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00:00:00Musique
00:00:30Musique
00:00:32Musique
00:00:34Musique
00:00:36Hey Randy, are you ready to get started?
00:00:38I think you are.
00:00:40We've got to make some art here, people.
00:00:42Alright, let's go. Bring that light right here.
00:00:44Down here.
00:00:46Alright, that's not...
00:00:48I need more light than that.
00:00:50You're in the spot.
00:00:52Okay.
00:00:54Good boy.
00:00:56Alright.
00:00:58No, I told you. It's too hot.
00:01:00Turn it over. Give me the other flat side, idiot.
00:01:02Come on, let's go.
00:01:04Come on. Oh, Jesus Christ.
00:01:06Come on.
00:01:08Alright.
00:01:14Good. Back in it. Back in it. Back in it.
00:01:16That's a good dog.
00:01:18Such a good dog.
00:01:28Good. Alright, that's fine.
00:01:30That's a good dog.
00:01:32Good. Alright, that's fine.
00:01:34That's a good dog.
00:01:36Hang on, man.
00:01:38Gotcha.
00:01:40Very much.
00:01:50Alright, that is great.
00:01:52I think he looks good, don't you?
00:02:08Yeah, we're out of film. Alright, take five. We're reloading now.
00:02:10This is the dumbest dog in the whole world. Where the hell did you get such a dumb dog?
00:02:14It's my dog. I trained that dog. I love this dog.
00:02:18And you are as dumb as the dog.
00:02:20As dumb as the dog.
00:02:37Alright.
00:02:38Is everybody ready?
00:02:40Is your camera loaded?
00:02:41Yeah.
00:02:42Are we all happy?
00:02:46Then give me the goddamn dog.
00:02:50This program is sponsored by the Women's Press Club of America, along with the Friends of Public Television.
00:03:07I'm Melissa Kent.
00:03:08And I'm Sander Davis.
00:03:10In a few minutes, we will switch our control to the Women's Press Club to honor Emmanuel Griffith as Woman of the Year.
00:03:17Some people may not know the name, but they should be able to recognize the face.
00:03:22At age 25, Miss Griffith has appeared on the front cover of some of the most famous fashion magazines in the world.
00:03:29The covers of Vision, Olay, and Velary, just to name a few.
00:03:34Thank you.
00:03:35Emmanuel, as she is best known, has now become the world's standard of beauty and fashion, and is also a major symbol of the feminist movement.
00:03:44She denies any interest in the job of president of the Women's Press Club.
00:03:49So, Melissa, what about those rumors?
00:03:51Well, Sander, it's a demanding position, and she's already in great demand.
00:03:56She's been described as the highest paid fashion model in the history of the business.
00:04:01Now we switch our cameras to Washington, D.C., and Joan Harris, current president of the Women's Press Club.
00:04:08Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:19When I first became president of the Women's Press Club five years ago, I had a problem.
00:04:28No.
00:04:29Yes, I did.
00:04:30I didn't think that I could handle the job.
00:04:33It was too difficult, too hard, and at times it seemed impossible.
00:04:40Women were second-class citizens then, and they still are today.
00:04:44But let me tell you what.
00:04:47Things are changing.
00:04:50I would like you to accept this award as it is given.
00:05:00You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Oh, God.
00:05:07This is really great stuff.
00:05:09This is great stuff.
00:05:12Jesus.
00:05:13Good morning, ladies, and welcome to a man's world.
00:05:19Let me tell you a little about men, ladies.
00:05:24They'll tell you anything they want you to hear.
00:05:29They'll tell you that they'll pay you as much as they're earning for doing the same jobs.
00:05:35Yes, they will.
00:05:36They will tell you that there is no sexual harassment in the workplace.
00:05:42And some of them, ladies,
00:05:46some of them will tell you you should remain barefoot and pregnant.
00:05:53This is really great stuff.
00:05:56All of this is going to change, ladies.
00:05:59Thank God for that, honey.
00:06:01Thank God for that.
00:06:03I don't want to take this world away from the boys.
00:06:12All I want is for us to have a piece of the pie.
00:06:19And when I'm talking peace, ladies, I don't mean a little one.
00:06:26I am talking 50% right down the middle.
00:06:32I want to thank you so much for having me here tonight.
