- yesterday
A gifted anthropologist discovers a frozen humanoid being and transports it via the Trans-Siberian Express. However, unknown to him, this creature endangers him and the lives of his fellow passengers.
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Short filmTranscript
00:00:00Textning Stina Hedin www.btistudios.com
00:02:30The following report to the Royal Geological Society by the undersigned Alexander Saxton
00:02:38is a true and faithful account of events that befell the Society's expedition in Manchuria.
00:02:45As the leader of the expedition, I must accept responsibility for its ending in disaster,
00:02:55but I will leave to the judgment of the honorable members the decision as to where the blame
00:03:02for the catastrophe lies.
00:05:22I'm sorry.
00:05:23There is the seat left.
00:05:24My name is Saxton.
00:05:26Alexander Saxton, if you will check, you will find a telegram I sent you three weeks ago,
00:05:31instructing you to reserve accommodation for me.
00:05:33for me. There's nothing I can do. Hello? Yes. Yes. Well, well, look who's here. Professor
00:05:46Saxon, are you still? Dr. Wells. And what are you doing in Shanghai? I've asked you
00:05:51the same thing. Oh, I'm just collecting a few specimens. Miss Jones, let me introduce
00:05:56Professor Alexander Saxon. He dabbles in fossils and bones. Glad to meet you, Professor.
00:06:02Miss Jones has been assisting me. Bacteriology, excellent technician. For a woman, he means.
00:06:32Excuse me. Two private compartments to Moscow, if you please. Two, you say? Will that be all?
00:06:39And three crates of animals. Impossible. I know I'm asking you to perform miracles, Professor.
00:06:46Can I help you?
00:06:47Can I help you?
00:06:48Excuse me. Two private compartments to Moscow, if you please. Two, you say? Will that be
00:06:57all? And three crates of animals. Impossible. I know I'm asking you to perform miracles, Professor.
00:07:04I know I'm asking you to perform miracles, Professor.
00:07:05That will help.
00:07:06Come on, Professor.
00:07:08That will help.
00:07:35It's called squeezing, China.
00:07:36The American people know how.
00:07:38And in Britain, we call it bribery and corruption.
00:07:43Now, sir.
00:07:44Excuse me.
00:07:54You...
00:07:56Get out!
00:07:58Sir Alexander Saxton.
00:08:02Yes?
00:08:04Captain O'Hagan, sir.
00:08:06General Wang told me to find you and to make myself useful.
00:08:11Now I remember.
00:08:13I do have Your Excellency's ticket.
00:08:17Your...
00:08:18Your ticket.
00:08:19Right here.
00:08:22And the Lord has mercy on his soul.
00:08:23Not that he deserves it, the dirty thief.
00:08:27You have his things?
00:08:28You knew him.
00:08:29You knew him.
00:08:30Krasinski, the locksmith.
00:08:31He could open any trunk with a hairpin.
00:08:36A thief?
00:08:37A thief?
00:08:38But he was blind.
00:08:39Blind?
00:08:40He could spot a policeman a mile away.
00:08:41I'll be damned.
00:08:42I'll be damned.
00:08:43I'll be damned.
00:08:45The locksmith, he could open any trunk with a hairpin.
00:08:55A thief? But he was blind.
00:08:59Blind? He could spot a policeman a mile away.
00:09:07I'd be damned.
00:09:08The work of the devil.
00:09:26Can I be of any assistance, father?
00:09:31This is yours.
00:09:32It is, but I demand an explanation.
00:09:34Whatever you have here is unholy and must be destroyed.
00:09:51Inspector Mirov, what is in there, excellency?
00:09:55Fossils.
00:09:57What is a fossil?
00:09:59A stone.
00:10:00A stone.
00:10:03Stones.
00:10:04There wouldn't be something valuable in there, like gold.
00:10:07Gold?
00:10:09It's a laboratory specimen.
00:10:11No value to a thief.
00:10:13Where there is God,
00:10:17there is always a place for the cross.
00:10:20Even on this stone floor, just so.
00:10:22No.
00:10:27But Satan is evil.
00:10:29And where evil is, there is no place for the cross.
00:10:33The cross.
00:10:49Rubbish.
