want me here.
03:06I told you whatever happened between me and Drake is in the past.
03:09You can hate me however you want to,
03:11but how could you be so cruel as to kill my unborn child?
03:14He didn't do it.
03:15You know me, I would never do that to Stephanie.
03:18Just apologize to Stephanie.
03:21I'm not going to apologize for something I didn't do.
03:23Apologize to Stephanie right now or I will divorce you.
03:27If you apologize right now, then I'm willing to give you another chance.
03:43It's been three years, Drake.
03:45I gave up everything to be your wife.
03:48I've always kept to the shadows, Dorothy.
03:50I already have a life.
03:52And right now I just want to focus on being on my marriage or Drake.
03:59I thought you would always be by my side, but I was wrong.
04:03The only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.
04:08Since you got married, has he ever even touched you?
04:10He doesn't even want to look at you.
04:15Fine.
04:16Let's get a divorce.
04:26There's nothing left in my heart.
04:28Drake's nothing without me.
04:32My ring!
04:34My ring is gone!
04:36Well you must have taken it.
04:37Why would I take her ring?
04:39Well look how quickly you packed your suitcase.
04:41You're probably seeing someone else.
04:43Dorothy.
04:47We were married for three years.
04:48Were you seeing someone else?
04:49Of course she was.
04:50Probably been cheating on you for a really long time.
04:53Couldn't wait for the divorce.
04:56So what if I was, huh?
04:58And what about you?
04:59Still hung up on your so-called sister-in-law?
05:01What gives you the right to talk about me?
05:04I only look after Stephanie because she's my brother's widow.
05:08Yeah.
05:09But you actually seeing someone else?
05:10Who is he?
05:11Big talk!
05:13Don't bring me down to your level.
05:15I'm not like you.
05:17Since your sister-in-law lost her ring.
05:22Why don't you take...
05:29This one.
05:32You've been waiting for this for a long time, haven't you?
05:39Bye.
05:46And so I left.
05:50This is ridiculous!
05:52We, the Fennett family, are one of the four major production companies in the world.
05:56I let him marry my daughter and even invested in his business.
06:01How dare that Drake do this to my daughter!
06:05Look.
06:06It's actually good for my dad.
06:09Now we know who he really is and he has no idea who I am.
06:13Still, you're my daughter.
06:14I can't let him do this to you.
06:16If it weren't for you, I would not have considered investing in his company.
06:20We're gonna pull our investment immediately.
06:22Yes.
06:23It's time to cut him off.
06:25He doesn't deserve you.
06:26I'm over Drake.
06:28If we withdraw the plans now, it's going to hurt the family business.
06:33He's not worth it.
06:35Honey.
06:38Why don't you just take a vacation?
06:41Or just put all this aside and take some time out for yourself.
06:44Yeah.
06:46No.
06:51I've wasted too much time with Drake over the three years.
06:55You know, now I want to focus on something that actually matters.
07:00You know, Christopher has been saying that many people want to buy the movie rights to Liar's Game.
07:06Universal.
07:07Paramount.
07:08Every major studio wants this.
07:13Liar's Game.
07:14Your story on the big screen.
07:16If you're in, I'd be happy to be the one headlining you.
07:19Oh.
07:20So that's why they're making it.
07:21Because of you.
07:22I'm sorry, Christopher Santoro.
07:25See?
07:26They're not funding the film.
07:28They're funding you.
07:29Wrong.
07:31They're funding the story.
07:32It's more than good.
07:33It's phenomenal.
07:36Christopher is right.
07:38I'm taking my life back.
07:44I'm going to adapt it myself.
07:47You are?
07:48Yes.
07:49I will.
07:51Good for you.
07:53I won't tell anyone I'm asking you.
08:04Congratulations to Aria Wong for winning the best director.
08:12This is my close friend from college.
08:15Aria, I need your help.
08:17I want to adapt the Liar's Game myself and I want you to direct it.
08:22Of course.
08:24Alright.
08:25Okay.
08:26There's just one thing.
08:28I want to keep my identity as the writer a secret.
08:31I don't want anyone to know.
08:34Especially not the team.
08:35SQ.
08:36Are you sure?
08:37But why keep it a secret?
08:39I just want people to focus on the story itself.
08:42Got it.
08:43Your secret's safe with me.
08:45Hey.
08:47Oh my god.
08:51Dave.
08:52It's a bit weird.
08:54Ever since news got out about our movie, my phone has not stopped ringing.
08:59Really?
09:05It's Stephanie.
09:06Yeah, just take it.
09:15Hello?
09:16Hello, Miss Wong.
