- yesterday
Designed For Desire – Full Movie (2025)
Category
🎥
Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Artless Pervert!
00:32Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:38Do you have any idea how much this costs? And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:05Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33You'll learn things are very fast-paced here.
01:45SheK traits.
02:01And who has his own hat?
02:03I don't have the time to ask twice.
02:06I used to think that what makes avoid this deja happy ring.
02:08Hello, this is Cecilia.
02:28Miss Brooks, we need $200,000 to move forward with your grandfather's surgery.
02:33Until then, we cannot proceed.
02:35Okay, one second.
02:38Hello, Miss Brooks.
02:40Shit.
02:44Who is this woman?
02:46His girlfriend or something?
02:47I wasn't done with my interview.
02:50We'll touch base soon, okay?
02:55Oh, good luck.
02:59I thought you weren't interested.
03:02Take off your clothes right now.
03:04So, Miss Brooks, what do you see in this room?
03:25Well, it's deliberate, controlled, powerful.
03:33It's impressive, but...
03:36But?
03:37It's not satisfying.
03:41Bold again.
03:42Tell me, how do you know it's satisfying?
03:48Satisfaction lies somewhere in between.
03:52You think you can give me that?
03:54Think you can take the risk and find out?
03:57All yours.
04:09Hey.
04:13The women out there would do anything to be in the position you're in.
04:16Unless you have other ideas.
04:25Don't make me regret this risk.
04:27I don't plan to.
04:30The position's been filled.
04:32Go home.
04:35Get out!
04:36Damn.
04:37He doesn't have to be so rude.
04:38Pappy, your phone's upside down.
04:56Hi, how are you feeling?
04:58Hey, jubilation?
05:00Not doing too well, honey.
05:02Damn hospital postponed my surgery again.
05:05I'm so sorry, Pappy.
05:07I'm working things out with the hospital.
05:09I have some good news today, though.
05:12I'm sorry.
05:13Uh, I think that's my landlord.
05:14We have to go.
05:15Love you.
05:15Bye-bye.
05:18Oh.
05:20What the hell is he doing here?
05:23What are you doing here?
05:25Oh.
05:26What the hell?
05:28Hey!
05:29Whoa, whoa, whoa.
05:30Guys, whoa.
05:31Hey, don't take that!
05:36I did not agree to this!
05:38Actually, you did.
05:42The signing must reside on Mr. Mercer.
05:44I can't quite hear you.
05:46Must reside with Mr. Mercer for the duration of the project?
05:51How long?
05:52Keep reading.
05:54And definitely without exception?
05:56A gift.
06:03What the fuck?
06:06A gift?
06:07In exchange for being kidnapped?
06:09No thanks.
06:10I need to know where you're at at all times.
06:17It's a tracker.
06:18What?
06:19Like a dog collar?
06:21Do you think you own me now?
06:22I wouldn't do that.
06:25Come on.
06:25Let's go.
06:26This is insane.
06:27Just give me a second to put Crumpet in his carrier and call my grandfather.
06:30No.
06:31There are no animals in the mansion.
06:34You must say goodbye to your little Crumpet.
06:37What?
06:38Absolutely not.
06:39I told you in the contract that I will take care of everything.
06:43I don't care about the contract.
06:45What?
06:46Oh my god!
06:47Goodbyes are always so hard.
06:49Put me down!
06:50What are you doing?
06:54Welcome back, Miss Brooks.
06:57So, I'm not allowed to leave?
06:59If you leave, your contract will be terminated immediately.
07:03And what?
07:03You're just going to leave me all alone in here?
07:05Would you like me to join you?
07:13No, no, no, no.
07:18Why is it making that sound?
07:20Damn, if I leave, Pappy dies.
07:23Shit.
07:23I'm trapped with this monster.
07:26Oh my god.
07:26Is this really happening?
07:28I'm stuck.
07:39This is your uniform.
07:41Work hours have started already.
07:42Tidy yourself up.
07:45Report to Mr. Mercer.
07:49Oh, and, uh, chop chop, Miss Brooks.
07:53Mr. Mercer does not like to be kept waiting.
08:05Feel the heat, caught in the fire.
08:09Your body moves, feel my desire.
08:12Touch the edge.
08:14Hold me tight.
08:16Lost in this moment.
08:18Enjoy the view?
