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  • 2 days ago
Designed For Desire - Full Movie
Transcript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Artless Pervert!
00:32Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:38Do you have any idea how much this costs? And if they can't get it out-
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:05Oh.
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview us a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33You'll learn things are very fast-paced here.
01:45I don't have time to ask twice.
01:46I don't have time to ask twice.
01:48I don't have time to ask twice.
01:49I don't have time to ask twice.
02:19Hello, this is Cecilia.
02:29Miss Brooks, we need $200,000 to move forward with your grandfather's surgery.
02:33Until then, we cannot proceed.
02:35Okay, one second.
02:37Hello? Miss Brooks?
02:40Shit.
02:44Who is this woman? His girlfriend or something?
02:47I wasn't done with my interview.
02:50We'll touch base soon, okay?
02:54Oh! Good luck.
02:59I thought you weren't interested.
03:02Take off your clothes. Right now.
03:17So, Miss Brooks, what do you see in this room?
03:26Well, it's deliberate, controlled, powerful.
03:32It's impressive, but...
03:36But?
03:37It's not...
03:40satisfying.
03:41Bold again.
03:45Tell me, how do you know it's satisfying?
03:48Satisfaction lies...
03:51somewhere in between.
03:52You think you can give me that?
03:54Think you can take the risk and find out?
03:57All yours.
04:09Hey.
04:13The women out there would do anything to be in the position you're in.
04:17Unless you have other ideas.
04:19Don't make me regret this risk.
04:27I don't plan to.
04:30The position's been filled.
04:32Go home.
04:35Get out!
04:36Damn.
04:37He doesn't have to be so rude.
04:38Pappy, your phone's upside down.
04:56Hi, how are you feeling?
04:58Hey, jubilation?
05:00Not doing too well, honey.
05:02Damn hospital postponed my surgery again.
05:05I'm so sorry, Pappy.
05:07I'm working things out with the hospital.
05:09I have some good news today, though.
05:12I'm sorry.
05:13Uh, I think that's my landlord.
05:14We have to go.
05:15Love you.
05:15Bye-bye.
05:18Oh.
05:20What the hell is he doing here?
05:23What are you doing here?
05:25Oh.
05:26What the hell?
05:28Hey!
05:29Whoa, whoa, whoa.
05:30Guys, whoa.
05:31Hey, don't take that!
05:36I did not agree to this!
05:38Actually, you did.
05:42The signing must reside on Mr. Mercer.
05:44I can't quite hear you.
05:46Must reside with Mr. Mercer for the duration of the project?
05:51How long?
05:52Keep reading.
05:54And definitely without exception?
05:56A gift.
06:03What the fuck?
06:06A gift?
06:07In exchange for being kidnapped?
06:09No thanks.
06:10I need to know where you're at at all times.
06:17It's a tracker.
06:18What?
06:19Like a dog collar?
06:21Do you think you own me now?
06:22I wouldn't do that.
06:25Come on.
06:25Let's go.
06:26This is insane.
06:27Just give me a second to put Crumpet in his carrier and call my grandfather.
06:30No.
06:31There are no animals in the mansion.
06:34You must say goodbye to your little Crumpet.
06:37What?
06:38Absolutely not.
06:39I told you in the contract that I will take care of everything.
06:43I don't care about the contract.
06:45What?
06:46Oh my god!
06:47Goodbyes are always so hard.
06:49Put me down!
06:50What are you doing?
06:54Welcome back, Miss Brooks.
06:57So, I'm not allowed to leave?
06:59If you leave, your contract will be terminated immediately.
07:03And what?
07:03You're just going to leave me all alone in here?
07:05Would you like me to join you?
07:13No, no, no, no.
07:18Why is it making that sound?
07:20Damn, if I leave, Pappy dies.
07:23Shit.
07:23I'm trapped with this monster.
07:26Oh my god.
07:26Is this really happening?
07:28I'm stuck.
07:39This is your uniform.
07:41Work hours have started already.
07:42Tidy yourself up.
07:45Report to Mr. Mercer.
07:49Oh, and, uh, chop chop, Miss Brooks.
07:53Mr. Mercer does not like to be kept waiting.
08:05Feel the heat, caught in the fire.
08:09Your body moves, feel my desire.
