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"Wings of Valor" soars into the heart of the skies, following fearless pilots as they navigate daring missions and breathtaking battles. Packed with adrenaline-fueled aerial stunts and powerful storytelling, this journey celebrates courage, teamwork, and the relentless pursuit of victory above the clouds.
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Short filmTranscript
00:00The
00:30cold spring 18 miles
00:38durango 4
00:40well I reckon 4 miles is better
00:45alright sonny
01:00you recognize him
01:08no I've never seen him before
01:12well we'll look him over
01:30howdy stranger you're heading for durango
01:38yeah it looks to me like a pretty good place to
01:41water my horse
01:42get some hay for him and some feed for the inner man
01:45durango ain't the worst place in the world
01:47well I won't say it's the best
01:49well your gentleman's recommendation is good enough for me
01:53we'd like to keep you company
01:55that is if you don't mind
01:57I know I'd be glad to have you side me in
02:00you know I've been riding alone so long
02:02I find myself talking to my horse
02:27is this the best hotel you got in town
02:38one of them
02:39I've seen better
02:40and I've seen worse
02:42you're sort of pessimistic huh brother
02:44huh
02:46I mean you don't seem to feel the best experience this morning
02:49well
02:50I felt better
02:51and I felt worse
02:52I see
02:53sort of neutral huh
02:55this way
02:56the reception room's in there
03:08I'll notify the proprietor you're here and looking for accommodations
03:12well I didn't know that durango would be that much interested in my arrival
03:17durango ain't
03:19but some of the people are
03:21I see
03:21just go right on in and make yourself at home
03:25you'll be well taken care of
03:27thanks
03:29now you stay here
03:44I'll go get Kelvin
03:46well
03:57well it's the right nice little reception room
03:59what do you want?
04:19nothing
04:19only I thought you might be interested in knowing
04:22that we got a fellow that answers the description of that Umbra you've been making inquiries about
04:26wherever you got him
04:27open the lockup
04:29all right we'll take a look at him
04:33I'll come
04:44how much game is up?
04:51I don't want to get any of the trucks.
05:21It's him.
05:24It's him.
05:25It's him, all right. But who's him?
05:29Cheyenne.
05:31Cheyenne after all these years.
05:44Wait!
05:45You can't kill him here.
05:52All right.
05:55I can't kill him here.
05:59And maybe,
06:01before I get him,
06:03he'll get me.
06:07That's the gamble.
06:11That's my business.
06:13Gambling.
06:16All right.
06:19Turn him loose.
06:21When I get out of here.
06:23Come on.
06:24Come on.
06:25Come on.
06:26Come on.
06:31Come on.
06:32Say, gents, there seems to be some sort of a mystery here.
06:45If one of you gents had told me what it's all about, I'd be much obliged.
06:46Oh, we was looking for somebody else, that's all.
06:47I see.
06:48And I take it you don't want me.
06:49No, shucks.
06:50We was looking for another fellow all the time.
06:51Sure, you look like him, but you ain't him.
06:52Mistaken identity, huh?
06:53Well, suppose when you fell in the door, I'd have come out of shooting and killed one of you fellas.
06:54And then said I'd made a mistake.
06:55Well, suppose when you fell in that door, I'd have come out of shooting and killed one of you fellas.
06:59And then said I'd made a mistake.
07:00Oh, of course.
07:01I can see that neither one of you fellas had anything to do with my being here.
07:04So let's forget it.
07:05You couldn't tell me a good place to eat, could you?
07:06I'm sorry.
07:07I was looking for another fellow all the time.
07:08Sure, you look like him, but you ain't him.
07:10Mistaken identity, huh?
07:11Well, suppose when you fellas opened that door, I'd have come out of shooting and killed one of you fellas.
07:17And then said I'd made a mistake.
07:22Well, of course, I can see that neither one of you fellas had anything to do with my being here.
07:29So let's forget it.
07:31You couldn't tell me a good place to eat, could you?
07:33Yeah.
07:34The Durango's across the street.
07:35It's a good place for a game with a little shot of red eye.