08:21No, I, um, just didn't want to disturb you.
08:25I don't mind if you stare.
08:26Sorry, sir, I was just interested in your build.
08:31The building.
08:32The build of the mansion that we're building to work on today.
08:38What time are we leaving for?
08:40The car leaves in ten minutes.
08:43Wait.
08:44I'll be ready.
08:53How much further?
08:56Patience, Miss Brooks.
09:01Press the deep, I make hearts near.
09:03She like the danger of eating the rye.
09:07Can't fake the hunger, nowhere to hide.
09:09Oh, I'm not being covered.
09:16Hey, Foxy!
09:18I got something that'll keep that jaw clenched.
09:20Wow.
09:21Original.
09:22Mr. Mercer!
09:23We didn't know you was coming in today.
09:25Get off my property.
09:26What?
09:27You're fired.
09:28Leave.
09:29Oh, what the hell?
09:30I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
09:36If I collapse your loan...
09:38Wait, did he just stand up for me?
09:41Sir, how about you?
09:43Continue your work with Miss Brooks, and I'll handle this.
09:48Come on.
09:51Everything's nearly finished.
09:52I'm gonna have a team come in and make some final measurements over here.
09:56And I'll ensure they know how to keep their mouth shut.
09:58Uh, is this all marble?
10:06Seeing her in my house gives me a strange feeling.
10:09It's so beautiful.
10:10What is it about her?
10:12Why do I want to...
10:13Follow me.
10:20Wow, an elevator?
10:22By the way, what you did out there, thank you.
10:25I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
10:29Remember that.
10:35Your first task for the client.
10:38I don't know anything about the client.
10:40Who is...
10:41We don't ask about the client.
10:43We only worry about what they desire.
10:45Okay.
10:46Am I allowed to know what the purpose of this room is?
10:50Yes.
10:51Great.
10:52The client would like this room transformed
10:56into their BDSM chambers.
11:01I hope she doesn't see right through me.
11:03So, how would you do it?
11:11Uh...
11:11Um...
11:12Paint me a picture.
11:13Right.
11:14Uh, over here, I would put a chaise lounge.
11:22Velvet.
11:23Obviously.
11:23Obviously.
11:24And over here would be a great place to mount a swing.
11:27One with adjustable heights and...
11:29Handles.
11:31And next to it, we could put a cabinet for whips and toys and things.
11:35You're very well versed.
11:37I read a lot.
11:40Certain genres of certain books have certain details.
11:44Right.
11:45Right.
11:45Of course.
11:47Yeah, it's perfectly normal.
11:48A lot of women read fantasy and romance and fantasy romance.
11:55Anyway, uh...
11:56This would be a great place to mount small cuffs.
12:03I'm drowning in the heat
12:06Afraid of what I need
12:12Your touch is like a flame
12:18But I can't turn your way
12:21Hello?
12:29Miss Brooks, I'm sorry.
12:30We need the payment.
12:32I understand.
12:33Is there anything I could do now to hold him there?
12:36Anything I could be done right now?
12:38We need your payment, Miss Brooks.
12:39By tomorrow morning.
12:41All $200,000
12:42Okay.
12:44I'll get it to you.
12:45I promise.
12:48Sorry.
12:49Your contract explicitly states that I receive 100% of your attention at work.
12:53Who was that?
12:58It's personal.
12:59There are no personal calls at work.
13:02I'm sorry.
13:09Mr. Mercer, it won't happen again.
13:12I'll get to work right away.
13:12I'll have designs to you by tomorrow morning.
13:18Take it off.
13:20What?
13:24Your jacket.
13:27Mr. Mercer...
13:28I won't ask twice.
13:31I won't ask twice.
13:38Uh...
13:39What's this for?
13:45It's perfect.
13:48Now go get dressed.
13:48No need to pout on this, Brooks.
14:11You'll be reading some of the top designers.
14:13I don't understand.
14:14How does this take priority over work?
14:17Am I your date or your designer?
14:19You are...
14:22what I say you are.
14:35Ladies and gentlemen,
14:37it is my pleasure to welcome you all to
14:40the annual Architectural Ball,
14:43proudly hosted by the Mercer Group.
14:49I'd also like to welcome and introduce
14:51our newest interior designer,
14:55Miss Cecilia Brooks.
