- 2 days ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30Taffico di Napoli.
00:01:32Morla e.
00:01:33Pre-pujo.
00:01:34Cazzo.
00:01:35Questa si chiama al primo posto.
00:01:43Shit.
00:01:45Whoa.
00:01:46I can't buy my wallet.
00:01:52No, vedi.
00:01:54Ok?
00:01:55In un po'l.
00:01:57What do you think of this?
00:02:13She's lost her purse.
00:02:27Where did you have it last?
00:02:35The train station, I think. The exchange group.
00:02:43Oh, Jamie. I'm sorry.
00:02:47That bastard at the train station started when you dropped all your stuff.
00:02:54This is 170, not 70.
00:02:57Where do we need to go?
00:02:58We need sevens.
00:03:10Here we go.
00:03:20Is this it?
00:03:22I think so.
00:03:27It's nice.
00:03:28Yes, I have a credit card. The number's on file on my computer.
00:03:32Yes, I have them here.
00:03:33It's nice.
00:03:34Yes, I have a credit card. The number's on file on my computer.
00:03:37Yes, I have them here.
00:03:38Okay.
00:03:39Five, five, three, three.
00:03:40Seven, six, four, five.
00:03:41Eight, seven, eight, seven, eight, seven.
00:03:42Nine, one, five, seven.
00:03:43Five, seven.
00:03:44Yeah.
00:03:45Expires 12.15.
00:03:46No, she'll definitely need another card sent out immediately.
00:03:47We're here for two weeks.
00:03:48No, she'll definitely need another card sent out immediately.
00:03:49We're here for two weeks.
00:03:50No, I'm working here.
00:03:51No, I'm working here.
00:03:52No, she'll definitely need another card sent out immediately.
00:03:53We're here for two weeks.
00:03:54No, I'm working here.
00:03:55Yes, I'm working here.
00:03:56No, I'm working here.
00:03:57Yeah, I'm working here.
00:03:59Yes, I'll hold.
00:04:06Yeah. Expires 12.15.
00:04:11No, she'll definitely need another card sent out immediately. We're here for two weeks.
00:04:16No, I'm working here.
00:04:20Yes, I'll hold.
00:04:23You love how they ask. As if I have a choice.
00:04:27Do you know what I'm gonna try to do while I'm here?
00:04:30Besides learn Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:35I don't at all. I admire you. I just think it's too late for me.
00:04:40That's not true.
00:04:42You can't teach an old dog new tricks.
00:04:45And besides, what's the point? The whole bloody world speaks English.
00:04:50Well, I am going to finally transcribe the tapes.
00:04:55Yes. All right.
00:04:59Okay.
00:05:02Well, if you can see it through to the end, I think that's wonderful.
00:05:07What does that mean?
00:05:09Nothing.
00:05:11Nothing?
00:05:13I think it's a fantastic idea, Jane. I always have. You know that?
00:05:20You don't sound very supportive.
00:05:23You have my support. I'm sorry if that came out wrong.
00:05:30I just know how emotional listening to them can be.
00:05:34Has been for you.
00:05:35I think enough time has passed.
00:05:37Well, that's great.
00:05:39Why do you think he killed himself?
00:06:04Who?
00:06:11David Foster Wallace.
00:06:13I don't know.
00:06:17You can't get a sense by his writing?
00:06:19You have to read it when I'm done, don't I?
00:06:28Do you think he recognized a blank infinity just stretching out?
00:06:34He got to this point maybe where it was just day after day after day.
00:06:38I really don't know, John.
00:06:40Just so tedious.
00:06:43And then of course he felt guilty.
00:06:46Most people think life is too short and there he was, all the talent in the world, and it wasn't I.
00:06:50Jane, can I, can we not talk about this?
00:06:53Just, just, just a bit moment.
00:07:10Love you.
00:07:11Love you.
00:07:12Love you too.
00:07:13Love you too.
00:07:15Do you feel alright?
00:07:17You feel okay?
00:07:18Yeah.
00:07:19You feel okay?
00:07:20Yeah.
00:07:21You sure?
00:07:22Mm-hmm.
00:07:23Mm-hmm.
00:07:24Mm-hmm.
00:07:25Do you feel all right?
00:07:37Do you feel okay?
00:07:38Yeah.
00:07:40Are you sure?
00:07:45Mm-hmm.
00:07:55Mm-hmm.
00:08:25Mm-hmm.
