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Designed for Desire mydrama
Transcript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Heartless pervert!
00:33Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:39Do you have any idea how much this costs? And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:05Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview us a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33Yolanda thinks they're very fast-paced here. I don't have time to ask twice.
01:46Hello? This is Cecilia.
01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery. Until then, we cannot proceed.
01:54Okay, well, one second.
01:57Hello? Ms. Brooks?
02:00Shit.
02:04Who is this woman? His girlfriend or something?
02:07I wasn't done with my interview.
02:10We'll touch base soon, okay?
02:15Oh!
02:16Good luck.
02:20I thought you weren't interested.
02:22Take off your clothes. Right now.
02:24Okay.
02:41So, Ms. Brooks, what do you see in this room?
02:45Well...
02:47It's deliberate.
02:50Controlled.
02:51Powerful.
02:53It's impressive, but...
02:55But?
02:57It's not...
02:59satisfying.
03:01Bold again.
03:05Tell me, how do you know it's satisfying?
03:08Satisfaction lies...
03:10somewhere in between.
03:11You think you can give me that?
03:13Think you can take the risk and find out?
03:23All yours.
03:28Hey.
03:31The women out there would do anything to be in the position you're in.
03:35Unless you have other ideas.
03:43Don't make me regret this risk.
03:44I don't plan to.
03:48The position's been filled.
03:50Go home.
03:53Get out!
03:54Damn.
03:55He doesn't have to be so rude.
03:57Pappy, your phone's upside down.
04:12Hi, how are you feeling?
04:13Hey, jubilation?
04:15Not doing too well, honey.
04:17Damn hospital postponed my surgery again.
04:19I'm so sorry, Pappy.
04:21I'm working things out with the hospital.
04:23I have some good news today, though.
04:25I'm sorry.
04:27I think that's my landlord.
04:28I have to go.
04:30Love you.
04:32Bye-bye.
04:33Love you.
04:34Bye-bye.
04:36Oh.
04:38What the hell is he doing here?
04:41What are you doing here?
04:43Oh.
04:44What the hell?
04:46Hey!
04:47Whoa, whoa, whoa.
04:48Guys, whoa.
04:49Hey, don't take that!
04:53I did not agree to this!
04:56Actually, you did.
04:57The signing must reside on the...
05:01I can't quite hear you.
05:04Must reside with Mr. Mercer for the duration of the project?
05:08How long?
05:10Keep reading.
05:12And definitely without exception?
05:20A gift.
05:22What the fuck?
05:23A gift?
05:24In exchange for being kidnapped?
05:25No thanks.
05:30I need to know where you're at.
05:32At all times.
05:34It's a tracker.
05:35What?
05:36Like a dog collar?
05:38Do you think you own me now?
05:40I wouldn't do that.
05:42Come on. Let's go.
05:43This is insane. Just...
05:45Give me a second to put Crumpet in his carrier and call my grandfather.
05:47No.
05:48There are no animals in the mansion.
05:51You must say goodbye to your little...
05:53Crumpet.
05:54Absolutely not.
05:56I told you in the contract that I will take care of everything.
06:00I don't care about the contract. What?
06:02Oh my God!
06:04Goodbyes are always so hard.
06:06Put me down!
06:07What are you doing?
06:11Welcome back, Miss Brooks.
06:12So...
06:13I'm not allowed to leave?
06:16If you leave, your contract will be terminated immediately.
06:19And what? You're just gonna leave me all alone in here?
06:21Would you like me to join you?
06:22Would you like me to join you?
06:33No, no, no, no. Why is it making that sound?
06:37Damn, if I leave, Pappy dies.
06:39Shit. I'm trapped with this monster.
06:41Oh my God, is this really happening?
06:44I'm stuck.
06:56This is your uniform.
06:57Work hours have started already.
06:59Tidy yourself up.
07:01Report to Mr. Mercer.
07:02Mr. Mercer.
07:05Oh, and uh...
07:07Chop-chop, Miss Brooks.
07:09Mr. Mercer does not like to be kept waiting.
07:12Stop waiting.
07:35Enjoy the view?
07:37No, I...
07:39Just didn't...
07:40Want to disturb you.
07:41I don't mind if you stare.
07:43Sorry, sir.
07:44I was just...
07:46Interested in your build.