08:12Touch the edge.
08:14Hold me tight.
08:16Lost in this moment.
08:18Enjoy the view?
08:21No, I, um, just didn't want to disturb you.
08:25I don't mind if you stare.
08:26Sorry, sir, I was just interested in your build.
08:31The building.
08:32The build of the mansion that we're building to work on today.
08:38What time are we leaving for?
08:40The car leaves in ten minutes.
08:43Wait.
08:44I'll be ready.
08:53How much further?
08:56Patience, Miss Brooks.
09:01Press the deep, I make hearts near.
09:03She like the danger of eating the rye.
09:07Can't fake the hunger, nowhere to hide.
09:10Oh, my pink pocket.
09:11She all the power, takes the control.
09:16Hey, Foxy.
09:18I got something that'll keep that jaw clenched.
09:20Wow.
09:21Original.
09:22Mr. Mercer, we didn't know you was coming in today.
09:25Get off my property.
09:26What?
09:27You're fired.
09:28Leave.
09:29Oh, the hell?
09:30I worked on the last nine Mercer mansions,
09:32and now I'm fired because of this bitch?
09:34If I collapse your loan...
09:38Wait, did he just stand up for me?
09:41Sir, how about you?
09:43Continue your work with Miss Brooks,
09:45and I'll handle this.
09:48Come on.
09:51Everything's nearly finished.
09:52I'm gonna have a team come in
09:53and make some final measurements over here,
09:55and I'll ensure they know where to keep their mouth shut.
09:58Uh, is this all marble?
10:04Seeing her in my house gives me a strange feeling.
10:09It's so beautiful.
10:10What is it about her?
10:12Why do I want to...
10:13Follow me.
10:20Wow, an elevator?
10:22By the way, what you did out there, thank you.
10:25I'd dismiss you just as fast
10:27if I wasn't pleased with your work, Miss Brooks.
10:29Remember that.
10:34Your first task for the client.
10:38I don't know anything about the client.
10:40Who is...
10:41We don't ask about the client.
10:43We only worry about what they desire.
10:46Okay.
10:47Am I allowed to know what the purpose of this room is?
10:50Yes.
10:51Great.
10:52The client would like this room transformed
10:56into their BDSM chambers.
10:59I hope she doesn't see right through me.
11:06So, how would you do it?
11:10Uh, um...
11:12Make me a picture.
11:13Right.
11:16Over here, I would put a chaise lounge.
11:22Velvet, obviously.
11:23Obviously.
11:24And over here would be a great place to mount a swing.
11:27One of the adjustable heights and handles.
11:31And next to it, we could put a cabinet
11:33for whips and toys and things.
11:35You're very well versed.
11:38I read a lot.
11:40Certain genres of certain books
11:42have certain details.
11:44Right, right.
11:45Of course.
11:47Yeah, it's perfectly normal.
11:48A lot of women read fantasy and romance
11:52and fantasy romance.
11:53Anyway, uh...
11:56This would be a great place to mount wall cuffs.
12:19Don't pick up.
12:23Hello?
12:29Miss Brooks, I'm sorry.
12:30We need the payment.
12:32Uh, I understand.
12:34Is there anything I could do now to hold him there?
12:36Anything that could be done right now?
12:38We need your payment, Miss Brooks.
12:39By tomorrow morning.
12:41All $200,000.
12:43Okay, I'll get it to you.
12:45I promise.
12:48Sorry.
12:48Your contract explicitly states that I receive
12:51100% of your attention at work.
12:55Who was that?
12:58It's personal.
12:59There are no personal calls at work.
13:01I'm sorry.
13:03I'm sorry.
13:09Mr. Mercer, it won't happen again.
13:11I'll get to work right away.
13:13I'll have designs to you by tomorrow morning.
13:18Take it off.
13:20What?
13:21Your jacket.
13:26Uh, Mr. Mercer.
13:30I won't ask twice.
13:37Uh, what's this for?
13:41No need to pout, Miss Brooks.
14:11You'll be reading some of the top designers.
14:13I don't understand.
14:14How does this take priority over work?
14:17Am I your date or your designer?
14:19You are.
14:22What'd I say you are?
14:36Ladies and gentlemen.