00:06:45I will cherish this woman for the rest of my life.
00:06:49Lord, Lord, I can't believe this.
00:06:58I mean, I can't believe it.
00:06:59I mean, God, this is beautiful.
00:07:01I mean, this woman could be the president of the United States.
00:07:03I got to see this again.
00:07:05This is history in the making.
00:07:06I mean, this is tape at its best.
00:07:08I got history right in front of me.
00:07:09I can't believe it.
00:07:10Let me rewind this.
00:07:11Let me see this again.
00:07:12Come on.
00:07:13Let's go, man.
00:07:14I will tell you, you should remain barefoot and pregnant.
00:07:21Well, ladies, all of this is going to change, ladies.
00:07:25Yes, 50-50, 50%, honey.
00:07:27Come on.
00:07:28Come on.
00:07:29Wake them up.
00:07:31I don't want to take this world away from the boys.
00:07:34No, 50-50.
00:07:36All I want is for us to have our piece of the pie.
00:07:41Yes, 50% down the middle.
00:07:43Nothing more, nothing less.
00:07:44Come on, baby.
00:07:45Back of them.
00:07:46When I'm talking piece, ladies, I'm not talking a small piece.
00:07:53I am talking 50% right down the middle.
00:07:58Yes, yes, yes.
00:08:00Let's get them, honey.
00:08:03Come on.
00:08:04I want to thank you so very much for having me here today.
00:08:08I will treasure this for the rest of my life.
00:08:10Thank you.
00:08:13Thank you.
00:08:15Thanks very much.
00:08:24Sous-titrage MFP.
00:08:54Good.
00:08:55Now, we aren't sure about after Paris.
00:08:58Howard thinks it may be Mexico City, but he won't know until you get to France.
00:09:03Phil, what do you do when I'm not in town?
00:09:07No, come on, you can tell me. I'm in town three months out of the year. You're on a full salary.
00:09:12Well, I work out. I go to a lot of movies.
00:09:16I hope I haven't created a problem. I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:24I know you're a very good boy.
00:09:27I know you're a very good boy.
00:09:30I know you're a very good boy.
00:09:39Girl, I see you.
00:09:42I'm walking that certain way.
00:09:44There's something about you that turns heads the other way.
00:09:48They all adore you.
00:09:51That's easy to see.
00:09:52They're all you love it.
00:09:55But it won't be me.
00:09:57There's something that turns to my heart.
00:10:00Girl, I'm not done about.
00:10:03There's something that turns to my heart.
00:10:06Oh, girl.
00:10:07Girl, I can't see you with somebody else.
00:10:13I gotta have you, darling, now.
00:10:18Hold me and nobody else.
00:10:23Gonna make you love me.
00:10:25Hold you through the dark.
00:10:28Look what you've just done in my heart.
00:10:40Oh, baby.
00:10:41Look what you've just done in my heart.
00:10:45Yeah.
00:10:46Look what you've just done in my heart.
00:10:49Girl, I can't see you with somebody else.
00:10:50Look what you've just done in my heart.
00:10:53Oh, baby.
00:10:55Look what you've just done in my heart.
00:11:10Oh, yeah.
00:11:12Good morning, ladies.
00:11:13And welcome to a man's world.
00:11:17Let me tell you a little about men, ladies.
00:11:21They'll tell you anything they want you to hear.
00:11:25They'll tell you that they'll pay you as much as they're earning for doing the same job.
00:11:32God, I hope not.
00:11:35Oh, Lord, woman.
00:11:38We have a problem here, Emmanuel.
00:11:43It's the word they.
00:11:45Now, we all know that they pertains to men.
00:11:49So, why don't you just come out and say men?
00:11:52You're blessed with great beauty.
00:11:56You should be satisfied with that advantage.
00:11:58But you're not.
00:12:00I think all you girls should remember the terminology.
00:12:04Manpower.
00:12:06Manipulate.
00:12:06The rights of man.
00:12:09Manhole.
00:12:09I mean, all you girls can climb down, and it's still going to be a manhole in the eyes of God.
00:12:13In the eyes of everyone.
00:12:14You can't change that.
00:12:15Not even God can change that.
00:12:16Understand that, lady.
00:12:22You have a lot to learn, Emmanuel.