07:48The building.
07:49The...
07:50Build of the mansion that...
07:52We're building to work on.
07:54Today.
07:56What time are we leaving for?
07:57Car leave's in ten minutes.
07:59Great.
08:01I'll be ready.
08:04Pull up slow, bass low, she know.
08:06Eyes locked and a rear view glow.
08:08Mother hot, she sliding close.
08:09Talk sleep for her body.
08:11Throws go grill, smile.
08:12How much further?
08:14Patience, Miss Brooks.
08:17Pressure deeper, make hearts near.
08:19Danger Asian.
08:20She like the danger he didn't run.
08:23Can't fake the hunger nowhere to hide.
08:26Oh, a mocking tough one.
08:27I'm not sure.
08:28I'm not sure.
08:33Hey Foxy!
08:34I got something that'll keep that jaw clenched.
08:36Wow.
08:37Original.
08:38Mr. Mercer!
08:39We didn't know you was coming in today.
08:41Get off my property.
08:42What?
08:43You're fired.
08:44Leave.
08:45What the hell?
08:46I worked on the last nine Mercer mansions.
08:48And now I'm fired because of this bitch?
08:52If I collapse your lung...
08:54Wait.
08:55Did he just stand up for me?
08:57Sir, how about you?
08:58Continue your work with Miss Brooks.
09:00And I'll handle this.
09:03Come on.
09:05Everything's nearly finished.
09:07I'm gonna have a team come in and make some final measurements over here.
09:11And I'll ensure they know how to keep their mouth shut.
09:14Uh...
09:15Is this all marble?
09:21Seeing her in my house gives me a strange feeling.
09:24It's so beautiful.
09:26What is it about her?
09:28Why do I want to...
09:29Follow me.
09:35Wow, an elevator?
09:37By the way, what you did out there?
09:41I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
09:45Remember that.
09:50Your first task for the client.
09:53I don't know anything about the client.
09:55Who is...
09:57We don't ask about the client.
09:58We only worry about what they desire.
10:01Okay.
10:02Am I allowed to know what the purpose of this room is?
10:05Yes.
10:07Great.
10:08The client...
10:09Would like this room transformed...
10:12Into their BDSM chambers.
10:17I hope she doesn't see right through me.
10:21So...
10:22How would you do it?
10:24Uh...
10:26Um...
10:27Make me a picture.
10:28Right.
10:30Uh...
10:31Over here, I would...
10:33Put a...
10:34Shays...
10:35Lounge.
10:36Velvet.
10:37Obviously.
10:38Obviously.
10:39And over here would be a great place to mount a swing.
10:42One with adjustable heights and...
10:44Handles.
10:46And next to it, we could put a cabinet for...
10:48Whips and toys and...
10:49Things.
10:50You're very well versed.
10:52I...
10:53Read a lot.
10:55Certain...
10:56Genres of certain books have certain details of...
10:59Right.
11:00Right.
11:01Of course.
11:02Yeah, it's perfectly normal.
11:03A lot of women read...
11:05Fantasy and...
11:06Romance and...
11:07Fantasy romance.
11:09Anyway, uh...
11:11This would be a great place to...
11:14Mount...
11:15Walk us.
11:17I'm drowning in the heat...
11:23Afraid of what I need...
11:29Your touch is like a flame...
11:33But I can't turn your way...
11:34Don't pick up.
11:41Hello?
11:43Miss Brooks, I'm sorry.
11:44We need the payment.
11:46I... I understand.
11:48Is there anything I could do now...
11:49To hold him there?
11:50Anything that could be done right now?
11:52We need your payment, Miss Brooks.
11:53By tomorrow morning.
11:55All $200,000.
11:57Okay, I...
11:58I'll get it to you, I promise.
12:02Sorry.
12:03Your contract explicitly states that I received 100% of your attention...
12:06At work.
12:09Who was that?
12:12It's personal.
12:13Personal calls...
12:14At work.
12:16I'm sorry.
12:23Mr. Mercer, it won't happen again.
12:25I'll get to work right away.
12:26I'll have designs to you by tomorrow morning.
12:32Take it off.
12:34What?
12:37Your jacket.
12:38Mr. Mercer...
12:39I won't ask twice.
12:40Mr. Mercer...