00:08:55Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:22I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:28True.
00:09:33Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:39Mm-hmm.
00:09:42So I can worry about you.
00:09:44Okay.
00:09:49I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:09:57Okay.
00:09:58Okay.
00:09:58Okay.
00:09:59Okay.
00:09:59Okay.
00:10:00Okay.
00:10:00Okay.
00:10:01Okay.
00:10:01Okay.
00:10:01Okay.
00:10:01testing testing okay do you have any stories for my book what kind of stories stories are you
00:10:30prepared before i can ask them the list of stories that dad told me about go ahead and ask from your
00:10:35father's list god rest his soul let's start with the war we went into an air raid shelter my mother
00:10:42your great-grandmother she was shaking sirens wailed and and then there was the sound of a bomb
00:10:50and the man next to us he said i was in a shelter last night with my wife and my little boy
00:10:56and half of it got blown away there was blood in his hair he was all alone that nearly finished my
00:11:04mother you know here we were in this tiny town in england miles from germany from russia from italy
00:11:13from any front lines and this man he had blood in his hair
00:11:19and uh cappuccino
00:11:26Okay?
00:11:56We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:03We were terrified, but afterwards we couldn't stop laughing.
00:12:09It feels now as if I'm the only one who remembers that.
00:12:12It's as vivid to me as if it happened yesterday.
00:12:17Oh, hi, Leonard. It's Jane.
00:12:21I decided to take an impromptu trip to Ischia.
00:12:24Or, um, Ischia, as they pronounce it.
00:12:27See, I'm learning a little bit.
00:12:29Um, anyway, I'll be home later.
00:12:33I hope you have a good day. Bye.
00:12:36Those friends are all dead now.
00:12:38There's no one left.
00:12:40That's one of my regrets, you know.
00:12:43Sometimes I think I should have had more children, not just your father.
00:12:50You're all alone now that your parents are gone.
00:12:53No brothers, no sisters.
00:12:58I'm upsetting you.
00:13:01Let's talk about something else.
00:13:03You want to ask me more boring questions about the war?
00:13:07All right, then.
00:13:08Excuse me.
00:13:10Excuse me.
00:13:11Excuse me.
00:13:12Um, the castle?
00:13:15Castle?
00:13:16Parlato anglese?
00:13:17No, no, no.
00:13:18No?
00:13:19No.
00:13:20Um...
00:13:21Castello Oregonese?
00:13:23Ah, andare.
00:13:24Andare?
00:13:25Andare?
00:13:26Ah, grazie.
00:13:28They'd been shot through the neck.
00:13:31The bullet went in one side and came out the other.
00:13:35And there were all these bomb holes filled with water, and he couldn't tell which was the German side and which was the Allied side.
00:13:42When he came home after something like that, you couldn't really complain to him about anything, now could you?
00:13:49I'm actually going there now.
00:13:51To the castle.
00:13:52You speak English now?
00:13:53Yeah.
00:13:54Why, do you think I was Italian?
00:13:55Yeah.
00:13:56Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:00Where are you from?
00:14:02London.
00:14:03No, in America.
00:14:04Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Vacation?
00:14:12No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:19Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:24So come on.
00:14:27My husband is working in Naples.
00:14:29What does he do?
00:14:31He is playing in a concert at the end of the night.
00:14:34Cool.
00:14:35What does he play?
00:14:37Viola.
00:14:38Mm-mm-mm.
00:14:39The viola.
00:14:42Any good?
00:14:43Yes.
00:14:44Very.
00:14:45How do you keep your violin from getting stolen?
00:14:50You put it in a viola case.
00:14:54Right?
00:14:57That's not funny.
00:14:58Um, what's the difference between a viola and a coffin?
00:15:01A coffin has a dead person on the inside.
00:15:04Because viola players are dead?
00:15:06No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming,
00:15:14there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird, autistic mind for jokes,
00:15:21and I went to this music-slash-nerd summer camp
00:15:23when I was, like, ten, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:32You newlywed?
00:15:33No.
00:15:34No.
00:15:35No.
00:15:46Stop making me feel like a stalker.
00:15:48Fuck.
00:15:58One?
00:15:59All right.
00:16:00Oh, hey, have you got 50 cents?
00:16:06If you can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:30What brought you out of here today?
00:16:35Fairy.
00:16:36Ha!
00:16:37Fairy.
00:16:38I like it.
