- 2 days ago
Designed For Desire - Full Movie
Category
🎥
Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Artless Pervert!
00:32Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:38Do you have any idea how much this costs? And if they can't get it out-
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:05Oh.
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview us a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33You'll learn things are very fast-paced here.
01:45I don't have time to ask twice.
01:47I don't have time to ask twice.
01:48I don't have time to ask twice.
02:02I don't have time to ask twice.
02:27Hello, this is Cecilia.
02:29Miss Brooks, we need $200,000 to move forward with your grandfather's surgery.
02:33Until then, we cannot proceed.
02:35Okay, one second.
02:38Hello? Miss Brooks?
02:40Shit.
02:45Who is this woman? His girlfriend or something?
02:47I wasn't done with my interview.
02:50We'll touch base soon, okay?
02:55Oh! Good luck.
03:00I thought you weren't interested.
03:02Take off your clothes. Right now.
03:04So, Miss Brooks, what do you see in this room?
03:09So, Miss Brooks, what do you see in this room?
03:26Well, it's deliberate, controlled, powerful.
03:34It's impressive, but...
03:36But?
03:38It's not... satisfying.
03:42Bold again.
03:46Tell me, how do you know it's satisfying?
03:48Satisfaction lies somewhere in between.
03:52You think you can give me that?
03:54Think you can take the risk and find out?
03:57All yours.
04:09Hey.
04:13The women out there would do anything to be in the position you're in.
04:17Unless you have other ideas.
04:19Don't make me regret this risk.
04:25Don't make me regret this risk.
04:27I don't plan to.
04:31The position's been filled.
04:33Go home.
04:35Get out!
04:37Damn.
04:38He doesn't have to be so rude.
04:49Pappy, your phone's upside down.
04:57Hi. How are you feeling?
04:59Hey, jubilation?
05:01Not doing too well, honey.
05:03Damn hospital postponed my surgery again.
05:05I'm so sorry, Pappy.
05:07I'm working things out with the hospital.
05:09I have some good news today, though.
05:12I'm sorry.
05:13Uh, I think that's my landlord.
05:14We have to go.
05:15Love you.
05:16Bye-bye.
05:19Oh.
05:21What the hell is he doing here?
05:24What are you doing here?
05:26Oh.
05:27What the hell?
05:29Hey!
05:30Whoa, whoa, whoa. Guys, whoa.
05:31Hey, don't take that!
05:36I did not agree to this!
05:38Actually, you did.
05:42The signing must reside on Mr. Mercer.
05:44I can't quite hear you.
05:45Must reside with Mr. Mercer for the duration of the project?
05:50Mm.
05:51How long?
05:52Keep reading.
05:54And definitely without exception?
06:02A gift.
06:04What the fuck?
06:05A gift?
06:06In exchange for being kidnapped?
06:09No thanks.
06:14I need to know where you're at.
06:15At all times.
06:18It's a tracker.
06:19What?
06:20Like a dog collar?
06:22Do you think you own me now?
06:24I wouldn't do that.
06:25Come on.
06:26Let's go.
06:27Just...
06:28Give me a second to put Crumpet in his carrier and call my grandfather-
06:30No.
06:31There are no animals in the mansion.
06:34You must say goodbye to your little...
06:36Crumpet.
06:37What?
06:38Absolutely not.
06:39I told you in the contract that I will take care of everything.
06:44I don't care about the contract.
06:45What?
06:46Oh my god!
06:48Goodbyes are always so hard.
06:50Put me down!
06:51What are you doing?
06:52Welcome back, Miss Brooks.
06:57So...
06:58I'm not allowed to leave?
07:00If you leave, your contract will be terminated immediately.
07:03And what? You're just gonna leave me all alone in here?
07:05Would you like me to join you?
07:17No, no, no, no.
07:18Why is it making that sound?
07:20Damn, if I leave, Pappy dies.
07:23Shit, I'm trapped with this monster.
07:26Oh my god, is this really happening?
07:28I'm stuck.
07:39This is your uniform.
07:41Work hours have started already.
07:43Tidy yourself up.
07:45Report to Mr. Mercer.
07:46Mr. Mercer.
07:49Oh, and uh...
07:51Chop-chop, Miss Brooks.
07:53Mr. Mercer does not like to be kept waiting.
07:56I'm waiting.
08:19Enjoy the view?
