- 2 days ago
Designed For Desire – Full Movie (2025)
Category
🎥
Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Artless Barber!
00:32Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:39Do you have any idea how much this costs? And if they can't get it out-
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:05Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33You'll learn things are very fast-paced here.
01:45You're right.
01:46You're right.
01:49I don't want to ask, and you're right.
01:50You're right.
01:52But I'm not sure if I'm wrong.
01:53I've seen Mali-
01:58I don't have time to ask twice.
02:03I don't have time to ask twice.
02:27Hello, this is Cecilia.
02:29Miss Brooks, we need $200,000 to move forward with your grandfather's surgery.
02:33Until then, we cannot proceed.
02:35Okay, one second.
02:37Hello? Miss Brooks?
02:40Shit.
02:45Who is this woman? His girlfriend or something?
02:47I wasn't done with my interview.
02:50We'll touch base soon, okay?
02:55Oh! Good luck.
02:59I thought you weren't interested.
03:02Take off your clothes. Right now.
03:05So, Miss Brooks, what do you see in this room?
03:09So, Miss Brooks, what do you see in this room?
03:25Well, it's deliberate, controlled, powerful. It's impressive, but...
03:35But?
03:36It's not satisfying.
03:40Bold again.
03:42Bold again.
03:46Tell me, how do you know it's satisfying?
03:48Satisfaction lies somewhere in between.
03:52You think you can give me that?
03:54Think you can take the risk and find out?
03:57All yours.
04:09Hey.
04:13The women out there would do anything to be in the position you're in.
04:16Unless you have other ideas.
04:25Don't make me regret this risk.
04:27I don't plan to.
04:31The position's been filled.
04:32Go home.
04:35Get out!
04:36Damn.
04:37It doesn't have to be so rude.
04:38Pappy, your phone's upside down.
04:53Hi. How are you feeling?
04:54Hey, jubilation?
04:55Not doing too well, honey.
04:56Damn hospital postponed my surgery again.
04:57I'm so sorry, Pappy.
04:58I'm working things out with the hospital.
04:59I have some good news today, though.
05:00I'm sorry.
05:01Uh, I think that's my landlord.
05:02We have to go.
05:03Love you.
05:04Bye-bye.
05:05Oh.
05:06What the hell is he doing here?
05:07Oh.
05:08What the hell is he doing here?
05:09Oh.
05:10What the hell is he doing here?
05:11Oh.
05:12I'm sorry.
05:13Uh, I think that's my landlord.
05:14We have to go.
05:15Love you.
05:16Bye-bye.
05:18Oh.
05:19What the hell is he doing here?
05:22What are you doing here?
05:25Oh.
05:26What the hell?
05:27Hey.
05:28Whoa, whoa, whoa.
05:29Guys, whoa.
05:30Hey, don't take that.
05:32I did not agree to this.
05:37Actually, you did.
05:39The signing must reside on Mr. Mercer.
05:43I can't quite hear you.
05:45Must reside with Mr. Mercer for the duration of the project?
05:50Mm.
05:51How long?
05:52Keep reading.
05:53And definitely without exception?
05:57A gift.
06:03What the fuck?
06:05A gift in exchange for being kidnapped?
06:09No thanks.
06:10I need to know where you're at at all times.
06:17It's a tracker.
06:18What?
06:19Like a dog collar?
06:21Do you think you own me now?
06:23Uh-uh.
06:24I wouldn't do that.
06:25Come on.
06:26Let's go.
06:27This is insane.
06:28Just give me a second to put Crumpet in his carrier and call my grandfather.
06:31No.
06:32There are no animals in the mansion.
06:34You must say goodbye to your little crumpet.
06:37What?
06:38Absolutely not.
06:39I told you in the contract that I will take care of everything.
06:44I don't care about the contract.
06:46What?
06:47Oh, my God.
06:48Goodbyes are always so hard.
06:49Put me down.
06:50What are you doing?
06:55Welcome back, Miss Brooks.
06:57So, I'm not allowed to leave?
06:59If you leave, your contract will be terminated immediately.
07:02And what?
07:03You're just going to leave me all alone in here?
07:05Would you like me to join you?
07:17No, no, no, no.
07:18Why is it making that sound?
07:20Damn, if I leave, Pappy dies.
07:22Shit.
07:23I'm trapped with this monster.
