- yesterday
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30I think I'm gonna go to the city.
00:01:33In this city, the first place.
00:01:43Shit.
00:01:45Whoa.
00:01:46I can't buy my wallet.
00:01:51Are you in the seat case?
00:01:52No.
00:01:53No, there's no seat case.
00:01:54But there's no seat.
00:01:55Somewhere?
00:01:56Maybe it's in the car.
00:01:59Hey, she's lost for purse.
00:02:01Fuck you.
00:02:04Shit.
00:02:05Fuck you.
00:02:05What's up, dear?
00:02:09She's lost her purse.
00:02:12Her purse.
00:02:14Her purse.
00:02:15No.
00:02:16She's lost her purse.
00:02:18She's lost.
00:02:21M amazing.
00:02:22Just give her a minute.
00:02:24She's been sitting here...
00:02:28Where did you have it last?
00:02:35The train station, I think? The exchange booth?
00:02:39Oh, Jamie. I'm sorry.
00:02:43That bastard at the train station started when you dropped all your stuff.
00:02:50This is 170, not 70.
00:02:55Where do we need to go?
00:02:57We need, we need, we need 70.
00:03:09Here we go.
00:03:19Is this it?
00:03:21Thanks, man.
00:03:24Yes, I have a credit card. Numbers on file on my computer.
00:03:36Yes, I have them here.
00:03:50Okay.
00:03:52Five, five, three, three.
00:03:54Seven, six, four, five.
00:03:58Eight, seven, eight, seven.
00:04:00Nine, one, five, seven.
00:04:02Five, seven.
00:04:04Yeah.
00:04:06Expires 12.15.
00:04:08No, she'll definitely need another card sent out immediately. We're here for two weeks.
00:04:14No, I'm working here.
00:04:16No, I'm working here.
00:04:20Yes, I'll hold.
00:04:22You love how they ask.
00:04:24As if I have a choice.
00:04:26Do you know what I'm gonna try to do while I'm here?
00:04:28Besides, I know an Italian.
00:04:30I don't know why you think that's so ridiculous.
00:04:32I don't at all.
00:04:34I admire you.
00:04:36I just think it's too late for me.
00:04:38That's not true.
00:04:40You can't teach an old dog new tricks.
00:04:44Besides, what's the point?
00:04:46The whole bloody world speaks English.
00:04:48Well, I...
00:04:50Want to finally transcribe the tapes?
00:04:54Yes.
00:04:56All right.
00:04:58Okay.
00:05:00Well, if you can see it through to the end, I think that's wonderful.
00:05:04What does that mean?
00:05:06Nothing.
00:05:08Nothing.
00:05:10Nothing.
00:05:12I think it's a fantastic idea, Jane.
00:05:15I always have.
00:05:16You know that?
00:05:20You shouldn't sound very supportive.
00:05:25You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:31I just know how emotional listening to them can be.
00:05:34Has been for you.
00:05:35I think enough time has passed.
00:05:37Well, that's great.
00:05:38Yeah.
00:05:39Why do you think he killed himself?
00:05:42Who?
00:05:43David Foster Wallace.
00:05:44David Foster Wallace.
00:05:45Um...
00:05:46Um...
00:05:47Um...
00:05:48Um...
00:05:49Um...
00:05:50I don't know.
00:05:51I don't know.
00:05:52You can't get a sense by his writing.
00:05:53You have to read it when I'm done, don't I?
00:05:54You have to read it when I'm done, don't I?
00:05:55I don't know.
00:05:56You have to read it when I'm done, don't I?
00:05:57I don't know.
00:05:58You have to read it when I'm done, don't I?
00:05:59I don't know.
00:06:00I don't know.
00:06:01I don't know.
00:06:02I don't know.
00:06:03You have to read it when I'm done, don't I?
00:06:04I don't know.
00:06:05I don't know.
00:06:06You have to read it when I'm done, don't I?
00:06:09You have to read it when I'm done, don't I?
00:06:10I don't know.
00:06:11I don't know.
00:06:12I don't know.
00:06:15You can't get a sense by his writing?
00:06:16You have to read it when I'm done, don't I?
00:06:21I don't know.
00:06:23I don't know.
00:06:26Do you think he recognized a blank infinity just stretching out?
