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00:00Celebrate the magic of Tashmere 10th Hum Awards at NRG Arena, Houston, Texas.
00:10Featuring Ali Zafar, Ramshah Khan, Yasir Hussain,
00:19Dananeer Mubeen,
00:26Shujah Asad,
00:29Ahmed Ali Akbar and more.
00:33Saturday, 11th October, 2025 at the NRG Arena, Houston, Texas.
00:40To get the early bird and group discounts, book your tickets now.
00:44Log on to www.hum.tv or www.ticketmaster.com
00:51For sponsorships, contact Mr. Naveed Alam, Hum Network Ltd.
00:59I'm going to go.
01:04Oh, no, I'm sitting here.
01:07You've made a plan for your parents to take care of your parents.
01:11Your parents took care of me to take care of my parents.
01:13They also gave me a plan for their parents.
01:15So you've got the offer that you gave me for the marriage.
01:19If they give me the theater school, you'll earn my money.
01:23After marriage.
01:25If you've been trying to fight such a girl,
01:27then you'll have to change the mess.
01:29Please, Mrs. Khan, I'm not coming to do my marriage.
01:32I'm coming to my friend.
01:33That's Irfan Kureishi.
01:35Kureishi furniture's son of the Kureishi.
01:37You didn't have to do their own hair.
01:41Let's go.
01:43You will also get something to you.
01:48Take this.
01:51If someone is in the house, I would like to buy some biscuits.
01:54Let's drink.
01:55No, no, don't let me stay.
01:56I have to talk with you very much.
01:59Say it.
02:01What's your work with us?
02:04Do you know how the massage of the sherry is?
02:08We know that the sherry is living in the house.
02:15And the first time we come here,
02:18how do we know how the massage is going?
02:21I'm such a bad massage,
02:23that if it doesn't happen to me,
02:26I'm going to break my walls.
02:31We've heard it, but I haven't seen it.
02:34We've got three or four tubes and some of them.
02:40So you're going to break everything
02:42so we can break our mind from our heart.
02:44No, no, uncle.
02:46I can't help anyone with me.
02:48I'm only going to break my stomach.
02:51I'm going to break my stomach.
02:53I'm going to keep my stomach.
02:55I'm going to break my stomach.
02:56So I'm going to do anyone's work.
02:58I'm going to break my stomach.
03:00My stomach is running out of my stomach.
03:01I'm going to break my stomach.
03:03I'm going to break my stomach.
03:04You're going to break my stomach.
03:05Don't you?
03:06No, no, we don't have to look at it.
03:07If you know what to say,
03:08we're going to take it back.
03:09We'll take it back.
03:10But they'll die itself by being scared.
03:13I'm going to break my stomach too much.
03:14How about you and your stomach are running out of my stomach?
03:19No, uncle.
03:20I'm going to bring my stomach to my stomach.
03:21What?
03:22I mean...
03:24What the fuck?
03:25Is that when you've shown your stomach,
03:27after that you want me to?
03:30Yes, uncle.
03:32Because I'm相信
03:34I will listen to those who will do that.
03:41What is your thought?
03:47Because the past four months,
03:49the bad things were gone.
03:53I'm right.
03:54I see my family.
03:56I don't have any work.
03:57I've been working hard,
03:58I've been working hard,
04:00I've been working hard.
04:02My family has not done that.
04:04And the second thing is that in the house of BUSHRA, you will be able to go to RIZVAN.
04:09When you pay for BUSHRA, you will be able to pay for RIZVAN.
04:14Yes, then you can think.
04:18I can't do that.
04:19BUSHRA is now the most common thing.
04:21And BUSHRA is the most common thing for BUSHRA.
04:25And BUSHRA does not get into the world...
04:30Let's go.
04:34What was that, brother?
04:36Sherry?
04:37She asked her.
04:39She asked her.
04:40I mean, she asked her to ask her so easily.
04:44Oh, my God!
04:54Habib, I think she will not come back again.
04:57I think Mrs. Khan has gone.
04:59Why are we going there?
05:00She has become our enemy.
05:02Oh, that's a good thing.
05:04She has a relationship with her,
05:06and she doesn't have a relationship with her.
05:07She doesn't have a relationship with her.
05:09She doesn't have a relationship with her.
05:10She doesn't have a relationship with her.
05:11So, what does she do?