00:16:40They have this device down in the basement.
00:16:42It's like a torture cage.
00:16:44They lock you in there until you turn up bones.
00:16:47But can you imagine dying by just sitting there?
00:16:50That would suck.
00:16:51In, like, the 1300s, thousands of families lived in this castle.
00:17:01It doesn't smell pretty bad.
00:17:04All those people crammed onto this rock.
00:17:10Wow.
00:17:11I know.
00:17:12I've been coming here every day and it still gets me.
00:17:16If only we could kill off all the tourists.
00:17:19You're a tourist.
00:17:21No, I'm not.
00:17:23I came out here a few months ago with this volunteer organization dedicated to studying the relic populations of dolphins and whales in the Gulf of Naples.
00:17:32I can't tell if you're joking.
00:17:35I'm dead fucking serious.
00:17:39I just didn't want to go to college and they paid for me to come over.
00:17:42Four connecting flights was a 72-hour plane ride, but, you know, it was worth it.
00:17:46My first time out of the U.S.
00:17:47How old are you?
00:17:48I'm 19.
00:17:49It's my birthday today.
00:17:51Is it really?
00:17:52Uh-huh.
00:17:53Happy birthday.
00:17:54Thank you very much.
00:17:55Yeah, so I left the program after, like, a month.
00:17:58Fuck the relic dolphins!
00:18:00We stayed on the island because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:06Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second cousin twice removed.
00:18:11The second cousin twice removed, in case you didn't know, is when one person's great-grandparent is another person's great-great-great-grandparent.
00:18:17I'd love to hear the long version.
00:18:19Sorry.
00:18:20Anyway.
00:18:21So this relative gave me the name of this great uncle who lives on the island, so I show up.
00:18:26He answers the door and he's like the oldest fucker I've ever seen.
00:18:29Easily pushing a hundred.
00:18:31A hundred?
00:18:32Yeah, if not older.
00:18:34He's, like, deaf and blind and about four feet tall.
00:18:36He mumbles a couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine and leads me to this basement apartment.
00:18:43And, uh, yeah, I never left.
00:18:46Yes, I know.
00:18:47Yes.
00:18:48Yes.
00:18:49Yes?
00:18:50I know.
00:18:51Yes.
00:18:52Where'd you go?
00:18:53Yes?
00:18:54Come on.
00:18:55Yes?
00:18:56Yes.
00:18:57Let's take a good one.
00:18:58Yeah?
00:18:59Yes.
00:19:00Yes?
00:19:01Yes.
00:19:02Yes.
00:19:03Well.
00:19:04Yes.
00:19:05Yes.
00:19:06And, of course.
00:19:07Yes.
00:19:09Yes.
00:19:11Love teaches me to feed on flames and tears.
00:19:41To turn withered hope green through desire.
00:19:48To re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:56Who is that?
00:19:58Vittoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:04You read that in your guidebook this morning, didn't you, Jane?
00:20:08Sneaky.
00:20:10Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.
00:20:17Who thought Michelangelo was gay?
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:24But that didn't stop her from loving him.
00:20:28Let's hear it then, in Italian.
00:20:32Let's hear the poem.
00:20:34Come on.
00:20:35Come on.
00:20:36Okay.
00:20:37Okay.
00:20:38Come on.
00:20:39I'm impressed.
00:20:45You hungry?
00:20:46Why, you gonna take me out?
00:20:47Yeah.
00:20:48Why, you gonna take me out?
00:20:49Yeah.
00:20:50All right then.
00:20:51Okay.
00:20:52Okay.
00:20:53Okay.
00:20:54Okay.
00:20:55Two pastas with the
00:20:57two pastas with the
00:21:02I'm impressed.
00:21:08You hungry?
00:21:10Why, you gonna take me out?
00:21:12Yeah.
00:21:18Alright then.
00:21:24Two pastas with the house sauce, please.
00:21:27Red. Red, please.
00:21:29Uh-huh.
00:21:31That's ya.
00:21:33So you're really not gonna tell me what you do?
00:21:40I write freelance articles about parties and fashion trends in town and country UK.
00:21:45There's something else.
00:21:54I'm writing a book about my grandmother's experiences in rural England, living through two world wars.
00:22:00I recorded her for hours and hours.
00:22:04But now...
00:22:06I don't know.
00:22:08What don't you know?
00:22:12You wanna listen? A little?