00:06:32He got to this point, maybe, where it was just day after day after day.
00:06:38I really don't know. Do you know?
00:06:40Just so tedious.
00:06:42And then, of course, he felt guilty.
00:06:45Most people think life is too short,
00:06:47and there he was, all the talent in the world,
00:06:49and it wasn't... Jane, can I...
00:06:51Can we not talk about this?
00:06:53Just... just a bit more, then.
00:07:08Love you.
00:07:12Love you.
00:07:14Love you too.
00:07:34Do you feel alright?
00:07:36Do you feel okay?
00:07:38Yeah.
00:07:40You sure.
00:07:45Mm-hmm.
00:08:06Yeah.
00:08:07Maybe...
00:08:12Yeah.
00:08:13I can't see.
00:08:14Yeah.
00:08:15I can't see.
00:08:17Yeah.
00:08:18I don't know.
00:08:48I don't know.
00:09:18You'll be so busy.
00:09:22We get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:27True.
00:09:33Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:39So I can worry about you.
00:09:44Okay.
00:09:49I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:10:26What kind of stories?
00:10:30Stories that you've prepared.
00:10:32Or I can ask them a list of stories that Dad told me about.
00:10:34Go ahead and ask from your father's list.
00:10:36God rest his soul.
00:10:37Let's start with the war.
00:10:38We went into an air raid shelter.
00:10:42My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and then there was the sound of a bomb.
00:10:50And the man next to us, he said,
00:10:53I was in a shelter last night with my wife and my little boy.
00:10:56And half of it got blown away.
00:10:59There was blood in his hair.
00:11:02He was all alone.
00:11:03That nearly finished my mother, you know.
00:11:08Here we were in this tiny town in England,
00:11:10miles from Germany, from Russia, from Italy,
00:11:13from any front lines.
00:11:14And this man, he had blood in his hair.
00:11:25Good night.
00:11:26Cappuccino?
00:11:26Good night.
00:11:27Good night.
00:11:27Good night.
00:11:27Good night.
00:11:28Good night.
00:11:28Good night.
00:11:28Good night.
00:11:44We were riding our bikes to school
00:11:59when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:09It feels now as if I'm the only one who remembers that.
00:12:12It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia,
00:12:24or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day.
00:12:35Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:40That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children,
00:12:47not just your father.
00:12:50You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:03No one to ask me more boring questions about the war.
00:13:08All right, then.
00:13:10Uh, scusi.
00:13:12Scusi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato inglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oregonese?
00:13:23Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Si.
00:13:26Ah, grazie.
00:13:27They'd been shot through the neck.
00:13:32The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water,
00:13:39and he couldn't tell which was the German side
00:13:41and which was the Allied side.
00:13:43When he came home after something like that,
00:13:47you couldn't really complain to him about anything,
00:13:50now could you?
00:13:50I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So come on.
00:14:27My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm-mm-mm.
00:14:39The viola.
00:14:42Any good?
00:14:44Yes.
00:14:45Very.
00:14:49How do you keep your violin
00:14:50from getting stolen?
00:14:53You put it in a viola case.
00:14:55Right?
00:14:58That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:10Because even though you know it's coming,
00:15:15there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes,
00:15:21and I went to this music-slash-nerd summer camp
00:15:23when I was, like, ten,
00:15:24and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:32You newlywed?
00:15:33No.
00:15:35No.
00:15:36No.
00:15:46That's it.
00:15:47Stop making me feel like a stalker.
00:15:49Fuck.
00:15:49Stop making me feel like a stalker.
00:15:51Fuck.
00:15:51Oh, hey, have you got 50 cents?
00:16:06If you can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:21What brought you out of here today?
00:16:36Fairy.
00:16:36Ha!
00:16:37Fairy.
00:16:39I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn to bones.
00:16:48But can you imagine dying by just sitting there?
00:16:51Yeah, that would suck.
00:16:58In, like, the 1300s,
00:17:00thousands of families lived in this castle.
00:17:03It doesn't smell pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:12I know.
00:17:13I've been coming here every day,
00:17:15and it still gets me.
00:17:17If only we could kill off all the tourists.
00:17:19You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago
00:17:26with this volunteer organization
00:17:28dedicated to studying the relic populations
00:17:31of dolphins and whales in the Gulf of Naples.