05:13The most beautiful girl's wedding in this house?
05:17Are we going to read?
05:19Do you remember how many people heard in the previous relationship?
05:24I'm getting an idea.
05:28I think we should marry Habib first.
05:32Who will marry her in this age?
05:35No, no.
05:36Who will marry her?
05:37Who will marry her?
05:38Who will marry her?
05:39Who will marry her?
05:40Who will marry her?
05:41Who will marry her?
05:42This is a very bad idea.
05:43And don't have to think about her husband's wedding.
05:45Hmm.
05:46It was the opportunity to marry her husband's wedding.
05:49After her husband's wedding.
05:50Who will marry her husband?
05:51She will marry her grandma.
05:52We will marry her body.
05:53Her husband doesn't want to marry her husband.
05:55So we Arishitin she made her husband.
05:57This relationship to our husband's wedding could take away from the clipping of her husband's reply.
06:02I don't want to be with a girl.
06:04But they don't have a relationship.
06:07My bad feeling is that something is very bad with us.
06:11I had this idea that you both had come before.
06:13But I can't say anything about this Meeraf's daughter.
06:17Whatever is going on.
06:18Is it bad or bad?
06:19Is it this,
06:21Bindu,
06:22taking the loaded fries from the other door?
06:24I've eaten it.
06:25I've eaten it.
06:33Listen!
06:34Listen!
06:37Hello?
06:38Listen, let's go!
06:39What's the problem?
06:40Why are you running like a low-budget film hero like me?
06:43What do you want?
06:44That you will come first to me,
06:46I will come back with you,
06:47and I will come back with you,
06:48and I will come back with you,
06:49and I will come back with you,
06:50where you will be dressed in a blue shirt.
06:52Do you want that?
06:53I was just saying that you are bad.
06:57I am bad?
06:58No.
06:59I am bad.
07:00So...
07:01So you were really acting?
07:02When you tell the truth,
07:04then you will talk about it.
07:05No.
07:06I mean,
07:07I feel very interesting.
07:09Why won't you come back with my car?
07:12Did you feel interesting?
07:14And entertaining?
07:17Yes.
07:21So,
07:22you close the door of your car,
07:24and let's talk about it.
07:26Yes.
07:29Oh,
07:30I can't do it,
07:31you're fine.
07:32Yes.
07:33Yes.
07:34You are so interesting.
07:35Yes.
07:36What do you feel interesting?
07:37Yes.
07:38As I've heard,
07:39it's very interesting.
07:40Look,
07:41I can tell you interesting and interesting things,
07:42but you will have to pay me for that.
07:43Look,
07:44you have to understand the wrong person.
07:45I am the one who pays me for that.
07:46You are the one who pays me for that.
07:48Look,
07:49you have to understand the wrong person.
07:50I am the one who pays me for that.
07:51I am the one who pays me for that.
07:53Your mind is bad.
07:54I am a professional actor.
07:57And,
07:58the way a doctor takes the job of injecting,
08:01he takes the job of an architect or engineer,
08:03he takes the job of an architect.
08:04Okay?
08:05I am a professional actor.
08:08I take the job of entertaining and entertaining.
08:10If you don't talk about it,
08:11you can talk about it.
08:12But,
08:13you are the one who pays me for that.
08:15I am sorry.
08:16I have understood.
08:17$50.
08:18What you have understood,
08:19is that it is not yours.
08:20It is not yours.
08:21It is not yours.
08:22It is not yours.
08:23It is not yours.
08:24It is not yours.
08:25It is not yours.
08:26It is not yours.
08:27It is not yours.
08:28It is not yours.
08:29Okay?
08:30Okay.
08:31One minute.
08:32You have to give 50% advance.
08:34So,
08:35give it $500,000.
08:37Hey!
08:38Hey!
08:39Hey!
08:40You are out of money.
08:41At that time,
08:42when a young man was in a bad mood,
08:45he didn't get out of money.
08:46And now,
08:47he is running out of money.
08:49He is running out of money.
08:50It is not yours.
08:51I was just checking.
08:52Yes.
08:53Okay.
08:54We will become a producer.
08:56Yes.
08:57Okay.
08:58Okay.
08:59Let me transfer it to my account.
09:00I don't remember.
09:01Yes.
09:02Let's go.
09:03Sakiya,
09:04listen to my story.
09:06That...