12:44I won't ask twice.
12:53What's this for?
12:59It's perfect.
13:01Now go get dressed.
13:22No need to pout, Miss Brooks.
13:23Miss Brooks?
13:24You'll be reading some of the top designers.
13:26I don't understand.
13:27How does this take priority over work?
13:30Am I your date or your designer?
13:32You are...
13:35When I say you are.
13:36Ladies and gentlemen, it is my pleasure to welcome you all to the annual Architectural Ball, proudly hosted by the Mercer Group.
13:57I'd also like to welcome and introduce our newest interior designer, Miss Cecilia Brooks.
14:08I thought you said you had the job.
14:10I did everything that I could.
14:12Bitch must have slept with him in the interview.
14:14Fine.
14:16I'll fix it myself.
14:18So without further ado, please enjoy your drinks and have a wonderful night.
14:24We have this dance.
14:26Oh.
14:27Sterling!
14:29I was hoping that maybe we could walk and talk.
14:31Or maybe dance and discuss.
14:33You must be working so hard.
14:35I was thinking...
14:36May I have this dance?
14:42Sterling!
14:44I was hoping that maybe we could walk and talk.
14:48Or maybe dance and discuss.
14:51You must be working so hard.
14:54I was thinking maybe you would benefit from a designer who really knows you.
15:01Your past.
15:03I'm not interested in rehashing old relationships, no.
15:07It was just a flint.
15:09Doesn't mean we can't be close.
15:12Sterling could be a difficult person to work for.
15:20You know you can come to me if you need anything.
15:28Get your hands off of her!
15:33What the hell are you doing here, Vincent?
15:35Folks!
15:36Looks like the jester came to play!
15:41Get him out of here.
15:47It's alright folks!
15:48Enjoy the party!
15:49It's okay!
15:50Are you okay?
15:51Why don't you go grab a drink?
15:53I'm gonna take care of this.
16:03Crazy night, huh?
16:05Too crazy.
16:06I'm Nora.
16:07A close friend of Sterling's.
16:09So, tell me, how's the new position treating you?
16:12It's demanding.
16:13And the client?
16:14What's your feel on them?
16:15Oh, I'm not at liberty to discuss that.
16:16Come on, it must be crazy, right?
16:17I really can't.
16:18Oh, how embarrassing!
16:19What are you doing in here?
16:20Cecilia, I'm sorry.
16:21I'm so done with their whole world.
16:27The head of the board was barking my ear off me.
16:43Stop it!
16:44What?
16:45Barking my ear off.
16:47Stop it!
16:48What? I'm just trying to help.
16:49Help? Really?
16:51That's rich.
16:53I mean, I am rich.
16:55You. You are a lot of things.
16:58From the moment I met you, you've controlled every aspect of my life,
17:01every movement I make.
17:02You're obsessive, cryptic, a perfectionist.
17:06But you're not rich.
17:08Not where it counts.
17:15I feel excused me.
17:29I have work to do.
17:31this hand what if maybe cuffs what if we hang something around here
18:01is that me did i say you could come in here uh you'll be happy to know that i worked on these
18:15all night
18:16maybe if you stayed at the gala you would have learned something learned what you follow
18:30through with your obligations so you wouldn't waste your time working on garbage garbage
18:35i'll need five more by tomorrow morning that will take me all night even making those two
18:40took me all night and i barely got them done in time you've done it once before you can do it again
18:46don't you think maybe just maybe that's an unreasonable amount of time maybe i don't care
18:52wait i should have remembered it's not in the contract
19:00oh my god
19:12excuse me miss where's my grandfather i'm sorry usually if they're not in the room it's because
19:17the insurance ran out or
19:30miss brooks
19:33yes i just wanted to inform you that your grandfather just received his first round of stem cell treatment
19:38he's being very well taken care of i don't understand how is that possible
19:43i can't afford that i told you i'll take care of everything what i can't believe this
19:51oh but but why why would you do that well when i said i needed your undivided attention i meant it
20:07now the only thing you have to worry about is me i'm not your slave
20:13five designs by tomorrow morning
20:25you're welcome
20:33i've been expecting you i have a feeling i'll be impressed
20:36brushed work is not work to be proud of
20:44is this you and my parents they must be so proud of you they never got to see it i inherited this
20:50company before i was old enough to run it i'm so sorry it was a long time ago what happened they