00:17:33I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:40No, I just didn't want to go to college,
00:17:41and they paid for me to come over.
00:17:43Before connecting flights,
00:17:44a 72-hour plane ride,
00:17:45but, you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:49How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:52Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:54Thank you very much.
00:17:56Yeah, so I left the program after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:02I stayed on the island
00:18:03because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:07Basically, I used to have ancestors in Ischia,
00:18:09so when I come over,
00:18:10I Facebook this second cousin twice removed.
00:18:12The second cousin twice removed,
00:18:13in case you didn't know,
00:18:14is when one person's great-grandparent
00:18:16is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:20Sorry.
00:18:20Anyway,
00:18:21so this relative gave me the name
00:18:23of this great-uncle
00:18:24who lives on the island,
00:18:25so I show up,
00:18:27he answers the door,
00:18:28and he's, like,
00:18:29the oldest fucker I've ever seen,
00:18:30easily pushing a hundred.
00:18:32A hundred?
00:18:33Yeah, if not older,
00:18:34he's, like, deaf and blind
00:18:36and about four feet tall,
00:18:37and he mumbles a couple of things to me
00:18:38in some crazy dialect,
00:18:40ushers me inside,
00:18:41pours me a glass of wine,
00:18:42and leads me to this basement apartment,
00:18:44and, uh, yeah,
00:18:45I never left.
00:18:51I never left.
00:19:21Love teaches me to feed on flames and tears,
00:19:41to turn withered hope green through desire,
00:19:47to re-enslave my heart each time
00:19:51love frees his noble face
00:19:53from that heavy disdain.
00:19:57Who is that?
00:19:59Vittoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:05You read that in your guidebook this morning,
00:20:07didn't you, Jane?
00:20:09Sneaky.
00:20:11Yeah, I've decided to learn Italian
00:20:12by committing to memory
00:20:13all the sonnets she wrote to Michelangelo
00:20:15in English and Italian.
00:20:17I thought Michelangelo was gay.
00:20:19Ah, according to history
00:20:21and the muscular thighs of his sculptures, yes,
00:20:25but that didn't stop her from loving him.
00:20:29Let's hear it, then.
00:20:31In Italian.
00:20:33Let's hear the poem.
00:20:33Come on.
00:20:36Come on.
00:20:36Okay.
00:20:36Okay.
00:20:36De lacrime a de faco
00:20:40nutria l'alma.
00:20:44Con secca speme
00:20:46reinvedia la voglia.
00:20:50Lega de nuovo il cuor
00:20:52quando de scioglia.
00:20:55Seña maggiore la vista
00:20:57tierra ed alma.
00:20:59I'm impressed.
00:21:08You hungry?
00:21:10Why, you gonna take me out?
00:21:13Yeah.
00:21:18All right, then.
00:21:19Okay.
00:21:24Two pastas with the house sauce, please.
00:21:28Red.
00:21:28White or red?
00:21:29Red, please.
00:21:30Uh-huh.
00:21:31Grazie.
00:21:33So you're really not gonna tell me what you do?
00:21:40I write freelance articles
00:21:42about parties and fashion trends
00:21:43in town and country UK.
00:21:46There's something else.
00:21:47I'm writing a book
00:21:55about my grandmother's experiences
00:21:57in rural England
00:21:58living through two world wars.
00:22:01I recorded her for hours and hours.
00:22:04But now,
00:22:06I don't know.
00:22:09What don't you know?
00:22:10You want to listen?
00:22:13A little?
00:22:15Yeah.
00:22:16Yeah?
00:22:17Yeah, no,
00:22:17I love to listen.
00:22:18That's tangled up.
00:22:35I don't know.
00:22:36Awful as it was,
00:22:43it made you stronger.
00:22:45These days,
00:22:46people whine about all sorts of things.
00:22:49I'm not one of those old people
00:22:50who think my time had the only joy
00:22:52and the only problems.
00:22:52we all have our own private wars
00:22:56every era,
00:22:57but it was nothing like
00:22:59it really brought people together,
00:23:01the war.
00:23:02We helped each other
00:23:04during that time.
00:23:05We had to laugh.
00:23:06We had to smile.