07:25Oh, my God.
07:26Is this really happening?
07:27I'm stuck.
07:28This is your uniform.
07:41Work hours have started already.
07:43Tidy yourself up.
07:45Report to Mr. Mercer.
07:48Oh, and, uh, chop chop, Miss Brooks.
07:52Mr. Mercer does not like to be kept waiting.
07:56Enjoy the view?
07:57No, I, um, just didn't want to disturb you.
07:58I don't mind if you see me.
07:59I'm waiting.
08:00I'm waiting.
08:01I'm waiting.
08:02I don't mind if you stare.
08:03Sorry, Sarah.
08:04I was just interested in your build.
08:07The building.
08:08The building.
08:09The build of the mansion that we're building.
08:10The building.
08:11The building.
08:12the building.
08:13The building to work on today.
08:16Enjoy the view?
08:21No, I, um, just didn't want to disturb you.
08:25I don't mind if you stare.
08:27Sorry, sir, I was just interested in your build.
08:31The building, the build of the mansion that we're building to work on today.
08:39What time are we leaving for?
08:41Car leaves in ten minutes.
08:43Great. I'll be ready.
08:46How much further?
08:59Patience, Ms. Brooks.
09:09Oh, my God.
09:11Hey, Foxy! I got something that'll keep that jaw clenched.
09:20Wow. Original.
09:22Mr. Mercer! We didn't know you was coming in today.
09:25Get off my property.
09:26What?
09:27You're fired. Leave.
09:29Oh, the hell?
09:30I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
09:34If I collapse your loan...
09:38Wait, did he just stand up for me?
09:41Sir, how about you? Continue your work with Ms. Brooks, and I'll handle this.
09:46Come on.
09:51Everything's nearly finished. I'm going to have a team come in and make some final measurements over here, and I'll ensure they know where to keep their mouth shut.
09:58Uh, is this all marble?
10:06Seeing her in my house gives me a strange feeling.
10:09It's so beautiful.
10:10What is it about her? Why do I want to...
10:13Follow me.
10:14Wow, an elevator?
10:22By the way, what you did out there, thank you.
10:25I'd dismiss you just as fast if I wasn't pleased with your work, Ms. Brooks.
10:29Remember that.
10:35Your first task for the client.
10:38I don't know anything about the client.
10:40Who is...
10:40We don't ask about the client.
10:43We only worry about what they desire.
10:45Okay.
10:46Am I allowed to know what the purpose of this room is?
10:50Yes.
10:51Great.
10:52The client would like this room transformed into their BDSM chambers.
11:01I hope she doesn't see right through me.
11:06So, how would you do it?
11:11Uh...
11:11Um...
11:12Paint me a picture.
11:13Right.
11:16Uh, over here, I would put a chaise lounge.
11:21Velvet.
11:23Obviously.
11:23Obviously.
11:24And over here would be a great place to mount a swing.
11:27One with adjustable heights and...
11:29Handles.
11:31And next to it, we could put a cabinet for whips and toys and things.
11:35You're very well versed.
11:38I read a lot.
11:40Certain genres of certain books have certain details.
11:43That's...
11:44Right.
11:45Right.
11:45Of course.
11:47Yeah, it's perfectly normal.
11:48A lot of women read fantasy and romance and fantasy romance.
11:55Anyway, uh...
11:55This would be a great place to mount wall cuffs.
12:01I'm drowning in the heat.
12:02I'm drowning in the heat.
12:10Afraid of what I need.
12:14Your touch is like a flame, but I can't turn away.
12:19Don't pick up.
12:27Hello?
12:29Miss Brooks, I'm sorry.
12:30We need the payment.
12:32Uh, I understand.
12:34Is there anything I could do now to hold him there?
12:36Anything that could be done right now?
12:38We need your payment, Miss Brooks.
12:39By tomorrow morning.
12:41All $200,000.
12:42Okay, I'll get it to you.
12:45I promise.
12:48Sorry.
12:49Your contract explicitly states that I receive 100% of your attention at work.
12:55Who was that?
12:58It's personal.
12:59There are no personal calls at work.
13:02I'm sorry.
13:09Mr. Mercer, it won't happen again.
13:12I'll get to work right away.
13:13I'll have designs to you by tomorrow morning.
13:18Take it off.
13:20What?
13:24Your jacket.