09:17I've heard Liar's Game is being made into a movie.
09:19I'm interested in playing the lead.
09:21Can we arrange an audition?
09:25I'll speak to the writer and I'll let you know.
09:28Thank you, Miss Wong.
09:31What do you think?
09:34Anyone can audition, right?
09:35As long as they're right for the role.
09:39What happened between me and Stephanie is not important here, so...
09:43Okay.
09:45I'll call her back and let her know.
09:47Mm-hmm.
09:57What about me?
10:00Can I be your hero?
10:06Oh, you mean, uh...
10:08A film, right?
10:10I...
10:11I've never considered anyone else.
10:16I have to take this.
10:18Hi?
10:23You know, I'm not just talking about the film, Dorothy.
10:25It's okay.
10:28It's okay.
10:30I can wait.
10:32I've waited this long.
10:38Well, well, well.
10:39Look who it is.
10:40Why are you here?
10:41Oh, I see.
10:42You're the production assistant.
10:43Well, do your job.
10:44Get me a water.
10:45Stephanie.
10:46Get your own water.
10:47I'm not your PA.
10:48Look.
10:50It's my first day on set, and I want to buy coffee for the crew.
10:53Why don't you be a doll and mark down everyone's order?
10:55Are you deaf?
10:57I'm not a PA.
10:59Here's your tip.
11:01Go on.
11:03Show some respect, Stephanie.
11:04Do you know who she is?
11:05What are you doing?
11:07Oh, no.
11:08She can't know him as usual.
11:10I want to keep my identity as a writer a secret.
11:13I don't want anyone to know as possible.
11:15Why don't I do that now?
11:16Why don't you be a doll and mark down everyone's order?
11:17Why don't you be a doll and mark down everyone's order?
11:19Are you deaf?
11:20I'm not a PA.
11:22Here's your tip.
11:23Go on.
11:24Show some respect, Stephanie.
11:25Do you know who she is?
11:27What were you doing?
11:28Oh, no.
11:29She can't know I'm asking you.
11:30I want to keep my identity as the writer a secret.
11:31I don't want anyone to know as much as possible.
11:33to know, especially not the team.
11:38What do you mean?
11:40Who is she?
11:43No one but a lower PA,
11:45I'm sure.
11:49Isn't that right?
11:50Actually, she's...
11:52She's just a PA.
11:57You're right.
11:59So why don't you show me
12:01a lower PA?
12:02Your acting skills.
12:04Maybe I'll be impressed
12:04even by who the coffee's myself.
12:07Watch this.
12:13I loved you once.
12:16Or so I thought.
12:18But now I see that it was all just a lie.
12:22A beautiful,
12:24painful lie.
12:27You took everything from me.
12:34My dreams.
12:36My future.
12:41See?
12:42There's no soul.
12:43That's not acting,
12:44it's just reciting lines.
12:48Why don't you show her how it's done?
12:49What?
12:51Go on.
12:55Go on.
12:56Go on.
12:56I loved you once.
13:18So I thought.
13:21But now I can see
13:25it was all a lie.
13:28A beautiful,
13:29painful lie.
13:32You took
13:33everything
13:34from me.
13:35my heart.
13:39My dreams.
13:42My future.
13:44And for what?
13:47For your own personal gains.
13:49How is that possible?
14:02Dorothy,
14:03that was
14:03perfect.
14:05The role is yours
14:06if you want it.
14:08No!
14:09This role is mine!
14:12I'm the one with the investment.
14:13Without me,
14:14there's no funding for this movie.
14:16Your investment?
14:17Do you even know
14:17who she is?
14:20Who is she?
14:25Who is she?
14:26As you know,
14:27no one
14:28but a PA.
14:30Dorothy,
14:31this movie is important to Stephanie.
14:34I mean,
14:34why are you here?
14:34You're not a real actress.
14:36What are you doing?
14:36You're trying to ruin her career.
14:37You're trying to get back at me
14:38by ruining her career.
14:39I'm not ruining anything.
14:41If she can't handle the role,
14:43that's on her,
14:44not me.
14:45You can't blame this
14:46on anyone else.
14:47You embarrassed her
14:48in front of everyone.
14:50I know what you're doing.
14:51You're the one pulling
14:52all the strings here.
14:53You're trying to make her fail
14:54so you can take her place.
14:56She's using this whole thing
14:57to get to you, Drake.
14:58She's been jealous from the start,
14:59trying to ruin my chances
15:00to get back to you.
15:02I know.
15:03I don't want to fight anymore.
15:04Let's just take a look at this script
15:06and maybe we can
15:06work something out.