15:00I thought you said you had the job.
15:02I did everything that I could.
15:04Mitch must have slept with him in the interview.
15:06Fine.
15:08I'll fix it myself.
15:13So without further ado, please,
15:15enjoy your drinks
15:15and have a wonderful night.
15:25May I have this dance?
15:27Okay.
15:31Sterling!
15:33I was hoping that maybe we could
15:35walk and talk.
15:36Or maybe...
15:37dance and discuss.
15:40You must be working so hard.
15:43I was thinking...
15:44maybe you would benefit from a designer
15:47who really knows you.
15:50Your past.
15:52I'm not interested in rehashing
15:53our relationships, no.
15:55It was just a flight.
15:57It doesn't mean we can't be close.
15:58It doesn't mean we can't be close.
16:01Sterling could be a difficult person to work for.
16:08You know you can come to me
16:10if you need anything.
16:12get your hands off of her.
16:18What the hell are you doing here, Vincent?
16:25Folks, looks like the jester came to play.
16:27Get him out of here.
16:36It's all right, folks.
16:38Enjoy the party.
16:38It's okay.
16:40Are you okay?
16:40Why don't you go grab a drink
16:43and we'll take care of this.
16:52Crazy night, huh?
16:54Yeah, too crazy.
16:55I'm Nora.
16:56A close friend of Sterling's.
16:58So, tell me,
17:00how's the new position treating you?
17:01It's demanding.
17:05I'm the client.
17:07What's your feel on them?
17:08Oh, I'm not at liberty to discuss that.
17:10Come on, it must be crazy, right?
17:13I really can't.
17:19Oh, how embarrassing.
17:25What are you doing in here?
17:26Cecilia, I'm sorry.
17:28I'm so done with their whole world.
17:31Yeah, the head of the board
17:34was barking my ear off.
17:36Stop it.
17:37What?
17:38I'm just trying to help.
17:39Help?
17:40Really?
17:41That's rich.
17:42I mean, I am rich.
17:45You.
17:46You are a lot of things.
17:48From the moment I met you,
17:49you've controlled every aspect of my life,
17:50every movement I make.
17:52You're obsessive, cryptic,
17:54a perfectionist.
17:56But you're not rich.
17:58Not where it counts.
18:01Dude, excuse me.
18:19I have work to do.
18:20this hand
18:36what if
18:37maybe cuffs
18:40what if we hang something around here
18:50is that me
19:00did i say you could come in here
19:04uh you'll be happy to know that i worked on these all night
19:07maybe if you stayed at the gala you would have learned something
19:19learned what
19:21you follow through with your obligations so you wouldn't waste your time working on garbage
19:25garbage
19:26i'll need five more by tomorrow morning
19:29that will take me all night
19:30even making those two took me all night and i barely got them done in time
19:34you've done it once before
19:35you can do it again
19:37don't you think maybe just maybe that's an unreasonable amount of time
19:42maybe i don't care
19:44wait
19:44i should have remembered
19:47it's not in the contract
19:49oh my god
19:58excuse me miss
20:05where's my grandfather
20:06i'm sorry
20:07usually if they're not in the room it's because the insurance ran out or
20:10miss brooks
20:23yes
20:25i just wanted to inform you that your grandfather just received his first round of stem cell treatment
20:30he's being very well taken care of
20:32i don't understand how is that possible
20:34i can't afford that
20:36i told you
20:38i'll take care of everything
20:40what
20:40i can't believe this
20:43oh but but why
20:52why would you do that
20:54well when i said i needed your undivided attention
20:56i meant it
20:58now the only thing you have to worry about
21:02is me
21:04i'm not your slave
21:06five designs
21:12by tomorrow morning
21:13you're welcome
21:20i've been expecting you
21:27i have a feeling i'll be impressed
21:29brushed work
21:31is not work to be proud of
21:32is this you
21:38and my parents
21:39they must be so proud of you
21:41they never got to see it
21:42i inherited this company before i was old enough to run it
21:45i'm so sorry
21:47it was a long time ago
21:48what happened
21:49they vanished
21:50on a work trip into europe
21:51guess i don't control everything after all
21:53i'm gonna deliver these designs to everyone