07:36Well, I'll tell you fellas.
07:37I'm pretty well caught up on my dragon.
07:38But, uh, if you leave me to that grub pile, I'll sure follow you.
07:40I can see Durango's gonna be some hospitable place.
07:41Now ain't that nice?
07:42We aim to be hospitable.
07:44Say, say, that reminds me.
07:45Of what?
07:46Of what?
07:47Well, the day I put the notch in this here gun.
07:49I'll tell you how it was it was at.
07:50I can see Durango's gonna be some hospitable place.
07:52Now ain't that nice?
07:54We aim to be hospitable.
07:55Say, say, that reminds me.
07:56Of what?
07:57Of the day I put the notch in this here gun.
08:01I'll tell you how it was it was at.
08:06A follow-in-the-name of Cherokee Jones.
08:08Maybe you've heard of him.
08:09Well, one day he started gulp' for me with one of these here things.
08:24Well, one day he started going for me with one of these here things.
08:29But he plumb missed me with both barrels.
08:32Must have been drinking or something.
08:34So I went that day and put the nuts in this here gun.
08:38You know, not to be boasting or anything, but just remember old Cherokee, boy.
08:43Something tells me we shouldn't have brung him in.
08:56Well, it was your idea.
08:57If anything happens to me, I'm going to blame you.
09:13The townfolks of Durango can certainly thank their lucky stars that use the courage of your convictions, Mr. Anson.
09:27Caden, it's my business to print the truth.
09:30And from what I've seen in Durango, the truth's been covered long enough.
09:34If my paper can make this a law-abiding place for decent citizens to live in, well, then I guess I've been repaid.
09:43Anson, I warned you that you and your paper are not welcome in Durango.
10:00I've heard that before, Mr. Kelton.
10:02But it seems to me it's up to the citizens of Durango, not you as an individual, to say whether my paper and me are welcome or not.
10:07I'm the one who decides that, Anson.
10:10You ain't welcome.
10:13If you run that press, I'll make you eat every word of it.
10:26Oh, no, he won't.
10:29You know, I've heard that printer's ink is indigestible.
10:32And I've also heard that there's a heat poisonous to some people's systems.
10:40You're a stranger, mister.
10:42Most likely you don't know it.
10:45But I run Durango.
10:49All of which leads me to believe that maybe you've run Durango too long.
10:54Go on, put your little strip up, mister.
10:57Yeah, Anson's the name.
10:58I'd like to talk to you, alone.
11:04All right.
11:07You know, I've got a heap of talk I want to say to you, too.
11:11Alone.
11:12You know, before Kelton gets through with that stranger, he'll have him bored off.
11:28Or scared off.
11:30It ain't no use.
11:32I might just as well quit.
11:33Now, you know better than that.
12:00Now, you know better than that.
12:00You know, if I wasn't interested in just what your game is in Durango,
12:12you and me'd have a showdown right now.
12:17Ten years ago, I run you out of Pine Flats.
12:20Then we met down in the Platte Country.
12:26And now we meet again.
12:29But this time, it's my deal with Ace's Wild.
12:33How much will you take to forget
12:35you ever were in Durango?
12:39Are you trying to bribe me, Mr. Kelton?
12:45Shame on you.
12:46Well, well.
12:53If there are the same old safe.
13:02Same old safe that you had up in the Pine Flats country,
13:06down in the Platte.
13:07Say, you know, that must be a pretty good one.
13:14It's been blown up twice.
13:18Say, you and I never did get along.
13:21Never could and never will.
13:23We don't speak the same language.
13:26Well, you understand enough of mine to get this.
13:28I'll give you just 48 hours
13:30to shake the dust of Durango out of your boots.
13:33If you're still here, I'll...
13:35You'll what?
13:39You or me.
13:41It can't be both of us in Durango.
13:47My girl, you're right.
13:50Well, there'll just be one.
13:51One.
13:51One.
13:58Fire, boys.
14:13What is this?
14:15Gosh, we didn't know, but maybe something happened to you.
14:17There's going to be plenty happening,
14:19but we've got to work fast.