15:07And you were just so damn selfish.
15:12You only care about yourself.
15:14Just give Stephanie her role back.
15:16You know what?
15:18I don't want to do this.
15:20But I will.
15:22I'll take the role.
15:24I'll play the lead.
15:28I'll play the lead.
15:29No way.
15:30You can't be serious.
15:31She's not even a real actress.
15:35Dorothy's performance
15:36was far stronger than yours.
15:38Everyone in the room
15:39can see it.
15:42I'm so glad
15:44you've agreed to do the role.
15:46Right.
15:47It's settled then.
15:48The lead roles
15:49go to Christopher
15:50and Dorothy.
15:50I will double
15:53my investment
15:54if you give
15:57Stephanie a role.
16:01I never thought
16:02I'd see the day
16:03my ex-husband
16:04would go this far
16:05for his sister-in-law.
16:07I can always count on you.
16:09Right?
16:13I will double
16:15my investment
16:15if you give a role
16:16to Stephanie.
16:17You two are just such
16:19you two are just
16:20you two are just
16:21okay look
16:22if the money's
16:25on the table
16:25there's no reason
16:25to turn it down.
16:27Let's just
16:27leave her apart.
16:29We have nothing to lose.
16:30I guess that'll be fine.
16:33I'll talk to SQ.
16:40Your father's production
16:41company is already
16:42the biggest investor
16:43in your movie.
16:43So why take Drake's money?
16:45You don't
16:45still have feelings
16:47for Drake.
16:49No.
16:50He's an asshole.
16:53Come on.
16:54I've got an idea.
16:57Why don't we just
16:58give her a character
16:59that'll make her miserable?
17:03Wow, Mr. Sontaro.
17:05I feel bad now.
17:10I only wish
17:12you didn't have feelings
17:13for Drake anymore.
17:14How did she land
17:17herself the role?
17:19She's practically
17:19a nobody.
17:20No fan base,
17:21no real experience.
17:23Just one good scene.
17:25It doesn't make sense.
17:28Find out everything
17:29you can about Dorothy.
17:31I want all the dirt.
17:33Director, there must be
17:40a mistake.
17:41I'm only a side character
17:42and not even
17:43in the main scene.
17:44You wanted a role,
17:46we gave you a role.
17:48I came in
17:49with an investment.
17:51Well, you're more than welcome
17:52to take it back
17:53and leave the set.
17:54Even a small role
17:57in SQ's film
17:58is going to do
17:59great things for your career.
17:59Now is not the time
18:00for you to be messing around.
18:04Fine.
18:11Two, take one.
18:12Action.
18:14Lily, you're my best friend.
18:15How could you do this to me?
18:16I'm sorry, but this is...
18:18What the hell are you doing?
18:22It's part of the scene.
18:23Okay, take it again
18:29from the slap.
18:30Action.
18:35Cut.
18:37Stephanie,
18:37why aren't you saying
18:38your lines?
18:39You have to keep going
18:40in the scene.
18:42I think you've had
18:43enough for today.
18:44We'll just try again tomorrow.
18:45Did you see her face?
18:56Absolute gold.
18:57I mean, she got what she wanted.
18:59She asks for a role
19:00and that's what we gave her, so...
19:02Seriously, her performance
19:03is all over the place.
19:05Maybe we should just
19:06cut down on her screen time.
19:08And we all know
19:10the film's better
19:10without her slowing us down.
19:13You're right.
19:15I'm not gonna let anyone
19:16ruin your story.
19:17So, if you can just
19:23give me something
19:24that's a bit more...
19:25Tell me about her job.
19:34What's going on
19:34with my scenes?
19:35Why have so many of them
19:36been cut?
19:37It's a collective decision.
19:41Fuck that.
19:42Let me talk to the writer.
19:44The writer is as cute
19:45and as you know,
19:46they never show their face
19:47so their decision is final.
19:51I'll see you on set in five.
20:05Now it all makes sense.
20:07That's the head of the production company.
20:17No wonder she got the role.
20:19Let's see how John's wife
20:21feels about that.
20:31Everyone, I have an announcement to make.
20:34Today will be Stephanie's
20:35last day on set.
20:37You really think I don't see
20:42through your little gaze?
20:44Somebody will be walking
20:45out that door today,
20:46but it won't be me.
20:49You really think
20:50you can get away with this?
20:52Sleeping your way up?
20:56John's wife is on her way.
20:58Let's see how you
20:58talk your way out of this one.
20:59Slut.
21:06That's enough!
21:10So were you the one
21:11who was stalking
21:12and secretly taking photos?