20:56vanished on a work trip into europe guess i don't control everything after all i'm going to deliver these
21:02designs to everyone um i have a surprise for you to your first approval
21:16it's beautiful
21:19i do have a request though i was wondering if i could i could have a little freedom from what
21:27me no no not you i'm this well i need to keep track of you i mean what if sterling
21:40i'm not your parents i'll be fine i just don't know if i'm ready for that yet but you continue to
21:46impress me i mean you'll be free as a bird
22:02i do have more surprises to show you but um you're gonna have to wait till tomorrow
22:09full of surprises aren't you
22:10and that's why i can't let you go
22:28thank you
22:32what are you two doing here there's not supposed to be anyone working today we were just swinging
22:35by to assess a minor electrical concern it seems that the circuit is nothing urgent we're going
22:39to come back tomorrow with the rest of the crew and get it resolved
22:43okay thank you for the update thank you mr mercer
22:53i've ordered these beautiful pieces white marble
22:57what the hell
23:03it's kind of beautiful no no it's a mistake
23:05it's not too perfect it's bold it's not trying hard it just is well i like my work to be intentional
23:20well i would argue that this elevates the intention of the space
23:23the juxtaposition between control and chaos you have good eyes miss brooks follow me
23:37your second task for the client master bedroom and nursery oh the client's a family man we don't
23:46discuss the client we don't discuss the client only satisfy their needs
23:52would you like to see your designs
24:02is it not what you thought no it's it's not that it
24:19the power went up there's no signal yeah the soundproofing they put up uh cuts signal what no
24:27it's not funny i'm not laughing how long until someone notices that we're gone i don't know an
24:46hour maybe two is it nora the client what no no what you're not supposed to ask about the client just
24:55tell me no it's not is she more i i built this room because i believed in your vision i cleared your
25:07schedule i cleared your stressors all because i wanted you
25:25so
25:47sir your seven o'clock is waiting upstairs
25:55so
26:02tuck your shirt in sir
26:10i know i know
26:14where the hell are you calm down sweetie put crump it down
26:18listen sweetie i work for mr mercer he hired me to take care of your grandpa and crump it until you
26:26return
26:26sweetie what are you doing home
26:30what am i doing this is agnes my nurse she's taking care of me oh i'm sorry i'm so embarrassed
26:39um hello why are you in your apartment if you're there there's no need for agnes to stay employed
26:49cc you're ruining my chances go back cc okay okay
26:55everything's all right agnes has taken very good care of me okay okay pappy i'll go
26:59um it was nice meeting you agnes nice to meet you dear
27:11um
27:14what the hell he has a girlfriend
27:22what was i thinking
27:33what was i thinking about
27:35i'm
27:49i'm
27:52i'm
27:54Gotcha now, bitch.
28:07I found her address.
28:24Sterling. Sterling, can we talk?
28:29I don't have the time, Miss Brooks.
28:31Sterling, it's important, please.
28:32Well, I'm dealing with something. Figure it out yourself.
28:43You might want to ask me why I'm here, you psycho.
28:47I don't give a damn what you have to say. I don't trust you.
28:50Well, maybe you should start.
28:52Because I know a dirty little secret about you.
28:58You're about to be broke.
29:03I'm here to offer you a buyout.
29:06Get out.
29:07Hear me out.
29:08Instead of your accounts being compromised facing bankruptcy
29:13and becoming the embarrassment of architecture,
29:16we could merge as Hale Mercer.
29:19Even has a nice name.
29:21Oh, you're way out of line.
29:23Am I?
29:24Because someone pretty close to you seems to be worried about you.
29:27Besides, if you don't accept this buyout,
29:32I'll publish the information
29:34and Mercer Designs will go bye-bye.
29:37It's not a threat.
29:38Think of it.
29:39Think of it.
29:40More of a...
29:43bribe.
29:46Get the hell out of my property.
29:48And out of my sight.
29:50Now!
29:51Miss Brooks, in my office immediately.
30:06Are you sure you want me in there or not your other woman friend?
30:09What are you talking about?
30:10Hand me your sketches.
30:15I have designs, but they're not the originals.
30:17The originals are missing or lost.
30:20What do you mean lost?