00:22:14Yeah.
00:22:15Yeah.
00:22:16Yeah?
00:22:17Yeah, I know it. I love to listen.
00:22:18It's all tangled up.
00:22:22I don't know.
00:22:23Okay.
00:22:24Awful as it was, it made you stronger.
00:22:28These days people whine about all sorts of things.
00:22:30And I'm not one of those old people who think my time had the only joy and the only problems.
00:22:34We all have our own private wars, every era, but it was nothing like...
00:22:40It really brought people together, the war.
00:22:42We...
00:22:44We helped each other during that time.
00:22:46We...
00:22:47We helped each other during that time.
00:22:48We had to laugh.
00:22:49We had to smile.
00:22:50Well, if not for ourselves, then for the people we'd lost.
00:22:53we all have our own private wars every era but it was nothing like it really
00:23:00brought people together the war we we helped each other during that time we
00:23:05had to laugh we had to smile well if not for ourselves and for the people we'd
00:23:11lost I shut that thing off would you get it out of my face and as I it's like a
00:23:20window in time the sort of thing which you always did before someone died you
00:23:26know my husband thinks I'm never gonna finish it
00:23:29shouldn't care what anyone thinks we met while I was recording her bonding over
00:23:36granny huh make it sound perverse that's what it was right
00:23:50I got pregnant so we got married
00:24:00I lost the baby
00:24:05I'm sorry
00:24:08I didn't go back after that to the States
00:24:30did you uh did you ever hear that story about the red strain
00:24:40I think I might have tell me
00:24:45it's like this Asian proverb says that anyone you're destined to meet like
00:24:55your soulmate or your family or you know someone you bump into on the street we're
00:25:03all connected by this red string
00:25:05it can be tangled or stretched but it can never be broken
00:25:12there's this moment in the tape
00:25:20I'm sitting waiting in the airport bar for my flight and I'm talking into the
00:25:27recorder rambling on about how I'm about to embark on this amazing adventure and
00:25:33how I'm gonna show World War two from a totally different perspective
00:25:37I don't know if it's that interesting
00:25:48that's the whole point isn't it
00:25:51keeping it interesting for yourself
00:25:55maybe
00:25:57maybe I just want to write about nothing
00:26:02everything is nothing
00:26:04all the best
00:26:07I don't know
00:26:08that's yeah
00:26:09make a wish
00:26:14I make it great
00:26:17okay
00:26:22bravo bravo
00:26:27what do you mean
00:26:37what
00:26:38here go go
00:26:40God
00:26:41no
00:26:41oh no
00:26:43oh no
00:26:45what
00:26:45what do you mean
00:26:47Stronzo!
00:26:49Stronzo!
00:26:51Hey! Hey!
00:26:53It's the carabinerie!
00:26:55It's the police!
00:26:57No! No! No!
00:26:59No! No! No!
00:27:01No! No! No!
00:27:03We can't go back!
00:27:05We can't go back!
00:27:07We can't go back!
00:27:09We can't back!
00:27:11I'm not!
00:27:13No! No!
00:27:15We can't go back!
00:27:17Oh!
00:27:23There you go!
00:27:25There you go!
00:27:27Did it make you feel better if I said I said no one day off?
00:27:31Yes! It's true!
00:27:33Yes! It's true!
00:27:35I made the check when I went to the bathroom!
00:27:41You're horrible!
00:27:43You're horrible!
00:27:45You're horrible!
00:27:47Come on! Let's go!
00:27:49Let's go!
00:27:51Why are we still running?
00:27:53I don't know where we're still running!
00:28:07Oh my gosh!
00:28:09Yeah?
00:28:15It went up my nose!
00:28:17Can we come back?
00:28:19Maybe!
00:28:21Maybe is not a no!
00:28:23And since I don't have a phone,
00:28:25you're gonna have to give me your number!
00:28:27For cheap thrills and future crimes committed!
00:28:29No!
00:28:31Fair enough!
00:28:33I've gotta go!
00:28:35Catch a fairy!
00:28:37Hey!
00:28:39Hey!
00:28:41Why do violists keep their viola cases on their dashboards?
00:28:43Why do violists keep their viola cases on their dashboards?
00:28:47Why do violists keep their viola cases on their dashboards?
00:28:49Why do violists keep their viola cases on their dashboards?
00:28:53Why?
00:28:55Why do violists keep their viola cases on their dashboards?