00:23:08Well, if not for ourselves,
00:23:10then for the people we'd lost.
00:23:12I shut that thing off.
00:23:13Would you get it out of my face?
00:23:18That is like,
00:23:20it's like a window in time.
00:23:22This sort of thing
00:23:23you wish you always did
00:23:25before someone died,
00:23:26you know?
00:23:27My husband thinks
00:23:28I'm never going to finish it.
00:23:30I shouldn't care
00:23:31what anyone thinks.
00:23:32We met while I was recording her.
00:23:35Bonding over Granny, huh?
00:23:38Make it sound perverse.
00:23:40That's what it was, right?
00:23:43Buongiorno.
00:23:43Buongiorno.
00:23:44Signori?
00:23:52I got pregnant,
00:23:54so we got married.
00:24:01I lost the baby.
00:24:05I'm sorry.
00:24:06I didn't go back after that
00:24:30to the States.
00:24:31Did you ever hear that story
00:24:40about the Red Strain?
00:24:43I think I might have.
00:24:44Tell me.
00:24:45It's like this Asian proverb
00:24:51says that
00:24:53anyone you're destined to meet
00:24:54like your soulmate
00:24:56or your family
00:24:58or, you know,
00:25:01someone you bump into
00:25:02on the street,
00:25:03we're all connected
00:25:04by this red string.
00:25:08It can be tangled
00:25:10or stretched,
00:25:11but it can never be broken.
00:25:12There's this
00:25:18moment
00:25:19in the tape.
00:25:21I'm sitting,
00:25:22waiting
00:25:22in the airport bar
00:25:24for my flight,
00:25:25and I'm talking
00:25:27into the recorder,
00:25:28rambling on
00:25:29about how I'm about
00:25:30to embark
00:25:31on this amazing adventure
00:25:32and how I'm going
00:25:34to show World War II
00:25:35from a totally
00:25:36different perspective.
00:25:38But
00:25:38I don't know
00:25:47if it's that
00:25:47interesting.
00:25:50That's the whole point,
00:25:51isn't it?
00:25:53Keeping it interesting
00:25:54for yourself.
00:25:57Maybe.
00:26:00Maybe I just want
00:26:01to write about nothing.
00:26:03Everything is nothing.
00:26:04All the best.
00:26:08Grazie.
00:26:09Grazie.
00:26:13Make a wish.
00:26:14Make it great.
00:26:21Okay.
00:26:25Bravo.
00:26:26Bravo.
00:26:27Hey.
00:26:28Come on.
00:26:28Come on.
00:26:28Come on.
00:26:28Come on.
00:26:28What do you mean I'm ready to go?
00:26:38What?
00:26:39Grab my hand.
00:26:40Go, go, go!
00:26:41Oh, my gosh!
00:26:42Oh, my gosh!
00:26:43Oh, my gosh!
00:26:44Oh, no!
00:26:45What?
00:26:46What do you mean?
00:26:55It's the carabinieri!
00:26:57Oh, my gosh!
00:26:58Hey!
00:26:59Hey!
00:27:00Yeah!
00:27:01Hey.
00:27:02Hey!
00:27:03We can't go back!
00:27:04We can't go back!
00:27:06And we can't go back!
00:27:07We can't back me!
00:27:10I'm going to wake!
00:27:11Oh, God!
00:27:14Hey!
00:27:15Oh, God!
00:27:16Hey!
00:27:17Hey!
00:27:18Hey!
00:27:19Hey!
00:27:20Hey!
00:27:21Hey!
00:27:22Hey!
00:27:23Hey!
00:27:24Hey!
00:27:25Hey!
00:27:26Hey!
00:27:27It'd make you feel better if I said I said no one day off.
00:27:30Yes, it's true.
00:27:33It's true.
00:27:35I made the check when I went to the bathroom.
00:27:40You're horrible.
00:27:42You're horrible.
00:27:44You're horrible.
00:27:45Come on, let's go.
00:27:46Come on.
00:27:48Quick.
00:27:49Let's go.
00:27:51Why are we still running?
00:27:53I don't know why we're still running.
00:27:57Oh my gosh.
00:28:14It went up my nose.
00:28:20We come back?
00:28:23Maybe.
00:28:25Maybe it's...
00:28:27not a no.
