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  • 2 days ago
भागलपुर की माधवी मधुकर आज किसी पहचान की मोहताज नहीं हैं. उन्होंने संस्कृत स्तोत्र गायिका के रूप में पूरे विश्व में अलग पहचान बनाई है.

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00:00Isha Girishanareshapareshamaheshavileshayabhushanbho
00:06Sambhsadashivshambhoshankarsharnammetavcharnayugam
00:13Jatajootmathye suragangavarim
00:20Anangarangasavaram namamikrishnanagaram
00:27Namamikrishnanagaram
00:30Namaskar, आप देख रहे हैं ETV भारत
00:33आज मेरे साथ बाचित करने के लिए
00:35देश की परशिद संस्कृत गाई का मादवी मधुकर है
00:39उनी से सीधे समझने का पर्याश करते हैं
00:42कि उन्होंने संस्कृत को क्यों चुना
00:43असंस्कृत मेरे अभी तक काल में क्या चुनोती मिल रही है
00:46संस्कृत को ही आपने क्यों चुना गाई का हूँ
00:50पहले तो मैं बहुत-बहुत धन्यवाद देना चाहूंगी
00:53ETV भारत का
00:54जो मैं आज आपके माद्यम से अपने श्रोता गनों से जुद पा रही हैं
00:59और हां संस्कृत मैंने जान बूज कर चुना
01:04एक तो ये देव भार्षा है
01:06और बहुत सारे वेद पुराणों में ऐसे कितने स्तोत्र और श्लोक है
01:10जो अभी तक जन्मानस तक नहीं पहुँच पाए है
01:13और मैं चाहती हूँ कि मैं अपना योगदान इतना दे सकूँ
01:16कि हर घर में स्तोत्र और भजन बजे
01:19और प्रभू से हम उतना ही ज़्यादा जोड़ पाएं
01:22क्योंकि भजन गाकर स्तोत्रों के उच्चारन से जो संस्वित भाशा है
01:27जो हिंदी में नहीं हो सकता
01:29वो संस्वित में हो सकता है
01:31उससे जो हमारे मस्तिस्क में वो शांती मिलती है
01:35और वो जो पॉजिटिव एनर्जी मिलती है
01:38वो संस्वित के माधिन से ज़्यादा हो सकता है
01:41हम अपने आपको ज़्यादा प्रभू से जुड़ा महसूस कर सकते हैं
01:45I started my channel a few years ago, I was performing live in 6-7 years, and I was working with my Shrotagana.
01:56Chunautiya is a lot in Sanskrit, because the clear voice and clarity is very important.
02:04Yes, in Sanskrit competition comparatively, is less than Hindi, because there are fewer people in it.
02:12Because there are more challenges, you have to research, you have to find strength,
02:18so that there will not be a challenge.
02:22I have also been connected to many Sanskrit people,
02:27which have also been connected to many Sanskrit people,
02:30which I have been working with during this time.
02:33For this reason, whatever I have given my work, I would like to name all my gurus.
02:38Who is it?
02:40You have heard about the Guru Shankarachari.
02:42You have heard about the Guru Shankarachari.
02:46Who is it?
02:48Yes, the Guru Shankarachari is our gurus.
02:52I am a guru.
02:54I am a guru, like I am a guru.
02:56I am a guru.
02:58I am a guru.
03:00I am a guru.
03:02I am a guru from all the gurus.
03:04I am a guru.
03:06I am a guru.
03:08I am a guru towards all the gurus.
03:10And the
03:25No, I was singing from childhood, because I am a joint family from a joint family.
03:32My father and mother, we were all alone in the house,
03:39Devya Prashamapans Tothra, Ram Charit Manas, Rood Rashtakam Namami Shamishan.
03:46There were many things that we had in childhood.
03:50So, we thought that people sing every day, every day in Pooja Paat,
03:57why not do it with this?
03:59So, I did it with this.