21:14What?
21:14Scared the truth
21:15is going to come out?
21:17Someone had to expose her
21:18for who she really is.
21:19So you admitted
21:20you did it.
21:22Damn right I did.
21:24And I'd do it again
21:25if I had to.
21:27You don't know who you just cross!
21:30Oh, I know.
21:31Just some rich old bastard
21:33throwing a tantrum.
21:34I sent those photos
21:35to your wife, too.
21:36And now your mistress
21:37is about to be exposed.
21:39Yeah, security.
21:43Stephanie is banned
21:44from the studio.
21:45Make sure she never
21:46sets foot here again.
21:47You can't just do that!
21:49Oh, this is insane!
21:50What are I of rights?
21:51I was only telling you
21:52the truth!
21:53She is a mistress,
21:54a loose woman,
21:55a lady of the night!
22:04Is it true
22:04that Dorothy is
22:05John's sugar baby?
22:06Otherwise,
22:07why would he come
22:08onto the set
22:08and get me banned
22:09from the movie?
22:10That's unbelievable.
22:12And he humiliated me.
22:14He had me dragged
22:14off the set
22:15like a criminal.
22:15You should have seen it!
22:17I'm not gonna let her
22:19just ruin her
22:20reputation like this.
22:21I mean,
22:22this whole mess
22:22is making us
22:23look like fools.
22:26Dorothy's
22:26always been trouble.
22:28I mean,
22:28first she goes off
22:29with a married man
22:29and now this.
22:32I don't know
22:32how you put up
22:33with her for three years.
22:34You should have
22:35got a divorce earlier.
22:38Stephanie,
22:39are you 100% sure
22:40that Dorothy
22:41is John's sugar baby?
22:42It's the only explanation!
22:44She's clearly
22:45nothing but a slut!
22:47Oh!
22:48Drake,
22:49Stephanie
22:50is your
22:51sister-in-law.
22:53Now,
22:53you need to take care
22:54of her
22:54and forget
22:55about Dorothy.
22:56Can't you see
22:57she's the one
22:57behind all of this?
22:58she was sleeping
23:00her way to the top,
23:02killing
23:02Stephanie's
23:03unborn child
23:04and John
23:06dragging her
23:07off the set.
23:07You should be
23:08sticking up
23:08for Stephanie.
23:13I'm not gonna
23:14let her do this
23:14to you.
23:14I'm not gonna
23:16let her do this
23:18to you.
23:18Do you think
23:29you can just
23:30walk away
23:30from what you did
23:31like nothing happened?
23:32I didn't walk
23:32away from anything.
23:34You did.
23:35You chose
23:35Stephanie over me.
23:36Remember this one?
23:37She's my sister-in-law.
23:39I'm so sick
23:40of hearing this.
23:42You have feelings
23:43for her
23:44and I'm just
23:44tired of it.
23:45You're out of your mind
23:46if you think
23:46I'm gonna let you
23:47get away with this.
23:48you do
23:49what you want
23:50to do.
23:51For now,
23:51get out!
23:53Why?
23:59We were married
24:00for three years
24:01and we never
24:02paid.
24:02You're out of your
24:03fucking mind
24:03let go of it!
24:14No wonder
24:14you want me to go.
24:15just look at yourself
24:18you're not half
24:20the man
24:21Christopher is
24:21get out
24:23or I will
24:25call the cops
24:26just go!
24:28are you okay?
24:37Are you okay?
24:42Dorothy?
24:44Yeah?
24:44Remember
24:45safety first
24:46the lifeguard's
24:47right there
24:48if you need him
24:49Okay.
24:52Anything you need
24:53let the AD know.
24:54Okay.
24:54Got it.
24:55Got it.
24:55here's a coffee
25:05for you
25:06It's still early
25:07before the shoot
25:07take your time.
25:08is
25:17what gua
25:18cuckoo
25:18could do
25:20we
25:22do
25:22win
25:23ね
25:23win
25:27we
25:29see
25:29you
25:30won
25:30do
25:31not
25:31vanish
25:32can
25:32be
25:32will
25:33need
25:33to
25:34jun
25:35to
25:35to
25:36Something's wrong.
26:06That's not acting! She's in trouble!
26:14Where's the lifeguard?
26:19Where's the lifeguard?
26:36Where the fuck is the lifeguard?
26:52Come on, Dorothy!
27:00Why did you do that?
27:16I'll do anything for you, Dorothy.
27:22Christopher risked everything without hesitation.
27:30How could I have been so blind?
27:38I wasn't expecting that.
27:52Where were you?
27:54I'm sorry.