13:27Mr. Mercer...
13:30I won't ask twice.
13:40What's this for?
13:42It's perfect.
13:48Now go get dressed.
13:48No need to pout, Miss Brooks.
14:11You'll be reading some of the top designers.
14:13I don't understand.
14:14How does this take priority over work?
14:17Am I your date or your designer?
14:19You are...
14:22what I say you are.
14:24Ladies and gentlemen,
14:37it is my pleasure to welcome you all to the annual architectural ball,
14:43proudly hosted by the Mercer Group.
14:45I'd also like to welcome and introduce our newest interior designer,
14:55Miss Cecilia Brooks.
15:00I thought you said you had the job.
15:02I did everything that I could.
15:04Mitch must have slept with him in the interview.
15:06Fine.
15:06I'll fix it myself.
15:12So without further ado, please enjoy your drinks and have a wonderful night.
15:17Have a wonderful night.
15:25May I have this dance?
15:26Oh, okay.
15:31Sterling!
15:31I was hoping that maybe we could walk and talk.
15:37Or maybe dance and discuss.
15:40You must be working so hard.
15:43I was thinking maybe you would benefit from a designer who really knows you.
15:50Your past.
15:50I'm not interested in rehashing our relationships, no.
15:56It was just a flight.
15:58Doesn't mean we can't be close.
16:01Sterling could be a difficult person to work for.
16:08You know you can come to me if you need anything.
16:16Get your hands off of her!
16:20What the hell are you doing here, Vincent?
16:25Folks, looks like the jester came to play!
16:31Get him out of here.
16:36It's alright, folks.
16:38Enjoy the party.
16:38It's okay.
16:40Are you okay?
16:42Why don't you go grab a drink?
16:43I'm going to take care of this.
16:50Crazy night, huh?
16:54Too crazy.
16:55I'm Nora.
16:56A close friend of Sterling's.
16:58So, tell me.
17:00How's the new position treating you?
17:03It's demanding.
17:05I'm the client.
17:07What's your feel on them?
17:08Oh, I'm not at liberty to discuss that.
17:10Come on.
17:11It must be crazy, right?
17:13I really can't.
17:14Oh, how embarrassing.
17:25What are you doing in here?
17:26Cecilia, I'm sorry.
17:28I'm so done with their whole world.
17:32Yeah.
17:33The head of the board was barking my ear off.
17:36Stop it.
17:37What?
17:38I'm just trying to help.
17:39Help?
17:40Really?
17:41That's rich.
17:42I mean, I am rich.
17:45You.
17:46You are a lot of things.
17:48From the moment I met you, you've controlled every aspect of my life.
17:50Every movement I make.
17:52You're obsessive, cryptic, a perfectionist.
17:56But you're not rich.
17:58Not where it counts.
18:11Feel excuse me.
18:19I have work to do.
18:20This hand.
18:37What if?
18:39Maybe cuffs?
18:41What if we hang something around here?
18:43Is that me?
19:02Did I say you could come in here?
19:04Uh, you'll be happy to know that I worked on these all night.
19:13Maybe if you stayed at the gala, you would have learned something.
19:21Learned what?
19:22You follow through with your obligations, so you wouldn't waste your time working on garbage.
19:27Garbage?
19:28I'll need five more by tomorrow morning.
19:30That will take me all night.
19:32Even making those two took me all night, and I barely got them done in time.
19:36You've done it once before.
19:38You can do it again.
19:39Don't you think?
19:40Maybe, just maybe, that's an unreasonable amount of time.
19:43Maybe, I don't care.
19:46Wait, I should have remembered.
19:49It's not in the contract.
19:59Oh my god.
20:05Excuse me miss, where's my grandfather?
20:08I'm sorry, usually if they're not in the room it's because the insurance ran out or...
20:13Miss Brooks?
20:27Yes?
20:27I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
20:32He's being very well taken care of.
20:34I don't understand.
20:35How is that possible?
20:37I can't afford that.
20:38I told you.
20:40I'll take care of everything.
20:42What?
20:43I can't believe this.
20:52Oh, but...
20:53But why?
20:55Why would you do that?
20:56Well when I said I needed your undivided attention,
20:58I meant it.
21:00Now the only thing you have to worry about is me.
21:07I'm not your slave.
21:12Five designs by tomorrow morning.
21:20You're welcome.