00:10:50A conjurer's trick.
00:10:52Captain.
00:10:53Yes, sir.
00:10:54You get your men to put the crate on the train.
00:10:55Ready?
00:11:08Lift it up.
00:11:10Off you go.
00:11:25Don't you.
00:11:30Where's the crate's seat?
00:11:32It's not left.
00:11:33Not right now.
00:11:35They want to be careful with this one.
00:11:39Yep.
00:11:40Follow me.
00:12:10Follow me.
00:13:43What are you going to astound the scientific world with this time?
00:13:46You'll read about it in the Society's annual report.
00:13:49It's a remarkable fossil.
00:13:50A fossil?
00:13:52But you've got something live in there. I heard it.
00:13:54You're mistaken.
00:13:56You won't need to feed it, then.
00:13:58The occupant hasn't eaten in two million years.
00:14:01That's one way to economise on food bills.
00:14:07Baggage man.
00:14:13Alinka, what's the matter with you?
00:14:14Yes, Countess?
00:14:16You have a safe for valuables?
00:14:18Yes, Countess.
00:14:18I shall make out a receipt.
00:14:26Excuse me.
00:14:31Alinka's afraid of something.
00:14:33What do you have in that crate?
00:14:36Oh, nothing that would interest Alinka, madame.
00:14:41Normally she likes Englishmen.
00:14:44All we Poles do.
00:14:45I am honoured, madame.
00:14:48Oh, yes.
00:14:49England.
00:14:51Queen Victoria.
00:14:52Crumpets.
00:14:53Shakespeare.
00:14:55I admire Poland, madame.
00:14:57I believe that there is a bond between our countries.
00:14:59My husband, the Count Petrovsky, says that in the 15th century, your King Henry betrayed us to the Russians.
00:15:10Hmm.
00:15:12I hope that you and your husband, madame, will accept my profoundest apologies.
00:15:16Oh, she's really afraid.
00:15:21I wonder what it is.
00:15:24May I escort you back to your carriage, madame?
00:15:29I wonder what it is.
00:15:56Yours?
00:15:58Oh, thank you.
00:15:59Excuse me.
00:16:01Yes?
00:16:03I was on the platform before,
00:16:05when that mad monk was carrying on.
00:16:07Yes?
00:16:09I'm an engineer, a scientist.
00:16:15And this is ordinary chalk.
00:16:19How do you explain it's not writing on that crate?
00:16:23Hypnosis, yoga.
00:16:25These mystics can be very convincing.
00:16:27They can even hypnotize themselves.
00:16:41The fresh food we will pick up.
00:16:43Who will pay for it, sir?
00:16:45Oh, just keep an account of how much you spend.
00:16:49If someone were to drill a little hole in this crate during the night,
00:16:55and take a look at what's inside,
00:16:59I'd be very grateful.
00:17:01I'd be very grateful.
00:17:19Let's you know, though.
00:17:21Help me.
00:17:29In what way, madam?
00:17:37Is this number eight?
00:17:39In the world's confinement.
00:17:41There, there.
00:17:43Don't cry.
00:17:45Everything will be all right.
00:17:51Excuse me.
00:17:53Sorry, dear fellow.
00:17:54I'm afraid you're in the wrong pew.
00:17:55Here.
00:17:57Number eight.
00:17:58Do you see?
00:17:59Eight A.
00:18:01Lower birth.
00:18:03Eight B.
00:18:05Upper birth.
00:18:06Don't worry.
00:18:07Look here.
00:18:08I was supposed to have this compartment to myself.
00:18:10If you don't mind.
00:18:11I'm sorry if I'm in your way.
00:18:12Not at all.
00:18:13Excuse me.
00:18:14I have no ticket, and I have to get out of Shanghai.
00:18:16I'm sure I can make it worth your while.
00:18:18The young lady's in trouble.
00:18:20Well, what do you suggest we do about it?
00:18:23Couldn't you?
00:18:24Couldn't you double up with somebody else?
00:18:26Miss Jones?
00:18:27Steady.
00:18:28I'm sure we can all get along very well together.
00:18:48Sixty sounds.
00:18:49What?
00:18:50ALo Aspaniy.
00:18:51It looks opposite inside your time.