00:28:29And since I don't have a phone,
00:28:31you're gonna have to give me your number.
00:28:34For cheap thrills and future crimes committed.
00:28:37No.
00:28:40Fair enough.
00:28:41I've got to go catch a fairy.
00:28:56Hey.
00:28:58Why do violists keep their viola cases on their dashboards?
00:29:09Why?
00:29:22So they can park in handicapped spots.
00:29:29Oh.
00:29:32Happy birthday.
00:30:50Yeah, it's so much of this stuff to get through.
00:30:56Got through.
00:30:58Nice.
00:30:58There are the great big events, the things you think you'll always remember, and you do, but there are other smaller, picking a blackberry that's been in the sun or brushing the fingertip of someone you didn't know you loved until you touched them.
00:31:18Nellie was this little collie who wouldn't go on a leash, so she had to sit on a bicycle seat.
00:31:27They stay with me, too.
00:31:29Jane.
00:31:41Janey.
00:31:42Got some pastries.
00:31:46You're still asleep?
00:31:54Jane.
00:31:54Janey.
00:31:55Janey.
00:31:56Janey.
00:31:57Janey.
00:31:58Janey.
00:31:59Janey.
00:32:00Janey.
00:32:01Janey.
00:32:02Janey.
00:32:03Janey.
00:32:04Janey.
00:32:05Janey.
00:32:06Janey.
00:32:07Janey.
00:32:08Janey.
00:32:09Janey.
00:32:10Janey.
00:32:11Janey.
00:32:12Janey.
00:32:13Janey.
00:32:14Janey.
00:32:15Janey.
00:32:16Janey.
00:32:17Janey.
00:32:18Janey.
00:32:19Janey.
00:32:20Janey.
00:32:21Janey.
00:32:22Janey.
00:32:23Janey.
00:32:24Janey.
00:32:25Janey.
00:32:26Janey.
00:32:27Janey.
00:32:28Janey.
00:32:29Janey.
00:32:30Janey.
00:32:31Janey.
00:32:32Janey.
00:32:33Janey.
00:32:34Janey.
00:32:35Janey.
00:32:36Janey.
00:32:37Janey.
00:32:38Janey.
00:32:39Janey.
00:32:40boyfriend i liked some of them they were nice boys but i i didn't i didn't want to leave my
00:32:50mom and dad i wish i had sometimes you know when you were 19 and the world just felt so open
00:32:58and carefree and full of possibility you reminded me of that at that time you were 19 when we met
00:33:07yeah i wouldn't have described this carefree back then not at all well i felt nostalgia
00:33:14or something for youth you're not old hey we ran out on the bill you just ran what do you mean
00:33:22you ran out on the bill perhaps i'm not explaining it well it was it was fun it was just fun
00:33:37how's work the conductor's actually a descendant of water leg which is fascinating
00:33:48the three of us should plan a dinner before we leave i'd like that
00:33:56jane
00:33:56oh my god this is caleb hi no no we were just talking about you we were that's so weird sit
00:34:08please sit down join us oh oh
00:34:19i'm obviously gonna get back pretty soon that's okay i i already ate so i'll just grab a coffee
00:34:26i have the check please in a cafe play for play
00:34:43oh no thank you
00:34:48jane you don't smoke yes i do sometimes at parties
00:34:56you didn't know that well i don't do it a lot
00:35:02grazie
00:35:09italian food's so overrated
00:35:11i love it it's no variety english food on the other hand say what you like about it there's nothing
00:35:18like a good steak and kidney pie i went to this party the other day in this villa owned by this
00:35:25old drunk expat they had like a private chef and everything and uh they were serving this like
00:35:32loaf of meat covered in sauce with all these other loaves and this girl came over to me and said it was
00:35:38a cat no no joke like a roasted mommy cat and her kittens that is disgusting true story
00:35:47why don't you tell leonard one of your viola jokes
00:35:58come on
00:35:58i'm selling my aunt come on let's hear one
00:36:07um i have one
00:36:09what is the definition of perfect pitch
00:36:17what
00:36:17when you throw a viola into the dumpster without hitting the rim
00:36:24you didn't just make that up i did it's too good i did well i'm impressed and i'm stealing it
00:36:32you can pretty much make that joke about any instrument
00:36:35you play anything this and that you know
00:36:44shall we what time to go already
00:36:47already
00:37:00so what's next new agenda
00:37:02caleb um i'm thinking tibet oh tibet really yeah there's this thing called the shopping festival
00:37:09at the end of the summer yeah i've heard about that that's where the the buddhist monks unroll
00:37:13all the tapestries on the hill right the monks the monks the monks
00:37:17it's so pretty how do you support yourself you know a bit of this bit of that
00:37:28oh all right then i'll walk you does anybody have a pen you got a pen yeah i have a pen
00:37:42okay
00:37:47i have a piece of paper you guys should definitely come over to the island i'll
00:37:53take you somewhere fun you know don't knock on the front door come around the side
00:37:57nanny regina
00:38:04thank you and thanks again for yesterday
00:38:11okay
00:38:13ciao
00:38:17how stoned are you come on man she's home pop it's not a big deal
00:38:28so you're saying you smoke back at her occasionally can we do something fun tonight sure
00:38:39i'm fine from here okay see you after work yep i'll be waiting
00:38:47okay
00:39:01Hey.
