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बिहार की माधवी मधुकर संस्कृत स्तोत्र गाने से बनाई अलग पहचान, अमेरिका तक लोग कायल
ETVBHARAT
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2 days ago
भागलपुर की माधवी मधुकर आज किसी पहचान की मोहताज नहीं हैं. उन्होंने संस्कृत स्तोत्र गायिका के रूप में पूरे विश्व में अलग पहचान बनाई है.
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00:00
Isha Girishanareshapareshamaheshavileshayabhushanbho
00:06
Sambhsadashivshambhoshankarsharnammetavcharnayugam
00:13
Jatajootmathye suragangavarim
00:20
Anangarangasavaram namamikrishnanagaram
00:27
Namamikrishnanagaram
00:30
Namaskar, आप देख रहे हैं ETV भारत
00:33
आज मेरे साथ बाचित करने के लिए
00:35
देश की परशिद संस्कृत गाई का मादवी मधुकर है
00:39
उनी से सीधे समझने का पर्याश करते हैं
00:42
कि उन्होंने संस्कृत को क्यों चुना
00:43
असंस्कृत मेरे अभी तक काल में क्या चुनोती मिल रही है
00:46
संस्कृत को ही आपने क्यों चुना गाई का हूँ
00:50
पहले तो मैं बहुत-बहुत धन्यवाद देना चाहूंगी
00:53
ETV भारत का
00:54
जो मैं आज आपके माद्यम से अपने श्रोता गनों से जुद पा रही हैं
00:59
और हां संस्कृत मैंने जान बूज कर चुना
01:04
एक तो ये देव भार्षा है
01:06
और बहुत सारे वेद पुराणों में ऐसे कितने स्तोत्र और श्लोक है
01:10
जो अभी तक जन्मानस तक नहीं पहुँच पाए है
01:13
और मैं चाहती हूँ कि मैं अपना योगदान इतना दे सकूँ
01:16
कि हर घर में स्तोत्र और भजन बजे
01:19
और प्रभू से हम उतना ही ज़्यादा जोड़ पाएं
01:22
क्योंकि भजन गाकर स्तोत्रों के उच्चारन से जो संस्वित भाशा है
01:27
जो हिंदी में नहीं हो सकता
01:29
वो संस्वित में हो सकता है
01:31
उससे जो हमारे मस्तिस्क में वो शांती मिलती है
01:35
और वो जो पॉजिटिव एनर्जी मिलती है
01:38
वो संस्वित के माधिन से ज़्यादा हो सकता है
01:41
हम अपने आपको ज़्यादा प्रभू से जुड़ा महसूस कर सकते हैं
01:45
I started my channel a few years ago, I was performing live in 6-7 years, and I was working with my Shrotagana.
01:56
Chunautiya is a lot in Sanskrit, because the clear voice and clarity is very important.
02:04
Yes, in Sanskrit competition comparatively, is less than Hindi, because there are fewer people in it.
02:12
Because there are more challenges, you have to research, you have to find strength,
02:18
so that there will not be a challenge.
02:22
I have also been connected to many Sanskrit people,
02:27
which have also been connected to many Sanskrit people,
02:30
which I have been working with during this time.
02:33
For this reason, whatever I have given my work, I would like to name all my gurus.
02:38
Who is it?
02:40
You have heard about the Guru Shankarachari.
02:42
You have heard about the Guru Shankarachari.
02:46
Who is it?
02:48
Yes, the Guru Shankarachari is our gurus.
02:52
I am a guru.
02:54
I am a guru, like I am a guru.
02:56
I am a guru.
02:58
I am a guru.
03:00
I am a guru.
03:02
I am a guru from all the gurus.
03:04
I am a guru.
03:06
I am a guru.
03:08
I am a guru towards all the gurus.
03:10
And the
03:25
No, I was singing from childhood, because I am a joint family from a joint family.
03:32
My father and mother, we were all alone in the house,
03:39
Devya Prashamapans Tothra, Ram Charit Manas, Rood Rashtakam Namami Shamishan.
03:46
There were many things that we had in childhood.
03:50
So, we thought that people sing every day, every day in Pooja Paat,
03:57
why not do it with this?