14:37It is my pleasure to welcome you all to the annual architectural ball, proudly hosted by the Mercer Group.
14:45I'd also like to welcome and introduce our newest interior designer, Miss Cecilia Brooks.
14:56I thought you said you had the job.
15:02I did everything that I could.
15:04Bitch must have slept with him in the interview.
15:06Fine.
15:08I'll fix it myself.
15:09So, without further ado, please, enjoy your drinks and have a wonderful night.
15:17May I have this dance?
15:27Okay.
15:28Okay.
15:30Sterling.
15:31I was hoping that maybe we could walk and talk.
15:37Or maybe dance and discuss.
15:40You must be working so hard.
15:42I was thinking maybe you would benefit from a designer who really knows you, your past.
15:52I'm not interested in rehashing our relationships, no.
15:56It was just a flight.
15:57It doesn't mean we can't be close.
16:01Sterling could be a difficult person to work for.
16:08You know you can come to me if you need anything.
16:16Get your hands off of her!
16:18What the hell are you doing here, Vincent?
16:25Folks, looks like the jester came to play!
16:31Get him out of here.
16:36It's alright, folks.
16:38Enjoy the party.
16:38It's okay.
16:40Are you okay?
16:42Why don't you go grab a drink?
16:43I'm going to take care of this.
16:48Crazy night, huh?
16:54Too crazy.
16:55I'm Nora.
16:56A close friend of Sterling's.
16:58So, tell me.
17:00How's the new position treating you?
17:03It's demanding.
17:05The client?
17:07What's your feel on them?
17:08Oh, I'm not at liberty to discuss that.
17:10Come on.
17:11It must be crazy, right?
17:13I really can't.
17:16Oh!
17:18Oh, how embarrassing.
17:25What are you doing in here?
17:26Cecilia, I'm sorry.
17:28I'm so done with their whole world.
17:32Yeah, the head of the board was barking my ear off.
17:36Stop it!
17:37What?
17:38I'm just trying to help.
17:39Help?
17:40Really?
17:41That's rich.
17:42I mean, I am rich.
17:45You.
17:45You are a lot of things.
17:48From the moment I met you, you've controlled every aspect of my life.
17:50Every movement I make.
17:52You're obsessive.
17:53Cryptic.
17:54A perfectionist.
17:56But you're not rich.
17:58Not where it counts.
17:59Feel excuse me.
18:19I have work to do.
18:20This hand.
18:37What if...
18:39Maybe cuffs?
18:41What if we hang something around here?
18:43I don't know my mind.
18:45Is that me?
19:02Did I say you could come in here?
19:04Uh, you'll be happy to know that I worked on these all night.
19:15Maybe if you stayed at the gala, you would have learned something.
19:20Learned what?
19:21You follow through with your obligations so you wouldn't waste your time working on garbage.
19:25Garbage?
19:27I'll need five more by tomorrow morning.
19:29That will take me all night.
19:30Even making those two took me all night and I barely got them done in time.
19:34You've done it once before.
19:36You can do it again.
19:37Don't you think maybe, just maybe, that's an unreasonable amount of time?
19:42Maybe.
19:43I don't care.
19:44Wait, I should have remembered.
19:47It's not in the contract.
19:58Oh my god.
20:04Excuse me miss, where's my grandfather?
20:07I'm sorry, usually if they're not in the room it's because the insurance ran out or...
20:11Miss Brooks?
20:25Yes?
20:26I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
20:30He's being very well taken care of.
20:32I don't understand.
20:33How is that possible?
20:35I can't afford that.
20:38I told you.
20:39I'll take care of everything.
20:40What?
20:42I can't believe this.
20:43Oh, but, but why?
20:53Why would you do that?
20:54Well, when I said I needed your undivided attention, I meant it.
21:01Now the only thing you have to worry about is me.
21:04I'm not your slave.
21:11Five designs by tomorrow morning.
21:19You're welcome.
21:19I've been expecting you.
21:28I have a feeling I'll be impressed.
21:30Brushed work is not work to be proud of.
21:37Is this you?
21:39And my parents.
21:39They must be so proud of you.
21:41They never got to see it.
21:42I inherited this company before I was old enough to run it.
21:46I'm so sorry.
21:47That was a long time ago.
21:48What happened?
21:49They vanished.