09:08I...
09:09I...
09:10I was just saying...
09:12That...
09:13You are still alive.
09:14And,
09:15I think,
09:16you are talking to me today.
09:17If you are like,
09:18you are not going to be asked.
09:19But,
09:20you are lying on your hands.
09:21You are lying on your hands.
09:22You are lying on your hands.
09:23You are lying on your hands.
09:24You are lying on your hands.
09:25You are lying on your hands.
09:26No.
09:27No.
09:28No.
09:29No.
09:30No.
09:31No.
09:32No.
09:33No.
09:34No.
09:35I did not marry this.
09:36But,
09:37I am just saying...
09:38No.
09:39No.
09:40No.
09:41No.
09:42No.
09:43No.
09:44No.
09:45No.
09:46No.
09:47No.
09:48No.
09:49No.
09:50No.
09:51No.
09:52No.
09:53No.
09:54But...
09:56Look,
09:58you are giving me the last time...
09:59No.
10:00No.
10:01No.
10:02No.
10:03No.
10:04No.
10:05No.
10:06Don't let me go.
10:07No.
10:09No.
10:10No.
10:11No.
10:12No.
10:13No.
10:14That's fine.
10:15But,
10:16I don't do anything for a marriage.
10:18No.
10:19No.
10:20No.
10:21No.
10:22The second time the bishop will be to the king.
10:24Today he will go back.
10:26The bishop will not give that.
10:27We are here.
10:28It's just a kid.
10:29We will not have anything.
10:30Yes, we will be here.
10:31The second time the bishop will be to the king.
10:33God will give the help.
10:34Please give the name for God.
10:36Sapya!
10:43Listen!
10:46Yes.
10:47There is a card.
10:51I have it.
11:06I'm very interested in acting.
11:08I want to create my own profession.
11:10Before I was born, there were four other girls.
11:13Then I put my name in Bushra so that you're a girl.
11:16And Gua.
11:18Interesting.
11:19Isn't it interesting?
11:20Yes.
11:21So, when I grew up in Bushra, I watched a lot of drama in my house.
11:26I watched those dramas and watched, watched, watched and watched,
11:28and watched my heart of acting.
11:31And through that acting, I'm going to enjoy it.
11:35Very interesting.
11:36Isn't it?
11:37Now, Bushra got bored.
11:39I made a vegetable in my house.
11:40So, I'm going to go to Pardoz's house.
11:42And I'm going to go and eat a biryani.
11:44Unfortunately, I took so much money from my class fellows,
11:47that I can tell you.
11:49I'm going to be a man in my house.
11:50And the baby's acting in a woman's house,
11:51I'm going to be a woman.
11:52I'm going to be a man in my house.
11:53It's not that we are very poor people.
11:57We are white people.
11:59So, we come to our house when someone gets sick.
12:03Oh, okay.
12:05Yes.
12:06Listen to that.
12:08Now, it happens that I have taken this whole thing seriously.
12:13I became a professional.
12:15This is my bag. It's my costume.
12:17It's my makeup.
12:18I started working on everything on my own.
12:20Get up!
12:22Fake blood.
12:24It's my bag.
12:26I started working on my own script.
12:29Very, very interesting.
12:31Isn't it interesting?
12:32Yes.
12:33I was going to perform at the morning.
12:37I didn't get a lot of clothing.
12:39Look at your car.
12:41I told you something in front of me.
12:44This is the makeup.
12:47Wow.
12:48Now, you can see it on the screen.
12:50You will play a lot.
12:51You will play a lot.
12:52You are watching live, then you will not have a lot of money.
12:56No, no.
12:57I will give you the money for your performance.
13:00But why are you all doing this?
13:02What do you mean this?
13:04What does that mean?
13:06I mean, he's doing it in the film, TV, or in the theatre, right?
13:11Nanny?
13:13Huh?
13:15No, I mean, the stereotypical young girls are either gay or gay.
13:26You say.
13:28You think that acting on the screen is very easy.
13:32You'll get a role.
13:36YouTuber?
13:37He'll become an influencer, right?
13:39Tanned-up comedian.
13:40No, I don't want to do this.
13:43I don't want to learn acting.
13:45I'm a professional actor.
13:47I want to go to the academy.
13:48I want to go to the theatre.
13:50I want to go to the theatre.
13:52I want to go to the academy.