03:59
So, I did it with this.
04:01
And yes, when I came to Delhi, I got support of my family.
04:12
And then, we had a new start.
04:15
We could have been able to give this sensitivity to the future.
04:20
I would like to tell you that I am joined by the Akatma Dham in Madhya Pradesh,
04:25
where I have taught Sotra.
04:28
And they are not such children, they are all lecturers and scholars,
04:35
and they are also taught.
04:38
They are also joined by Akatma Dham,
04:43
and they are joined by Akatma Dham.
04:45
They are taught by Sankaracharya, and they are taught by Ved Upanishad.
04:51
And my small work is that I take online classes,
04:55
and I work to teach all of them.
04:58
When you were in Ayodhya Dham,
05:01
when you were in the Mandir Ji,
05:04
did you share some experience there?
05:07
In every place, the name of God,
05:10
and the name of God Shri Ram,
05:12
was very unique.
05:14
When I went there,
05:15
I couldn't explain what I could do there.
05:18
I had a lot of joy,
05:20
and the Mandir was also taught,
05:22
and in many works,
05:23
I went to that time for 3-4 times.
05:25
It was very good.
05:27
Shri Ram was also a man of God.
05:29
It was only God's grace,
05:31
and it was only God's grace.
05:32
Did you think that you were able to do it?
05:34
No.
05:35
I don't think that I was as good as a man,
05:37
but I didn't plan anything.
05:39
Even in my life,
05:41
I didn't plan anything.
05:42
Even today,
05:43
the work that I'm doing in Namami Gangi Ghath,
05:45
and Sultan Denj,
05:47
the work that I have done in Shraabani Mila,
05:50
the work that I have done,
05:51
is that what will be done?
05:53
I am also here in Bhaagalpur and today my work is 6-8 days, so that's how it is.
06:06
When you had a call from Ayodhya Dham, how did you feel?
06:12
I was very happy for me and I also covered many channels.
06:19
There was a lot of fun and fun, and there was a lot of fun.
06:24
Ultimately, I will say that the fun of Sarayu Nadi was in the mountains,
06:30
and I performed with my Madhuramrind and Sangitikrind in the mountains as well.
06:36
It was very good.
06:38
I am not able to understand myself from the mountains,
06:42
but the fun of Sarayu Nadi is here.
06:44
Like in Sultan Mananj,
06:46
like in Ganga Ghat,
06:48
she can come to Ganga Ghat.
06:50
That's the fun of Sarayu Nadi.
06:53
You were gone to Mukai Sambhani's daughter.
06:56
What was the mood for there?
06:58
Yes, I was invited to Anand Maneji's wedding.
07:01
I was invited there.
07:03
Look at this,
07:04
in every room of Shetra,
07:05
there were different things.
07:06
I had a different mood.
07:08
It was different.
07:09
It was different.
07:10
It was different.
07:11
It was different.
07:13
It was different from many people.
07:14
I received a great honor to my family and family.
07:16
It was great.
07:17
It was good.
07:18
I was also invited to my mantra in the morning.
07:22
There was also a prayer in Vishnu Shahe Shah.
07:24
There is a story in my Vishnu Shaisanaam.
07:28
So I will say that I have the opportunity to connect with God.
07:34
If I am doing it for God, I am doing it for God.
07:39
So I have to give it to God.
07:41
When you sing in Sanskrit, do you write yourself?
07:47
Adhikansh, I am Adhikansh, Adhiguru Shankaracharya.
07:53
There are so many of us in the Shankaracharya.
07:57
There are so many of us in Ramacharitma.
08:01
There are so many of us in our Ved Puran and Granth.
08:06
There are so many of us in the Ved Puran,
08:08
which can reach very few people.
08:10
So I am doing it for Sringeri Peet.
08:14
There are so many of us in the Shringeri Peet.
08:17
So I am doing it for them.
08:19
There are so many of us in the Shri Mataji.
08:23
If there are so many of us in the Shri Mataji,
08:26
then I am doing it for me.
08:28
And then I am doing it for me to record it.
08:32
One of the things that I have written about Shri Mataji,
08:39
I have written about Shri Mataji.