08:21No, I, um...
08:23Just didn't...
08:24Wanted to disturb you.
08:25I don't mind if you stare.
08:27Sorry, sir.
08:28I was just...
08:30Interested in your build.
08:32The building.
08:33The...
08:34Build of the mansion that...
08:37We're building to work on.
08:38Today.
08:40What time are we leaving for?
08:41The car leaves in ten minutes.
08:43Great.
08:45I'll be ready.
08:56How much further?
08:59Patience, Miss Brooks.
09:01Oh, my pink puffer.
09:17Hey, Foxy!
09:18I got something that'll keep that jaw clenched.
09:21Wow.
09:22Original.
09:23Mr. Mercer!
09:24We didn't know you was coming in today.
09:25Get off my property.
09:26What?
09:27You're fired.
09:29Leave.
09:30Hell, I worked on the last nine Mercer mansions.
09:33And now I'm fired because of this bitch?
09:37If I collapse your loan...
09:38Wait.
09:39Did he just stand up for me?
09:42Sir, how about you?
09:43Continue your work with Miss Brooks.
09:45And I'll handle this.
09:49Come on.
09:51Everything's nearly finished.
09:53I'm gonna have a team come in and make some final measurements over here.
09:56And I'll ensure they know where to keep their mouth shut.
09:59Uh...
10:00Is this...
10:01all marble?
10:07Seeing her in my house gives me a strange feeling.
10:09It's so beautiful.
10:11What is it about her?
10:13Why do I want to...
10:14Follow me.
10:15What?
10:16What?
10:17What?
10:18What?
10:19What?
10:20What?
10:21What?
10:22What?
10:23What?
10:24What you did out there?
10:26I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
10:30Remember that.
10:35Your first task for the client.
10:38I don't know anything about the client.
10:40Who is...
10:42We don't ask about the client.
10:44We only worry about what they desire.
10:46Okay.
10:47Am I allowed to know what the purpose of this room is?
10:51Yes.
10:52Great.
10:53The client would like this room transformed into their BDSM chambers.
11:02I hope she doesn't see right through me.
11:04So, how would you do it?
11:09Uh...
11:11Um...
11:12Paint me a picture.
11:14Right.
11:16Uh, over here I would put a chaise lounge.
11:22Velvet.
11:23Obviously.
11:24Obviously.
11:25And over here would be a great place to mount a swing.
11:27One with adjustable heights and handles.
11:30And next to it we could put a cabinet for whips and toys and things.
11:36You're very well versed.
11:38I...
11:39Read a lot.
11:41Certain...
11:42Genres of certain books have certain details.
11:45Right.
11:46Right.
11:47Of course.
11:48Yeah, it's perfectly normal.
11:49A lot of women read fantasy and...
11:52Romance.
11:53Fantasy romance.
11:55Anyway, uh...
11:57This would be a great place to...
11:59Mount...
12:00Walk us.
12:03I'm drowning in the heat.
12:09Afraid of what I need.
12:15Your touch is like a flame.
12:18But I can turn your way.
12:20Don't pick up.
12:28Hello?
12:29Miss Brooks, I'm sorry.
12:30We need the payment.
12:32Uh, I...
12:33I understand.
12:34Is there anything I could do now to hold him there?
12:36Anything that could be done right now?
12:38We need your payment, Miss Brooks.
12:39By tomorrow morning.
12:41All $200,000.
12:43Okay.
12:44I...
12:45I'll get it to you, I promise.
12:48Sorry.
12:49Your contract explicitly states that I receive 100% of your attention at work.
12:55Who was that?
12:58It's personal.
12:59There are no personal calls at work.
13:03I'm sorry.
13:09Mr. Mercer, it won't happen again.
13:12I'll get to work right away.
13:13I'll have designs to you by tomorrow morning.
13:18Take it off.
13:21What?
13:24Your jacket.
13:27Mr. Mercer...
13:31I won't ask twice.
13:39Uh...
13:40What's this for?
13:41Is that gonna work?
13:46It's perfect.
13:48Now go get dressed.
13:49No need to pout on this, Brooks.
13:50You'll be reading some of the top designers.
13:51I don't understand.
13:52How does this take priority over work?
13:54Am I your date?
13:55Or your designer?
13:56You are.
13:57When I say you are.
13:58You are.
13:59When I say you are.
14:00You are.