13:54I don't have a fee for that.
13:56That's why I'm doing it.
13:58I want to go to the academy.
14:00So, this is the thing.
14:01Hmm.
14:02So, then you...
14:04Can you marry me?
14:06Please.
14:07Don't marry me.
14:09Don't marry me.
14:10Don't marry me.
14:11Don't marry me.
14:12And you, like Amir,
14:14you, like Amir,
14:15you, like Amir,
14:16you, like Amir,
14:17you, like Amir,
14:18you, like Amir.
14:19Can you marry me?
14:20Can you marry me?
14:21Yes.
14:22Yes.
14:23Yes.
14:29Okay.
14:31You give me your number.
14:34Yes.
14:35Let me.
14:36Let me transfer your money.
14:37I will send you a message.
14:38But you,
14:39let me write my number.
14:42Oh.
14:43It's in the car.
14:46Okay.
14:47Let's go.
14:49Tell me about the number.
14:57I will send you a message.
14:59You transfer money.
15:03I remember.
15:04Okay.
15:08Okay.
15:09Okay.
15:19Let's go.
15:49Yes.
15:50Why did you?
15:51The shawl.
15:53I'll show you.
15:55She bought a purse from the front door.
15:59I'm going to show you.
16:02We're going to?
16:05Yes.
16:07Where did you go?
16:10I didn't give up.
16:12You can put a shawl.
16:14Or you'll go.
16:16I was a shawl.
16:18I'm going to do this.
16:20I'm going to do this.
16:23I'm going to do this.
16:25You're going to be a shawl.
16:28You'll be a shawl.
16:30I'm going to be a shawl.
16:33I'm going to be a shawl.
16:34From the summer, I'm going to be a shawl.
16:35I'm going to be a shawl.
16:40Oh, my God.
16:42Oh, my God.
16:44Oh, my God.
16:46Come on.
16:48Come on.
16:50Come on.
16:52Listen.
16:54Oh, my God.
16:56I'm tired.
16:58You haven't come yet.
17:00It's not that long.
17:02I'll be angry with you.
17:04I too.
17:06Why don't you do a phone call?
17:08I don't care, Luna.
17:38Yes, brother.
17:40Where did you go, my beloved?
17:42Sorry.
17:44I didn't have dinner for lunch.
17:46Come on.
17:54Come on.
17:56Come on.
17:58Come on.
18:00Come on.
18:02Come on.
18:04Come on.
18:06Yes, yellow, brother.
18:08According to your list,
18:10all the things are coming.
18:12Start.
18:14Come on.
18:34This is all cold.
18:36I didn't even know.
18:38I don't know.
18:40How many people did it?
18:42I don't know what's going on.
18:44I don't know what's going on in the house.
18:46I didn't know what's going on in the house.
18:48It's cold.
18:50It's cold too.
18:52It's cold.
18:54It's cold.
18:56You have to come on this.
18:58Why did you come here so long?
19:00Why?
19:01I also wanted to say that
19:03how much food is going to be so long, brother.
19:05We didn't have any calls.
19:07I called myself a call.
19:11The soup dropped.
19:12I didn't get it.
19:14I dropped it, but it also dropped.
19:19It's something else.
19:21Brother, tell me the truth.
19:23Does it feel bad for you?
19:27Why don't we feel bad for you?
19:31No, no, no, no.
19:32It's not like that.
19:40Stop, please.
19:44I'm sorry.
19:47I'm so sorry.
19:49I'm so sorry.
19:50I'm so sorry.
19:52You're so sorry.
19:57I'm so sorry.
19:59Allah.
20:00What have I done now?
20:18Samia, please.
20:19Come on.
20:21You're right.
20:22I'll eat it.
20:23I won't eat it.
20:24You won't eat it.
20:25If you didn't have your heart,
20:26then tell us first.
20:27What do you need to do with it?
20:28What do you need to do with it?
20:29I was thinking about it.
20:31I was thinking about it.
20:32The car was running like this,
20:33that we were bored.
20:35Why do you want to do it, brother?
20:39Mama.
20:41Why did my mom leave me?
20:44Your mom is running like this.
20:46The car was running like me,
20:47to be my mom.
20:57My mom just lives like me.
21:01What are you watching?
21:02We shouldn't eat a plate.
21:04We don't have any food on the plate.
21:05We're happy for you.