21:21I've been expecting you.
21:29I have a feeling I'll be impressed.
21:32Brushed work is not work to be proud of.
21:39Is this you?
21:40And my parents.
21:41They must be so proud of you.
21:42They never got to see it.
21:44I inherited this company before I was old enough to run it.
21:47I'm so sorry.
21:48That was a long time ago.
21:50What happened?
21:51They vanished.
21:52On a work trip into Europe.
21:53Guess I don't control everything after all.
21:56I'm going to deliver these designs to everyone.
21:59I have a surprise for you.
22:05To your first approval.
22:11It's beautiful.
22:14I do have a request, though.
22:17I was wondering if I could, I could have a little freedom.
22:21From what?
22:22Me?
22:23No.
22:24No, not you.
22:26On this.
22:27Well, I need to keep track of you.
22:31I mean, what if...
22:33Sterling, I'm not your parents.
22:37I'll be fine.
22:39I just don't know if I'm ready for that yet.
22:41But you continue to impress me.
22:43I mean, you'll be free as a bird.
22:45I do have more surprises to show you, but, um, you're gonna have to wait till tomorrow.
23:05Hmm.
23:05Full of surprises, aren't you?
23:07And that's why I can't let you go.
23:29What are you two doing here?
23:30There's not supposed to be anyone working today.
23:32We were just swinging by to assess a minor electrical concern.
23:34It seems that the circuit...
23:35It's nothing urgent.
23:36We're gonna come back tomorrow with the rest of the crew and get it resolved.
23:40Okay.
23:43Thank you for the update.
23:44Thank you, Mr. Mercer.
23:45I've ordered these beautiful pieces.
23:51White marble.
23:54What the hell?
24:00It's kind of beautiful.
24:02No, no, it's a mistake.
24:06It's not too perfect.
24:08It's bold.
24:09It's not trying hard.
24:10It just...
24:11is.
24:12Well, I like my work to be...
24:14Intentional.
24:17Well, I would argue that this elevates the intention of the space.
24:22The juxtaposition between control and chaos.
24:26You have good eyes, Ms. Brooks.
24:29Follow me.
24:36Your second task for the client.
24:39Master bedroom and nursery.
24:42Oh, the client's a family man.
24:44We don't discuss the client.
24:46Only satisfy their needs.
24:50Would you like to see your designs?
24:52Is it not what you thought?
25:12No, it's...
25:13It's not that.
25:14It...
25:14The power went up.
25:19There's no signal.
25:21Yeah, the soundproofing they put up, uh, cuts signal.
25:25What?
25:26No.
25:27It's not funny.
25:41I'm not laughing.
25:42How long until someone notices that we're gone?
25:45I don't know.
25:46An hour?
25:47Maybe two?
25:49Is it Nora?
25:50The client?
25:52What?
25:52No, you're not supposed to ask about the client.
25:55Just tell me.
25:57No, it's not.
25:58Is she...
26:00more?
26:00I built this room because I believed in your vision.
26:06I cleared your schedule.
26:07I cleared your stressors.
26:09All because...
26:11I wanted you.
26:12I wanted you.
26:34Sir, your seven o'clock is waiting upstairs.
27:02Tuck your shirt in, sir.
27:04I know.
27:12I know.
27:14Ah!
27:15Where the hell are you?
27:16Calm down, sweetie.
27:18Put Crumpet down.
27:21Listen, sweetie.
27:23I work for Mr. Mercer.
27:24He hired me to take care of your grandpa and Crumpet until you return.
27:28Sweetie, what are you doing home?
27:31What am I doing?
27:32This is Agnes, my nurse.
27:35She's taking care of me.
27:37Oh.
27:38I'm sorry.
27:39I'm so embarrassed.
27:43Um.
27:44Hello?
27:45Why are you in your apartment?
27:47If you're there, there's no need for Agnes to stay employed.
27:50Cece, you're ruining my chances.
27:53Go back, Cece.
27:54Okay.
27:54Okay.
27:54Everything's all right.
27:57Agnes has taken very good care of me.
27:59Okay.
27:59Okay, Pappy.
28:00I'll go.
28:01Um.
28:02It was nice meeting you, Agnes.
28:03Nice to meet you, dear.
28:04What the hell?
28:16He has a girlfriend?
28:18What?
28:24What was I thinking?