00:12:26And one Richard Tate is going to teach you, darling.
00:12:30Okora Hotel.
00:12:51Oh, yes, Miss Manuel Griffith, please.
00:12:54May I say who's calling?
00:12:55Yes, tell her that our studio driver has arrived.
00:12:58One moment, please.
00:13:00Yes?
00:13:01Yes, Miss Griffith?
00:13:02Yes, your limo is here.
00:13:04What time is it?
00:13:05No, I'm an hour from now.
00:13:07Oh, no, but they moved the time up, ma'am.
00:13:09Did they tell you that?
00:13:11No.
00:13:12All right, fine.
00:13:14I'll be down in a minute.
00:13:15Ok, thank you.
00:13:16Come on.
00:13:46I'll be down in a minute.
00:14:16Hey, buddy.
00:14:30I smell some gas back here.
00:14:36Hey, guy.
00:14:37You got a leak or something?
00:14:39Can't you get the window down?
00:14:50Hey, mister.
00:14:52Hey, mister.
00:14:53What are you doing?
00:14:54What are you doing?
00:14:58Open my window.
00:14:59What are you doing?
00:15:20What are you doing?
00:15:20What are you doing?
00:15:47Sous-titrage Société Radio-Canada
00:16:17C'est fine.
00:16:47Oh
00:17:07Hello
00:17:11What's going on
00:17:17Where am I why do you ask who the fuck are you and why am I here I?
00:17:31Don't like women who use profanity you don't know
00:17:39Well, then you just tell me a few things
00:17:41What the fuck is going on where the fuck am I and who the fuck are you you'll find out man
00:18:11I
00:18:31Bastard you let me out of here right now, or I'm gonna see that you go to jail for the rest of your life
00:18:37Well, if you haven't already figured it out
00:18:41You're the one that's in jail and for how long depends entirely on you my pretty
00:18:52Let's move ahead into a bright new future
00:18:55Now it's less than time sweetheart, so pay attention. I think you're gonna enjoy this. This is something very close to your heart
00:19:03They'll tell you that there's no sexual harassment in the work
00:19:09And some of them ladies
00:19:13Some of them will tell you you should remain barefoot and pregnant
00:19:18I must tell you I love the barefoot and pregnant line
00:19:22I'm gonna play for you again and watch the smile that crosses your face just after you say the line
00:19:27It was great
00:19:29You were in charge then and wasn't it one
00:19:37Good morning ladies and welcome to a man's world
00:19:43You know what I think we're gonna have to rethink that dumb speech of yours, but don't worry
00:19:47I mean we're gonna make it right here
00:19:50You know I want you to memorize everything stupid word you say. I want you to see the look on your face
00:19:57But you know it's like anything else
00:19:59I want you to see every arrogant sarcastic expression that you presented to that audience, but don't worry. It's gonna be okay
00:20:08We're gonna make it out just
00:20:14Now what would you like for lunch
00:20:17Nothing
00:20:20I want nothing from you
00:20:23Okay, well I tell you what there's a buzzer right on that table in front of the TV
00:20:29And if you just push it
00:20:32I'll bring you anything you need
00:20:35Leave it dirty Emanuel
00:20:47Oh
00:20:51I want you to make it clear
00:20:53Oh
00:20:53What a hell?
00:20:54Oh
00:20:54I want you to make it clear
00:20:54I want you to make it clear
00:21:12Yeah, Jerry, I'm scared it baby
00:29:54Ouzes, love.
00:29:56Ouzes?
00:29:58Je vous demande pardon?
00:30:00Oh, excuse me, ouzes.
00:30:02Je suis juste flâché sur quelque chose.
00:30:04Oh, right.
00:30:05What do you have in mind?
00:30:07Well, les gens dans le travail business
00:30:11might call me Mr. T
00:30:12parce que T stands pour travel,
00:30:15donc vous avez eu l'impression d'être le bon endroit.
00:30:17Ce que je vais vous montrer, jeune homme,
00:30:20c'est splendor dans le sand.
00:30:23Oh, holdz votre breath,
00:30:26vous vous êtes gris pour l'oxygène.
00:30:27C'est...
00:30:29C'est Antigua,
00:30:31l'île des plages.