21:07What happened to you?
21:11It was my accident.
21:13I didn't do anything wrong with my car.
21:16There was a girl in front of my car.
21:19A girl?
21:21Yes, a girl.
21:24What's your age?
21:2725, 30, 30.
21:30What happened to her age?
21:32What happened?
21:34I took a break. The soup fell.
21:36She crossed the road.
21:38The bus?
21:39There wasn't anything else?
21:41There wasn't anything else.
21:43Why? It wasn't good.
21:45I didn't cry.
21:47Good.
21:48I don't need to see the girls at night.
21:50Of course.
21:52Look, I've warmed up so much for you.
21:57Please, please.
22:01Please.
22:14Good luck.
22:18Okay.
22:19Good luck.
22:20Good luck.
22:21You've already been here today.
22:23Isn't it longer yet?
22:24You've been here.
22:25You've been here for the very few hours before.
22:26I'm not here yet.
22:27You'll be here for yourself today.
22:28You'll have to do work for yourself.
22:29That's why I do this.
22:30You're here for the very few hours.
22:31You've got to have to do this.
22:32I don't care.
23:02When I came to the kitchen, I had a menu for all of them.
23:05I'm not sure what I'm saying.
23:07I'm crying and laughing.
23:10Can you listen to me?
23:12I remember the heroes of the female female heroes.
23:15Don't listen to me.
23:16Don't listen to me.
23:17I'll give up with them.
23:20Listen to me.
23:21Today I was with Mrs. Khang.
23:23I'm going to go to employment exchange tomorrow.
23:25No one needs to get involved.
23:28My name is Mrs. Khang.
23:30My name is Mr. Khang.
23:32You know?
23:33Today, right?
23:35I met a girl.
23:37A girl?
23:39Yes.
23:40She was a witch.
23:42She was a witch.
23:44She was a witch.
23:45She was a witch.
23:46She was a witch.
23:48What did she say?
23:50Who got this?
23:52Bushra.
23:54Her name was Bushra.
23:57How old-fashioned name is this?
23:59She was a witch.
24:00She was very keen on her.
24:02Bushra.
24:03Bushra.
24:04Bushra.
24:05Just as a French name.
24:06Bushra.
24:07Bushra.
24:08I want you to tell the story to me.
24:10What happened to be the girl?
24:11What happened to the girl?
24:12The girl got the same age as a fool.
24:14I knew her she won't be a bit.
24:16She will be a witch.
24:17No one happened.
24:18The girl got the really interesting.
24:21She was a witch.
24:22Maybe entertaining.
24:24I'm going to go to the training.
24:26I'm going to go.
24:28Are you going to go?
24:30I'm going to go.
24:54We're going to go.
24:56I'm going to go.
24:58And I'm going to go.
25:00Are you guys going to go?
25:02How old are you?
25:04I'm going to go.
25:06They are here.
25:08How old are you?
25:10My heart was over here.
25:12I should not be able to buy my own toys.
25:14But they are not at all.
25:16But we don't understand these things,
25:18but we don't know anything about this.
25:20They make things good.
25:23You will come home tomorrow, Sherry.
25:25That's what you were going to do today.
25:27Okay? What did they say?
25:29What did they say?
25:31They said they could have done a good thing.
25:33You can take a divorce from Bushra.
25:35Sherry?
25:37There was a choice of haters and peace.
25:41That's what Sherry forgot.
25:44Why did she forgot?
25:45Look, when you get married from Sherry,
25:49you don't need to take care of her.
25:52But, Sherry, don't need to take care of her.
25:55What?
25:56So...
25:58Are you going to the theatre?
26:00You...
26:01Are you saying the truth, right?
26:03Yes, yes.
26:04Sherry, Sherry,
26:06Sherry can take care of the world.
26:09All the motorcycles in the parking lot
26:12can take care of her.
26:14She can take care of the whole city.
26:18Do you know who Sherry is?
26:20You're Sherry.
26:21You're Sherry.
26:22And who is she?
26:23He's saying the dialogue.
26:26Is he also an actor?
26:28Sherry is an alpha male.
26:31Yes, but you're a human, Sherry.
26:34When you talk about this,
26:36you're very lazy.
26:37You've seen a funny film,
26:39you're talking about the dialogue.
26:41No, Sherry's not seen a film.
26:42And now you're going home.