00:18:53Be well.
00:18:55Come here.
00:18:56We're going with Sinnoh.
00:18:57No?
00:18:58Have a good day.
00:18:59I've spent time.
00:19:01I need to fix this issue here.
00:19:03It feels not as though.
00:19:04Listen.
00:19:05What?
00:19:06You can save the game.
00:19:07If that happened, we don't know your Radiation.
00:19:09ll be funny.
00:19:10That's what that happened.
00:19:12I'll get the nutty and I'll ouvir this way.
00:19:15Let's go.
00:19:45Let's go.
00:20:15Let's go.
00:20:45Let's go.
00:21:15Let's go.
00:21:45There's the stink of hell on this train.
00:21:57Even the dog knows it.
00:21:59When the Englishman comes to call, what should I wear?
00:22:08Sure of yourself, aren't you?
00:22:11The blue one with the decollete?
00:22:13Or perhaps the red one?
00:22:19You're jesting with her immortal soul.
00:22:22That's why we keep you, Pujardov.
00:22:26Our immortal souls are your concern.
00:22:28She's afraid of something.
00:22:35Tell me, Pujardov.
00:22:39Yes?
00:22:40Which do you think I should wear for the Englishman?
00:22:44The red or the blue?
00:22:46Enough.
00:22:49I forbid you to talk this way.
00:22:51You forbid.
00:22:52Forgive me, Your Excellency.
00:22:56My concern for the spiritual welfare of the Countess.
00:23:02I forgot myself.
00:23:03I will pray for humility.
00:23:06Pray hard, Pujardov.
00:23:11Or you'll find yourself praying for a job, too.
00:23:14May the Father, the Son, the Lord of the Ghost.
00:23:17Oh, it's the piece I was playing.
00:23:36I wonder who it is.
00:23:47You're unaada.
00:24:13You're a trait.
00:24:14You're a trait.
00:24:15you wish to see us i thought one of you might know what happened to the baggage man
00:24:25i haven't the remotest idea what about you
00:24:29perhaps it had something to do with what's inside that crate
00:24:34i agree with you he was trying to open it when something happened what
00:24:45fortunately he was interrupted yes by whom
00:24:49why are you so worried about it being opened it may be my fault i asked the baggage man to take
00:24:57a look i was curious it was no concern of yours or of yours
00:25:04good night
00:25:07one man dead another missing it's time we open this box
00:25:13you will do no such thing
00:25:15give me the key
00:25:18see if you can open the crate with that
00:25:38go ahead
00:25:41go ahead
00:25:52go ahead
00:25:54go ahead
00:25:54go ahead
00:25:58My God, it's the baggage map.
00:26:28What was in there?
00:26:29I told you, a fossil, part ape, part man.
00:26:32It lived two million years ago.
00:26:34Are you telling me that an ape that lived two million years ago,
00:26:38got out of that crate, killed the baggage man and put him in there,
00:26:41then locked everything up neat and tidy and got away?
00:26:44Yes, I am. It's alive. It must be.
00:26:47Lock him up.
00:26:48We'll search the train and find it, whatever it is, and destroy it.
00:26:52But if it's alive...
00:26:53I want this kept quiet.
00:26:55I don't want to panic the passengers.
00:26:58I don't want to panic Loisy, you know.
00:27:02I don't want to panic the passengers.
00:27:03Go on, doctor.
00:27:25I don't want to panic.
00:27:26Oh, my God.
00:27:56Oh, my God.
00:28:26Oh, my God.
00:28:56Oh, my God.
00:29:26Oh, my God.
00:29:56Oh, my God.
00:30:26Oh, my God.
00:30:56Oh, my God.
00:31:26Oh, my God.
00:31:56Oh, my God.
00:32:26Oh, my God.
00:32:56Oh, my God.
00:33:26Oh, my God.
00:33:56That box of bones, madame, could have solved many of the riddles of science.
00:34:02If the theory of evolution is confirmed, if the science of biology is revolutionized, if the very origin of man is determined.
00:34:10I have heard of evolution, it's immoral, it's immoral, it's a fact, and there's no morality in a fact.
00:34:18And what about the baggage man, and what about the baggage man, and what about the baggage man, and what about the baggage man and that poor thief at the station.