21:56i have a surprise for you
21:59to your first approval
22:05it's beautiful
22:11i do have a request though
22:16i was wondering if i could
22:17i could have a little freedom
22:19from what
22:20me
22:21no
22:22no
22:23not you
22:23from this
22:26well
22:26i need to keep track of you
22:29i mean
22:30what if
22:31sterling
22:32i'm not your parents
22:35i'll be fine
22:36i just don't know if i'm ready for that yet
22:39but you continue to impress me
22:41i mean
22:41you'll be free as a bird
22:49i do have more surprises to show you
22:59but um
23:00you're gonna have to wait till tomorrow
23:03hmm
23:03full of surprises
23:05aren't you
23:06and that's why i can't let you go
23:12thank you
23:24what are you two doing here
23:28there's not supposed to be anyone working today
23:30we were just swinging by to assess a minor electrical concern
23:33it seems that the search
23:34it's nothing urgent
23:34we're gonna come back tomorrow with the rest of the crew and get it resolved
23:37okay
23:39thank you for the update
23:42thank you mr mercer
23:43i've ordered these beautiful pieces white marble
23:50what the hell
23:54it's kind of beautiful
24:00no no it's a mistake
24:02it's not too perfect
24:06it's bold
24:07it's not trying hard
24:08it just
24:09is
24:10well i like my work to be
24:12intentional
24:13well i would argue that this
24:18elevates the intention of the space
24:20the juxtaposition between
24:22control and chaos
24:24you have good eyes
24:25miss brux
24:25follow me
24:28your second task for the client
24:36master bedroom
24:38and nursery
24:39oh
24:40the client's a family man
24:42we don't discuss the client
24:44only satisfy their needs
24:46would you like to see your designs
24:50is it not what you thought
25:10no it's
25:11it's not that
25:12it
25:13the power went up
25:18there's no signal
25:19yeah the
25:20soundproofing they put up
25:22uh
25:22cuts signal
25:23what
25:24no
25:25it's not funny
25:39i'm not laughing
25:40how long until someone notices that we're gone
25:43i don't know
25:44i don't know
25:44an hour
25:45maybe two
25:46is it norah
25:48the client
25:49what
25:50no
25:51you're not supposed to ask about the client
25:53just tell me
25:54no
25:56it's not
25:57is she
25:57more
25:58i built this room
26:02because i believed in your vision
26:03i cleared your schedule
26:06i cleared your stressors
26:07all because
26:08i wanted you
26:11i
26:14i
26:16i
26:18i
26:20i
26:22i
26:24i
26:26i
26:32i
26:36i
26:40Sir, your seven o'clock is waiting upstairs.
27:01Tuck your shirt in, sir.
27:03I know. I know.
27:13Who the hell are you?
27:15Calm down, sweetie. Put Crumpet down.
27:20Listen, sweetie, I work for Mr. Mercer. He hired me to take care of your grandpa and Crumpet until you return.
27:27Sweetie, what are you doing home?
27:29What am I doing?
27:31This is Agnes, my nurse. She's taking care of me.
27:35Oh, I'm sorry. I'm so embarrassed.
27:42Hello?
27:43Why are you in your apartment?
27:45If you're there, there's no need for Agnes to stay employed.
27:48Cece, you're ruining my chances.
27:51Go back, Cece.
27:52Oh, okay, okay.
27:53Everything's all right. Agnes has taken very good care of me.
27:57Okay, okay, Pappy. I'll go.
27:59Um, it was nice meeting you, Agnes.
28:01Nice to meet you, dear.
28:03What the hell? He has a girlfriend?
28:16What was I thinking?
28:21What was I thinking?
28:24What was I thinking?
28:26I don't know.
28:56I got you now, bitch.
29:08I found her address.
29:26Sterling.
29:29Sterling, can we talk?
29:30I don't have the time, Miss Brooks.
29:32Sterling, it's important, please.
29:33Well, I'm dealing with something.
29:34Figure it out yourself.
29:35You might want to ask me why I'm here, you psycho.
29:48I don't give a damn what you have to say.
29:51I don't trust you.
29:52Well, maybe you should start.
29:54Because I know a dirty little secret about you.
29:56You're about to be broke.
30:04I'm here to offer you a buyout.
30:07Get out.
30:08Hear me out.
30:10Instead of your accounts being compromised, facing bankruptcy,
30:15and becoming the embarrassment of architecture,
30:17we could merge as Hale Mercer.