26:44And I'm waiting for you.
26:45You're going home.
26:46If you're going to see Sherry's attention,
26:48then it's only Sherry's.
26:51It's happening.
26:53Yes, it's happening.
26:55It's happening.
26:56Okay, I'm going home.
26:58It's been a long time.
26:59Yes, you're going home.
27:00I'm watching you.
27:01Because Sherry is an alpha male,
27:03so she's not going to leave you to your home.
27:06You're fine, Sherry.
27:07You're fine, Sherry.
27:08You're fine.
27:09You're fine.
27:10You're fine.
27:11Whatever you say, you're fine.
27:13Whatever you say, you're fine.
27:15Huh?
27:16Oh, God.
27:18Please do it.
27:19I'll tell her.
27:20I'll tell her.
27:21I'll tell her.
27:22I'll tell her.
27:23Yes, go.
27:24Don't worry.
27:25Sherry is watching.
27:26Sherry will go to your home.
27:28Why won't she be far away from here?
27:30Until then.
27:31Do you know who Sherry is?
27:33Yes, I know.
27:34Sherry is an alpha male.
27:37Yes.
27:38Sherry is an alpha male.
27:40If I want to go to the theater,
27:42then I'll do it.
27:44I'll do it.
27:45I'll do it.
27:46I'll do it.
27:47I'll do it.
27:48I'll do it.
27:49I'll do it.
27:50Our sisters have no wrong.
27:52It's a drama, sir.
27:53I don't forget that.
27:55They've made a ghost.
27:57They've made a ghost.
27:58Because it's a ghost.
28:00You're smart.
28:01You don't know.
28:02You don't know.
28:03Who?
28:04Who I don't know?
28:05She's saying,
28:07that the girl is just going through the streets.
28:09She's gone.
28:10She's gone.
28:11She's gone.
28:12She's not.
28:13She's also met her.
28:14Oh.
28:15Yes.
28:16She'll take her home.
28:17Some days, she'll take her home.
28:19She'll take her home.
28:20No.
28:21No.
28:22No.
28:23No.
28:24No.
28:25No.
28:26No.
28:27No.
28:28It's a long deal.
28:29But the children are taking out of the strange and strange.
28:30Yes.
28:31I know.
28:32Sure.
28:33So,
28:34there is some kind of evidence that,
28:36that her sister will not marry the first three daughters,
28:38can't marry her.
28:39And I think she comes up with her and the problem.
28:42For years, she will increase it.
28:44Until she only gives us a solution to her.
28:46And that's her婦.
28:48Hmm...
28:49It seems like that.
28:50You do not want to take care of Mrs. Khan.
28:54He will lose his self-confidence.
28:57And he will not be able to do his guilt with his own brothers.
29:01That's not the case.
29:03Okay, Fareed.
29:05Take it away from him. Please.
29:08Don't stay here.
29:09Just for a few days, Bindu.
29:11A few days.
29:13Yes.
29:15What's your name?
29:20Don't do this.
29:31You feel like you are in a deep confusion.
29:34That's right.
29:36What?
29:37These Bindu are completely gone away.
29:40And Naspi seems to me in a conversation.
29:43And now, Habib.
29:46Where are they gone away from?
29:48Hmm.
29:50This is not a confusion.
29:51Such-mujh is the problem.
29:53Where is this Bindu?
29:55And where is Naspi?
29:59Habib.
30:00I have to do all my work.
30:03I have to put all the doors in my house.
30:06Oh my God.
30:07There are all the doors.
30:09Main gate. Main door. Back door. Kitchen door.
30:12Front door. Front door.
30:14Petio door.
30:15The door door.
30:16The door door.
30:17Laundry door.
30:18What?
30:19I'm tired.
30:20I'll drink some water.
30:22Really?
30:24Before today, I didn't realize that
30:26to lock the doors of the house
30:28is so big.
30:29When I do the house,
30:31I know that no work is so difficult.
30:34Yeah, it's difficult.
30:35So, you can do it, right?
30:36Yeah?
30:37You go straight to the sofa,
30:38then the sofa,
30:39then the cushion,
30:40then the cushion,
30:41then the car,
30:42and then the sofa.
30:43Oh, Nasa.
30:44You forgot the door.
30:45You didn't forget the door.
30:46You didn't have a small door in the main gate.
30:49I have to go back, Baba.