14:01You are.
14:02You are.
14:03When I say you are.
14:04How does this take priority over work?
14:05Am I your date?
14:06Or your designer?
14:07You are.
14:08When I say you are.
14:10Ladies and gentlemen.
14:11It is my pleasure.
14:12You are.
14:13I will be waiting for you.
14:14How does this take priority over work?
14:16I'm not my date.
14:17What's this for?
14:18You are.
14:19You are.
14:20What I say you are.
14:23what I say you are.
14:36Ladies and gentlemen,
14:38it is my pleasure to welcome you all to
14:41the annual Architectural Ball,
14:43proudly hosted by the Mercer Group.
14:46I'd also like to welcome and introduce
14:52our newest interior designer,
14:54Ms. Cecilia Brooks.
15:00I thought you said you had the job.
15:02I did everything that I could.
15:04Mitch must have slept with him in the interview.
15:06Fine.
15:08I'll fix it myself.
15:10So without further ado,
15:14please enjoy your drinks
15:16and have a wonderful night.
15:26May I have this dance?
15:28Okay.
15:30Sterling!
15:32I was hoping that maybe
15:34we could walk and talk.
15:36Or maybe dance and discuss.
15:38Dance and discuss?
15:40You must be working so hard.
15:42I was thinking
15:44maybe you would benefit
15:46from a designer who
15:48really knows you.
15:50Your past.
15:52I'm not interested in rehashing
15:54our relationships, no.
15:56It was just a flight.
15:58Doesn't mean we can't be close.
16:00Sterling could be a
16:02difficult person to work for.
16:04Hmm.
16:06You know you can come to me
16:10if you need anything.
16:16Get your hands off of her!
16:22What the hell are you doing here, Vincent?
16:24Folks, looks like the jester
16:26came to play!
16:28Ha ha ha ha ha!
16:30Get him out of here!
16:36It's alright folks!
16:38Enjoy the party! It's okay!
16:40Yeah, you okay?
16:42Why don't you go grab a drink?
16:44I'm gonna take care of this.
16:46Crazy night, huh?
16:48Too crazy.
16:50I'm Nora.
16:52A close friend of Sterling's.
16:54So, tell me.
16:56How's the new position treating you?
16:58It's demanding.
17:00And the client?
17:02What's your feel on them?
17:04Oh, I'm not at liberty to discuss that.
17:06Come on, it must be crazy, right?
17:08I really can't.
17:10Oh, how embarrassing!
17:12What are you doing in here?
17:14Cecilia, I'm sorry.
17:16I'm so done with their whole world.
17:30Yeah, the head of the board was barking my ear off.
17:34Stop it!
17:36What? I'm just trying to help.
17:38Help? Really?
17:40That's rich.
17:42I mean, I am rich.
17:44You.
17:46You are a lot of things.
17:48From the moment I met you, you've controlled every aspect of my life.
17:50Every movement I make!
17:52You're obsessive, cryptic, a perfectionist.
17:56But you're not rich.
17:58Not where it counts.
18:14You've dug down.
18:16But you're a character, Oof.
18:17My mother'slà , who's an old man.
18:18But I'm sorry, I'm not-
18:22Coming in.
18:24Me.
18:27This hand.
18:28Hmm, this hand, what if, maybe cuffs, what if we hang something around here?
18:58Is that me?
19:02Did I say you could come in here?
19:04Uh, you'll be happy to know that I worked on these all night.
19:17Maybe if you stayed at the gala you would have learned something.
19:20Learned what?
19:21You follow through with your obligations so you wouldn't waste your time working on garbage.
19:25Garbage?
19:27I'll need five more by tomorrow morning.
19:29That will take me all night. Even making those two took me all night and I barely got them done in time.
19:34You've done it once before. You can do it again.
19:37Don't you think, maybe, just maybe, that's an unreasonable amount of time?
19:42Maybe. I don't care.
19:44Wait. I should have remembered. It's not in the contract.
19:57Oh my god.
20:04Excuse me, miss. Where's my grandfather?
20:07I'm sorry. Usually if they're not in the room it's because the insurance ran out or...
20:11I liked the insurance began, and you could give us a crash so we could put it here.
20:21No.
20:23No.
20:23No.
20:25No.
20:26Yes?