00:34:28And that poor thief at the station.
00:34:31What about them?
00:34:32They are dead.
00:34:37Was your creature responsible for that?
00:34:40Probably.
00:34:43And you don't care?
00:34:47A baggage man and a thief?
00:34:55You're right, madame.
00:34:56I don't care as much as I should.
00:35:04Can you tell me how he died?
00:35:10Smooth as a baby's bottom.
00:35:12You saw this man today and he was normal?
00:35:15Absolutely.
00:35:16It must be a mutation, a freak of nature.
00:35:18What's so special about this brain?
00:35:21Learning and memory are engraved on the normal brain.
00:35:25Leaving a wrinkled surface.
00:35:31This brain has been drained.
00:35:33The memory has been removed.
00:35:36Like chalk erased from a blackboard.
00:35:38I talk to you once again.
00:35:42I'm sick of a blackboard.
00:35:44I've got to know.
00:35:45This real story was out of the allí小心.
00:35:48tendency of getting you.
00:35:49Okay.
00:35:49If your hawk is before me.
00:35:50And now, before you're tracking me,
00:35:52it would have been more active and wealthy朋友,
00:35:53ט gifted at home.
00:35:54Because you've been keeping me off on the carretera,
00:35:55because if we didn't go on the battlefield,
00:35:57accordingly I'll track you on some thigh.
00:35:58It was 7 years ago.
00:35:59So tall, let's watch your�물 on the rock trail.
00:35:59Please wait on Rochow.
00:36:00I believe on yourugu company who就VES
00:36:01Every hero's chocolate for me.
00:36:02But!
00:36:03Don't expect you to have to meet you,
00:36:03and he will learn to move on the road.
00:36:04So dulllikat by choose your空.
00:36:05Come in.
00:36:35It's all yours.
00:36:39I won't be long.
00:36:40I won't be long.
00:36:42I won't be long.
00:36:44I won't be long.
00:36:46I won't be long.
00:36:48I won't be long.
00:36:50I won't be long.
00:36:54I won't be long.
00:36:56I won't be long.
00:36:58I won't be long.
00:37:00I won't be long.
00:37:02I won't be long.
00:37:04I won't be long.
00:37:06I won't be long.
00:37:08I won't be long.
00:37:10I won't be long.
00:37:12I won't be long.
00:37:14I won't be long.
00:37:16I won't be long.
00:37:18I won't be long.
00:37:20I won't be long.
00:37:22I won't be long.
00:37:24I won't be long.
00:37:26I won't be long.
00:37:28I won't be long.
00:37:30I won't be long.
00:37:32I won't be long.
00:37:34I won't be long.
00:37:36I won't be long.
00:37:38I won't be long.
00:38:08I won't be long.
00:38:10I won't be long.
00:38:12I won't be long.
00:38:14I won't be long.
00:38:16I won't be long.
00:38:18I won't be long.
00:38:20I won't be long.
00:38:22I won't be long.
00:38:24I won't be long.
00:38:26I won't be long.
00:38:28I won't be long.
00:38:30I won't be long.
00:38:32I won't be long.
00:38:34I won't be long.
00:38:36Oh, my God.
00:39:06Miss, it's Dr. Wells.
00:39:24Miss, are you all right?
00:39:36Miss, it's Dr. Wells.
00:40:06Miss, are you there?
00:40:36Miss, it's Dr. Wells.
00:41:06Come on.
00:41:36Come in.
00:42:07Feeling better?
00:42:10Yes.
00:42:12Anything wrong?
00:42:14That woman who was killed.
00:42:17The engineer, you know, the chess player.
00:42:19He told me that she was an international spy.
00:42:23Yes, I know.
00:42:25Oh, you do?
00:42:27Well, could that fact have had anything to do with her death?
00:42:30What do you think?
00:42:33Dr. Wells and I performed an autopsy on her.
00:42:37Her brain was completely smooth, just like the baggage man's. Everything had been erased.
00:42:42Now, I have a theory about this.
00:42:43I'm only a policeman, Professor. I don't have much education.
00:42:49Well, I'd make it simple.