14:21There's nothing that's safe
14:22to make us independent.
14:24We'll crack it.
14:25And before the smoke clears,
14:27we'll be on our way.
14:30First,
14:31I'm going to get Cheyenne.
14:35Come on.
14:36Have a drink.
14:50Got a little trouble getting out your newspaper, mister?
14:53Nothing but difficulty.
14:55You know Kelton runs Durango,
14:57and he's sure death on me and my newspaper.
15:01Well, if Kelton's against your newspaper,
15:03I'm for it.
15:05How'd you like a partner?
15:07Where would I get a partner?
15:09I ain't got a chance to print a paper.
15:12I'll be your partner.
15:15You will?
15:17So,
15:17any price you say.
15:21Why, I'd even sell out for a $10 bill today.
15:23Well, you won't have to.
15:25I'll tell you what you do.
15:27You get this old press oiled up.
15:30I'll drop in on you later.
15:31Hey, hey, boy.
15:42Could I speak to you a minute?
15:45For sure.
15:46You see,
15:47I'm the best horse wrangler
15:50this side of the pack.
15:53But I ain't got no horse to wrangle.
15:56All I got is a mule.
15:58Well, I'll tell you what you do.
16:04You see that buckskin horse down there?
16:07Yeah.
16:07Well, you go on down there and wrangle him.
16:10I'm going here in the restaurant
16:11and get something to eat.
16:12When I come back,
16:12I'll tell you what to do.
16:13Go ahead.
16:14Yes.
16:14Come on, Al-Awushes.
16:16There he is now.
16:23Go ahead.
16:24Provoke him to a quarrel.
16:26Rile him up.
16:27Come to draw his gun.
16:29Heck,
16:29that'll be your time to get him.
16:30And the quicker we get him,
16:32the better.
16:32Come on.
16:46Uh-oh.
16:48See what I see?
16:50Carrots.
16:54Yeah, yeah, I'm here, Al-Awushes.
16:56Come on.
16:57Yeah.
16:57Come on, take it.
16:58Nice, boy.
17:00And here's one for you, too.
17:02What are you doing?
17:04Stealing them carrots?
17:06No, sir.
17:06I ain't stealing nothing.
17:08I just bar them.
17:09That's all.
17:10Well, you're going to bar some lead.
17:12Put them back there.
17:17Uh, you wouldn't regret the horse
17:20and the mule
17:21and even myself
17:23of a carrot, would you?
17:25You know what we do
17:27with thieves down here?
17:29No, sir.
17:30We hang them.
17:33By the neck?
17:35Yeah.
17:36Until you're dead.
17:42What's the matter?
17:52Oh, this lowlife
17:53has been stealing some carrots.
17:55Oh, forget it.
17:56He's working for me.
17:57I told him to buy some carrots.
17:59Hey, since when
18:00is he working for you, mister?
18:02He's been hanging around
18:03this town for days.
18:04And you just entered here
18:05a little while ago with us.
18:08Well, I wouldn't have entered there
18:09if I knew what kind
18:10of a pawn catch you was.
18:12Are you calling me
18:13a polecat?
18:16What's it sound like
18:17to you, mister?
18:18Why, you...
18:19Can't you take a joke, mister?
18:32Can't you see I'm laughing?
18:33I saw what happened.
18:54That Slim Bartlett,
18:55one of Kelton's cutthroat.
18:57Yeah, I know.
18:59I rode into town
19:00with him this morning.
19:02Well, I tell you, Anson,
19:03looks to me like
19:03you're going to have
19:04plenty of exciting news
19:05to publish in the newspaper.
19:08You're going to need
19:08some extra help.
19:10Snowflake.
19:11Yeah?
19:12Here's just a man for you.
19:14You can bear down
19:15on that old press of yours
19:16and bring the type
19:17and sweep up.
19:18Can't you, Snowflake?
19:19Yes, sir.
19:20Well, we're partners.
19:22He's hired.
19:25So you remember...
19:27You remember telling me
19:29about that old fellow
19:30that ran the restaurant
19:31over there
19:31that died kind of sudden?
19:33Huh?