30:22I finished the designs last night and I fell asleep,
30:24but when I woke up they weren't in my room anymore.
30:26You're lying.
30:28I'm lying?
30:29Why don't you tell that to the next girl you bring over?
30:32Excuse me?
30:33You're so careless.
30:34Careless?
30:35Me?
30:36I'm pretty sure you're the one who's talking about losing sketches.
30:39Something you won't have to deal with anymore.
30:41Marley's going to be taking you to the project mansion.
30:45Hopefully you can figure out your sketches problems there.
30:50You may go.
30:51Take her and her belongings to the project mansion.
31:01Anything I should know, sir.
31:03She can't be trusted.
31:05And check the cameras.
31:07We have them all.
31:09Yes, sir.
31:14Miss Brooks.
31:16What are you doing here?
31:19Well, I had to get some artwork for the client.
31:26You don't trust me.
31:28That too.
31:30You're not trusting me?
31:33You were the one with another woman after all that
31:35I did this all for you bullshit.
31:37Okay, what woman are you talking about here?
31:39You can't lie to me.
31:40I saw you with her.
31:41I saw you-
31:42Okay, okay, okay.
31:43If it makes you feel any better, I-
31:45I promise I'm looking into them.
31:51You promise?
31:54I promise.
31:55I promise.
31:56Oh!
31:57Oh!
31:58Oh!
31:59Oh!
32:00Oh!
32:01Oh!
32:02Oh!
32:03Oh!
32:04Oh!
32:05Oh!
32:06Oh!
32:08Oh!
32:09Oh!
32:10Oh!
32:11Oh!
32:12Oh!
32:13Oh, no.
32:14Oh, no.
32:15No.
32:16I thought you didn't trust me.
32:17That you were mad at me.
32:18No, you're too hard to decide.
32:19I didn't know what's your wife does.
32:24Oh, no.
32:30Oh.
32:32Oh, you're too hard to decide.
32:33Fire on the inside
32:38Eyes like knives you cut right through
32:50Every look says what you do
32:53Pull me under soft and deep
32:56You're the secret I can't keep
32:59Breath on glass you trace my name
33:03No one else can play this game
33:06You don't ask, you just take
33:09And I give, and I pray
33:12Well, hello. I'm here for Mr. Brooks.
33:17I'm sorry, what exactly is this for?
33:19I'm the treatment nurse. I'll be taking him to his appointment for today.
33:22Oh, Mr. Brooks doesn't have an appointment today.
33:24I can assure you he does.
33:30Well, thank you for coming.
33:31Can I bring Crumpet?
33:33Yes, Mr. Brooks.
33:34Yes, bring the cat.
33:36Hello, Cecilia. I'll need your full cooperation. I have something of yours you might want back.
34:01Now that I've got your attention, I need a little favor. Bring me Mercer's Legacy One design.
34:07You can't do this.
34:08But see, I already have, sweetheart. Give me the designs. Tell Sterling and your sweet old pappy dies. And your little cat, too. Your choice.
34:18I've been reviewing project management assets. You're four days late on the Hudson property. The client is not happy. Mr. Mercer is not happy. Pick it up or I'll give your work to her. She's three days ahead.
34:31Is there a personal email?
34:34Yes, honey.
34:38No.
34:38Oh.
34:40Oh.
34:40Oh.
34:42Oh.
34:48Sweetie, you don't have to do this.
34:55Too late, old man.
34:57Who the fuck are you?
34:59Your worst nightmare.
35:01Baby.
35:02I'm so glad you made it.
35:04I set all this up for you.
35:06This better work.
35:11No, no, you won't.
35:31Show me the video.
35:49Yes, sir.
35:53She knew how to evade the cameras.
35:55I can't identify her, but we knew her enough to let her in.
35:58Keep this video between us.
36:02Yes, sir.
36:16Cecilia!
36:18Sterling, you're not working from home today?
36:20What are you doing here?
36:22Who have you been talking to?
36:24No one.
36:24I just, I needed to pick up some paint samples and this was on the way.
36:28On the way to what?
36:30We're like 20 miles south of home.
36:33I'm getting my necklace cleaned.
36:36So if you can't find me or track me for any reason, that's why.
36:42Why do you need your necklace cleaned?
36:48I've just been working a lot.