27:56They could have drowned.
27:58I'm sorry, I had a stomachache.
28:00I had to go to the bar.
28:02Make sure it doesn't happen again.
28:12Do you think that I should call Dorothy just to make sure she's okay?
28:16Are you still hung up on her?
28:18No.
28:20It's not like that.
28:21I'm just trying to be helpful.
28:22Don't you remember, Drake?
28:24She's the one who had me kicked out of the movie.
28:28She's the one who killed my baby.
28:30Not just my baby, but Nick's baby.
28:32I know I'm just a sister-in-law.
28:34Whatever happened between us is in the past, but...
28:38I have no one now.
28:40No husband.
28:42No baby.
28:44I have left as you.
28:46Don't you see through Dorothy yet?
28:50She's nothing but a slut, sleeping her way to the top.
28:52You don't know that.
28:54You know her right!
28:56Why else would John come onto the set and stand up for her?
29:00Not just John, but Christopher too!
29:02She's sleeping around with anyone she can find!
29:04She's a whore!
29:05Shut up!
29:06You want war?
29:17I'll give you war.
29:22Do it.
29:24And make sure Dorothy feels every bit of it.
29:31Breaking news.
29:32Unknown actress seduces Hollywood heart drop.
29:35Rising star or opportunist.
29:38Actress Dorothy's shocking affair with Christopher.
29:40Christopher's new flame or a heartless gold digger.
29:43Dorothy!
29:44Liar!
29:45Hey bitch!
29:49This is getting out of hand.
29:51Maybe we should just reveal her real identity.
29:54Let everyone know she's not just some random actress.
30:01No.
30:02Dorothy, once we tell them who you are,
30:04There's no reason for them to attack you.
30:05There's someone behind us.
30:07And whoever they are, I'll make them pay you.
30:16Fuck off.
30:17This can't be right.
30:29I die in the second scene!
30:30This must be Dorothy and John forcing SQ to cut me out.
30:34They won't get away with this.
30:36Trank, can you believe this?
30:37They've completely written me out of the script.
30:38Do you remember when Nick was lying in that hospital bed?
30:39You promised him you'd look after me.
30:40I've already lost my husband and my baby.
30:41I can't lose my career too.
30:42Don't worry.
30:43Don't worry.
30:44I'll get you your character back.
30:45Don't worry.
30:46I'll get you your character back.
30:47I'll get you your character back.
30:48Don't worry.
30:49Don't worry.
30:50There's a tape of a documentary that apparently SQ
30:55has always wanted.
30:56So, we win this bid and we gift it to them.
30:57We should be able to get you your role.
30:58I'll get you your character back.
31:00Don't worry.
31:01Don't worry.
31:02I'll get you your character back.
31:03Don't worry.
31:04Don't worry.
31:05I'll get you your character back.
31:06There's a tape of a documentary that apparently SQ has always wanted.
31:20So, we win this bid and we gift it to them.
31:23We should be able to get you your role back.
31:28Up next, a rare gem.
31:30The original film documentary chronicling the creative journey of none other than herself.
31:36Legendary screenwriter Margaret Lane.
31:3950,000.
31:40What's she doing here?
31:43I don't know.
31:46I'm not going to let her win this.
31:4960,000.
31:5070,000.
31:5170,000.
31:52100,000.
31:53This is my grandmother's documentary.
31:54It's her legacy.
31:55She's the one who inspired me to become a screenwriter.
31:56I can't let it fall into the wrong hands.
31:57500,000.
31:59500,000.
32:00500,000.
32:01I'm trying to get you your role.
32:02Don't worry.
32:03I've got it covered.
32:04I'm trying to get you your role.
32:06Don't worry.
32:07I've got it covered.
32:08Ladies and gentlemen.
32:09We are down to the final bid.
32:10Standing at a whopping 500,000.
32:11I'm trying to get you your role.
32:12Don't worry.
32:13I've got it covered.
32:14500,000.
32:15500,000.
32:16I'm trying to get you your role.
32:17Don't worry.
32:18I've got it covered.
32:19I'm going to get you your role.
32:20I am trying to get you your role.
32:21Don't worry.
32:22I've got it covered.
32:23�� listening to the United States.
32:2526,000.
32:26The male краurer was charming.
32:27People
32:34stunning
32:45to the lady in the blue dress.
32:47in the blue dress!
32:56I can't believe this.
32:58You have no right...
33:00to take that film reel with you.
33:05You have no right to take that film reel with you.
33:10What's going on?
33:12Ladies and gentlemen, I've just been informed that Miss Dorothy is in fact not an invited guest.