19:33I don't believe
19:34you told me his name,
19:35did you?
19:35I thought maybe
19:37I knew him.
19:38Well, Edward
19:38has a daughter
19:39about 14 or 15.
19:42Edward.
19:44He and I
19:45rode in the same outfit
19:46together until he
19:47got hurt
19:49with an old
19:49block rolling over on him.
19:52Where do you live?
19:52Here in town?
19:54Uh, down the stage line
19:55on the way to Paiute.
19:57Little, little greenhouse
19:58all covered with ivy
19:59and flowers.
20:00You can't miss it.
20:02Oh, I reckon
20:02I'll find it.
20:05I guess I'll just
20:05take me a ride
20:06out that way.
20:20Well, come on, Snowflake,
20:21and I'll show you
20:22your chores.
20:23Uh, uh,
20:24does I leave
20:25Aloysius here,
20:26my mule?
20:27Leave him here.
20:27Leave him.
20:28Come on.
20:29You got out of that
20:30with a lot of trouble.
20:31Now, see if you can
20:32get this straight.
20:33There he is now.
20:34Go ahead
20:34and see where he goes.
20:36Well, we can do that,
20:37all right.
20:37and see if you can get this
23:42Who's there?
23:47Why, it's me, Miss.
23:49I'm an old friend of your father's.
23:51I just rode into town this morning and I heard about your trouble and thought I'd come out
23:57and see if there's anything I could do for you.
23:59You don't need to be afraid of me, Miss.
24:18My name's Morgan.
24:19My name's Morgan.
24:19My name's Morgan, Harry Morgan.
24:23Cheyenne Harry, my friends call me.
24:25You see, I'm an old friend of your daddy's.
24:29He and I used to ride range together a good many years ago.
24:34Long before you were born, I reckon.
24:35Are you Cheyenne Harry?
24:36Are you Cheyenne Harry, the marshal from Don Plattway?
24:40Well, yes, ma'am.
24:41I was marshaled down there for quite a spell.
24:45Well, you see, I didn't hear about your dad's passing on until this morning.
24:57Now, Miss, I didn't mean to come up here to worry you again.
24:59But why did it have to be my daddy?
25:04Well, that's what I come up here to find out, Miss.
25:12Do you know whether your dad ever had any trouble with Kelton or anyone else in this town?
25:18Why, yes, with Kelton.
25:19Right here in this room.
25:22What about?
25:24Well, I don't know exactly.
25:26It was over some papers, I think, that Daddy had given Kelton to keep for him in his face.
25:32They were mining papers.
25:34Daddy won the best.
25:35Why, Kelton said he'd give them to him when he gave him the money he owed him.
25:39Well, I don't think Daddy ever owed Kelton anything.
25:44Why, everybody in town here uses Kelton's safe to keep their money and papers in.
25:49It's the only safe in town.
25:51Yes, I know.
25:52Well, you know, I'm slightly acquainted with Mr. Kelton.
25:57And I'm very well acquainted with that old safe of his, too.
26:04So, he wouldn't give your dad back his mining papers unless you paid him some money.
26:11When your dad refused, why, this happened to him, huh?
26:15It's Kelton.
26:30What'll I do?
26:32Oh, I reckon this is as good a time as any for a showdown.
26:35Let him in.
26:35I rode out to tell you how sorry I was to learn of your father's accident, Martha.
26:56You didn't by any chance come to tell her who did it.
26:58I saw your horse outside.
27:03So, I expected to see you.
27:06Now, don't you be a bit surprised if you see me around quite often?
27:10Martha's father gave you for safekeeping.
27:16Well, stranger, you take a lot on your shoulders, mister.
27:20Why, you talk as though I had something to do with worse beating up with that .45.
27:24Why, I say, the world.
27:29But you have a pretty good idea who did do it.
27:33And one more thing.
27:36Don't send any of them hard killers over to pick a choir with me.
27:40I always prefer to meet the principal.
27:44Himself.
27:47Now, look here, Martha.
27:48I'll tell you what I...
27:49Oh, listen, listen.
27:50Come on.