36:50The drafting table is super dusty and I don't want to get messed up.
36:55It's a woman thing.
36:56I'm trusting you right now.
37:05I know.
37:06I know.
37:06What the hell is going on?
37:22Good girl.
37:41We're right on time.
37:44Well, don't hesitate now, sweetheart.
37:46Or they're dead.
37:50Come on, Cecilia.
37:51Do it.
37:56Sterling Mercer's legacy designs.
37:59Just like I asked.
38:00Oh.
38:02Sterling, you won't even know what hit you.
38:04Now let my grandfather go.
38:06He's all yours.
38:08A deal is a deal, pretty lady.
38:15Cece, don't.
38:16Get out of here.
38:18Look, look.
38:29I've had a change of heart.
38:31Please.
38:37No.
38:38This way.
38:48Wow.
38:50You really know how to tie the room together, darling.
38:53Sterling has my location.
38:55You have no idea what you're in for.
38:57Oh.
38:57But I think I do.
38:59You see, then that timer goes off.
39:04You and that little tracker and this entire place will go bye-bye.
39:08And then that will pave way for the construction site of all hail designs.
39:13He'll find me.
39:15And when he does?
39:16That's very unlikely, Cecilia.
39:19Now that Sterling has this video, no one's coming to save you.
39:24Screw you.
39:26Screw both of you!
39:27Oh.
39:27Oh.
39:28Oh.
39:29But I almost have everything I need.
39:33Hmm?
39:33His financials, his accounts.
39:35You see, the only thing that is missing, my dear, is the contact for Sterling's project mansion.
39:44What?
39:45Why does that matter?
39:47Well, once I have the contact, I can put in a bid under his.
39:53Therefore, Mercer will no longer have any names attached to any property.
40:00That will never happen.
40:05Who's the client?
40:08How much was the bid offer?
40:11I don't know.
40:14Or you'll remember.
40:17Trust me.
40:18Even if I did, I wouldn't tell you.
40:30So, tell me, who is the client?
40:36He took care of my family.
40:39I'm never going to sell him out.
40:44Unless you forget, sweetheart.
40:46You already gave me the plans.
40:50So, therefore, you are already a betrayer.
40:54Promise?
40:55I don't know anything.
40:57Hmm.
40:59Well, I can see that you're a lady of your word, which makes it kind of harder to believe you.
41:03So, tell you what.
41:06This is how it's going to go.
41:08You're going to tell me, and then you, Pappy, and little Kitty can go free.
41:15While Mercer Designs burns to the ground.
41:19Or, I could kill you.
41:23Right here.
41:25Right now.
41:26And Mercer Designs falls anyway.
41:31Okay.
41:33Decisions, decisions, darling!
41:34Wait, no!
41:35No, I'll tell you!
41:35I'll tell you anything you want to know!
41:36Please, don't touch him!
41:38I'll tell you!
41:39Tell me everything.
41:53I don't...
41:54I don't know a lot.
41:56I just...
41:58I know she's very private.
42:00Very secretive.
42:01She only talks to Serling.
42:04She's an older, conservative woman.
42:08Liar!
42:10That night that I dosed Sterling with that sleeping elixir,
42:13I found your little project mansion and that newly built BDSM room.
42:19Oh, and then all the plans that I stole from Cecilia's bedroom?
42:23They were for a nursery.
42:25Both rooms that an elderly woman wouldn't need in a new home.
42:28You drugged him?
42:29Yes!
42:30I drugged him!
42:31And then I ransacked his mail.
42:40That's where I found you, your address, and your little cat, too.
42:49Well then, looks like you chose...
42:54Oh, I'm sorry, my sweetness, but our short little affair is over.
43:01Excuse me.
43:03Well, obviously I don't need your services any longer.
43:08Besides, I don't do witnesses.
43:12Sterling, help me, please!
43:20Sterling, wait, it's a trap!
43:22Sterling, please, you have to help me!
43:24Watch out!
43:31Tell me how to disarm it!
43:33Now!
43:36Back wire!
43:37You little bitch!
43:45Oh, Nora, stop!
43:46Put down the knife!
43:48She kidnapped me!
43:49I've been waiting here for hours for you!
43:52Put down the knife!
43:53Come on, let me at her one last time!
43:55She betrayed you!