04:01And yes, when I came to Delhi, I got support of my family.
04:12And then, we had a new start.
04:15We could have been able to give this sensitivity to the future.
04:20I would like to tell you that I am joined by the Akatma Dham in Madhya Pradesh,
04:25where I have taught Sotra.
04:28And they are not such children, they are all lecturers and scholars,
04:35and they are also taught.
04:38They are also joined by Akatma Dham,
04:43and they are joined by Akatma Dham.
04:45They are taught by Sankaracharya, and they are taught by Ved Upanishad.
04:51And my small work is that I take online classes,
04:55and I work to teach all of them.
04:58When you were in Ayodhya Dham,
05:01when you were in the Mandir Ji,
05:04did you share some experience there?
05:07In every place, the name of God,
05:10and the name of God Shri Ram,
05:12was very unique.
05:14When I went there,
05:15I couldn't explain what I could do there.
05:18I had a lot of joy,
05:20and the Mandir was also taught,
05:22and in many works,
05:23I went to that time for 3-4 times.
05:25It was very good.
05:27Shri Ram was also a man of God.
05:29It was only God's grace,
05:31and it was only God's grace.
05:32Did you think that you were able to do it?
05:34No.
05:35I don't think that I was as good as a man,
05:37but I didn't plan anything.
05:39Even in my life,
05:41I didn't plan anything.
05:42Even today,
05:43the work that I'm doing in Namami Gangi Ghath,
05:45and Sultan Denj,
05:47the work that I have done in Shraabani Mila,
05:50the work that I have done,
05:51is that what will be done?
05:53I am also here in Bhaagalpur and today my work is 6-8 days, so that's how it is.
06:06When you had a call from Ayodhya Dham, how did you feel?
06:12I was very happy for me and I also covered many channels.
06:19There was a lot of fun and fun, and there was a lot of fun.
06:24Ultimately, I will say that the fun of Sarayu Nadi was in the mountains,
06:30and I performed with my Madhuramrind and Sangitikrind in the mountains as well.
06:36It was very good.
06:38I am not able to understand myself from the mountains,
06:42but the fun of Sarayu Nadi is here.
06:44Like in Sultan Mananj,
06:46like in Ganga Ghat,
06:48she can come to Ganga Ghat.
06:50That's the fun of Sarayu Nadi.
06:53You were gone to Mukai Sambhani's daughter.
06:56What was the mood for there?
06:58Yes, I was invited to Anand Maneji's wedding.
07:01I was invited there.
07:03Look at this,
07:04in every room of Shetra,
07:05there were different things.
07:06I had a different mood.
07:08It was different.
07:09It was different.
07:10It was different.
07:11It was different.
07:13It was different from many people.
07:14I received a great honor to my family and family.
07:16It was great.
07:17It was good.
07:18I was also invited to my mantra in the morning.
07:22There was also a prayer in Vishnu Shahe Shah.
07:24There is a story in my Vishnu Shaisanaam.
07:28So I will say that I have the opportunity to connect with God.
07:34If I am doing it for God, I am doing it for God.
07:39So I have to give it to God.
07:41When you sing in Sanskrit, do you write yourself?
07:47Adhikansh, I am Adhikansh, Adhiguru Shankaracharya.
07:53There are so many of us in the Shankaracharya.
07:57There are so many of us in Ramacharitma.
08:01There are so many of us in our Ved Puran and Granth.
08:06There are so many of us in the Ved Puran,
08:08which can reach very few people.
08:10So I am doing it for Sringeri Peet.
08:14There are so many of us in the Shringeri Peet.
08:17So I am doing it for them.
08:19There are so many of us in the Shri Mataji.
08:23If there are so many of us in the Shri Mataji,
08:26then I am doing it for me.
08:28And then I am doing it for me to record it.
08:32One of the things that I have written about Shri Mataji,
08:39I have written about Shri Mataji.