20:27I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
20:32will take care of i don't understand how is that possible i can't afford that i told you
20:38i'll take care of everything what i can't believe this
20:43oh but but why why would you do that well when i said i needed your undivided attention
20:56i meant it now the only thing you have to worry about is me i'm not your slave
21:06five designs by tomorrow morning
21:13you're welcome
21:26i've been expecting you i have a feeling i'll be impressed brushed work is not work to be prouder
21:32is this you and my parents they must be so proud of you they never got to see it
21:42i inherited this company before i was old enough to run it i'm so sorry it was a long time ago
21:48what happened they vanished on a work trip into europe guess i don't control everything after all
21:53i'm going to deliver these designs to everyone um i have a surprise for you
21:59to your first approval
22:05it's beautiful
22:11i do have a request though i was wondering if i could i could have a little freedom
22:19from what me no no not you from this well i need to keep track of you i mean what if
22:31sterling i'm not your parents i'll be fine i just don't know if i'm ready for that yet
22:39but you continue to impress me i mean you'll be free as a bird
22:43i do have more surprises to show you but um you're gonna have to wait till tomorrow
23:03full of surprises aren't you
23:06and that's why i can't let you go
23:12thank you
23:24what are you two doing here there's not supposed to be anyone working today we were just swinging
23:31by to assess a minor electrical concern it seems that the search is nothing urgent we're going
23:35to come back tomorrow with the rest of the crew and get it resolved
23:37okay
23:39thank you for the update thank you mr mercer
23:43i've ordered these beautiful pieces white marble
23:50what the hell
23:54it's kind of beautiful
24:00no no it's a mistake
24:02it's not too perfect it's bold it's not trying hard it just
24:09is
24:10well i like my work to be intentional
24:13intentional
24:15well i would argue that this elevates the intention of the space
24:20the juxtaposition between control and chaos
24:24you have good eyes miss bruce
24:25follow me
24:28your second task for the client
24:36master bedroom
24:38and nursery
24:39oh the client's a family man
24:42we don't discuss the client
24:44only satisfy their needs
24:46would you like to see your designs
24:50is it not what you thought no it's it's not that it
25:13the power went up
25:18there's no signal
25:19yeah the soundproofing they put up uh
25:22cuts signal
25:23what
25:24no
25:25it's not funny
25:39i'm not laughing
25:40how long until someone notices that we're gone
25:43i don't know
25:44an hour
25:45maybe two
25:46is it nora
25:48the client
25:49what
25:50no
25:51no what
25:52you're not supposed to ask about the client
25:53just tell me
25:54no
25:56it's not
25:57is she
25:57more
25:58i built this room because i believed in your vision
26:03i cleared your schedule
26:06i cleared your stressors
26:07all because
26:08i wanted you
26:11i
26:14i
26:16i
26:16i
26:16i
26:18i
26:20i
26:20i
26:20Sir, your seven o'clock is waiting upstairs.
26:50Tuck your shirt in, sir.
27:09I know.
27:11I know.
27:12Who the hell are you?
27:15Calm down, sweetie.
27:17Put carpet down.
27:20Listen, sweetie, I work for Mr. Mercer.
27:23He hired me to take care of your grandpa on Crumpet until you return.
27:27Sweetie, what are you doing home?
27:29What am I doing?
27:32This is Agnes, my nurse.
27:34She's taking care of me.
27:35Oh.
27:35I'm sorry.
27:37I'm so embarrassed.
27:42Um, hello?
27:44Why are you in your apartment?
27:46If you're there, there's no need for Agnes to stay employed.
27:49Cece, you're ruining my chances.
27:51Go back, Cece.
27:52Okay, okay.
27:54Everything's all right.
27:56Agnes has taken very good care of me.
27:57Okay, okay, Pappy.
27:58I'll go.
27:59Um, it was nice meeting you, Agnes.
28:02Nice to meet you, dear.
28:13What the hell?
28:14He has a girlfriend?
28:16What was I thinking?
28:24What was I thinking?
28:44What was I thinking?
28:45Got you now, bitch.
29:08I found her address.
29:15Sterling.
29:29Sterling, can we talk?
29:30I don't have the time, Miss Brooks.
29:32Sterling, it's important.
29:33Please.
29:33Well, I'm dealing with something.
29:34Figure it out yourself.
29:35You might want to ask me why I'm here, you psycho.
29:48I don't give a damn what you have to say.