00:39:02God, you scared me.
00:39:03Are you following me?
00:39:04Maybe.
00:39:05Is that weird?
00:39:06Yeah.
00:39:07Oh.
00:39:08Oh.
00:39:09Oh.
00:39:10Oh.
00:39:11Oh.
00:39:12Oh.
00:39:13Oh.
00:39:14Oh.
00:39:15Oh.
00:39:16Oh.
00:39:17Oh.
00:39:18Oh.
00:39:19Oh.
00:39:20Oh.
00:39:21Oh.
00:39:22Oh.
00:39:23Oh.
00:39:24Oh.
00:39:25Oh.
00:39:26Oh.
00:39:27Oh.
00:39:28Oh.
00:39:29Oh.
00:39:31Oh.
00:39:32I couldn't sleep last night.
00:39:36You told me you were staying near the port so I got the first ferry this morning.
00:39:41I came looking for you.
00:39:43And I can't believe I found you.
00:40:01What are we doing?
00:40:02What are we doing?
00:40:30I think we'll make it out.
00:40:32It's so sexy and beautiful.
00:41:02I can't do this.
00:41:08What?
00:41:09What?
00:41:10Why?
00:41:11Do you do this a lot?
00:41:20What?
00:41:21Do you do this a lot?
00:41:22What?
00:41:23Do you do this a lot?
00:41:24What?
00:41:25Do you seduce women?
00:41:26Is this what you do?
00:41:27You need to be less serious.
00:41:28Don't hurt me.
00:41:29Don't hurt me.
00:41:30Don't hurt me.
00:41:31You need to be less serious.
00:41:32Don't hurt me.
00:41:36Don't hurt me.
00:41:38Don't hurt me.
00:41:40Don't hurt me.
00:42:50He had a moustache.
00:42:52My mother hated moustaches.
00:42:56But he was shipped off.
00:42:59I never saw him again.
00:43:04Anyways, I met your grandfather not long after, and we got married.
00:43:09Was it love at first sight with Grandpa?
00:43:12Love at first sight?
00:43:14Stop that thing.
00:43:15You're home early.
00:43:27I do deserve that.
00:43:29Can I just move for your husband?
00:43:36Jane, I'm sorry.
00:43:37Just give me a minute.
00:43:38I have a hell of a rest of my bed.
00:43:40I've got so much stuff to do.
00:43:45Sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:49Yeah, absolutely.
00:43:50I've got some dinner.
00:43:51I thought we'd just stay in here.
00:43:53The two of us.
00:43:53I've just got to work this thing out for tomorrow.
00:43:57Okay.
00:43:58I'm sorry.
00:43:59I'm sorry.
00:44:00I don't know.
00:44:30Leonard, can we talk?
00:45:00Say cheese.
00:45:29No, you should kind of be in the middle of mine.
00:45:39Hold on a second.
00:45:39That's what our living room is missing.
00:45:52What did you do?
00:46:09Do you want me to hand over my mouth?
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:14Let's go.
00:46:44You're not a girl!
00:46:46Let's go!
00:46:48You're not a girl!
00:46:50You're not a girl!
00:46:52You're not a girl!