28:26What was I thinking?
28:56Gotcha now, bitch.
29:10I found her address.
29:26Sterling.
29:30Sterling, can we talk?
29:32I don't have the time, Miss Brooks.
29:34Sterling, it's important, please.
29:35Well, I'm dealing with something.
29:36Figure it out yourself.
29:47You might want to ask me why I'm here, you psycho.
29:50I don't give a damn what you have to say.
29:52I don't trust you.
29:54Well, maybe you should start.
29:56Because I know a dirty little secret about you.
30:01You're about to be broke.
30:06I'm here to offer you a buyout.
30:09Get out.
30:10Hear me out.
30:12Instead of your accounts being compromised, facing bankruptcy,
30:16and becoming the embarrassment of architecture,
30:18we could merge as Hale Mercer.
30:22Even has a nice name.
30:24Oh, you're way out of line.
30:26Am I?
30:28Because someone pretty close to you seems to be worried about you.
30:31Besides, if you don't accept this buyout,
30:35I'll publish the information,
30:38and Mercer Designs will go bye-bye.
30:41Is that a threat?
30:41Think of it more of a bribe.
30:49Get the hell out of my property.
30:51And out of my sight.
30:54Now!
30:54Now!
30:54Miss Brooks,
31:08in my office immediately.
31:10Are you sure you want me in there,
31:12or not your other woman friend?
31:13What are you talking about?
31:15Hand me your sketches.
31:16I have designs, but they're not the originals.
31:21The originals are missing, or lost.
31:25What do you mean, lost?
31:26I finished the designs last night, and I fell asleep,
31:28but when I woke up, they weren't in my room anymore.
31:31You're lying.
31:32I'm lying?
31:34Why don't you tell that to the next girl you bring over?
31:37Excuse me?
31:38You're so careless.
31:40Careless?
31:40Me?
31:41I'm pretty sure you're the one who's talking about losing sketches.
31:45Something you won't have to deal with anymore.
31:48Marley's going to be taking you to the project mansion.
31:51Hopefully you can figure out your sketches problems there.
31:55You may go.
32:03Take her and her belongings to the project mansion.
32:06Anything I should know, sir?
32:08She can't be trusted.
32:09And check the cameras.
32:12We have them all.
32:15Yes, sir.
32:20Miss Brooks.
32:22What are you doing here?
32:25Well, um...
32:27I, uh, had to get some artwork for the client.
32:32You don't trust me.
32:34I, too.
32:37You're not trusting me?
32:38You were the one with another woman after all that
32:40I did this all for you bullshit.
32:42Okay, what woman are you talking about here?
32:44You can't lie to me.
32:46I saw you with her.
32:47I saw you with her.
32:48Okay, okay, okay.
32:49If it makes you feel any better, I...
32:51I promise I'm looking into it.
32:57You promise?
32:59I promise.
33:00I thought you didn't trust me.
33:21I bet you were mad at me.
33:23No, you're too hard to her, sir.
33:24I promise.
33:37Let's go inside.
33:38It's a fire on the inside
33:43Eyes like knives you cut right through
33:56Every look says what you do
33:59Pull me under soft and deep
34:02You're the secret I can't keep
34:05Breath on glass you trace my name
34:09No one else can play this game
34:12You don't ask you just take
34:15And I give and I pray
34:18Well hello I'm here for Mr. Brooks
34:23I'm sorry what exactly is this for?
34:25I'm the treatment nurse
34:26I'll be taking him to his appointment for today
34:28Oh Mr. Brooks doesn't have an appointment today
34:30I can assure you he does
34:32Well thank you for coming
34:37Can I bring Crumpet?
34:39Yes Mr. Brooks
34:40Bring the cat
34:42Hello Cecilia
35:03I'll need your full cooperation
35:05I have something of yours you might want back
35:07Now that I've got your attention
35:09I need a little favor
35:11Bring me Mercer's Legacy One design
35:14You can't do this
35:15But see I already have sweetheart
35:17Get me the designs
35:19Tell Sterling and your sweet old pappy dies
35:22And your little cat too
35:23Your choice
35:24I've been reviewing project management assets
35:28You're four days late on the Hudson property
35:30The client is not happy
35:32Mr. Mercer is not happy
35:34Pick it up or I'll give your work to her
35:37She's three days ahead
35:38Is that a personal email?