29:51I don't trust you.
29:52Well, maybe you should start.
29:54Because I know a dirty little secret about you.
29:56You're about to be broke.
30:04I'm here to offer you a buyout.
30:07Get out.
30:08Hear me out.
30:10Instead of your accounts being compromised, facing bankruptcy,
30:15and becoming the embarrassment of architecture,
30:17we could merge as Hale Mercer.
30:20Even has a nice name.
30:23Oh, you're way out of line.
30:24Am I?
30:26Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout,
30:33I'll publish the information,
30:36and Mercer Designs will go bye-bye.
30:39Is that a threat?
30:40Think of it.
30:41More of a bribe.
30:48Get the hell out of my property.
30:50And out of my sight.
30:52Now!
31:05Miss Brooks, in my office immediately.
31:08Are you sure you want me in there,
31:10and not your other woman friend?
31:12What are you talking about?
31:13Hand me your sketches.
31:17I have designs, but they're not the originals.
31:19The originals are missing or lost.
31:23What do you mean, lost?
31:24I finished the designs last night, and I fell asleep,
31:27but when I woke up, they weren't in my room anymore.
31:29You're lying.
31:30I'm lying?
31:32Why don't you tell that to the next girl you bring over?
31:36Excuse me?
31:37You're so careless.
31:38Careless?
31:39Me?
31:40I'm pretty sure you're the one who's talking about losing sketches.
31:43Something you won't have to deal with anymore.
31:47Marley's going to be taking you to the project mansion.
31:50Hopefully you can figure out your sketches problems there.
31:54You may go.
32:01Take her and her belongings to the project mansion.
32:04Anything I should know, sir.
32:06She can't be trusted.
32:08She can't be trusted.
32:09And check the cameras.
32:11We have a mole.
32:13Yes, sir.
32:18Miss Brooks.
32:19What are you doing here?
32:22Well, um, I, uh, had to get some artwork for the client.
32:29You don't trust me.
32:32You don't trust me.
32:33That too.
32:35You're not trusting me?
32:37You were the one with another woman after all that I did this all for you bullshit.
32:41Okay, what woman are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:45I saw you.
32:46Okay, okay, okay.
32:48If it makes you feel any better, I...
32:49I promise I'm looking into it.
32:55You promise?
32:58I promise.
32:59I thought you didn't trust me.
33:20That you were mad at me?
33:21No, you're too hard to her, sir.
33:22Let's go inside.
33:37Eyes like knives, you cut right through.
33:54Every look says what you do.
33:58Pull me under soft and deep.
34:01You're the secret I can't keep.
34:04Breath on glass, you trace my name.
34:07No one else can play this game.
34:10You don't ask, you just take.
34:14And I give, and I pray.
34:18Well, hello.
34:20I'm here for Mr. Brooks.
34:21I'm sorry, what exactly is this for?
34:23I'm the treatment nurse.
34:25I'll be taking him to his appointment for today.
34:27Oh, Mr. Brooks doesn't have an appointment today.
34:29I can assure you he does.
34:34Well, thank you for coming.
34:36Can I bring Crumpet?
34:38Yes, Mr. Brooks.
34:39Bring the cat.
34:40Hello, Cecilia.
35:02I'll need your full cooperation.
35:04I have something of yours you might want back.
35:06Now that I've got your attention, I need a little favor.
35:10Bring me Mercer's Legacy One design.
35:12You can't do this.
35:13But see, I already have, sweetheart.
35:16Give me the designs.
35:18Tell Sterling, and your sweet old pappy dies.
35:21And your little cat, too.
35:22Your choice.
35:23I've been reviewing project management assets.
35:27You're four days late on the Hudson property.
35:29The client is not happy.
35:31Mr. Mercer is not happy.
35:34Pick it up, or I'll give your work to her.
35:35She's three days ahead.
35:38Is that a personal email?
35:39No.
35:39No.
35:39No.
35:39No.
35:40No.
35:40No.
35:40No.
35:41No.
35:41No.
35:42No.
35:42No.
35:43No.
35:43No.
35:44No.
35:45No.
35:46No.
35:47No.
35:48No.
35:49No.
35:50No.
35:51No.
35:52No.
35:52No.
35:53No.
35:55No.
35:58Sweetie, you don't have to do this.
36:00Too late, old man.
36:02Who the fuck are you?