00:30:35Cinq ans, très chéreux.
00:30:39Eh bien, close, intime.
00:30:41Un ami et moi
00:30:43avons eu passé cinq jours de glace.
00:30:45C'était magnifique, je ne vais jamais se souvenir.
00:30:47Nous nous sommes en plage
00:30:49et nous nous avons écrit un poème à l'autre.
00:30:51et nous avons fait un poème à l'autre.
00:30:54Un poème à l'autre,
00:30:57un poème à l'autre,
00:30:57un poème à l'autre.
00:30:58C'est un poème à l'autre.
00:30:58C'est un poème à l'autre.
00:30:59C'est un poème à l'autre.
00:31:00C'est un poème à l'autre.
00:31:03C'est un poème à l'autre.
00:31:04Les nuits sont magiques.
00:31:08Les gens, les gens, l'islam, les beaux, les poèmes de l'amour.
00:31:15Et quand nous nous a battu, ce qui était assez souvent,
00:31:19nous nous avions à notre magique suite.
00:31:23Oui.
00:31:25C'est l'actuel suite.
00:31:29Juste entre nous.
00:31:31Nous l'avions à tous.
00:31:34Upstairs, downstairs, dans ma chambre, par exemple.
00:31:40C'était magnifique.
00:31:43Je bet.
00:31:45C'est une mémoire.
00:31:47Oui.
00:31:48Oh, excuse-moi.
00:31:50Dites-moi, vous allez travailler seul ?
00:31:53Non, je vais travailler avec ma femme.
00:31:58Oui.
00:31:59Oui.
00:32:00Bien, bien.
00:32:01Bien, bien.
00:32:02Bien, bien.
00:32:04Vous voulez que je vous enregistre ça ?
00:32:06Oui, bien sûr, pal.
00:32:09Comme je disais, je veux faire la première classe,
00:32:13je vais prendre la beach, je vais prendre la salle,
00:32:15je vais prendre la nuit,
00:32:16mais je ne veux pas que ça.
00:32:19C'est parti.
00:32:36Bonjour, c'est Dick.
00:32:38Qu'est-ce que je peux faire pour vous ?
00:32:40Bonjour, Richard.
00:32:42Je n'ai rien contre vous.
00:32:46Je ne vais pas partir.
00:32:48Non, je ne vais pas partir.
00:32:50OK.
00:32:52Vous êtes bien, je suis désolé.
00:32:55Je vais vous expliquer une chose à vous, chérie.
00:32:58OK ?
00:32:59Je vous ai mis enregistré.
00:33:00Je vous ai mis enregistré.
00:33:01Je vous ai mis enregistré.
00:33:02Vous savez ce que ce qui veut dire ?
00:33:03Je vous ai mis enregistré.
00:33:04Vous savez ce qui veut dire ?
00:33:05Vous savez ce que le FBI est enregistré.
00:33:06Je ne vais pas vous laisser vous enregistré.
00:33:07Je ne vais vous laisser vous enregistrer.
00:33:10Et ça, mon amour,
00:33:12c'est assez bien pour vous.
00:33:14Vous savez, Richard.
00:33:16Je n'ai rien contre vous.
00:33:19Vous pouvez me laisser vous.
00:33:21Je ne vais pas vous laisser votre acte.
00:33:23Je sais.
00:33:26Vous êtes correcte.
00:33:27Je suis désolé.
00:33:28Je n'ai rien contre les femmes qui utilisent pas ces mots.
00:33:32Je n'ai rien contre les femmes qui disent.
00:33:34Bonne nuit, chérie.
00:33:36Oh, non !
00:33:38Richard !
00:33:39Richard, je vais revenir !
00:33:41Oh, non !
00:33:43Oh, non !
00:33:45Oh, non !
00:33:47Oh, non !
00:33:48Richard !
00:33:49Richard, il vaut un retour !
00:33:50Vous avez besoin de me parler, Richard, s'il vous plaît !
00:33:54Oh, Dieu !
00:33:57Oh, Dieu !
00:34:03S'il vous plaît, Richard.
00:34:07S'il vous plaît.
00:34:10Oui, ma chérie.
00:34:12Je peux vous entendre.
00:34:14Est-ce que c'est bon de voir une face amoureuse ?