00:42:51Supposing that creature, the one you killed,
00:42:54was capable of taking ideas directly from other people's brains and transferring them to its own.
00:43:00You mean it sucked other people's brains?
00:43:04Absorbed through the eyes.
00:43:09That was our first clue, the eyes going white.
00:43:13Then, if the beast had absorbed your brains,
00:43:17all of your education would have gone into its brain.
00:43:21It would have been as clever as you.
00:43:24Much more so, because
00:43:25what it had taken from me
00:43:28would have been added to the learning that it already had.
00:43:31Professor, spy,
00:43:33baggage man, thief.
00:43:37What was the creature looking for?
00:43:39Well, that we'll never know, now that it's dead.
00:43:42And yet...
00:43:44What?
00:43:46A creature like that.
00:43:50How would it ever die?
00:43:54Inspector?
00:43:54What is it?
00:43:55I found this.
00:43:56The animal had it.
00:43:58The animal had it?
00:43:59Give it to me.
00:44:02It belonged to Count Petrovsky.
00:44:04How do you know?
00:44:06I saw him put it in the safe.
00:44:09I saw him put it in the safe.
00:44:10I saw him put it in the safe.
00:44:10I saw him put it in the safe.
00:44:11I saw him put it in the safe.
00:44:13I saw him put it in the safe and down.
00:44:18Steel.
00:44:20Harder than a diamond.
00:44:22That's why the spies are after it.
00:44:24French.
00:44:25German.
00:44:26English.
00:44:27But they're wasting their time.
00:44:30What really matters is the formula.
00:44:33And that gentleman is safe.
00:44:36Up here.
00:44:39what happened to the girl the spy she's dead the fossil or whatever it was killed her but
00:44:49there's no more danger countess beast is not dead i put four bullets into him
00:44:54you think evil can be killed with bullets
00:45:00satan leaves the unholy one is among us
00:45:30specimen job
00:45:47what do you expect to find in the eye fluid i don't know
00:46:00why this is incredible what
00:46:30why it's the last thing the creature saw
00:46:32police inspector the image has been retained in the fluid
00:46:39exactly the creature's visual memory is located not in its brain but in the eye itself
00:47:00the creature's visual memory is
00:47:21can you identify anything it's a brontosaurus
00:47:32a pterodactyl
00:47:51incredible this is not a map
00:48:15it can only be the earth seen from space
00:48:17i hope i'm not intruding people on the train are becoming afraid professor
00:48:24people on long journeys become bored madame they crave excitement
00:48:30then there's no more danger it's all finished
00:48:34and what about your science the evolution you were talking about
00:48:40look for yourself
00:48:43come here pujadov
00:48:59there's something i want to show you
00:49:03look
00:49:09it is the holy reed
00:49:28on the second day he created the earth
00:49:34where did you get it
00:49:41there from the creature's eye
00:49:44the eye of satan
00:49:51nonsense there's a scientific explanation
00:49:54you know it
00:49:57no
00:50:00not yet
00:50:03for the fall
00:50:08before satan was banished from the throne of god
00:50:12the evil one looked down from heaven
00:50:16and did see
00:50:18rubbish
00:50:18hujadov
00:50:30hujadov
00:50:44where is he
00:50:45i don't know
00:50:47he's gone mad
00:50:49i'll look in the baggage car
00:50:56right
00:50:56i don't know
00:51:07here's a lot of applications
00:51:09we need respect to the evil one
00:51:10there's nothing
00:51:10but he needs to be
00:51:11to see
00:51:12we need help
00:51:13and we can hope
00:51:13to see
00:51:14you
00:51:14we need to travel
00:51:15and have you
00:51:16and have you
00:51:17and have you
00:51:17to see
00:51:18and have you
00:51:19let's see
00:51:19Let's go.
00:51:49Looking for the thief, Miss Jones?
00:52:05You know about it.
00:52:07What's all the fuss?
00:52:13You get back that eye and there's a thousand rubles in it for you.
00:52:19A thousand rubles for an eye?
00:52:23There's something in it.
00:52:26Pictures.
00:52:28Pictures of what?
00:52:31Pictures of the earth in prehistoric times.
00:52:35Pictures of the earth seen from space.