00:29:09Why?
00:29:19So they can park in handicapped spots?
00:29:25Oh!
00:29:29Happy birthday!
00:29:31Thank you!
00:29:33Happy birthday!
00:29:35Thank you!
00:29:39Thank you!
00:31:27Jane.
00:31:29Tony.
00:31:31Got some pastries.
00:31:35You're still asleep?
00:31:37Jane.
00:31:41Tony.
00:31:43Got some pastries.
00:31:47You're still asleep?
00:31:53Jane.
00:31:55Jane.
00:32:20My friends had lots of American boyfriends and they used to bring us nylon stockings and chocolates and all sorts of things.
00:32:28And we used to go to London and we saw Glen Miller one time.
00:32:33We used to go all over the place.
00:32:36There were wonderful times.
00:32:39I never had an American boyfriend.
00:32:42I liked some of them.
00:32:44They were nice boys, but I...
00:32:48I didn't want to leave my mom and dad.
00:32:52I wish I had sometimes.
00:32:54You know when you were 19 and the world just felt so open
00:32:58and carefree and full of possibility?
00:33:02You reminded me of that.
00:33:05At that time.
00:33:06You were 19 when we met?
00:33:07Yeah.
00:33:08I wouldn't have described you as carefree back then.
00:33:11Not at all.
00:33:12Well, I felt nostalgia.
00:33:14Or something for youth.
00:33:16You're not old, Jane.
00:33:18We ran out on the bill.
00:33:21You just ran out?
00:33:22What do you mean you ran out on the bill?
00:33:24Perhaps I'm not explaining it well.
00:33:25It was...
00:33:27It was fun.
00:33:29It was just fun.
00:33:31How was work?
00:33:43The conductor's actually a descendant of Walter Legg, which is fascinating.
00:33:48The three of us should plan a dinner before we leave.
00:33:50I'd like that.
00:33:51Jane?
00:33:52Oh, my God.
00:33:53This is Caleb.
00:33:54Hi.
00:33:55No, no.
00:33:56We were just talking about you.
00:33:57We were?
00:33:58That's so weird.
00:33:59Sit, please.
00:34:00Sit down.
00:34:01Join us.
00:34:02What?
00:34:03What?
00:34:04What?
00:34:05What?
00:34:06What?
00:34:07We're here.
00:34:08What?
00:34:09What?
00:34:10What?
00:34:11What?
00:34:12I'm obviously going to get back pretty soon.
00:34:22That's OK.
00:34:23I already ate, so I'll just grab a coffee or something.
00:34:33Can I have the check, please?
00:34:37In a cafe, P-P-P?
00:34:40Oh, no thank you.
00:34:48Jane, you don't smoke.
00:34:51Yes, I do.
00:34:54Sometimes, at parties.
00:34:57You didn't know that.
00:34:59Well, I don't do it a lot.
00:35:02Grazie.
00:35:05Grazie.
00:35:09Italian food is so overrated.
00:35:11I love it.
00:35:13There's no variety.
00:35:15English food, on the other hand.
00:35:17Say what you like about it.
00:35:18There's nothing like a good steak and kidney pie.
00:35:21I went to this party the other day in this villa owned by this old, drunk ex-pat.
00:35:27And they had like a private chef and everything.
00:35:30And they were serving this like loaf of meat covered in sauce with all these other loaves.
00:35:36And this girl came over to me and said it was cat.
00:35:38No.
00:35:39No.
00:35:40No joke.
00:35:41Like a roasted mommy cat and her kittens.
00:35:44That is disgusting.
00:35:46True story.
00:35:48Why don't you tell Leonard one of your viola jokes?
00:35:56I don't know.
00:35:57No.
00:35:58No.
00:35:59No.
00:36:00No.
00:36:01No.
00:36:02Go on.
00:36:03No.
00:36:04No.
00:36:05Come on.
00:36:06Let's hear one.
00:36:07Um.
00:36:08I have one.
00:36:09I have one.
00:36:12What is the definition of perfect pitch?
00:36:17What?
00:36:20When you throw a viola into the dumpster without hitting the rim.
00:36:26You didn't just make that up.
00:36:27I did.
00:36:28It's too good.
00:36:28I did.
00:36:29Well, I'm impressed and I'm stealing it.
00:36:32You can pretty much make that joke about any instrument.
00:36:39Did you play anything, Caleb?