21:50On a work trip into Europe.
21:52Guess I don't control everything after all.
21:54I'm going to deliver these designs to everyone.
21:57I have a surprise for you.
22:04To your first approval.
22:10It's beautiful.
22:13I do have a request, though.
22:16I was wondering if I could...
22:18I could have a little freedom.
22:20From what?
22:21Me?
22:22No.
22:22No, not you.
22:25From this.
22:26Well...
22:27I need to keep track of you.
22:30I mean, what if...
22:32Sterling.
22:34I'm not your parents.
22:36I'll be fine.
22:37I just don't know if I'm ready for that yet.
22:39But you continue to impress me.
22:41I mean, you'll be free as a bird.
22:43I do have more surprises to show you.
22:59But, um...
23:01You're going to have to wait until tomorrow.
23:03Hmm.
23:04Full of surprises.
23:05Aren't you?
23:06And that's why I can't let you go.
23:27What are you two doing here?
23:29There's not supposed to be anyone working today.
23:30We were just swinging by to assess a minor electrical concern.
23:33It seems that the circuit...
23:34It's nothing urgent.
23:34We're going to come back tomorrow with the rest of the crew and get it resolved.
23:39Okay.
23:41Thank you for the update.
23:43Thank you, Mr. Mercer.
23:48I've ordered these beautiful pieces.
23:50White marble.
23:53What the hell?
23:53Hmm.
23:53It's kind of beautiful.
24:01No, no, it's a mistake.
24:05It's not too perfect.
24:07It's bold.
24:08It's not trying hard.
24:08It just...
24:10is.
24:11Well, I like my work to be...
24:13Intentional.
24:16Well, I would argue that this...
24:18elevates the intention of the space.
24:20The juxtaposition between control and chaos.
24:24You have good eyes, Ms. Brooks.
24:27Follow me.
24:34Your second task for the client.
24:37Master bedroom and nursery.
24:40Oh.
24:41The client's a family man.
24:42We don't discuss the client.
24:44Only satisfy their needs.
24:46Would you like to see your designs?
25:08Is it not what you thought?
25:11No, it's...
25:12It's not that.
25:12It...
25:13The power went out.
25:18There's no signal.
25:20Yeah, the...
25:20soundproofing they put up, uh...
25:22cuts signal.
25:24What?
25:25No.
25:25No.
25:38It's not funny.
25:39I'm not laughing.
25:41How long until someone notices that we're gone?
25:43I don't know.
25:44An hour.
25:46Maybe two.
25:47Is it Nora?
25:49The client?
25:50What?
25:51No.
25:52You're not supposed to ask about the client.
25:54Just tell me.
25:55No.
25:56It's not.
25:57Is she...
25:58more?
26:00I built this room because I believed in your vision.
26:04I cleared your schedule.
26:06I cleared your stressors.
26:07All because...
26:10I wanted you.
26:11I'm not supposed to ask you to ask you to ask you to ask me to ask you to ask me to ask you to ask me to ask you to ask me to ask you to ask me to ask you to ask me to ask you to ask me to ask you to ask me to ask you to ask me to ask you to ask me to ask you to ask me to ask you to ask me to ask you to ask me to ask you to ask me to ask you to ask me to ask me to ask you to ask me to ask you to ask me to ask you to ask me to ask me to ask you to ask me to ask you to ask me to ask me to ask you to ask me to ask you to ask me to ask me to ask you to ask me to ask me to ask you to ask me to ask me to ask you to ask me to ask you to ask me to ask me to ask you to ask me to ask me to ask you to ask me to ask me to ask you to ask me to ask me to ask you to ask me to
26:41Sir, your seven o'clock is waiting upstairs.
27:01Tuck your shirt in, sir.
27:09I know.
27:12Who the hell are you?
27:15Calm down, sweetie. Put Crumpet down.
27:20Listen, sweetie, I work for Mr. Mercer. He hired me to take care of your grandpa and Crumpet until you return.
27:27Sweetie, what are you doing home?
27:29What am I doing?
27:32This is Agnes, my nurse. She's taking care of me.
27:35Oh, I'm sorry. I'm so embarrassed.
27:39Um, hello?
27:43Why are you in your apartment? If you're there, there's no need for Agnes to stay employed.
