Mumbai: IANS Exclusive Conversation with Javed-Mohsin and Virag Mishra, where they discussed the creation of the title track ‘Bas Ek Dhadak’ for Dhadak 2. Then, they shared their experience working on the song, highlighting the creative freedom they had and the goal of making it a timeless melody. They talked about the writing process, with Virag venturing into Urdu poetry, and how the song's structure inspired them. After that, the composers and lyricist express their views on remixes and upcoming projects, ending with a sneak peek into their future work.
00:00First of all, you would like to go to Thadak2.
00:04The music and the lyrics, especially,
00:08are the lyrics that are the lyrics of my heart.
00:12People also like that.
00:14What was it made in your mind when you were writing songs and music?
00:23When we were talking about Thadak2's title track,
00:28Azeem Dayani, our music supervisor and many of our friends,
00:34from Dharma,
00:36he gave us a different brief.
00:40He didn't give us any pressure.
00:42He told us in a simple language,
00:44that I need a beautiful, emotional soundtrack
00:49to keep a little promising.
00:51That's it.
00:53He just said that,
01:03just make a beautiful soundtrack
01:05and keep the emotion
01:07and keep a little promising factor in it.
01:10And in this regard,
01:12Thadak2's title track,
01:13just a Thadak2's title track,
01:15we had a crack.
01:17It's written very beautifully,
01:19Virak Sir.
01:21And I had a great love from him.
01:24Shea Goshal Ma'am,
01:26Jubin Nautial,
01:27and our brad, Vishal Mishra.
01:30And this Thadak2's title,
01:35just a song we made,
01:38that everyone had read it,
01:40and I had such a great song.
01:42I have made a big song for my life.
01:47Sir, do you want me to do this?
01:50Yes.
01:51What is your question?
01:54Like Mohsin said,
01:57we got the whole creative freedom.
02:01Our only one goal was to make songs like this
02:05that will become the same.
02:07That was the only thing that we had in our mind.
02:11We have made a song.
02:14We have made a song.
02:16We are very happy that people love us.
02:18People are making rules.
02:21People are making rules.
02:23We are very happy that we have made a song.
02:26We have only thought that it should be a song.
02:30It's so good.
02:32He has written so good.
02:34Shreya Ghoshal Ji,
02:37Jubin Notayal Ji,
02:38Vishal Mishna
02:39He has given us very good.
02:41He has given us justice.
02:42We have made a song.
02:44We have made a song.
02:46We have made a song.
02:48Mr. Vidaak Sir,
02:50what are the lyrics?
02:52What are the lyrics?
02:54The lyrics are written in both ways.
02:59The first one is written over the lyrics.
03:01The lyrics are written over the lyrics.
03:03The lyrics are written above the lyrics.
03:06so in this particular case
03:09Javid Mohsen had a very beautiful melody
03:11which was very narrow
03:14longingness
03:16the structure of the melody was very beautiful
03:20so this was inspired to me
03:23that I removed my writing style
03:25I was known to always write
03:27very simple lyrics and poetry
03:30which I didn't use a lot of big words
03:32or lyrics
03:33but
03:35in this melody inspired me
03:38to push myself as a writer
03:40a little bit
03:41and with the support of Javid Mohsen
03:43I think they encouraged me also
03:46that no sir, let's try it
03:47and we will see how it will be
03:50so and for the first time
03:52I kind of pushed myself
03:54towards Urdu poetry
03:55and used words like
03:57the earth has fallen on the earth
03:59you have been on the earth
04:00the singers have been on the earth
04:02I have written that poem
04:04as a poet
04:06and I have written
04:07your ears
04:07I've been on the other side
04:08now this is a long time
04:08It's a long time.
04:09But in the melody, it's so beautiful.
04:12It's a true look at everything.
04:15So yeah, that was the challenge.
04:18Now what happened?
04:19Let me be very honest about it.
04:23More or less cases, one and the other one will not be different.
04:27No melody by it, no lyrics by it.