30:21Even has a nice name.
30:23Oh, you're way out of line.
30:24Am I?
30:26Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout,
30:33I'll publish the information,
30:36and Mercer Designs will go bye-bye.
30:39Is that a threat?
30:40Think of it.
30:41More of a bribe.
30:48Get the hell out of my property.
30:50And out of my sight.
30:52Now!
31:05Miss Brooks, in my office immediately.
31:08Are you sure you want me in there,
31:10and not your other woman friend?
31:12What are you talking about?
31:13Hand me your sketches.
31:17I have designs, but they're not the originals.
31:19The originals are missing or lost.
31:23What do you mean, lost?
31:24I finished the designs last night, and I fell asleep,
31:27but when I woke up, they weren't in my room anymore.
31:29You're lying.
31:30I'm lying?
31:32Why don't you tell that to the next girl you bring over?
31:36Excuse me?
31:37You're so careless.
31:38Careless?
31:39Me?
31:40I'm pretty sure you're the one who's talking about losing sketches.
31:43Something you won't have to deal with anymore.
31:47Marley's going to be taking you to the project mansion.
31:50Hopefully you can figure out your sketches problems there.
31:54You may go.
32:01Take her and her belongings to the project mansion.
32:04Anything I should know, sir.
32:06She can't be trusted.
32:08She can't be trusted.
32:08And check the cameras.
32:11We have a mole.
32:13Yes, sir.
32:18Miss Brooks.
32:19What are you doing here?
32:22Well, um, I, uh, had to get some artwork for the client.
32:29You don't trust me.
32:32You don't trust me.
32:33That too.
32:35You not trusting me?
32:37You were the one with another woman after all that,
32:39I did this all for you bullshit.
32:41Okay, what woman are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:45I saw you with her.
32:46Okay, okay, okay, okay.
32:48If it makes you feel any better, I...
32:49I promise I'm looking into it.
32:55You promise?
32:58I promise.
32:59Okay.
33:00I thought you didn't trust me.
33:20That you were mad at me?
33:21No, you're too hard to her, sir.
33:22Let's go inside.
33:37Eyes like knives, you cut right through.
33:54Every look says what you do.
33:58Pull me under soft and deep.
34:01You're the secret I can't keep.
34:04Breath on glass, you trace my name.
34:07No one else can play this game.
34:10You don't ask, you just take.
34:14And I give, and I pray.
34:18Well, hello.
34:20I'm here for Mr. Brooks.
34:21I'm sorry, what exactly is this for?
34:23I'm the treatment nurse.
34:25I'll be taking him to his appointment for today.
34:27Oh, Mr. Brooks doesn't have an appointment today.
34:29I can assure you he does.
34:34Well, thank you for coming.
34:36Can I bring Crumpet?
34:38Yes, Mr. Brooks.
34:39Bring the cat.
34:40Hello, Cecilia.
35:02I'll need your full cooperation.
35:04I have something of yours you might want back.
35:06Now that I've got your attention, I need a little favor.
35:10Bring me Mercer's Legacy One design.
35:12You can't do this.
35:13But see, I already have, sweetheart.
35:16Give me the designs.
35:18Tell Sterling, and your sweet old pappy dies.
35:21And your little cat, too.
35:22Your choice.
35:23I've been reviewing project management assets.
35:27You're four days late on the Hudson property.
35:29The client is not happy.
35:31Mr. Mercer is not happy.
35:34Pick it up, or I'll give your work to her.
35:35She's three days ahead.
35:38Is that a personal email?
35:39No.
35:39No.
35:39No.
35:39No.
35:40No.
35:40No.
35:40No.
35:41No.
35:41No.
35:42No.
35:42No.
35:43No.
35:43No.
35:44No.
35:45No.
35:46No.
35:47No.
35:48No.
35:49No.
35:50No.
35:51No.
35:52No.
35:52No.
35:53No.
35:58Sweetie.
35:59You don't have to do this.
36:00Too late, old man.
36:02Who the fuck are you?
36:04Your worst nightmare.
36:06Baby.
36:08I'm so glad you made it.
36:09I set all this up for you.
36:12This better work.
36:16No.
36:16I'm not going to eat food!
36:46Show me the video.
36:55Yes, sir.