00:34:17Regardez, Richard.
00:34:20J'ai beaucoup d'argent.
00:34:22J'ai beaucoup d'argent.
00:34:25Je n'ai pas besoin d'argent.
00:34:28Qu'est-ce que vous voulez, alors ?
00:34:30Je veux que vous devez être une petite petite fille.
00:34:33Je veux que vous devez être gentil aux hommes qui soutiennent vous.
00:34:36Je veux que vous devez être barefoot et pas pregnant.
00:34:39Je ne veux pas les enfants.
00:34:42Regardez.
00:34:44Je vais faire tout ce que vous voulez.
00:34:49Je dois sortir de là .
00:34:51Je suis allé dans là -bas.
00:34:53Ok.
00:34:55Take off the town.
00:34:57Je veux voir vous.
00:35:04Vous pouvez me voir ?
00:35:06Vous avez été watching ?
00:35:09Just relax, baby.
00:35:11Comment je vais ouvrir cette fiße dérangeante ?
00:35:16C'est locké.
00:35:17Je contrôle ça ici.
00:35:18Just relax, ok ?
00:35:20C'est quoi ?
00:35:21C'est ça ?
00:35:22C'est un ventre !
00:35:23Attendez, merde !
00:35:24Beaucoup ?
00:35:25Non, pas un ventre !
00:35:26Ne pas pour d'un ventre !
00:35:28D'un ventre !
00:35:29C'est un ventre !
00:35:30Il a aussi plus de plus.
00:35:31Il a d'un autre autre chose.
00:35:32Comment avoir une télé caveraine ?
00:35:34Comment cela saura ?
00:35:36Et quand j'ai trouvé ça, et je vais trouver ça, je vais te faire de la merde !
00:35:45Ne vous donnez pas une idée, bébé, vous n'avez jamais trouvé, jamais !
00:35:48Vous bâtard, vous pauvreté, qui vous pensez que vous êtes ?
00:35:54Vous écoutez me et vous payez attention ! Je suis le gars avec la clé de votre cerveau !
00:35:59Dieu, je t'aime, vous êtes le plus bas de la haute !
00:36:05Vous écoutez moi, d'accordé, quand j'ai d'ici, vous êtes de la mort !
00:36:14Ne fais pas ça ! Ne fais pas ça !
00:36:21C'était une bonne idée, bébé, mais vous devriez mettre ça en place.
00:36:26F*** !
00:36:27F*** !
00:36:31Bonne nuit, chérie !
00:36:33Oh, c'est juste parfait !
00:36:35Oh, qu'est-ce qui, d'ici, chien ?
00:36:38La réalité va être trop tôt pour vous ?
00:36:41La réalité va être un peu difficile et vous ne pouvez pas prendre ça !
00:36:44Vous devriez faire la lumière, hein, chien ?
00:36:47Mais, je vais te dire quelque chose, je vais toujours trouver ça !
00:36:52Et quand j'ai trouvé ça, vous pouvez regarder ça pour le reste de votre vie !
00:36:57Ah ...
00:37:05Ha-ha !
00:37:06Hah-ha-ha-ha...
00:37:08Ha-ha-ha-ha-ha-ha !
00:37:12Ha-ha-ha-ha-ha !
00:37:14Ha-ha-ha-ha-ha-ha !
00:37:17Ha, ha, ha, ha, ha.
00:55:05Merci.
00:55:35Merci.
00:56:05Hello.
00:56:07Hello.
00:56:09Come down and join me.
00:56:31Sit down.
00:56:36I got a present for you.
00:56:40It's by your side, under that pillow.
00:56:48Open it.
00:56:56Try it.
00:57:05Very nice.
00:57:13Yeah.
00:57:14It blends with your body.
00:57:18It's you all the way.
00:57:19It's you all the way.
00:57:37Yeah.
00:57:38You're now there.
00:57:39Yeah.
00:57:45It's been a long time for me to jump.
00:57:48Yeah.
00:57:51I need to recognize you.
00:57:53Food is good.
00:57:55Food is good.
00:57:57Food is good.
00:57:59Food is good.
00:58:01Food is good.
00:58:03Food is good.
00:58:04Sous-titrage Société Radio-Canada
00:58:34Sous-titrage Société Radio-Canada
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