27:48Cece, you're ruining my chances.
27:51Go back, Cece.
27:52Oh, okay, okay.
27:54Everything's all right. Agnes has taken very good care of me.
27:57Okay, okay, Pappy. I'll go.
27:59Um, it was nice meeting you, Agnes.
28:01Nice to meet you, dear.
28:02What the hell? He has a girlfriend?
28:16A girlfriend?
28:23What was I thinking?
28:24What was I thinking?
28:25I'm thinking.
28:54Got you now, bitch.
29:06I found her address.
29:09I found her address.
29:26Sterling.
29:28Sterling, can we talk?
29:30I don't have the time, Miss Brooks.
29:32Sterling, it's important, please.
29:33Well, I'm dealing with something. Figure it out yourself.
29:45You might want to ask me why I'm here, you psycho.
29:48I don't give a damn what you have to say.
29:50I don't trust you.
29:52Well, maybe you should start.
29:54Because I know a dirty little secret about you.
29:56You're about to be broke.
30:04I'm here to offer you a buyout.
30:07Get out.
30:08Hear me out.
30:10Instead of your accounts being compromised facing bankruptcy
30:15and becoming the embarrassment of architecture,
30:17we could merge as Hale Mercer.
30:21Even has a nice name.
30:23Oh, you're way out of line.
30:24Am I?
30:26Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout,
30:33I'll publish the information.
30:36And Mercer Designs will go bye-bye.
30:39Is that a threat?
30:40Think of it...
30:42Or a...
30:44bribe.
30:48Get the hell out of my property.
30:50And out of my sight.
30:52Now!
30:56Miss Brooks!
30:57In my office immediately.
30:58Are you sure you want me in there?
30:59Or not your other woman friend?
31:00What are you talking about?
31:01Hand me your sketches.
31:02I have designs, but they're not the originals.
31:03The originals are missing or lost.
31:04What do you mean lost?
31:05I finished the designs last night and I fell asleep, but when I woke up they weren't in my room anymore.
31:17You're lying.
31:18I'm lying?
31:19I'm lying?
31:20Why don't you tell that to the next girl you bring over?
31:21Excuse me?
31:22You're so careless.
31:23Careless?
31:24Me?
31:25I'm pretty sure you're the one who's talking about losing sketches.
31:26Something you won't have to deal with anymore.
31:27Marley's gonna be taking you to the project mansion.
31:28Hopefully you can...
31:29I'm...
31:30I'm...
31:31I'm...
31:32I'm...
31:33I'm...
31:34I'm...
31:35I'm...
31:36I'm...
31:37I'm...
31:38I'm...
31:39I'm...
31:40I'm...
31:41I'm...
31:42I'm...
31:43I'm...
31:44I'm...
31:45This is a kind of thing that you don't have to deal with anymore.
31:47Marley's gonna be taking you to the project mansion.
31:50Hopefully you can figure out your sketches problems there.
31:54You may go.
32:02Take her and her belongings to the project mansion.
32:04Anything I should know sir.
32:07She can't be trusted.
32:09And check the cameras.
32:11We have them all.
32:12Yes sir.