04:31But for us, it was a big picture.
04:34We have said that we can give everything in it.
04:36We can give everything in the sky.
04:38We can give everything to ourselves.
04:40And when we can give everything to ourselves,
04:42what will happen?
04:43So we have done that.
04:44Now suddenly, all the world is saying,
04:46look at the Bollywood, romantic ballads, great melodies,
04:49larger than life cinema,
04:50the way we can give everything to ourselves.
04:52So we can give everything to ourselves.
04:54We have pushed you to your own good songs.
04:56My impression is that,
04:58one of the songs were very interesting.
05:04What is the song about when you were talking about,
05:06when you were talking about the Bollywood 2,
05:07when you were talking about the Bollywood 2?
05:09The pressure was not even the same.
05:11And the song about Bollywood 1,
05:14he was made a very beautiful song for Ajayatul Sir.
05:19And when we were making Bollywood 2,
05:23we were just thinking about the Bollywood 2.
05:25One thing I thought was that we will make pressure without pressure and the song will be beautiful.
05:33Now what happens in a beautiful song?
05:35I will tell you that when you make a title,
05:39you need to keep your title as a theme in the picture.
05:45The hero heroine will build up the romance.
05:49The hero heroine will build up the emotion.
05:53After that, it will be used in your background.
05:57The picture will be underlined and it will support a lot of music.
06:03We started making this song.
06:09When we were making this song,
06:11we had to compete with any song.
06:16We had to keep this song in mind.
06:20We will make it a lifelong memory.
06:24This song will be alive and alive.
06:30People will love it.
06:32This song will always be heard.
06:34When you listen to the song,
06:36whatever generation is called Gen Z, Alpha, Beta.
06:42They will love it.
06:44They will become a part of their life.
06:46Yes.
07:00I don't like listening to my ears and ears.
07:03The melody is the same.
07:06We want to bring it back.
07:09This is true.
07:11Some times it was a little miss.
07:14But the melody is the same.
07:17It will come in a few years.
07:20It will come in a few years.
07:22It will never end.
07:24The melody is the same.
07:27And today, the Bollywood music is the same.
07:33The melody is the same.
07:35This year, the melody is the same.
07:41People are enjoying this melody season.
07:46The melody is the same.
07:49People enjoy it.
07:51And when people enjoy the audience,
07:54then their demand is increased.
07:57And we all, artists,
08:00try to complete their demand.
08:03And make the melody good.
08:07And make them happy.
08:09Yes.
08:10Do it.
08:12If you ask the melody love,
08:16Then just after,
08:18let's say it as even after the music,
08:19the melody has hadn't won.
08:21Then we come forward toers.
08:24And,
08:25then we have a VMware.
08:28Something connected through the music as the joy of the song Pastree guys.
08:30Good.
08:32we don't have enough freedom from the producers
08:34who are creative, who are music composers,
08:36who are directors, what do you say about it?
08:38No, we don't have any problem with anyone
08:40and we have freedom
08:42we have freedom
08:44because
08:46because in thinking
08:48we don't need to be a victim
08:50somebody who is
08:52not free from his mind
08:54in his mind
08:56he'll always feel caged
08:58but we don't have this
09:00we don't have this
09:02people are good with us
09:04and producers are good with us
09:06no, that's why
09:08because we understand
09:10the perspective of the other
09:12we understand
09:14if the producer is making a film
09:16then we don't deny
09:18his entitlements
09:20if it's a thought
09:22if it's a thought for the song
09:24then it's important to hear it
09:26because when it comes to a film
09:28we are not the only stakeholders
09:30the singer is a stakeholder
09:32the programmers are a stakeholder
09:34the audiences, the producers, all are stakeholders
09:36toh sunni sabki chahiye
09:38and it has to be a very
09:40free flowing process of ideas
09:42toh seahmati
09:44you know
09:46you know
09:48a good person
09:50you know
09:52you know
09:54sir
09:56sir
09:58sir
09:59sir
10:00sir
10:01sir
10:02Look, this is a team
10:05If the producers who are listening to music
10:10Who are musically blessed
10:14They always capture their things
10:22They are very particular about what songs they want
10:26There are so many producers, there are so many directors
10:29Who are musically blessed
10:33They are musically blessed
10:35And they know how much power of music in a cinema
10:39What should they take from the music director?