35:59Sweetie
36:00You don't have to do this
36:01Too late old man
36:03Who the fuck are you?
36:06Your worst nightmare
36:07Baby
36:08I'm so glad you made it
36:10I set all this up for you
36:12This better work
36:14No
36:18Not having a happy
36:48Show me the video.
36:57Yes, sir.
37:01She knew how to evade the cameras.
37:03I can't identify her, but we knew her enough to let her in.
37:08Keep this video between us.
37:11Yes, sir.
37:18Cecilia.
37:26Sterling, you're not working from home today?
37:29What are you doing here?
37:30Who have you been talking to?
37:32No one.
37:33I just, I needed to pick up some paint samples and this was on the way.
37:37On the way to what?
37:38We're like 20 miles south of home.
37:42I'm getting my necklace cleaned.
37:43So if you can't find me or track me for any reason, that's why.
37:55Why do you need your necklace cleaned?
37:58I've just been working a lot.
37:59The drafting table is super dusty and I don't want it to get messed up.
38:04It's a woman thing.
38:12I'm trusting you.
38:13Right now.
38:15I know.
38:30What the hell is going on?
38:43Good girl.
38:51Right on time.
38:54Well, don't hesitate now, sweetheart.
38:56Or they're dead.
39:00Come on, Cecilia.
39:01Do it.
39:07Sterling Mercer's legacy designs.
39:10Just like I asked.
39:11Oh.
39:13Sterling, you won't even know what hit you.
39:16Now let my grandfather go.
39:17He's all yours.
39:19A deal is a deal, pretty lady.
39:23Oh.
39:26Oh.
39:26Cece, don't.
39:27Get out of here.
39:29Look.
39:30Look.
39:30I've had a change of heart.
39:48Please.
39:49No.
39:50This way.
39:51You really know how to tie the room together, darling.
40:05Sterling has my location.
40:07You have no idea what you're in for.
40:09Oh.
40:10But I think I do.
40:12You see, when that timer goes off, you and that little tracker and this entire place will go bye-bye.
40:21And then that will pave way for the construction site of all hail designs.
40:26He'll find me.
40:28And when he does-
40:28That's very unlikely, Cecilia.
40:32Now that Sterling has this video, no one's coming to save you.
40:37Screw you.
40:39Screw both of you.
40:40Oh, oh, oh.
40:42But I almost have everything I need.
40:46Hmm?
40:46His financials, his accounts.
40:49You see, the only thing that is missing, my dear, is the contact for Sterling's Project Mansion.
40:57What?
40:58Why does that matter?
40:59Well, once I have the contact, I can put in a bid under his.
41:06Therefore, Mercer will no longer have any names attached to any property.
41:13That will never happen.
41:18Who's the client?
41:21How much was the bid offer?
41:24I don't know.
41:27Will you remember?
41:30Trust me.
41:32Even if I did, I wouldn't tell you.
41:36So, tell me, who is the client?
41:50He took care of my family.
41:52I'm never going to sell him out.
41:57Unless you forget, sweetheart.
41:59You already gave me the plans.
42:03So, therefore, you are already a betrayer.
42:07Promise?
42:08I don't know anything.
42:11Hmm.
42:12Well, I can see that you're a lady of your word, which makes it kind of harder to believe you.
42:17So, tell you what.
42:20This is how it's going to go.
42:21You're going to tell me, and then you, Pappy, and little Kitty can go free.
42:29While Mercer Designs burns to the ground.
42:33Or, I could kill you.
42:37Right here.
42:39Right now.
42:41And Mercer Designs falls anyway.
42:42Okay.
42:47Decisions, decisions, darling!
42:48Wait, no!
42:49No, I'll tell you!
42:49I'll tell you anything you want to know!
42:50Please, just don't touch him!
42:52I'll tell you!
42:53Tell me everything.
43:08I don't...
43:09I don't know a lot.
43:11I just...
43:12I know she's very private.
43:14Very secretive.
43:16She only talks to Serling.
43:19She's an older, conservative woman.
43:22Liar!
43:24That night that I dosed Sterling with that sleeping elixir,
43:28I found your little project mansion and that newly built BDSM room.
43:34Oh, and then all the plans that I stole from Cecilia's bedroom?
43:38They were for a nursery.
43:40Both rooms that an elderly woman wouldn't need in a new home.