43:56She's the one who gave up the Legacy One in the third floor!
44:01Wait, how do you know about the Legacy One project?
44:02That was confidential.
44:03That little bitch.
44:04She told Vincent everything!
44:07No, she's lying!
44:08It's all because of her!
44:13She drugged you!
44:14No, I didn't, you bitch!
44:15When I thought I saw you with that woman?
44:18Then now you lost the designs.
44:20No!
44:21No, that wasn't me!
44:22Okay, Vincent made me do it!
44:24He said he threatened my family!
44:26I had no other choice!
44:28I don't believe you.
44:31Arrest her!
44:32No!
44:33No!
44:34No!
44:36Drop the knife!
44:37No!
44:37No!
44:37No!
44:37No!
44:38No!
44:38No!
44:38No!
44:38No!
44:39No!
44:39No!
44:40They saved you, please!
44:41You have the right to know you're silent!
44:43No!
44:44Anything you say in a movie, it's against you and it's going to fall!
44:46No!
44:46Get in this, my son!
44:48Wait, no, no, no, I'm timeless!
44:49I'm so sorry!
44:51It's okay.
44:52It's okay.
44:52But I gave him your designs.
44:54I didn't know what else to do.
44:55I was trying to save them.
44:56I didn't mean to.
44:57You're safe.
44:58You're safe.
44:59Okay?
45:00Vincent, we'll be able to touch the project.
45:02I'm so happy you found me.
45:11I thought...
45:12I will always find you.
45:13How?
45:19Because I know you.
45:21That moment in the parking lot, I knew, from your eyes, that you needed me.
45:31I will always keep you safe.
45:32Hey, hey, would you two take it someplace else?
45:42Sorry, Pappy.
45:43I'll take you and Crump at home.
45:49Oh, thank goodness you're okay.
45:53I want to tell you something, sweetheart.
45:55I love Agnes.
45:57I really mean it.
45:58Okay, Pappy.
46:00Just get to rest.
46:01I mean it, Cece.
46:02When a man knows, he knows.
46:08Agnes, it's been a long time since I've met someone as caring as you.
46:12And I'd like you to be my wife.
46:16Yes!
46:17I love you, Agnes.
46:19Agnes.
46:19Agnes.
46:19Agnes.
46:19Agnes.
46:19Agnes.
46:19Agnes.
46:19Agnes.
46:19Agnes.
46:19Agnes.
46:21Agnes.
46:21Agnes.
46:25Agnes.
46:27Marley, what are you doing here?
46:29Miss Brooks.
46:30Mind coming with me?
46:32Will you give me a second?
46:33I want to change first.
46:55Coffee tastes like sugar dreams.
46:58Traffic sounds like melody.
47:01Your sucks.
47:02You've been around.
47:03Everything feels brand new.
47:05Sunlight doesn't in my mind.
47:08Come on.
47:09And I don't know what you do.
47:12But love just fits like truth.
47:14You got me flowing.
47:16You got me flowing.
47:18This is really beautiful.
47:20We work well together.
47:21I'm glad you think so, Cecilia.
47:22Um.
47:23Yes, Sterling?
47:24I have something I need to tell you.
47:25About?
47:26There isn't a legacy, Kalaya.
47:27Well, there is, but it's not who you think.
47:29I don't follow.
47:30It's me.
47:31What?
47:32This.
47:33This.
47:34This.
47:35This.
47:36This.
47:37This.
47:38This.
47:39This.
47:40This is my legacy.
47:41Come here.
47:42There is, but it's not who you think.
47:47I don't follow.
47:50It's me.
47:51What?
47:53This, this is my legacy.
47:58Come here. I need to show you something.
48:08I made this for you.
48:11Wait, one second.
48:20Ah.
48:23I thought if we put them next to each other, it would create balance.
48:27Balance.
48:41But then you came in.
48:46You're kind.
48:48Old.
48:50Intuitive.
48:51Sterling.
48:53Beautiful.
48:56You gave this place a soul.
49:01Cecilia Brooks.
49:05Would you share the love we built together?
49:08Yes.
49:10Yes, Sterling.
49:11Thanks, Sterling.
49:19I said yes to you.
49:23To forever two.
49:26To every dream we're walking through.
49:31Go.
49:32The.
49:39All right.