27:51Get out.
27:53Don't put your hand on that gun.
27:57Or you won't see the sun down tonight.
28:00Now, come on.
28:01Get going.
28:02You're frightened, little, little lady.
28:17Whoa, wait a minute.
28:22That Jasper just went into the thin air.
28:36We're heading nowhere and getting there fast.
28:38Open the door, honey.
28:59We're waiting for you.
29:30I'm sorry, miss.
29:33All this had to happen just after you've been through so much trouble.
29:36I'm only sorry my pop wasn't here to see Kelton get it.
29:40Well, I reckon it's about four hours till sundown.
29:46I think you'd better come into town with me.
29:48You'll be a lot safer there.
29:50You got a horse here?
29:51Yes, I'll get it.
29:52It won't take me long.
29:54Say, Mr. Cheyenne,
29:56ain't you kind of nervous about sundown?
29:59Oh, Lord, no.
30:01The sundown's got to come for all of us tonight.
30:04Why worry?
30:06Boy, get yourself, I'll follow you.
30:12We won't wait to clean that safe.
30:16You boys get back to the shack.
30:18Get plenty of fuels and powder
30:20and meet me back in town.
30:22And after we blast the safe,
30:23then what, Kelton?
30:25Yeah.
30:26Do we split right away?
30:27Or do we have to wait?
30:30I always cut you boys in equal with me, haven't I?
30:36Get going.
30:36When do we split?
30:45Huh.
30:46Try nein?
30:53Take it out.
31:03Take it out.
31:05Take it out.
31:05Take it out.
32:06Well, if the gold's in the ground, it'll be safe from Kelton.
32:15He don't like to work well enough to dig it up.
32:18Look, you can see the tunnel from here.
32:23Uh-huh.
32:27Well, I'd sure like to know what he was doing in there.
32:29So would I.
32:30Well, we're going to find out.
32:42You've got everything ready?
32:44Sure.
32:45I told that fellow, Anson, that he couldn't run a paper in Durango.
32:50And I'm going to keep my word.
32:52I want you to fix enough powder to put that paper out of business once and for all.
32:57What's the use of that?
32:59If we're going to clear out of here, why do we care what he does?
33:02You'll do as I tell you, Hercar.
33:04All right.
33:04Once you've done that, while the people are trying to figure out what happened, I want
33:09you to blast the safe.
33:11I'll be playing cards with the sheriff.
33:14Once you've got the safe planted and the fuse lit, make yourself seen in the streets somewhere
33:18so you'll be in the clear too.
33:20Get me?
33:21Sure, that's easy.
33:24When do we touch the safe?
33:25As near sundown as you figure.
33:36He seems kind of worried about sundown.
33:40I would be too.
33:42I knew at sundown it was going to be me or someone else.
33:46Wouldn't you?
33:48I ain't saying I'd hanker for such a situation.
33:51Hey, do you fellas want me to do anything to your horses?
33:55No, we just thought we'd leave them here in the shade, that's all.
33:58It's pretty hot over in the street.
33:59You don't mind.
34:00Oh, and that's all right.
34:02You'll leave them there all day if yous want to.
34:09It's a sense you won't hesitate to commit another.
34:12We've got to keep our eyes open.
34:14You bet.
34:16Both of them.
34:18Oh, Snowflake?
34:20Yeah?
34:21Take my horse, Sonny, down to the blacksmith's shop and have him tighten that front shoe.
34:25Yes, sir.
34:26And then what do I do?
34:27Well, then you come back here and do whatever Mr. Hanson tells you.
34:31Yes, sir.
34:32Are you working for him, Major?
34:33Yes, sir.
34:34I should.
34:40Oh, this looks to be as good a place as any.
34:43Go on in.
34:43I'll show you what we do with the bomb we made.
34:47Uh, now, hey, Mr. Yes, sir.
35:01The man who I worked for said for you to look at this horse's feet.
35:04Hey, sure, that's all I do is look at the horse's feet.
35:09Yeah, but that's what I thought.
35:11Uh, when, when, when, you, if you need to, uh, shoe, you, you put it on him, and I'll be right back, sir.