32:14miss brooks what are you doing here well um i uh had to get some artwork for the client
32:29you don't trust me that too you're not trusting me you were the one with another woman after all
32:38that i did this all for you bullshit okay what woman are you talking about here you can't lie
32:43to me i saw you with her i saw you okay okay okay if it makes you feel any better i
32:49i promise i'm looking into it you promise i promise
32:59i thought you didn't trust me that you were mad at me
33:21you're too hard to resist
33:28let's go inside
33:43eyes like knives you cut right through every look says what you do
33:57pull me under soft and deep you're the secret i can't keep breath on glass you trace my name
34:07no one else can play this game you don't ask you just take and i give and i pray
34:16well hello i'm here for mr brooks i'm sorry what exactly is this for i'm the treatment nurse i'll
34:25be taking him to his appointment for today oh mr brooks doesn't have an appointment today
34:29i can assure you he does
34:30well thank you for coming can i bring crumpet yes mr brooks bring the cat
34:40hello cecilia i'll need your full cooperation i have something of yours you might want back
35:06now that i've got your attention i need a little favor bring me mercer's legacy one design you can't
35:13do this but see i already have sweetheart get me the designs tell sterling and your sweet old
35:20pappy dies and your little cat too your choice i've been reviewing project management assets you're
35:27four days late on the hudson property the client is not happy mr mercer is not happy pick it up or
35:34i'll give your work to her she's three days ahead is that a personal email
35:41sweetie you don't have to do this too late old man who the fuck are you your worst nightmare
36:06baby baby i'm glad i'm glad you made it i set all this up for you this better work
36:13no no no
36:17no
36:24bye
36:25no doing
36:26nope
36:27no
36:30no
36:32no
36:32no
36:34no
36:37no
36:38oh
36:40no
36:41no
36:42show me the video
36:55yes sir
36:56she knew how to evade the cameras
37:01i can't identify her but
37:03we knew her enough to let her in
37:05keep this video between us
37:09yes sir
37:10cecilia
37:24sterling you're not working from home
37:27today what are you doing here
37:28who have you been talking to
37:30no one i uh just i needed to pick up
37:33some paint samples and this was on the
37:34way
37:35on the way to what we're like 20 miles
37:38south of home
37:39i'm getting my necklace cleaned
37:42so if you can't find me or track me
37:46for any reason
37:47that's why
37:49why do you need your necklace cleaned
37:56i've just been working a lot
37:57the drafting table is super dusty and i
38:00don't want to get messed up
38:00i'm trusting you right now
38:12i know
38:14what the hell is going on
38:30good girl right on time
38:51well don't hesitate now sweetheart
38:54or they're dead
38:56come on cecilia do it
39:00sterling mercer's legacy designs
39:08just like i asked
39:09oh
39:10sterling you won't even know what hit you
39:13now let my grandfather go
39:15he's all yours
39:17a deal is a deal pretty lady
39:19oh
39:22oh
39:23oh
39:24sissy don't
39:26get out of here
39:27look look
39:28i've had a change of heart
39:42please
39:47no
39:48this way
39:55wow
40:00you really know how to tie the room together darling
40:03sterling has my location
40:05you have no idea what you're in for
40:07oh
40:08but i think i do
40:09you see
40:11then that timer goes off
40:13you
40:14and that little tracker
40:16and this entire place will go bye-bye
40:18and then that will pave way for the construction site
40:21of all hail designs
40:24he'll find me
40:25and when he does
40:26that's
40:27very
40:28unlikely cecilia
40:29now that sterling has this video
40:31no one's coming to save you
40:34screw you
40:36screw both of you
40:38oh
40:39oh
40:40oh
40:41but i almost
40:42have everything i need
40:44hmm
40:45his financials
40:46his accounts
40:47you see
40:48the only thing that is missing
40:50my dear
40:51is the contact for sterling's project mansion
40:55what
40:56why does that matter
40:58well
40:59once i have the contact
41:01i can put in a bid
41:03under his
41:04yes
41:05therefore mercer will no longer have any names
41:08attached to any property
41:11that will never happen
41:16who's the client
41:19how much was the bid offer
41:22i don't know
41:25will you remember
41:28trust me
41:29even if i did
41:31i wouldn't tell you
41:32even if i did
41:33i wouldn't tell you
41:36no
41:37no
41:42so
41:43tell me
41:44who is the client
41:47the client
41:48he took care of my family
41:50i'm never going to sell him out
41:56unless you forget sweetheart
41:58you already gave me
42:00the plans
42:01so therefore you are already a betrayer
42:04promise
42:05i don't know anything
42:08hmm
42:09well i can see that you're a lady of your word
42:12which makes it kind of harder to believe you
42:14so
42:16tell you what
42:17this is how it's gonna go
42:20you're gonna tell me
42:21and then you
42:23pappy
42:24and little kitty
42:25can go free
42:27while mercer designs burns to the ground
42:30or
42:32i could kill you
42:35right here
42:37right now
42:38and mercer designs falls anyway
42:43okay
42:45decisions decisions darling
42:46wait no
42:47no i'll tell you
42:48i'll tell you anything you want to know
42:49please don't touch him
42:50i'll tell you
43:00tell me
43:03everything
43:06i don't
43:08i don't know a lot
43:09i just
43:11i know she's very private
43:13very secretive
43:15she only talks to sterling
43:17she's an older
43:19conservative woman
43:21liar
43:23that night that i dosed sterling with that sleeping elixir
43:27i found your little project mansion
43:30and that newly built bdsm room
43:32oh and then all the plans that i stole from cecilia's bedroom
43:36they were for a nursery
43:38both rooms that an elderly woman wouldn't need in a new home
43:42you drugged him?