08:41There are so many professors that ask me that you can write this song.
08:47There is some that I have written about Shri Mataji.
08:49you can sing this story, so there is something that I have sung, but Adhikansh, Adhiguru Shankarachar's story.
08:56Adhiguru Shankarachar.
08:582-3 hantra, which is your pleasure.
09:01Yes.
09:02The turning point of my life is Shri Krishnashtakam.
09:07Shri Krishnashtakam is the most successful.
09:11I will tell you 4 lines.
09:14Bhajeevrajaykamandanam, Samastpaapkandanam, Swabhattichitranjanam, Sarayvanandanandanam.
09:28Supichaguchamastakam, Sunadavelluhastakam, Anangarangasagaram, Namami Krishnanagaram.
09:41Namami Krishnanagaram.
09:44Shivji Kais.
09:48Shivji Kais.
09:50Yes, Shivji Kais.
09:51Maholavishavavisha.
09:52Yes, I will tell you.
09:53I will tell you in Shri Svanwala Stuti.
09:58Ishagirishanareshapareshamaheshavileshayabhushanbho
10:05Sambhsadashivshambhoshankarsharunammetavcharunayugam
10:12Umayadivyasumangalavikrayaringitvamangvibho
10:18Sambhsadashivshambhoshankarsharunammetavcharunayugam
10:25Shivayanamam, Shivayanamam, Shivayanamam, Shivayanamam, Namas Shivaya
10:32Shivayanamam, Shivayanamam, Shivayanamam, Namas Shivaya
10:39Now, one more question.
10:42This is Bhagarpur Prashid Uttarwaini Ganga, the Ajgaivinath Mandir, where you have been.
10:47Do you think that the song has come to you?
10:52Or is it still?
10:53Yes, of course.
10:55I am trying to do it.
10:57I haven't done it yet.
10:58But I will give a lot of joy to the Baba Ajgaivinath.
11:05And you will all enjoy it.
11:08I have many gurus who write well.
11:12So I have been able to write them.
11:14And I will give a lot of joy to Baba Ajgaivinath.
11:18Let's go, let's go, let's go, let's go, let's go.
11:20Is there any Bollywood or any house that has come to you offer for singing or singing?
11:27Look, I have never done Bollywood.
11:32I have never done it.
11:34I have never done it.
11:35I have never done it.
11:36I have never done it.
11:37Because I have never done it in the Sanskrit and Stotra, which many people have done it.
11:42I have never done it.
11:44And I have never done it in Bollywood.
11:46I have never done it.
11:47Like you will know, there was a penchayat web series of Amazon Prime.
11:54In the penchayat series 3, I was a Sohar.
11:59I did not sing for them.
12:01I was also a singer of my channel.
12:03I liked them and they did it.
12:07It was Krishna's Sohar.
12:09There was a song called Devaki Ke Koi Khe Sojana Maala
12:15Kishnatan hai aare
12:19Lale nare vidhi ke li khale
12:22Sanjogaya shoda bhele mayare
12:29So this song came to me when they approached me
12:33That we wanted to use this
12:35I have put my own own family for Bollywood
12:40No, I haven't even come here
12:44But I don't want to do Bollywood for Bollywood
12:47If I have a good story, I want to do it
12:53But I don't want to do it for the film
12:55I will not do it for all
12:56But I want to do it for any other kind
13:01Along with the last, there is another thing that is close to you,
13:07although you have all close to it, but it's good.
13:12I will sing the Shiva Ji.
13:14Vedasar Shistva.
13:17Pashunam patim papanasham puresham
13:24Gajendra sikrittim vasanam varenyam
13:30Jatajoot mathe surangang varenim
13:37Mahadev meekam smarami smarari
13:43This is our story of the land of Pashid, Sanskrit, Gaika.
13:48We can say that this is Devamani.
13:51Madhvi Madhukar, Bhagapur, Eitvi Bharat.

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