00:52:38Who else has seen such pictures?
00:52:41Dr. Wells, Professor Saxton, and that pretty countess.
00:52:47I see.
00:52:48her.
00:52:56Oh, man.
00:53:11Let's go!
00:53:41Have pity! Have pity!
00:54:01Are you going to kill me?
00:54:05Fool, there's nothing in your head of any use.
00:54:11Another killing.
00:54:25Stop the train!
00:54:27I have no right!
00:54:28I want to get off!
00:54:29There's no law!
00:54:30Quiet!
00:54:31There's been talk about getting off the train.
00:54:34Well, you can forget it.
00:54:36I'll complain to the authorities!
00:54:37I'm not one of your musics!
00:54:39If necessary, I'll shoot anyone who tries to stop the train.
00:54:42Shoot! Shoot, you stupid Russian!
00:54:45Who else has seen such pictures?
00:54:51Dr. Welles.
00:54:52Professor Saxton.
00:54:53And that pretty countess.
00:54:54Welles.
00:54:55Saxton.
00:54:56Countess.
00:54:57Welles.
00:54:58Saxton.
00:54:59Countess.
00:55:00Welles.
00:55:01Saxton.
00:55:02Countess.
00:55:03Welles.
00:55:04Saxton.
00:55:05Welles.
00:55:06Welles.
00:55:07Welles.
00:55:08Is this creature dead or not?
00:55:12If it is, who killed Miss Jones?
00:55:13Do you have any idea?
00:55:27No, Inspector.
00:55:28No, Inspector.
00:55:29I haven't.
00:55:30But I've asked the conductor to wire ahead to stop the train at the next station.
00:55:34What's the idea?
00:55:59Tell me who you are.
00:56:27Tell me, I will serve you.
00:56:34I want to help you.
00:56:52It's like some contagious disease.
00:56:56Well, if there's a disease, there must be symptoms.
00:57:00Fever?
00:57:01You could take everyone's temperature.
00:57:03The eyes.
00:57:05Why do their eyes go white?
00:57:07Do you think it's true what they say about those horrible white eyes?
00:57:31Oh, that part is true enough.
00:57:32Oh, Inspector.
00:57:33It's only you now.
00:57:34What about me?
00:57:35Your eyes.
00:57:36We must examine your eyes too.
00:57:37Certainly.
00:57:38Perhaps you should test for radiation or other invisible rays.
00:57:45X-rays?
00:57:46Well, it's a thought, but on this train, how would we go about it?
00:57:52Are you a scientist?
00:57:53An engineer, but I try to keep up with things.
00:57:59That's to be admired.
00:58:00Inspector.
00:58:01Inspector, I suggest you tell all these people to stay together in groups or in pairs.
00:58:06so that if anything does happen to anybody, then somebody can raise the alarm.
00:58:18On no account must anybody be left alone.
00:58:21does happen to anybody, then somebody can raise the alarm. On no account must anybody
00:58:26be left alone.
00:58:51On no account must anybody be left alone.
00:59:19Use of the train.
00:59:47The train will be here in exactly 14 minutes.
00:59:5414 minutes?
00:59:56Yes, Your Honor. That's what it says here.
01:00:02It doesn't say it in words, Your Honor, but in code. It's like another language.
01:00:11I know about telegraphs, little Papa. I know about trains. I know about electrical currents.
01:00:20On your feet, everybody. Outside full pack.
01:00:27Even though I still believe in God, I don't like to be made a fool of.
01:00:30No, Your Honor. I wouldn't do that.
01:00:39Tell me, little father, do you believe in the devil?
01:00:48Yes, Your Honor.
01:00:49Oh, good. Send a telegram.
01:00:55Tell him that Captain Kazan, he knows that a horse has four legs. He knows that a murderer has two arms.
01:01:04But still, the devil must be afraid of one honest Cossack.
01:01:13The devil must be afraid of a human being.
01:01:23earth gravity you know how to measure it how to measure gravity what I would like to know is
01:01:43can gravity be overcome if you mean can man get beyond the gravitational field of the earth into
01:01:51space not yet but any day now someday there is a mathematics professor his name is Tchaikovsky
01:01:59he has ideas about rockets machines that can fly free of the earth's gravity you know him
01:02:07Tchaikovsky was one of my teachers he was like a father to me but why would a man like you be
01:02:19interested
01:02:49What do you think is behind all this, Excellency?