30:51Hey,
30:52you can see yourself from tomorrow.
30:54Well,
30:55I have to go back tomorrow.
31:16Come on.
31:17Get locked.
31:18I think it will open the door.
31:20So what will happen now?
31:22The gate will open the door.
31:24Me too?
31:25No, I will go inside, I will open the door, open the gate and take you inside.
31:30Patshah.
31:31Where are you from?
31:48I will open the door.
31:50I will open the door.
31:52Listen to this.
31:53There is a big door in my house.
31:56You don't know anything.
31:58My mind was too late.
31:59What you think was,
32:00keep your mind in your mind.
32:04Now just listen to my mind.
32:06You are so old.
32:07Why don't you talk about that?
32:09You are not so old.
32:10You are only two years old.
32:12The young people who had their own two years
32:14had less age in my class.
32:16and were tired of me.
32:18Tell me what the house is in my house.
32:21Yesterday, the young people spoke to the girl.
32:24They met her with the truth.
32:26Really?
32:27Listen to me.
32:28The young people spoke to her friend.
32:33And they spoke to the girl.
32:35She met her.
32:37She was very romantic.
32:40Bushra.
32:41What?
32:43Is this a romantic name?
32:44She was saying that she was French.
32:47Leave them all.
32:48And think about what will happen.
32:50If she was a romantic sister,
32:52she would have liked her.
32:54She would have taken her to her house.
32:56She would have taken her home.
32:57She would have taken her home.
32:58She would have taken her home.
33:00She would have taken her home.
33:01This is a new story.
33:03I will have to take her home.
33:04But she would have taken her home.
33:06But she would have taken her home.
33:08Who would she marry from the young girl?
33:11When we think of her older sisters,
33:13they are scared so much,
33:15The young girl would have come to her house.
33:20She would have had to have done.
33:21Absolutely not.
33:22We would have to come with someone.
33:25We will not stop this plan.
33:27Absolutely not.
33:28No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
33:34There's a gate. There's a gate. There's a gate.
33:36I'll take this.
33:37You don't have a dog in the house.
33:39If there's something, I can't say that. It's my house.
33:41I've come to this house with my childhood.
33:43It was so much.
33:45These people don't know so much as I know this house.
33:48That's why you don't grow up.
33:50When are you going to study that?
33:52You're not kidding, Safiya.
33:53You're talking about sitting on the wall and sit on the wall.
33:56Go and open the gate.
33:57Go and open the gate.
33:58Then we'll do these things in the house.
34:00Who is it?
34:04It's a dog.
34:05It's a dog.
34:06It's a dog that comes to our house.
34:08It's a dog.
34:10You're understanding that there are five boys in the house.
34:14I'll take it easy.
34:16You can see how they make it.
34:20Put this hockey.
34:21Put this back.
34:23And put this to me.
34:25My mouth is afraid of being scared.
34:32Okay, listen.
34:33Before opening the door, there will be a mattress,
34:35mattresses and wood.
34:37What's that?
34:38My grandmother came,
34:40so I had a mattress with her,
34:42and I had a glass in the door,
34:44so that the house of the door opened
34:46and it was always beautiful.
34:48What a nice thing!
34:51I'll put it in the back and put it in the back,
34:54and then I'll start doing it all, okay?
34:56Why don't you put it in the back?
34:58I don't know.
34:59If you put it in the back,
35:01then you'll start doing it all, okay?
35:03Okay.
35:04I didn't have any idea.
35:11In this room,
35:13there were a mattresses,
35:15and they were also allowed to be free.
35:18Two.
35:19When did I start?
35:20I just gave the mattresses.
35:22I gave the mattresses.
35:23I also gave the mattresses.
35:24I also gave the mattresses.
35:26I'll take the mattresses.
35:28I'll take a mattresses for the mattresses.
35:30I'm a lover.
35:33I'm a lover.
35:34I'm a lover.
35:36Habib Sahib?
35:37Habib Sahib?
35:39I'm not giving you answer.
35:42I feel like you're going to get up.
35:44Go get up.
35:45Do you know what that means?
35:46What are you doing?
35:48I'm not going to throw up.
35:49I'm not going to throw up!
35:52I'm not going to throw up.
35:55Please don't throw up.
35:56What is this?
35:57I'm going to throw up!
35:59Oh, oh, oh!
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