33:23Therefore, as per our rules, this documentary reel will not be released to Miss Dorothy.
33:30This is ridiculous. I was invited.
33:32Well, in that case...
33:35May I see your invitation?
33:42I did have it, I swear.
33:44I'm sorry Miss Dorothy, if you do not have the invitation at hand,
33:47the documentary reel has to go to the second highest bidder.
33:49This is the protocol.
33:51Oh, you don't understand.
33:52I'm sorry.
33:53I'm sorry.
34:11I'm sorry.
34:12These are the rules.
34:13The documentary reel will go to the honourable couple.
34:36Stephanie, wait.
34:38Just sell it to me.
34:40Name your price.
34:41I'll pay you anything you want.
34:42It's really important to me, please.
34:45Why are you doing this?
34:47Are you just trying to get my attention by going after something that Stephanie wants?
34:50No, you don't understand.
34:53Just let me buy this.
34:55Whatever it takes.
34:57Dorothy.
34:59You think this is about money?
35:01Please.
35:02This isn't something you can just buy.
35:05Dorothy.
35:06What the hell did you do?
35:08Why do you always have to go against her like that?
35:09This reel is important to Stephanie.
35:11She can use this to help her career.
35:13Her career?
35:15Is this about your role being cut from the pen?
35:17Is that why you're doing this?
35:23I'm the writer.
35:24I'm going to fix this.
35:26I'm going to write the story and bring your character back.
35:28Just...
35:30Just let me have the real place.
35:32You're the writer.
35:34Are you telling me that you're SQ?
35:39You!
35:40The writer SQ!
35:41Can you give us a break?
35:43Look.
35:44This reel is important to Stephanie.
35:47End it.
35:48Don't make this harder than it has to be.
35:51You've been with Dorothy for so long and you don't even know her!
35:54Oh, and you do!
35:56A hell of a lot more than you!
35:57Who the fuck do you think you are?
35:58Both of you, calm down!
35:59Don't!
36:13Scratched!
36:14All over!
36:15It's ruined!
36:16Not even fit to be a gift anymore!
36:18I can fix this.
36:19Stephanie, I know someone who can restore it.
36:21Just sell it to me, please!
36:22Just name your price!
36:23even if I had no use for it, I'd never give it to you!
36:29I want to be a writer like you, Grandma.
36:59I want to make movies like you do.
37:02This reel has more than pictures and sound on it.
37:07Really?
37:08An entire world I've captured.
37:11But it's just one way of seeing things.
37:14The magic is creating it yourself.
37:17Someday you will.
37:29Dorothy, I need you to go apologise to Stephanie and give her her role back.
37:35Apologise? To her?
37:38She destroyed the reel.
37:39She wouldn't have done that if you hadn't pushed her.
37:46So go apologise or I'm pulling my funding.
37:49Look, Dorothy, let's be real here.
37:53Without Stephanie, who's going to invest?
37:57Even the production company will call out if they hear that she's not involved anymore.
38:00Her name carries weight.
38:02Let's not pretend that your reputation is exactly stellar right now.
38:05Christopher's fans hate you.
38:07Stephanie's fans hate you.
38:09Even if you actually make this film,
38:11no one's going to support you.
38:13You will be buried.
38:17If you apologise to Stephanie now,
38:21I can help you.
38:23I can control the press.
38:24I can control the narrative.
38:26I can actually give you a chance.
38:30What's so funny?
38:34What's so funny?
38:36Do your fun day?
38:38Do it.
38:39You'll see it does nothing for the movie.
38:41Okay.
38:42So what if I tell the production head to pull his funding too?
38:46Didn't I tell you that I know Mr. Bennett?
38:48No.
38:49Go ahead.
38:51Quiet.
38:52You want me to call?
38:53Mm-hmm.
38:55Fine.
38:59Hi, Mr. Bennett.
39:00It's Drake.
39:02Drake Mossbacher.
39:03Yeah, I'm pulling my funding from Lies Game
39:04and I suggest that you do the same thing.
39:06I've seen it and it's a sinking ship.
39:08Ha, ha, ha, ha, ha, ha.
39:10You're pulling out?
39:11Great.
39:12I'll take full control of the investment.
39:14Not a problem.
39:21So you sat with him?
39:25That's why he's supporting you, isn't it?
39:27Is this how you see me?
39:30The type of woman who would use her body to get what she wants?
39:33What other explanation do you have?
39:36You know nothing about Dorothy.
39:41Apologize to Stephanie.
39:42Cut ties with Mr. Bennett and end this.
39:44Dorothy, come back to me.