01:02:54Look at this.
01:02:57That's what we saw under the microscope.
01:02:59It shows the Earth, as it might look from space.
01:03:02What does it mean?
01:03:04It means that millions of years ago,
01:03:07something, some form of intelligence,
01:03:09came to the Earth from another planet.
01:03:12The atmosphere of the Earth was new to it, different.
01:03:15But it learned how to survive.
01:03:17How?
01:03:19By entering into the body and brain of an Earth creature,
01:03:24the fossil that I found and brought with me.
01:03:27And this thing from another planet survived the fossil,
01:03:30then came to life again?
01:03:32Exactly.
01:03:33Go on, Professor.
01:03:35The animal that you shot was only the host.
01:03:40And when that animal died,
01:03:43the alien intelligence transferred somehow to another host.
01:03:50It's alive in someone on this train.
01:03:56You're a very good detective.
01:03:58You've discovered everything except who is now the host.
01:04:02That's our next step.
01:04:04Thought this might come in handy.
01:04:06Oh, good idea.
01:04:07The two of you together.
01:04:08That's fine.
01:04:09But what if one of you is the monster?
01:04:12Monster?
01:04:13They're British, you know.
01:04:15But you must have seen something.
01:04:28I told you I was asleep.
01:04:30He knew about the white eyes.
01:04:33He told me.
01:04:35When you fell asleep, the lights were on.
01:04:38And when you woke up?
01:04:39They were off.
01:04:40Are you sure?
01:04:41Positive.
01:04:42It was dark.
01:04:43I put the lights on.
01:04:44And that's when I found him beside me.
01:04:47When we did the test, the lights were on.
01:04:52Master.
01:04:57Master.
01:05:27Inspector.
01:05:28This steel at high temperatures, what happens to it?
01:05:44It gets stronger.
01:05:46What temperatures, for example?
01:05:4810 or 12,000 degrees.
01:05:50Where on earth would you get such temperatures?
01:05:53Nowhere on earth.
01:05:55You.
01:05:56We once.
01:06:01Oh, watch.
01:06:02We've got lorbeats.
01:06:03You.
01:06:04That's a disciple.
01:06:05It!
01:06:06Oh, wait.
01:06:07I hope it's okay.
01:06:09Oh, wait.
01:06:10Oh, wait.
01:06:12Oh, wait.
01:06:14Oh, wait.
01:06:15Oh, wait.
01:06:17Whoa, wait.
01:06:19Oh, wait.
01:06:20Oh, wait.
01:06:21Oh, wait.
01:06:22Oh, wait.
01:06:23Oh, wait.
01:06:24The Tsar will hear of this. I'll have you sent to Siberia.
01:06:41I am in Siberia.
01:06:43This is Countess Irina Petrovska.
01:06:45And I am Count Marian Petrovski.
01:06:48Oh, Your Excellencies, I'm sorry.
01:06:50Of course, the Count and Countess are exempt from our orders.
01:06:56Please, escort them to their car.
01:07:08Peasants.
01:07:11Peasants!
01:07:20Are you a Countess?
01:07:23I'm an American, and I'm not accustomed to being bullied by foreigners.
01:07:27That man, he's the one who wouldn't let us get off the train. He's responsible.
01:07:38Your Excellency, I'm a police inspector.
01:07:41Everybody's under arrest!
01:07:43Including you.
01:07:51Who are the killers? Who?
01:07:53Who are the troublemakers?
01:08:02Who are the foreign influencers, eh?
01:08:06Oh!
01:08:07Don't worry. I'll smoke them out.
01:08:14What's he raving about?
01:08:26You English believe in free speech, don't you, huh?
01:08:30Certainly.
01:08:31If instead of babbling nonsense, you investigate this property.
01:08:34Oh!
01:08:35This is outrageous!
01:08:39So.
01:08:42You are a police inspector, huh?
01:08:44Yes, Captain.
01:08:46Mirov is my name.
01:08:48Mirov!
01:08:48Oh, Mirov.