35:17All right, I'll take him.
35:20Now, all we've got to do is get high up and aim for the front of the newspaper office and let her go.
35:25And when she hits, she explodes.
35:27And when she explodes, I ain't nowhere around.
35:34Now, who's going to shoot this bomb into the newspaper office?
35:37You or me?
35:38Well, it ain't going to be me.
35:39No, I suppose I got to do it.
35:42Pick up that stuff and come on.
35:43Speed, do you, duty?
35:51You suppose he hurt us?
35:52Maybe.
35:53We'd better hurry anyway.
35:56All right, honey.
35:58Now what do we do, Miss Danzen?
36:00Well, just roll it forward, and I'll show you how we run the test.
36:05That is it.
36:08Hey, boss!
36:09Hey, hey, what's the matter with you, boy?
36:11You've seen a ghost?
36:11They say they're going to blow up this place.
36:15What?
36:15Who?
36:17There's two men down there.
36:19They're both in the organ.
36:21Who's going to throw the bomb first?
36:23Come on, Angie.
36:24Let's get this press covered up.
36:25Come on, sir.
36:26I'll play gifts ahead.
36:27Martha, go in the back room and stay there.
36:29Come on.
36:30Come on.
36:31Come on.
36:32Come on.
36:33Come on.
36:34Come on.
36:35Come on.
36:36Come on.
36:37Come on.
36:38Come on.
36:39Come on.
36:40Come on.
36:41That's 50 you owe me.
36:42Your deal.
36:43We'll settle at the end of the game.
36:48Okay.
36:49What time you got?
36:53About 5.30.
36:56Thanks.
37:02Now you folks stay right here.
37:04Don't go back in that office no matter what you do.
37:06I'm going to slip around the corner and see if I can get my eye on those fellas with the bomb.
37:14All right.
37:15Light it.
37:15It worked.
37:27It worked.
37:27It worked.
37:27Now we'll fix the safe.
37:29Now we'll fix the safe.
37:34Whoever did that didn't accomplish what they set out to do.
37:51What happened?
37:52I was trying to wreck my place.
37:53All they did was blow out a window.
37:55Had the press covered order to ruin that.
37:57I wonder who done that.
37:59Well, that's kind of your worry, isn't it, Mr. Sheriff?
38:02By the way, what time does the sun set in Durango?
38:07Well, this time of year, about 6 o'clock.
38:10Why?
38:11Well, the reason I asked you was because about that time, there's going to be another explosion.
38:17A heap more important than this one.
38:25I wonder what he meant by that.
38:27Who is he?
38:28Cheyenne Harry.
38:31He's been gunning for me for years.
38:35Gave notice today.
38:37It's his life or mine.
38:39Well, I ain't runnin' away.
38:42I'll be here.
38:43Maybe I'll lock him up.
38:45Why do that?
38:47I'd just as soon get it over with.
38:56Are you ready?
38:58When can we go?
39:00Anytime you say.
39:02But how about the stuff in the safe?
39:04How are we gonna get it out after we crack it?
39:06It's out already.
39:08Say, what are you tryin' to do, double-cross us?
39:13Yeah, how about it?
39:15I haven't yet, have I?
39:17No, but you might.
39:18Now get this straight.
39:20I've got enough evidence to hang a parry any time I want.
39:23Now get out of here.
39:25Wait for me downstairs.
39:27I'll light the fuse.
39:28Go on, go on.
39:30Come on, come on.
41:04Come on, I'm waiting, Kelton.
41:10I can't remember the combination.
41:14I don't know the next somewhere.
41:20You'll win.
41:22I'll go, Wayne.
41:24I'll go, Wayne.
41:34I'll go, Wayne.
41:36I'll go, Wayne.
41:40I'll go, Wayne.
41:42I'll go, Wayne.
41:44I'll go, Wayne.
41:46I'll go, Wayne.
41:48I'll go, Wayne.
41:50I'll go, Wayne.
41:52I'll go, Wayne.
41:54I'll go, Wayne.
41:56I'll go, Wayne.