39:46Whatever he's offering you, I'll match it.
39:47I'll double it.
39:49You must be out of your fucking mind.
39:52What makes you think I would ever go back to that living hell?
39:55Living hell?
39:56You heard me!
39:58Being married to you was a fucking nightmare.
40:02You made me believe you loved me.
40:05And then you had me waiting in vain for three years, Drake.
40:08You said you'd always protect me, but then when I need you the most...
40:13You just turned your back on me.
40:16You chose your sister-in-law over your wife.
40:21We've had enough, Drake.
40:23You were my prison.
40:25So just go back to your precious Stephanie.
40:32Let's just go.
40:38Why are you hurt?
40:43Are you okay?
40:51What are you...
40:52Steph, what are you doing?
40:53Well, you want me, don't you?
40:54Just kiss me, I'm all yours.
40:55Steph!
40:57You're Nick's wife.
40:58I've always thought of you like a sister.
41:00Sister?
41:02Funny.
41:03Don't you remember when you came to me the night Nick and I got married?
41:06Don't you remember what you said?
41:09Remember this?
41:10Yeah, why not marry Stephanie?
41:13God.
41:14You were practically begging me not to marry Nick.
41:15No, I shouldn't have said that.
41:16I shouldn't have said that.
41:17I don't see.
41:21What's that?
41:22Oh, it's nothing.
41:23Yeah, what is that?
41:24No, Drake, no.
41:25Please.
41:28You lied about this.
41:32You lied about this.
41:33You said that Dorothy pushed you into the water, but this shows you shoving her in.
41:42It's a glitch.
41:43A glitch.
41:45Sorry, do you actually expect me to believe that?
41:48What's this?
41:49You're buying pills off the black market.
41:52Shh.
41:53Tell them I hit your pregnancy.
41:55It was you.
41:56It was time when you blamed Dorothy like some sort of scapegoat and she was innocent the whole time.
42:01Please, no, you have to believe me.
42:03I didn't-
42:04Do you know why I've always thought of you like a sister?
42:06I've always taken care of you.
42:07I even thought that I loved you once, but that was before you were Nick's wife.
42:10You changed.
42:13You changed.
42:17You changed.
42:19You're not the person I thought you were.
42:23I only looked after you because I thought it was my duty, as Nick's brother, to look after his widow.
42:28I guess there's no need to look after you anymore, eh?
42:32But what does that mean?
42:33You're just going to throw me away?
42:35I'm not going to throw you away, but this is my house.
42:41Oh no, back. I hope you'll be gone.
42:44But you can't just walk away from me like that.
42:46I've said everything that I need to say.
42:48Now I'm going to go find the person that I actually care about.
42:55Dorothy, this is all your fault.
43:01Let's take this bitch down.
43:10Don't I say please?
43:20No.
43:22I was wrong.
43:24I misunderstood everything about you and about us.
43:31Can you please just hear me out?
43:33You think you can just come here and apologize?
43:37After everything?
43:39I didn't mean to hurt you.
43:42Look, I understand what I did, but it was just because of Stephanie and anyone.
43:46Can you please just forgive me?
43:47I don't need your apology, Drake.
43:51You let me down.
43:53You abandoned me.
43:55And I needed you the most.
43:57You used me.
43:59Manipulated me.
44:00And now you beg for my forgiveness?
44:03Oh God, please just don't shut me out.
44:06I can fix this.
44:07I can fix that.
44:08I can do anything Dorothy, please.
44:10No.
44:12You were never the person I thought you were.
44:16And I'm not either.
44:18I've moved on.
44:21I don't need you.
44:26Not like I used you.
44:28Just stay back.
44:30After everything.
44:31Yeah, that's it.
44:42I deserve better than this.
44:44I deserve better than this.
45:04We did it.
45:12Before you all celebrate this movie, there's something you should know.
45:16Dorothy is nothing but a homewrecker.
45:19What's going on?
45:21A glorified mistress who's been playing the part of a wonderful actress
45:25when all she's really done is ruin lives.
45:30Is it true, Dorothy? Were you involved with a married man?
45:32What's your response to Stephanie's claim?
45:37This is ridiculous.
45:38Let's talk about how she got here.
45:41Shall we?
45:43She didn't get here off her talent.
45:45Oh no.
45:46She got here by clinging to powerful men.
45:49No real experience.
45:51No skill.
45:52Just a man's name and a man's money.
45:55Security! Get her out of here.
45:57Wait.
45:58If she has something to say, let's hear it.
46:00Dorothy, it's a trap.
46:03I'm not afraid of the truth.
46:05Let's see what she's got.