36:59She knew how to evade the cameras.
37:01I can't identify her, but we knew her enough to let her in.
37:06Keep this video between us.
37:08Yes, sir.
37:16Cecilia!
37:24Sterling!
37:25You're not working from home today?
37:26What are you doing here?
37:28Who have you been talking to?
37:30No one.
37:31I just...
37:32I needed to pick up some paint samples, and this was on the way.
37:34On the way to what?
37:36We're like 20 miles south of home.
37:39I'm getting my necklace cleaned.
37:42So if you can't find me or track me for any reason, that's why.
37:53Why do you need your necklace cleaned?
37:55I've just been working a lot.
37:57The drafting table is super dusty, and I don't want it to get messed up.
38:02It's a woman thing.
38:04I'm trusting you right now.
38:12I know.
38:27What the hell is going on?
38:34What the hell is going on?
38:35I know.
38:36I know.
38:37I know.
38:38I know.
38:39I know.
38:40I know.
38:41I know.
38:42I know.
38:44I know.
38:45I know.
38:46I know.
38:47Good girl.
38:48Right on time.
38:50Well, don't hesitate now, sweetheart.
38:53Or they're dead.
38:55Come on, Cecilia.
38:58Do it.
38:59Do it.
39:06Sterling Mercer's legacy designs.
39:09Just like I asked.
39:10Oh.
39:11Sterling, you won't even know what hit you.
39:14Now let my grandfather go.
39:16He's all yours.
39:17A deal is a deal, pretty lady.
39:25Sissy, don't!
39:26Get out of here!
39:27Look, look!
39:29I've had a change of heart.
39:46Please.
39:48No.
39:49This way.
39:50You really know how to tie the room together, darling.
40:04Sterling has my location.
40:06You have no idea what you're in for.
40:07Oh, but I think I do.
40:09You see, when that timer goes off, you and that little tracker and this entire place will
40:18go bye-bye, and then that will pave way for the construction site of all hell designs.
40:24He'll find me.
40:26And when he does-
40:27That's very unlikely, Cecilia.
40:30Now that Sterling has this video, no one's coming to save you.
40:35Screw you.
40:37Screw both of you!
40:38Oh, but I almost have everything I need.
40:45His financials, his accounts.
40:47You see, the only thing that is missing, my dear, is the contact for Sterling's project
40:54mansion.
40:55What?
40:56Why does that matter?
40:58Well, once I have the contact, I can put in a bid under his.
41:05Therefore, Mercer will no longer have any names attached to any property.
41:11That will never happen.
41:13Who's the client?
41:20How much was the bid offer?
41:23I don't know.
41:26Or you'll remember.
41:29Trust me.
41:30Even if I did, I wouldn't tell you.
41:33So, tell me, who is the client?
41:48He took care of my family.
41:50I'm never going to sell him out.
41:56Unless you forget, sweetheart.
41:58You already gave me the plans.
42:01So, therefore, you are already a betrayer.
42:05Promise?
42:06I don't know anything.
42:10Well, I can see that you're a lady of your word, which makes it kind of harder to believe
42:15you.
42:15So, tell you what.
42:18This is how it's going to go.
42:21You're going to tell me, and then you, Pappy, and little Kitty will go free.
42:28While Mercer Designs burns to the ground.
42:31Or, I could kill you.
42:35Right here.
42:37Right now.
42:39And Mercer Designs falls anyway.
42:44Okay.
42:46Decisions, decisions, darling!
42:46Wait, no!
42:47No, I'll tell you!
42:48I'll tell you anything you want to know!
42:49Please, don't touch him!
42:51I'll tell you!
42:51I'll tell you!
42:51Tell me everything.
43:06I don't...
43:07I don't know a lot.
43:09I just...
43:10I know she's very private.
43:13Very secretive.
43:15She only talks to Sterling.
43:16She's an older, conservative woman.
43:21Liar!
43:23That night that I dosed Sterling with that sleeping elixir, I found your little project mansion
43:30and that newly built BDSM room.
43:33Oh, and then all the plans that I stole from Cecilia's bedroom?
43:36They were for a nursery.
43:38Both rooms that an elderly woman wouldn't need in a new home.
43:42You drugged him?
43:43Yes!
43:43I drugged him!
43:50And then I ransacked his mail.