41:58I'll go, Wayne.
42:04I'll go, Wayne.
42:06I'll go, Wayne.
42:38That sounded like it came from my place, Sheriff.
42:43Yeah, let's go and see what happened.
42:50Cheyenne!
42:50Elton got him all right.
42:53Yeah, he wasn't lying. He cleaned out the safe.
42:55What do you suppose he did with the stuff?
42:57Ah, there's only one place. You're aware.
43:08Elton's office.
43:22Well, it's you!
43:42Oh, I thought he was going to take my horse.
44:01You can't take that horse.
44:02Get out of the way, Hugh.
44:03This horse long, Mr. Diane.
44:05Come on, get on your own horse.
44:07You want Chuck to get away with everything?
44:31Chuck, you're just wasting your time
44:32trying to hang this thing on me.
44:33Why, Kelton has been working this racket for years.
44:38Moves into a town where there's no bank.
44:41Gets the people to deposit their money and valuables in his safe.
44:45He cleans the safe and hightails it.
44:48You lose.
44:49Maybe you're right.
44:51Well, let's get Kelton.
44:52Don't let him get away, Sheriff.
44:53I'd appetize every man in this room.
44:55Come with me.
44:56Now you're talking.
45:21What happened, Snowflake?
45:22They shot him.
45:23They done it.
45:24Them two that you was arguing with this morning.
45:29They tried to take Sonny, but they didn't.
45:34I'm afraid he won't pull through, mister.
45:37Listen, Snowflake.
45:38Have you got any...
45:39You got any kinfolks?
45:42No, sir.
45:43Nobody.
45:45Now I wish it.
45:47That's all.
45:48Mr. Science, will you take care of my old mule?
45:55I'm afraid that he's going to be a little hungry without me.
46:01You bet I will, Snowflake.
46:03I'll take him right along with me and Sonny.
46:06But you're going to be all right.
46:08Yeah.
46:09Because I'm going to be all right.
46:18Now.
46:23Get to your horses, everyone.
46:25We're not coming back till we get Kelton and his gunmen.
46:28We're not coming back till we get him.
46:58We're not coming back till we get him.
46:59We're not coming back.
47:01So, now let's move.
48:04The papers that give the rights of this mine and other things are in that bag.
48:09Take one half of it.
48:10You boys can split the other between you.
48:12You're getting plum careless, Kelton.
48:20Where's your gun?
48:21Well, in my hurry to get out of Durango, I must have lost it.
48:30Maybe you boys will let me have one of yours.
48:35Yeah, sure.
48:37Anytime.
48:38It's your last chance, Kelton.
48:40The law's right behind us.
48:41We're moving fast.
48:42Give me that bag.
48:43You wouldn't leave me like this.
48:45I've always played fair with you boys.
48:48Yeah, sure you have.
48:49But we ain't playing anymore.
48:51We're going to take what's coming to us.
48:54Well, you're dealing the game, Slim.
48:56And a man without a gun can't argue with a fellow that's got one.
49:00We're going to take what's coming to us.
49:30So long!
49:51So long!
49:52So long!
50:00So long!
50:02So long!
50:03Come on.
50:33Come on.
51:03Come on.
51:33Come on.
52:03Come on.
52:33Come on.
53:03Come on.
53:33Come on.
54:03Come on.
54:33Come on.
55:03I guess I owe you a lot.
55:05Oh, it's just the other way around.
55:07We're in debt to you, Cheyenne.
55:09Oh, thanks.
55:09Well, Mr. Hanson, you'll take good care of Martha, huh?
55:15Sure will.
55:17And remember, my share in the old newspaper goes to her.
55:21But where are you, Cheyenne, I'll tell you, Cheyenne, I spent most of my life, you know, in Wyoming, that's up north, in the cattle country.
55:32And the bulls...
55:33And the bulls...
55:33And the bulls...
55:34And the bulls had a hankering to see some money.
55:39So I'm riding south, down to a place called Ghost Town.
55:44So long, honey.
55:48Goodbye.
55:50So long, sir.
55:51So long, Cheyenne.
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