00:46:54You're not a girl!
00:47:00Time to play!
00:47:01Come and get us!
00:47:04PIANO PLAYS
00:47:34PIANO PLAYS
00:48:04PIANO PLAYS
00:48:34PIANO CONTINUES
00:48:46PIANO CONTINUES
00:48:52PIANO CONTINUES
00:48:54PIANO CONTINUES
00:48:58Oh, hi.
00:49:01Did I wake you?
00:49:03No.
00:49:06I think I need to be less serious.
00:49:12Yeah, I'm gonna put my pants on.
00:49:16Okay.
00:49:28Yeah.
00:49:31Yeah.
00:49:35Yeah.
00:49:41Yeah.
00:49:46Yeah.
00:52:48My parents thought you were lying about those cats.
00:52:52You said that?
00:52:56Were you?
00:52:57They were delicious.
00:52:59You made me feel nervous.
00:53:19You make me feel calm.
00:53:24You want a drink?
00:53:31You want a drink?
00:53:36You want a drink?
00:53:37You want a drink?
00:53:45You want a drink?
00:53:46You want a drink?
00:53:52You want a drink?
00:53:57I want a drink?
00:53:59Yeah.
00:54:01I just shuffled around all night.
00:54:14It must be lonely.
00:54:44It must be lonely.
00:55:14It must be lonely.
00:55:44It must be lonely.
00:56:14It must be lonely.
00:56:16It must be lonely.
00:56:20It must be lonely.
00:56:22It must be lonely.
00:56:24It must be lonely.
00:56:26It must be lonely.
00:56:28It must be lonely.
00:56:30It must be lonely.
00:56:34It must be lonely.
00:56:35It must be lonely.
00:56:37You're late.
00:56:38No.
00:56:39I can't be late.
00:56:40I know it will be.
00:56:41Jane.
00:56:42Whatever you have to say to me, I wanna hear it.
00:56:43I've committed myself.
00:56:46People are depending on me. I have to go to work.
00:56:52Okay.
00:57:16If it wasn't the war, it would have been something else.
00:57:30There's always something else, isn't there?
00:57:34That's the thing. That's the thing about struggle.
00:57:46I'm going to make some tea. Do you want some?
00:57:52I'm alright.
00:57:59If you go out like that again, just tell me.
00:58:02Don't worry.
00:58:05Okay.
00:58:08I can't seem to figure out what's going on in your head.
00:58:16Do you think everything we've been through actually does us any good?
00:58:30In the long run?
00:58:35Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:46I'll tell you, next time we come to Italy, to get a proper kitchen.
00:59:05I don't know what you want me to say, Jane.
00:59:16One little thing had changed in my grandmother's life, I might not be here.
00:59:39Sometimes I worry I'm not honoring her.
00:59:41With the book?
00:59:48No, with my life.
00:59:55This is it, you know.
00:59:58It ends with me.
01:00:04In the harvest time, we all went to the field where they were cutting the corn.
01:00:08Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:20The horses.
01:00:22Yeah.
01:00:27The horses back then, they were kept beautifully.
01:00:31Dad used to dress them all up, brass things and little horseshoes.
01:00:36He put braids on them.
01:00:40They used to be gorgeous.
01:00:42What are your plans for tomorrow?
01:00:45There was one.
01:00:47Duke.
01:00:49He was a Clydesdale I used to ride down to the marshes.
01:00:53Every night when he finished working.
01:00:54When he finished working.
01:00:59They were lovely days really.
01:01:01Oh.
01:01:08They're gone.
01:01:09For me.
01:01:11Jane.
01:01:13But not for you.
01:01:14Jane.
01:01:16You know, it's different for you.
01:01:18In some ways, it's easier.
01:01:20You haven't got the war.
01:01:21People don't die as much as they did back then.
01:01:24But in some ways, it's more disjointed.
01:01:28You've got to make your own life.
01:01:32One that you love and you can't be afraid of the time.
01:01:37Time is shiftable.
01:01:40Time is shiftable.
01:01:51There are moments in my life that I would trade 60 years to have back again.
01:01:55That's the truth.
01:01:57You'll know the truth when you find it.
01:01:59It'll come to you like something you've known before rather than something you're learning for the first time.
01:02:09Oh, sorry.