36:04Your worst nightmare.
36:06Baby.
36:08I'm so glad you made it.
36:09I set all this up for you.
36:12This better work.
36:16No.
36:16No.
36:17No.
36:17No.
36:53Show me the video.
36:56Yes, sir.
37:00She knew how to evade the cameras.
37:02I can't identify her, but we knew her enough to let her in.
37:07Keep this video between us.
37:09Yes, sir.
37:23Cecilia.
37:25Sterling, you're not working from home today?
37:27What are you doing here?
37:29Who have you been talking to?
37:31No one.
37:31I just, I needed to pick up some paint samples and this was on the way.
37:35On the way to what?
37:37We're like 20 miles south of home.
37:40I'm getting my necklace cleaned.
37:42So if you can't find me or track me for any reason, that's why.
37:54Why do you need your necklace cleaned?
37:56I've just been working a lot.
37:58The drafting table is super dusty and I don't want to get messed up.
38:00It's a woman thing.
38:10I'm trusting you right now.
38:13I know.
38:14What the hell is going on?
38:44Good girl.
38:50Right on time.
38:53Well, don't hesitate now, sweetheart.
38:55Or they're dead.
38:58Come on, Cecilia.
38:59Do it.
39:06Sterling Mercer's legacy designs.
39:08Just like I asked.
39:10Oh.
39:11Sterling, you won't even know what hit you.
39:14Now let my grandfather go.
39:16He's all yours.
39:17A deal is a deal, pretty lady.
39:25Cece, don't!
39:26Get out of here!
39:28Look, look!
39:40I've had a change of heart.
39:44Please.
39:48No.
39:49This way.
39:59Wow.
40:01You really know how to tie the room together, darling.
40:04Sterling has my location.
40:06You have no idea what you're in for.
40:07Oh, but I think I do.
40:11You see, when that timer goes off, you and that little tracker and this entire place will go bye-bye.
40:19And then that will pave way for the construction site of all hell designs.
40:24He'll find me.
40:26And when he does...
40:27That's very unlikely, Cecilia.
40:30Now that Sterling has this video, no one's coming to save you.
40:35Screw you.
40:37Screw both of you!
40:38But I almost have everything I need.
40:45His financials, his accounts.
40:47You see, the only thing that is missing, my dear, is the contact for Sterling's project mansion.
40:55What?
40:56Why does that matter?
40:58Well, once I have the contact, I can put in a bid under his.
41:05Therefore, Mercer will no longer have any names attached to any property.
41:11That will never happen.
41:13Who's the client?
41:20How much was the bid offer?
41:23I don't know.
41:26Or you'll remember.
41:29Trust me.
41:30Even if I did, I wouldn't tell you.
41:33So, tell me, who is the client?
41:48He took care of my family.
41:50I'm never going to sell him out.
41:56Unless you forget, sweetheart.
41:58You already gave me the plans.
42:01So, therefore, you are already a betrayer.
42:05Promise?
42:06I don't know anything.
42:10Well, I can see that you're a lady of your word, which makes it kind of harder to believe you.
42:15So, tell you what.
42:18This is how it's going to go.
42:21You're going to tell me, and then you, Pappy, and little Kitty will go free.
42:28While Mercer Designs burns to the ground.
42:31Or, I could kill you.
42:35Right here.
42:37Right now.
42:39And Mercer Designs falls anyway.
42:44Okay.
42:46Decisions, decisions, darling!
42:46Wait, no!
42:47No, I'll tell you!
42:48I'll tell you anything you want to know!
42:49Please, don't touch him!
42:51I'll tell you!
42:51I'll tell you!
42:51I'll tell you!
42:51I'll tell you!
42:53Tell me everything.
43:06I don't...
43:07I don't know a lot.
43:09I just...
43:11I know she's very private.
43:13Very secretive.
43:15She only talks to Sterling.
43:16She's an older, conservative woman.
43:21Liar!
43:23That night that I dosed Sterling with that sleeping elixir,
43:27I found your little project mansion and that newly built BDSM room.
43:33Oh, and then all the plans that I stole from Cecilia's bedroom?
43:36They were for a nursery.
43:38Both rooms that an elderly woman wouldn't need in a new home.
43:41Oh, you drugged him?
43:43Yes!
43:43I drugged him!
43:50And then I ransacked his mail.