43:43yes! i drugged him!
43:51and then i ransacked his mail
43:53that's where i found you
43:55your address
43:58and your little cat too
44:03well then
44:05looks like you chose
44:07oh
44:09oh i'm sorry my sweetness
44:11but our short little affair
44:14is over
44:15excuse me
44:17well
44:18obviously i don't need your services any longer
44:20besides
44:22i don't
44:24do
44:25witnesses
44:31sterling
44:33help me please
44:34sterling wait it's a trap
44:36sterling please you have to help me
44:37watch out
44:38tell me how to disarm it
44:48now
44:50black wire
44:51black wire
44:59you little bitch
45:00oh norah stop
45:01put down the knife
45:03she kidnapped me i've been waiting here for hours for you
45:06put down the knife
45:07come on let me at her one last time
45:09she betrayed you
45:10she's the one who gave up the legacy one and the third floor
45:15wait how do you know about the legacy one project that was confidential
45:18that little bitch
45:19she told vincent everything
45:21everything
45:22no she's lying
45:23no
45:24it's all because of her
45:28she drugged you
45:29no i didn't you bitch
45:31when i thought i saw you with that woman
45:34then now you lost the designs
45:36no
45:37no that wasn't me
45:38okay vincent made me do it
45:39he said he threatened my family i had no other choice
45:44i don't believe you
45:46arrest her
45:47no
45:48no
45:51no
45:52no
45:53no
45:54no
45:55no
45:56no
45:57no
45:58no
45:59no
46:00no
46:01no
46:02no
46:03no
46:04no
46:05no
46:06i'm so sorry
46:07it's okay
46:08it's okay
46:09but i gave him your designs i didn't know what else to do
46:10i was trying to save them
46:11i didn't need to
46:13you're safe
46:14you're safe
46:15okay
46:16vincent won't be able to touch the project
46:17i'm so happy you found me i thought
46:18i'm so happy you found me i thought
46:19i always find you
46:20i thought
46:23i always find you
46:24how
46:25i know you
46:26that moment in the parking lot i knew from your eyes that you needed me
46:30i will always keep you safe
46:31hey hey would you two take it someplace else
46:45i will always keep you safe
46:46i will always keep you safe
46:47i will always keep you safe
46:48i will always keep you safe
46:49i will always keep you safe
46:52hey hey would you two take it someplace else
46:55sorry pappy i'll take you and crump at home
47:00oh thank goodness you're okay
47:01i want to tell you something sweetheart i love agnes i really mean it
47:15okay pappy just get some rest
47:17just get some rest
47:18i i mean it cc
47:19when a man knows
47:20he knows
47:25agnes
47:26it's been a long time since i've met someone as caring as you
47:28and i'd like you to be my wife
47:30and i'd like you to be my wife
47:33yes
47:35i love you agnes
47:45marley what are you doing here
47:46miss brooks
47:48mind coming with me
47:50will you give me a second
47:51i want to change first
48:00please
48:26come on
48:27I don't know what you do
48:31But love just fits like truth
48:33You got to be flowing
48:37This is really beautiful
48:40We work well together
48:44I'm glad you think so, Cecilia
48:46I have something I need to tell you, Kalai
48:51Well, there is, but
48:53I don't follow
48:56What?
48:58This, this is my legacy
49:01Come here, I need to show you something
49:06I made the
49:15If we put them next to each other
49:25It would create balance
49:27Bounce?
49:36But then you came in
49:38You're kind
49:41Old
49:42Intuitive
49:45Sterling
49:46Beautiful
49:47Beautiful
49:48You gave the
49:51Cecilia Brooks
49:53Yes
49:56Yes, Sterling
49:57Come here
49:59You saved what?
50:02Everything
50:04I
50:05I
50:06To, forever
50:08To
50:08To every dream
50:10To every dream we're walking through
50:17To forever, to, to every dream we're walking through