01:02:11Ah!
01:02:13What is it?
01:02:15Oh!
01:02:17Oh, you...
01:02:19You all right?
01:02:21Oh.
01:02:23You okay?
01:02:24Yeah, it's on my toe.
01:02:26Oh.
01:02:27It's bleeding.
01:02:28Oh, it's fine.
01:02:30It's fine. It's fine. It's fine. It's fine.
01:02:33Are you finishing that?
01:02:35Yes.
01:02:37Fuck.
01:02:47I met these backpackers last night, Frank and Elsa.
01:02:50She's French, he's German.
01:02:52They're going to Tibet.
01:02:55And I'm going with them.
01:02:59I want you to come with me.
01:03:00I want you to come with me.
01:03:28Here, let's see.
01:03:31It's I'm in the Bible.
01:03:32I love you too.
01:03:34ACI Jaz.
01:03:38Oh, in your head?
01:03:40How did you return today?
01:03:43I want you to have a Löswea today over the course with me.
01:03:45Help me.
01:03:46Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10I'm back.
01:04:11Long day.
01:04:14Oh, what did they know?
01:04:17I don't think I'd chance at doing another stint like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:32That's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:39Are you listening?
01:04:43You found the key to finishing this project?
01:04:56Well, the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:15Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:27Tedious?
01:05:28I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:43There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:49Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:05I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But.
01:06:40Say it.
01:06:42Jane.
01:06:42Say it.
01:06:45I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again and again and again.
01:06:55Please.
01:06:58How does that make you feel?
01:07:00It's not your father.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:13We can adopt.
01:07:15That's not what you want.
01:07:16Is it?
01:07:18Is that what you want?
01:07:19Because I think about it all the time.
01:07:27That the one thing you always wanted, I will never be able to give you.
01:07:41What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:56You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:04I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24See him.
01:08:26Caleb.
01:08:28That kid.
01:08:29Yes.
01:08:29That kid.
01:08:31That child.
01:08:32That kid you've known for two days.
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:48What do you think?
01:08:49I kept waiting for you to see it, to smell it, to sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:03I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:29For losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper.
01:09:34No, no, no, no.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44No, that is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:05I want you to do what you need to do, and then come back to me.
01:10:17No questions asked, no guilt.
01:10:22This is good.
01:10:23I want you to do what you need to do.
01:10:53Bye.
01:10:54Bye.
01:11:19Bye.
01:11:19Bye.
01:11:20Bye.
01:11:20Bye.
01:11:21Bye.
01:11:22Hi.
01:11:48Hi.
01:11:52You want some?
01:12:00Oh, thanks.
01:12:03Oh, thanks.
01:12:11Oh, thanks.
01:12:19Oh, thanks.
01:12:21Oh, thanks.
01:12:29Oh, thanks.
01:12:37Oh, thanks.
01:12:39I'm coming over in a couple of hours.
01:12:47Frank bought a car, so we're going to head out in a couple of weeks or so, you know.
01:12:53We're thinking of driving through Romania and then Ukraine and down through Russia and
01:13:09through Kazakhstan and then straight to Tibet.
01:13:14We're going to head out in a couple of weeks or so, we're going to head out in a couple of weeks.
01:13:24We're going to head out in a couple of weeks.
01:13:28We're going to head out in a couple of weeks.
01:13:57Ciao, buona fortuna.
01:14:10Ciao.
01:14:12Ciao.
01:14:42Jase, you've got to come over to this side.
01:15:00The train's going to be here in a minute.
01:15:10It's four in the morning, the end of December.
01:15:31I'm riding you now just to see if you're there.
01:15:38New York is cold, but I like where I'm living.
01:15:44There's music on Clinton Street all through the evening.
01:15:51I hear that you're building your house deep in the desert.
01:16:03Are you living for nothing now?
01:16:07Hope you're keeping some kind of record.
01:16:13Yes.
01:16:14And Jane came by with a lock of your hair.
01:16:23She said that you gave it to her.
01:16:29That night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:35Why not?
01:16:37I'm not telling you why not.
01:16:39Did you ever go clear?
01:16:43Now shut that thing off.
01:16:45The last-
01:16:46The last..
01:16:47The last..
01:16:49The last time...
01:16:51The last..
01:16:53The last..
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