01:08:52That's a good Russian name, Mirov.
01:08:56Tell me, Mirov.
01:08:59What do you know about all the filth that's going on here, huh?
01:09:02Filth?
01:09:02Oh, come on, Inspector.
01:09:04Certainly you know what I'm doing here, don't you?
01:09:07You just point out the suspects, and I promise you I'll get the truth out of them.
01:09:12You're mistaken, sir.
01:09:15Mistaken?
01:09:16Fool!
01:09:16Get back!
01:09:26Get back!
01:09:26Get back!
01:09:28Back!
01:09:29Or I will put the curse on your heads.
01:09:37He has the evil eye.
01:09:38Beware the wrath of Satan.
01:09:50Beware the wrath of Satan.
01:09:51Get youção!
01:09:52Um?
01:10:12On your knees, Monk.
01:10:13We must try and stop this.
01:10:43He was trying to protect you.
01:10:57Why?
01:10:58He's mad.
01:11:02Who are you?
01:11:04I told you, a policeman.
01:11:13No!
01:11:31No!
01:11:36You saw his eyes.
01:11:49One look at them and you're dead.
01:11:53Come into me, Satan.
01:12:10Thine is the kingdom and the power and the glory.
01:12:16Thy will be done on earth as it is in hell.
01:12:22Now anything, anything that moves near that door, kill it!
01:12:27But wasn't the monkeys innocent?
01:12:30We got lots of innocent monks.
01:12:33All right, let's move these peasants out of here.
01:12:35Quickly!
01:12:52Let's go!
01:12:53Let's go!
01:12:54Let's go!
01:12:55Let's go!
01:12:56Let's go!
01:12:57Let's go!
01:12:59Let's go!
01:17:31You know, in spite of everything, Pujatov had a certain affection for you.
01:17:45Yet you humiliated him often, even in front of the Countess.
01:18:01Let's go.
01:18:31Oh, he's dead.
01:18:44You killed him.
01:18:46If you want to kill Pujardov, it's too late.
01:18:50I see you hanged.
01:18:53The poor monk, he loved you more than he loved the promise of heaven.
01:19:01Over there.
01:19:06Quickly, over there.
01:19:07Irina, behind me.
01:19:17It would be a mistake to kill me.
01:19:20Who are you?
01:19:22In words, it's difficult.
01:19:24I am a form of energy occupying this shell.
01:19:29Where do you come from?
01:19:32Another galaxy.
01:19:36I came with others like myself.
01:19:39I was left behind.
01:19:41An accident.
01:19:43I survived in proto-zones.
01:19:45Fish, vertebrates.
01:19:48The history of your planet is part of me.
01:19:54Pull the trigger.
01:19:55And you will end it.
01:20:02What am I to do with you?
01:20:05Let me go.
01:20:07That's not possible.
01:20:08It is possible.
01:20:12I will teach you to end disease, pain, hunger.
01:20:20Wait.
01:20:23There's something more.
01:20:25I will show you.
01:20:49Now this is a place.
01:20:50I don't know.
01:21:20Oh
01:21:50Let me go
01:22:20Oh
01:22:24No
01:22:28No
01:22:32No
01:22:50No
01:22:52No
01:22:54No
01:22:56No
01:22:58No
01:23:00No
01:23:02No
01:23:04No
01:23:06No
01:23:08Saxton thank God stand back these make room
01:23:38Bosco says to stop the Express when it goes through the switching point
01:24:08that means killing everybody on board
01:24:15that's what it says
01:24:19maybe there's a war
01:24:21maybe it's war
01:24:25yeah
01:24:32yeah
01:24:37yeah
01:24:40yeah
01:24:47yeah
01:24:55yeah
01:24:59yeah
01:25:06yeah
01:25:08yeah
01:25:13yeah
01:25:18yeah
01:25:21yeah
01:25:25yeah
01:25:30yeah
01:25:33yeah
01:25:37yeah
01:25:40yeah
01:25:43yeah
01:25:44yeah
01:25:46yeah
01:25:47yeah
01:25:51yeah
01:25:56yeah
01:26:00yeah
01:26:03yeah
01:26:07yeah
01:26:08yeah
01:26:10yeah
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