10:41So they know what they should select and what melody
10:45They are known since years
10:48They are known since years for their musical selection
10:53Their musical films
10:55Whatever the pictures come from, they don't know musically
10:59Like you take vicious films
11:01Mahesh Bhatt and Mukesh Bhatt
11:03You take Dharma
11:05Dharma is known for musical larger than life songs
11:11They are known for it
11:13Then you say, you take David Dhawan sir
11:16David sir is known for his musical films
11:21So there are lots of, and there are many directors and producers
11:25T-series
11:26They are known for their musical melodies
11:29So there are lots of producers and directors
11:32Who are very very blessed
11:34And they have taken our Bollywood music
11:38You know
11:39They are called the lights
11:40So that they are made up
11:41And they have taken over the mountains
11:43They are a part of the music
11:48They look for songs
11:50And they hear songs
11:51And they enjoy their songs
11:54They are great
11:55As a music composer
11:56You see how much of a music
11:57You are the most passionate
11:59To hold the music producer
12:00To hold the place
12:01You want to lead songs
12:03Like songs
12:04Or
12:05To make songs
12:06the first important thing is to make a good thing, to make a good song.
12:12If your song, your product is good,
12:16then everyone will start to associate with it.
12:20You are responsible for working on your work.
12:24You are responsible for your work.
12:26Rajivirak sir has written a lot of lines.
12:28One line is called Moti, one line is called Relay.
12:32Yes, Moti has written it.
12:36We keep this thing in the focus,
12:40or we keep the pressure on the social media,
12:42that this line will be called in the real,
12:44we do not do it.
12:46We make a good song,
12:48we make a good song,
12:50we make a good song,
12:52we make a good song,
12:54we make a good song,
12:56we make a good song,
12:58we make a good song,
13:00as to say,
13:02like if it is the real song,
13:04or if it is the real song,
13:06we create the song.
13:08But then it should be only about 15 seconds or 30 seconds.
13:12You try to make the whole song so beautiful,
13:14that the people themselves,
13:16make it the key part of that,
13:18and then from themselves,
13:20the real pressure is not a good song.
13:22So what has the pressure of the audience,
13:24The good songs the audience should be given.
13:26But this song is so beautiful that we can make it in which place we can make it real.
13:33So we don't have pressure, we just think that we can make it very beautiful.
13:38Real will automatically become real.
13:40Sir, you can see that the previous song has been a remix or a reprise version.
13:45So how much you said that the audience doesn't feel good?
13:50And what kind of reprise version is that we don't feel good?
13:55Well, it's not that it's not that it's bad.
13:59There are good recreations too.
14:02And some recreations are so magical that they like it from the new generation.
14:13Like we have recreated a song called Zihal-e-Miskin.
14:16When Shreya Ghoshal Ma'am and Vishal Mishra were written by Kunal Verma.
14:25So the song has become so magical that today's generation, I don't know that it's already in the old generation.
14:32Lakshmikan, Parallel Ji and Gulzar Sahib was created by Kunal Verma.
14:38So it's not that the recreations will feel bad for people to feel bad.
14:43If it's made a good way and it's made a good way and it's made a good way and it's made a new idea.
14:48So the recreations also love people to be very much.
14:52So it is not like that, the good music will be made, whether it's in any sense or if people like it or the audience will be appreciated and it will be appreciated.
15:03Look, you will get the love of two generations.
15:05Yes, absolutely.
15:07Lastly, what are the future projects?
15:10And if there are two lines, we can't talk about future projects.
15:16But we are working on multiple projects.
15:19There are many singles and films that we are doing.