00:36:40This and that, you know.
00:36:44Shall we?
00:36:46What, time to go?
00:36:47Already?
00:36:49Yeah, I'm going to get back to work.
00:37:00So what's next on your agenda, Caleb?
00:37:04I'm thinking Tibet.
00:37:06Oh, Tibet, really?
00:37:07Yeah, there's this thing called the Shantan Festival at the end of the summer.
00:37:10Yeah, I've heard about that.
00:37:11That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:16The monks, the monks, the monks.
00:37:17It's so pretty.
00:37:20How do you support yourself?
00:37:21You know, a bit of this, a bit of that.
00:37:28All right, then.
00:37:30I'll walk you.
00:37:32Does anybody have a pen?
00:37:33You got a pen?
00:37:34Yeah, I have a pen.
00:37:35I don't know.
00:37:37I have a piece of paper.
00:37:50You guys should definitely come over to the island.
00:37:53I'll take you somewhere fun, you know.
00:37:55Don't knock on the front door.
00:37:56Come around the side.
00:37:56All right.
00:37:57Don't knock on the side.
00:38:02There we go.
00:38:06And thanks again for yesterday.
00:38:08No problem.
00:38:09Hey.
00:38:11Ciao.
00:38:13Ciao!
00:38:21How stoned are you?
00:38:23Come on, man. We should tell him to pop. It's not a big deal.
00:38:27So you're saying you smoke back at her?
00:38:30Occasionally.
00:38:32Hey, can we do something fun tonight?
00:38:35Sure.
00:38:38I'm fine from here.
00:38:40Okay.
00:38:41I'll see you after work.
00:38:43I'll be waiting.
00:39:11Hey.
00:39:14God, you scared me. Are you following me?
00:39:18Maybe? Is that weird?
00:39:21Yeah.
00:39:23I couldn't sleep last night.
00:39:36You told me you were staying near the port, so I got the first ferry this morning. I came looking for you. And I can't believe I found you.
00:39:45I found you.
00:39:46I found you.
00:39:47I found you.
00:39:48I found you down to me.
00:39:51I found you left to get that.
00:39:52I was scared.
00:39:53What am I doing so cool?
00:39:57You minute me, come back and I made you painful pain.
00:39:59One moment is very close.
00:40:01That I'm really olive等
00:40:08What are we doing?
00:40:29I think we'll make it out.
00:40:33So sexy.
00:40:35And beautiful.
00:40:38And beautiful.
00:41:08I can't do this.
00:41:09What?
00:41:09I can't do this.
00:41:11Why?
00:41:22Do you do this a lot?
00:41:24What?
00:41:24Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women?
00:41:28Is this what you do?
00:41:29Look, you need to be less serious.
00:41:39Don't follow me.
00:41:40It isn't what you do."
00:41:42Love your son of Joe.
00:41:43Lord, head to hell.
00:41:46I know you did.
00:41:47Bye.
00:41:48Bye.
00:41:50Bye.
00:41:52Bye.
00:41:53Bye.
00:41:56Bye.
00:41:56Bye.
00:41:59Bye.
00:41:59Bye.
00:41:59Bye.
00:42:01Bye.
00:42:01Bye.
00:42:02Bye.
00:42:03Bye.
00:42:03Bye.
00:42:04Bye.
00:42:04Bye.
00:42:04Bye.
00:42:05Bye.
00:42:05Bye.
00:42:06Bye.
00:42:37There was one boy from Belgium. He was lovely. He had a moustache. My mother hated moustaches. But he was shipped off. I never saw him again.
00:43:00Anyways, I met your grandfather not long after and we got married.
00:43:08Was it love at first sight with grandpa?
00:43:11Love at first sight? Stop that thing.
00:43:15I know. You're home early.
00:43:27I do deserve that.
00:43:29Can I do some off for your husband?
00:43:36Jane, I'm sorry. Just give me a minute. I have a hell of a rest of my day. I've got so much stuff to do.
00:43:44Sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:48Yeah, absolutely. Lots of dinner. I thought we were just staying here. The two of us. I've just got to work this thing out for tomorrow.
00:43:56Okay.
00:43:57Hey, I'm sorry.
00:44:27I don't know, I don't know.
00:44:57Can we talk?
00:45:27Say cheese.
00:45:33You should kind of be in the middle.
00:45:36All right.
00:45:38Hold on a second.
00:45:50That's what our living room is missing.