43:53That's where I found you, your address, and your little cat, too.
44:03Well, then.
44:05Looks like you chose...
44:08Oh, no!
44:09Oh, I'm sorry, my sweetness, but...
44:11Our short little affair is over.
44:15Excuse me.
44:17Well, obviously I don't need your services any longer.
44:22Besides, I don't do witnesses.
44:33Sterling, help me, please!
44:34Sterling, wait, it's a trap!
44:36No, Sterling, please, you have to help me!
44:38Watch out!
44:41Tell me how to disarm it!
44:47You little bitch!
45:00Nora, stop!
45:01Put down the knife!
45:02She kidnapped me!
45:04I've been waiting here for hours for you!
45:07Put down the knife!
45:08Come on, let me at her one last time!
45:10She betrayed you!
45:11She's the one who gave up the Legacy One and the third floor!
45:16Wait, how do you know about the Legacy One project?
45:17That was confidential.
45:18That little bitch, she told Vincent everything!
45:22No, she's lying!
45:23It's all because of her!
45:28She drugged you!
45:29No, I didn't, you bitch!
45:31When I thought I saw you with that woman?
45:34Then now you lost the designs.
45:36No!
45:37No, that wasn't me!
45:38Okay, Vincent made me do it!
45:40He said he threatened my family!
45:42I had no other choice!
45:42I don't believe you.
45:45Arrest her!
45:48No!
45:51Stop the knife!
45:53Come on, get my face!
45:54Stop!
45:55Vincent, yes, please!
45:57You have the right hand, you're silent!
46:00Anything you say can't move against you and you're going to fall!
46:03No, get this, my son!
46:04Wait, no, no, I'm Heinzverse.
46:05I'm so sorry!
46:07It's okay, it's okay.
46:09But I gave him your designs, I didn't know what else to do.
46:11I was trying to save them.
46:12Didn't mean to.
46:13They're safe, they're safe.
46:14Okay?
46:16Vincent, we'll be able to touch the project.
46:25I'm so happy you found me.
46:26I thought...
46:27We'll always find you.
46:32How?
46:36Because I know you.
46:38That moment in the parking lot, I knew from your eyes that you needed me.
46:44I will always keep you safe.
46:53Hey, hey, would you two take it someplace else?
46:55Sorry, Papi.
46:59I'll take you and Crump at home.
47:07Oh, thank goodness you're okay.
47:10I want to tell you something, sweetheart.
47:13I love Agnes.
47:14I really mean it.
47:16Okay, Papi.
47:17Just get some rest.
47:18I mean it, CeCe.
47:20When a man knows, he knows.
47:25Agnes, it's been a long time since I've met someone as caring as you.
47:30And I'd like you to be my wife.
47:33Yes!
47:34I love you, Agnes.
47:45Marley, what are you doing here?
47:47Miss Brooks.
47:48Mind coming with me?
47:50Will you give me a second?
47:51I want to change first.
47:52I want to change first.
48:22Everything feels brand new.
48:25Sunlight dancing in my life.
48:27Come here.
48:28And I don't know what you do.
48:31But love just fits like truth.
48:34You got to...
48:34This is really beautiful.
48:43We work well together.
48:44I'm glad you think so, Cecilia.
48:49I have something I need to tell you, Kalai.
48:52Well, there is, but...
48:55I don't follow.
48:57What?
48:58This.
48:59This is my legacy.
49:04Come here.
49:05I need to show you something.
49:06I made the...
49:16If we put them next to each other, it would create balance.
49:27Balance.
49:27But then you came in.
49:40You're kind.
49:42Old.
49:44Intuitive.
49:46Sterling.
49:48Beautiful.
49:48You gave the...
49:52Cecilia Brooks.
49:55Yes.
49:57Yes, Sterling.
50:00Yes.
50:01Yes.
50:02Yes.
50:03Yes.
50:04Yes.
50:05Yes.
50:06Yes.
50:07Yes.
50:08Yes.
50:09Yes.
50:10Yes.
50:11Yes.
50:12Yes.
50:13Yes.
50:14Yes.
50:15Yes.
50:18Yes.
50:26Yes.
50:26Yes.
50:28Yes.
50:28Yes.
50:29My friends.
50:30Yes.
50:30Yes.
50:34Why?
50:35Yes.
50:42Yes.
50:44Yes.
50:44You're a human.
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