43:53That's where I found you, your address, and your little cat, too.
44:00Well, then, looks like you chose...
44:08Oh!
44:09Oh, I'm sorry, my sweet miss, but our short little affair is over.
44:15Excuse me.
44:17Well, obviously I don't need your services any longer.
44:22Besides, I don't do witnesses.
44:26Sterling, help me, please!
44:34Sterling, wait, it's a trap!
44:36Sterling, please, you have to help me!
44:38Watch out!
44:46Tell me how to disarm it!
44:48Now!
44:51Black wire!
44:52You little bitch!
45:00Nora, stop!
45:01Put down the knife!
45:03She kidnapped me!
45:04I've been waiting here for hours for you!
45:07Put down the knife!
45:08Come on, let me at her one last time!
45:10She betrayed you!
45:11She's the one who gave up the Legacy One and the third floor!
45:16Wait, how do you know about the Legacy One project?
45:17That was confidential.
45:18That little bitch, she told Vincent everything!
45:22No, she's lying!
45:23It's all because of her!
45:28She drugged you!
45:29No, I didn't, you bitch!
45:31When I thought I saw you with that woman!
45:34Then now you lost the designs.
45:36No!
45:37No, that wasn't me!
45:38Okay, Vincent made me do it!
45:40He said he threatened my family!
45:42I had no other choice!
45:44I don't believe you.
45:46Arrest her!
45:47No!
45:51Stop the knife!
45:53Come on, you!
45:53Get my hand!
45:54Stop!
45:55Vincent, yes!
45:57Please!
45:57You have the right hand.
45:58You're silent.
46:00Anything you say can't move against you and you're going to fall.
46:03No, get this, my sir!
46:04Wait, no, no, I'm Heinzverse.
46:05I'm so sorry.
46:07It's okay.
46:08It's okay.
46:09But I gave him your designs.
46:10I didn't know what else to do.
46:11I was trying to save them.
46:12I didn't mean to.
46:13You're safe.
46:14You're safe.
46:15Okay?
46:15Vincent, we'll be able to touch the project.
46:25I'm so happy you found me.
46:26I thought...
46:27We'll always find you.
46:32How?
46:32Because I know you.
46:38That moment in the parking lot, I knew from your eyes that you needed me.
46:48I will always keep you safe.
46:49Hey, hey, would you two take it someplace else?
46:59Sorry, Pappy.
47:00I'll take you and Crump at home.
47:01Oh, thank goodness you're okay.
47:09I want to tell you something, sweetheart.
47:12I love Agnes.
47:14I really mean it.
47:16Okay, Pappy.
47:17Just get some rest.
47:18I mean it, Cece.
47:20When a man knows, he knows.
47:25Agnes, it's been a long time since I've met someone as caring as you.
47:30And I'd like you to be my wife.
47:33Yes!
47:34I love you, Agnes.
47:45Marley, what are you doing here?
47:47Miss Brooks.
47:48Mind coming with me?
47:50Will you give me a second?
47:51I want to change first.
47:52I want to change first.
48:22Everything feels brand new.
48:25Sunlight dancing in my life.
48:27Come here.
48:27I don't know what you do, but love just fits like truth.
48:34You got to change first.
48:35This is really beautiful.
48:43We work well together.
48:45I'm glad you think so, Cecilia.
48:48Yes, Sterling?
48:52I have something I need to tell you.
48:56About?
48:58There isn't a legacy, Kalaya.
49:01Well, there is, but...
49:04It's not who you think.
49:07I don't follow.
49:11It's me.
49:12What?
49:13This...
49:14This is my legacy.
49:19Come here.
49:20I need to show you something.
49:29I made this for you.
49:32Wait one second.
49:33I thought if we put them next to each other, it would create balance.
49:48Balance.
49:48Balance.
49:48But then you came in.
50:07You're kind.
50:09Bold.
50:11Intuitive.
50:12Sterling.
50:13Beautiful.
50:15Beautiful.
50:17You gave this place a soul.
50:22Cecilia Brooks.
50:26Would you share the love we built together?
50:31Yes.
50:33Yes, Sterling.
50:33I said yes to you.
50:44To forever too.
50:47To every dream we're walking through.
50:54I said yes to you.
50:56To forever too.
50:59To every dream we're walking through.
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