00:46:08What did you do?
00:46:10Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:27Stop!
00:46:47No!
00:46:48No!
00:46:50Go ahead.
00:46:51No!
00:46:52No!
00:46:53ORCHESTRA PLAYS
00:47:23ORCHESTRA PLAYS
00:47:53ORCHESTRA PLAYS
00:48:23ORCHESTRA PLAYS
00:48:53ORCHESTRA PLAYS
00:48:57ORCHESTRA PLAYS
00:48:58ORCHESTRA PLAYS
00:48:59ORCHESTRA PLAYS
00:49:00ORCHESTRA PLAYS
00:49:01ORCHESTRA PLAYS
00:49:02ORCHESTRA PLAYS
00:49:03ORCHESTRA PLAYS
00:49:04ORCHESTRA PLAYS
00:49:05ORCHESTRA PLAYS
00:49:06ORCHESTRA PLAYS
00:49:07ORCHESTRA PLAYS
00:49:08ORCHESTRA PLAYS
00:49:09ORCHESTRA PLAYS
00:49:10Yeah, will you put my pants on?
00:49:16Okay.
00:49:40Yeah, will you put my pants on?
00:49:47Okay.
00:49:49Okay.
00:49:53Yeah, will you put my pants on?
00:49:58Yes.
00:50:01Yeah, will you put my pants on?
00:50:06Yeah.
00:50:08Yeah.
00:50:10Yeah.
00:50:12Yeah.
00:50:14Yeah.
00:50:16Yeah.
00:50:18Yeah.
00:50:20Yeah.
00:50:22Yeah.
00:50:24Yeah.
00:50:26Yeah.
00:50:31Yeah.
00:50:38Yeah.
00:50:41Yeah.
00:50:44Yeah.
00:50:53Yeah.
00:52:27Leonard thought you were lying about those cats.
00:52:51You said that?
00:52:56Were you?
00:52:58They were delicious.
00:52:59You made me feel nervous.
00:53:19You make me feel calm.
00:53:24You want a drink?
00:53:49Is that him?
00:54:11Yeah, I just shuffled around all night.
00:54:17Must be lonely.
00:54:18I'm sorry.
00:54:19I'm sorry.
00:54:20I'm sorry.
00:54:21I'm sorry.
00:54:23I'm sorry.
00:54:24I'm sorry.
00:54:25I'm sorry.
00:54:26I'm sorry.
00:54:27I'm sorry.
00:54:28I'm sorry.
00:54:29I'm sorry.
00:56:12I didn't sleep at all last night.
00:56:14Where have you been?
00:56:16Just walking?
00:56:18All night.
00:56:20I've been thinking.
00:56:22You left your phone here. I had to plug it in.
00:56:26We need to talk, Leonard.
00:56:28I have to go to work.
00:56:33Can you be late?
00:56:34No, I can't be late.
00:56:38Leonard.
00:56:39Jay, whatever you have to say to me, I want to hear it.
00:56:43I've committed myself.
00:56:45People are depending on me. I have to go to work.
00:56:51Okay.
00:57:15If it wasn't the war, it would have been something else.
00:57:28There's always something else, isn't there?
00:57:32That's the thing. That's the thing about struggle.
00:57:47I'm going to make some tea. Do you want some?
00:57:49I'm all right.
00:57:59If you go out like that again, just tell me.
00:58:02Don't worry.
00:58:04Okay.
00:58:05I can't seem to figure out what's going on in your head.
00:58:10Do you think everything we've been through actually does us any good?
00:58:27In the long run?
00:58:28Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:40I'll tell you the next time we come to Italy to get a proper kitchen.
00:58:56I don't know what you want me to say, Jane.
00:59:10If one little thing had changed in my grandmother's life, I might not be here.
00:59:31Sometimes I worry I'm not honoring her.
00:59:43With the book?
00:59:48No, with my life.
00:59:54This is it, you know.
00:59:57It ends with me.
01:00:01In the harvest time we all went to the field where they were cutting the corn.
01:00:10Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:20The horses.
01:00:22Yeah.
01:00:23The horses back then, they were kept beautifully.
01:00:31Dad used to dress them all up. Brass things and little horseshoes.
01:00:37He put braids on them.
01:00:40They used to be gorgeous.
01:00:41What are your plans for tomorrow?
01:00:44There was one.
01:00:46Duke.