08:41
There are so many professors that ask me that you can write this song.
08:47
There is some that I have written about Shri Mataji.
08:49
you can sing this story, so there is something that I have sung, but Adhikansh, Adhiguru Shankarachar's story.
08:56
Adhiguru Shankarachar.
08:58
2-3 hantra, which is your pleasure.
09:01
Yes.
09:02
The turning point of my life is Shri Krishnashtakam.
09:07
Shri Krishnashtakam is the most successful.
09:11
I will tell you 4 lines.
09:14
Bhajeevrajaykamandanam, Samastpaapkandanam, Swabhattichitranjanam, Sarayvanandanandanam.
09:28
Supichaguchamastakam, Sunadavelluhastakam, Anangarangasagaram, Namami Krishnanagaram.
09:41
Namami Krishnanagaram.
09:44
Shivji Kais.
09:48
Shivji Kais.
09:50
Yes, Shivji Kais.
09:51
Maholavishavavisha.
09:52
Yes, I will tell you.
09:53
I will tell you in Shri Svanwala Stuti.
09:58
Ishagirishanareshapareshamaheshavileshayabhushanbho
10:05
Sambhsadashivshambhoshankarsharunammetavcharunayugam
10:12
Umayadivyasumangalavikrayaringitvamangvibho
10:18
Sambhsadashivshambhoshankarsharunammetavcharunayugam
10:25
Shivayanamam, Shivayanamam, Shivayanamam, Shivayanamam, Namas Shivaya
10:32
Shivayanamam, Shivayanamam, Shivayanamam, Namas Shivaya
10:39
Now, one more question.
10:42
This is Bhagarpur Prashid Uttarwaini Ganga, the Ajgaivinath Mandir, where you have been.
10:47
Do you think that the song has come to you?
10:52
Or is it still?
10:53
Yes, of course.
10:55
I am trying to do it.
10:57
I haven't done it yet.
10:58
But I will give a lot of joy to the Baba Ajgaivinath.
11:05
And you will all enjoy it.
11:08
I have many gurus who write well.
11:12
So I have been able to write them.
11:14
And I will give a lot of joy to Baba Ajgaivinath.
11:18
Let's go, let's go, let's go, let's go, let's go.
11:20
Is there any Bollywood or any house that has come to you offer for singing or singing?
11:27
Look, I have never done Bollywood.
11:32
I have never done it.
11:34
I have never done it.
11:35
I have never done it.
11:36
I have never done it.
11:37
Because I have never done it in the Sanskrit and Stotra, which many people have done it.
11:42
I have never done it.
11:44
And I have never done it in Bollywood.
11:46
I have never done it.
11:47
Like you will know, there was a penchayat web series of Amazon Prime.
11:54
In the penchayat series 3, I was a Sohar.
11:59
I did not sing for them.
12:01
I was also a singer of my channel.
12:03
I liked them and they did it.
12:07
It was Krishna's Sohar.
12:09
There was a song called Devaki Ke Koi Khe Sojana Maala
12:15
Kishnatan hai aare
12:19
Lale nare vidhi ke li khale
12:22
Sanjogaya shoda bhele mayare
12:29
So this song came to me when they approached me
12:33
That we wanted to use this
12:35
I have put my own own family for Bollywood
12:40
No, I haven't even come here
12:44
But I don't want to do Bollywood for Bollywood
12:47
If I have a good story, I want to do it
12:53
But I don't want to do it for the film
12:55
I will not do it for all
12:56
But I want to do it for any other kind
13:01
Along with the last, there is another thing that is close to you,
13:07
although you have all close to it, but it's good.
13:12
I will sing the Shiva Ji.
13:14
Vedasar Shistva.
13:17
Pashunam patim papanasham puresham
13:24
Gajendra sikrittim vasanam varenyam
13:30
Jatajoot mathe surangang varenim
13:37
Mahadev meekam smarami smarari
13:43
This is our story of the land of Pashid, Sanskrit, Gaika.
13:48
We can say that this is Devamani.
13:51
Madhvi Madhukar, Bhagapur, Eitvi Bharat.
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13:19
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