46:09What's going on?
46:11So tell us, Dorothy.
46:13How did you get here?
46:15Did you use your relationship with John Bennett to land the part?
46:18A homework, are you saying?
46:19Is there something wrong with me appearing with my own dad?
46:22You're the one who sent me this photo, right?
46:24How about you take another one?
46:25This time, of my lovely family of three.
46:26Dorothy, Dorothy, Dorothy, Dorothy.
46:27Are you really John Bennett's daughter?
46:28Yes.
46:29I bet you never asked my last name.
46:30It's Bennett, by the way.
46:31Dorothy is the producer's daughter.
46:32Dorothy, Dorothy.
46:33Dorothy.
46:34So, Dorothy is the producer's daughter.
46:35Dorothy.
46:36Dorothy, so, did you use your father to get the part?
46:37So, it's just nepotism, then.
46:38I don't think I did.
46:39I don't think I was going to do anything.
46:40You don't think I was going to do anything wrong with me appearing with my own dad.
46:42You're the one who sent me this photo, right?
46:43How about you take another one?
46:44This time, of my lovely family of three.
46:46Dorothy, Dorothy.
46:47Dorothy.
46:48Dorothy.
46:49Are you really John Bennett's daughter?
46:50Yes.
46:51I bet you never asked my last name.
46:53It's Bennett, by the way.
46:56So, Dorothy is the producer's daughter.
46:59Dorothy, so, did you use your father to get the part?
47:02Uh-huh.
47:03So, it's just nepotism, then.
47:10Well, even if she didn't fuck her way to the top, she still only got here through her connections.
47:14Whether you like it or not, my performance speaks for itself.
47:17And everyone here saw it.
47:19She was actually really good.
47:20Yeah, she handled the models.
47:22Oh, are you saying that everyone here is wrong?
47:24You think you're so clever, don't you?
47:27Fine.
47:28You can act a little bit.
47:30But let's be real.
47:32You didn't land this role on your own.
47:33You just snapped your bony little fingers and let Daddy give you a role.
47:37How else would a nobody like you have landed yourself the lead otherwise?
47:42Dorothy isn't just a nobody.
47:46She wrote Liar's Game.
47:49She is SQ.
47:54Dorothy is SQ.
47:56How can that be possible?
47:58Liar's Game is a masterpiece.
47:59There's no way you could have written it.
48:01You don't have to believe me.
48:03Just let the credit speak for itself.
48:08How can this be true?
48:15Dorothy Bennett, you're the daughter of the producer and the famous writer SQ.
48:19Why did you keep your identity a secret so long?
48:24Why did you keep your identity a secret so long?
48:26Stephanie Marsbecker, Linda Marsbecker and Ellie Marsbecker, I'm arresting you on suspicion of defamation.
48:31No, no, no, no.
48:32I didn't do anything wrong.
48:33This was all Stephanie's idea.
48:34I didn't do anything.
48:35I didn't do anything.
48:43This whole time she was actually telling the truth.
48:47Dorothy's SQ.
48:49She's genius.
48:50She is.
48:52That's why she always had a book in her hand.
48:56Always writing something on her laptop.
48:58Always lost in her thoughts.
49:02Didn't even see her.
49:05Guess I was blind all along.
49:08I don't deserve that.
49:09Perfect.
49:29I've missed this place.
49:31Don't you remember?
49:33Of course I do.
49:35We saw so many films here.
49:37We would just stay in our seats and talk about life and everything.
49:44But you just made me feel like I could face more anything really.
49:51God, I used to be so nervous back then.
49:54About everything.
49:56About the future.
49:59But you just made me feel like I could face more anything really.
50:03No.
50:05Someone had to be there to make sure you didn't overthink everything.
50:08I remember you used to unpick every little detail like it was a life or death situation.
50:17You know Dorothy.
50:21Life's not been the same without you.
50:22Even when we parted ways, I...
50:26I always knew that we would find each other again.
50:34I don't care what we've been through.
50:37I don't care what's happened.
50:38All I know...
50:41Is that I need you now.
50:45More than ever.
50:46More than ever.
51:00And the award for Best Adapted Screenplay goes to...
51:04Dorothy Bennett with Liar's Game!
51:06Wow.
51:10Best screenplay.
51:12What, shall I start calling you Your Majesty?
51:15I think that's a great idea.
51:17Why don't I start now?
51:19You deserve this.
51:21Your Majesty.
51:23Every bit of it.
51:25Now...
51:27Since you've won, I think this calls for a reward.
51:30A reward.
51:32Oh yeah?
51:35And what would that be?
51:38Me.