01:00:48He was a Clydesdale I used to ride down to the marshes.
01:00:52Every night when he finished working.
01:00:59They were lovely days really.
01:01:00They're gone. For me.
01:01:10Jane.
01:01:12But not for you.
01:01:14Jane.
01:01:16You know it's different for you.
01:01:18In some ways it's easier.
01:01:20You haven't got the war.
01:01:21People don't die as much as they did back then.
01:01:24But in some ways it's more disjointed.
01:01:30You've got to make your own life.
01:01:33One that you love and you can't be afraid of the...
01:01:36The time.
01:01:40Time is shiftable.
01:01:41There are moments in my life that I would trade 60 years to have back again.
01:01:55That's the truth.
01:01:58You'll know the truth when you find it.
01:02:00It'll come to you like something you've known before rather than something you're learning for the first time.
01:02:05Sorry.
01:02:09What is it?
01:02:13What is it?
01:02:18You alright?
01:02:22You okay?
01:02:24Yeah, I stung my toe.
01:02:26It's bleeding.
01:02:28It's fine.
01:02:30It's fine. It's fine. It's fine. It's fine.
01:02:32You losing it?
01:02:33Yes.
01:02:36Fuck.
01:02:47I met these backpackers last night, Frank and Elsa.
01:02:50She's French, he's German.
01:02:52They're going to Tibet.
01:02:55And I'm going with them.
01:02:58I want you to come with me.
01:03:04If I don't describe.
01:03:06Either by Daniel or simply.
01:03:08If I'm going to be finger this way.
01:03:14Just sit there?
01:03:16I'll try.
01:03:19OK.
01:03:21We love it.
01:03:23Thanks to Renée Johnson.
01:03:24That's boxes.
01:03:26I'm ready.
01:03:28If I like everything.
01:04:00Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10Long day.
01:04:14God, why don't they not?
01:04:17I don't think I'm chomped at doing another stint like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:30It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:39Are you listening?
01:04:45You found the key to finishing this project?
01:04:48Well, the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:15Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:27Tedious.
01:05:34I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:43There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:05I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:39Say it.
01:06:42Jane.
01:06:42Say it.
01:06:45I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again and again and again.
01:06:55Please.
01:06:58How does that make you feel?
01:07:00It's not your father.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:13We can adopt.
01:07:15That's not what you want.
01:07:16Is it?
01:07:18Is that what you want?
01:07:19Because I think about it all the time.
01:07:27That the one thing you always wanted, I will never be able to give you.
01:07:41What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:56You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:04I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24See you.
01:08:26Caleb.
01:08:28That kid.
01:08:29Yes.
01:08:29That kid.
01:08:31That child.
01:08:32That kid you've known for two days.
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:48What do you think?
01:08:49I kept waiting for you to see it, to smell it, to sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:03I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:30I'm losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper.
01:09:34No, no, no, no.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44No, that is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:07I want you to do what you need to do.
01:10:13And then come back to me.
01:10:16No questions asked.
01:10:19No guilt.
01:10:22This is good.
01:10:46Bye-bye.
01:11:12Bye-bye.
01:11:44Hi.
01:11:47Hi.
01:11:59You want some?
01:12:02Oh, thanks.
01:12:14Hi.
01:12:28Frank, you know, it's coming over in a couple of hours.
01:12:48Frank bought a car, so we're gonna head out in a couple of weeks or so, you know.
01:12:58I'm thinking of driving through Romania, and then Ukraine, and down through Russia, and
01:13:09through Kazakhstan, then straight to Tibet.
01:13:35Yes.
01:14:06Ciao, buona fortuna.
01:14:12Ciao.
01:14:36Jase, you've got to come over to this side.
01:14:59The train's going to be here in a minute.
01:15:06It's four in the morning, the end of December.
01:15:16I'm riding you now just to see if you're there.
01:15:21It's four in the morning, the end of December.
01:15:28I'm riding you now just to see if you're there.
01:15:36New York is cold, but I like where I'm living.
01:15:42There's music on Clinton Street all through the evening.
01:15:50I hear that you're building your house deep in the desert.
01:16:00Are you living for nothing now?
01:16:06Hope you're keeping some kind of record.
01:16:12Yes.
01:16:33I wouldn't want to live to be 100.
01:16:35Why not?
01:16:36I'm not telling you why not.
01:16:42Now shut that thing off.
01:16:44And let's...
01:16:45Let's...
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