43:44You drugged him?
43:44Yes!
43:45I drugged him!
43:52And then I ransacked his mail.
43:55That's where I found you, your address, and your little cat, too.
44:02Well, then.
44:06Looks like you chose...
44:09Oh!
44:10Oh, I'm sorry, my sweetness, but...
44:13Our short little affair is over.
44:17Excuse me.
44:19Well, obviously I don't need your services any longer.
44:22Besides, I don't do witnesses.
44:34Sterling, help me, please!
44:36Sterling, wait, it's a trap!
44:37No!
44:38Sterling, please, you have to help me!
44:39Watch out!
44:47Tell me how to deform it!
44:50Now!
44:50Fuck, why?
45:00You little bitch!
45:02No, Nora, stop!
45:03Put down the knife!
45:05She kidnapped me!
45:06I've been waiting here for hours for you!
45:08Put down the knife!
45:09Come on, let me at her one last time!
45:11She betrayed you!
45:12She's the one who gave up the Legacy One in the third floor!
45:17Wait, how do you know about the Legacy One project?
45:19That was confidential.
45:20That little bitch.
45:21She told Vincent everything!
45:23No, she's lying.
45:25It's all because of her!
45:30She drugged you!
45:31No, I didn't, you bitch!
45:33When I thought I saw you with that woman?
45:35Then now you lost the designs.
45:37No.
45:38No, that wasn't me!
45:40Okay, Vincent made me do it!
45:42He said he threatened my family!
45:43I had no other choice!
45:46I don't believe you.
45:48Arrest her!
45:49No!
45:53Stop the knife!
45:57They didn't do it, please!
45:59You have the right, you know, you're silent!
46:01Anything you say, can't even resist against you or it's going to fall!
46:04No, get this, my sir!
46:05Wait, no, no, I'm timeless!
46:07I'm so sorry!
46:08It's okay, it's okay!
46:10But I gave him your designs, I didn't know what else to do!
46:12I was trying to save them!
46:14I didn't mean to!
46:15You're safe, you're safe!
46:16Okay?
46:18Vincent, we'll be able to touch the project.
46:19I'm so happy you found me, I thought...
46:29Always find you.
46:33How?
46:38Because I know you.
46:40That moment in the parking lot, I knew from your eyes that you needed me.
46:49I will always keep you safe.
46:54Hey, hey, would you two take it someplace else?
47:00Sorry, Pappy, I'll take you and Crump at home.
47:08Oh, thank goodness you're okay.
47:12I want to tell you something, sweetheart.
47:14I love Agnes, I really mean it.
47:17Okay, Pappy, just get some rest.
47:19I mean it, Cece.
47:21When a man knows, he knows.
47:27Agnes, it's been a long time since I've met someone as caring as you.
47:31And I'd like you to be my wife.
47:35Yes!
47:37I love you, Agnes.
47:38Marley, what are you doing here?
47:48Miss Brooks.
47:50Mind coming with me?
47:52Will you give me a second?
47:53I want to change first.
47:54I want to change first.
48:18I want to change.
48:20It sounds like melody or song, so you've been around.
48:24Everything feels brand new.
48:26Sunlight dancing in my mind.
48:28Come here.
48:30I don't know what you do.
48:32But love just fits like truth.
48:36You got it.
48:40This is really beautiful.
48:44We work well together.
48:46Glad you think so, Cecilia.
48:50Um...
48:52Yes, Sterling?
48:54I have something I need to tell you.
48:58About?
49:00There isn't a legacy, Kalaya.
49:02Well, there is, but...
49:06It's not who you think.
49:08I don't follow.
49:12It's me.
49:14What?
49:16This... this is my legacy.
49:20Come here.
49:22I need to show you something.
49:32I made this for you.
49:34Wait one second.
49:36I thought if we put them next to each other, it would create balance.
49:50Balance?
49:52No.
50:06But then you came in.
50:08You're kind.
50:10Old.
50:12Intuitive.
50:14Sterling.
50:16Beautiful.
50:18Beautiful.
50:20You gave this place a soul.
50:24Cecilia Brooks.
50:28Would you share the love we built together?
50:34Yes.
50:35Yes, Sterling.
50:36I said yes to you.
50:46To forever too.
50:48To every dream we're walking through.
50:52You're walking through.
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