Sir Madam (Telugu) Press-Meet LIVE ｜ Vijay Sethupathi ｜ Nithya Menen ｜ Pandiraaj ｜ YouWe Media

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Transcript

00:00:00Thank you very much.

00:00:30Sir, we enjoyed a lot, sir.

00:00:32Have you ever heard about Telugu?

00:00:34Okay, perfect.

00:00:40That's a Telugu trailer of sir, madam,

00:00:42Talaiwi, Talaiwan,

00:00:44a rugged love story,

00:00:46a family entertainer,

00:00:48a lot of people,

00:00:50a lot of cinema.

00:00:52Sir, thank you so much.

00:00:54Thank you so much.

00:00:56We enjoyed a lot.

00:00:58Finally,

00:01:00you are coming with the Telugu version.

00:01:02So, in August,

00:01:04the release of TG,

00:01:06Tiagarajangaru presents,

00:01:08Satyajothi Films Banner,

00:01:10Sandhil Tiagarajangaru,

00:01:12and Arjun Tiagarajangaru producers,

00:01:14Santosh Narayan's musical,

00:01:16Sukumar's cinematography,

00:01:18Pandi Rajgari's direction,

00:01:20Nithya Menangaru,

00:01:22and our very own Vijay Sethupati

00:01:24main leads,

00:01:26cinema,

00:01:28Sir, Madam.

00:01:30So,

00:01:32you all are waiting for us.

00:01:34First,

00:01:36we will talk about TG Tiagarajan, sir.

00:01:38Here we welcome TG Tiagarajan, sir.

00:01:40On stage, please.

00:01:42Along with our Mrs. Tiagarajan, ma'am.

00:01:44Please,

00:01:46please,

00:01:54I am very eager to welcome everyone.

00:01:56Yes?

00:01:58And now I request NVR cinema's Suresh Garu on stage, please.

00:02:05Suresh Garu and NVR Prasanthi Gharani Kuda Vedik Medhi join awals in the request.

00:02:10Here we welcome Suresh Garu and Prasanthi Gharu.

00:02:28Please hold it, sir.

00:02:31So, the real sir, the real madam is here behind this cinema.

00:02:35So, if you request Dundal March Calls now.

00:02:44Yes! That's lovely.

00:02:47So, the staff in the office are called Sir, Madam, Sir and Madam.

00:02:56So, the reason is here are Sir and Madam.

00:03:01The real couple, the power couple.

00:03:03Yes.

00:03:04So, now.

00:03:09Okay.

00:03:10So, do you request Matyagarajan, sir?

00:03:21On behalf of...

00:03:28On behalf of Satya Jodhi Films and on behalf of Pandira's...

00:03:33And on behalf of Pandira's team, Mr. Vijay Shedipati and Nitya Mainan and my distributors.

00:03:44I welcome you all for the press meet and it was a real experience making this film,

00:03:52particularly with Mr. Pandira's combination with Vijay Shedipati.

00:03:58Mr. Pandira, sir, narrated the script to me one fine day and I was so impressed, you know.

00:04:07I was so impressed and I felt that I'm going to make a successful film right then.

00:04:13Because he had the entire script in his heart.

00:04:17And the moment I heard the full script and when I knew I'm going to make it with a versatile artist like Vijay Shedipati and Nitya Mainan,

00:04:27I had the confidence that this will do definitely like one of my best films like Moodram Pirai or Kalakawasal or any one such film.

00:04:38And that was the combination and combination and the most important part I would like to say is in my 40 years of career,

00:04:46whenever a director is able to feel the script, feel the script, get everything in his heart and mind,

00:04:57he always comes out to the best.

00:04:59And that has happened right from the time from Mr. Balumaendra and all other directors I have worked with.

00:05:09Mr. Balumaendra, sir, thank you for giving a wonderful film and your team.

00:05:14And of course, you know, DOP has worked as a still photographer in my first film and it has come a long way.

00:05:23You have contributed very greatly for the success of the film.

00:05:28And we originally thought of releasing it on an earlier date, but then because of other various other reasons,

00:05:38we decided we'll do a Paka Telugu version because I was so confident that this will appeal to the Telugu audience as well.

00:05:50Because it's a universal subject which everybody will relate to.

00:05:56And that's, I guess, the reason for the success in Tamil Nadu, a great success in Tamil Nadu and overseas.

00:06:03And I'm sure and I'm confident that it will do very, very well in Telugu version also.

00:06:10So I need the support of the press and the members here.

00:06:15Please watch it in theatre, enjoy the film and thank you very much.

00:06:20Thank you, sir. Thank you so much, ma'am.

00:06:25And Vicky, namaskaram.

00:06:27And I'm so happy to be here.

00:06:30Telugu field is always very close to my heart.

00:06:33We've done lots of films and I always feel like part of Telugu cinema.

00:06:40We are very happy to give this film.

00:06:43With all your appreciations, we'll do well.

00:06:47Thank you, ma'am. Thank you so much.

00:06:52I wanna announce the time and see all the works.

00:06:55And they'll realize that it's healthy.

00:06:58The group picture will be very well.

00:06:59And as soon as we have the couple speeches, your audience will click on the stage with Suresh Gharani, Gopal Gharani.

00:07:01And we will click on the stage with VET.

00:07:02And we request the D.O.P. Sukumar Gharani.

00:07:06And I request our director Pandiraj Garu on stage, please.

00:07:13And now let me invite our chief guest Nandini Reddi Garu on stage, please.

00:07:20And now let me invite Rambhabu Gosala Garu.

00:07:22And now let me invite our real sir, real madam, Nithya Menon Garu and Vijay Sethupati Garu.

00:07:28And a group picture for media.

00:09:08.

00:09:38.

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00:11:00.

00:11:02.

00:11:04.

00:11:06.

00:11:20.

00:11:21.

00:11:22.

00:11:24Thank you, thank you so much.

00:11:32Please, I request everyone to be seated, except Gopalgaru and Sureshgaru.

00:11:48Okay, so we request Sureshgaru and Sureshgaru and Sureshgaru and Sureshgaru and Sureshgaru.

00:12:13You can...

00:12:27Thank you, sir.

00:12:28Thank you so much.

00:12:34Thank you, sir.

00:12:42Thank you, sir.

00:12:43Thank you so much.

00:12:48Thank you, sir.

00:12:49Thank you, sir.

00:12:50Thank you so much.

00:12:51Thank you, sir.

00:12:52Thank you so much.

00:12:53Okay, so NVR Cinemas Dwarah.

00:12:55We are releasing all films through the news, sir and madam.

00:13:02And now, we will request the lyrics to Ram Babu Gosalagaru.

00:13:10I request Ram Babu Gosalagaru on stage, please.

00:13:13In the past few years, we will request the lyrics to Ram Babu Gosalagaru.

00:13:20I request the lyrics to Ram Babu Gosalagaru.

00:13:23Thank you, sir.

00:14:18Thank you, sir.

00:14:23Thank you, sir.

00:14:28Thank you, sir.

00:14:33Thank you, sir.

00:14:42Thank you, sir.

00:15:07It's a wholesome entertainment.

00:15:10There's a lot of bonding and bonding in the cinema.

00:15:17We enjoy a lot of it.

00:15:20The director has a lot of fun.

00:15:23He has a lot of fun at the time.

00:15:27He has a lot of fun.

00:15:29He has a lot of thanks.

00:15:31My name is Vijay Sethupathigaru.

00:15:34Vijay Sethupathigaru is a man.

00:15:36He is a man.

00:15:37He is a man.

00:15:38He is a man.

00:15:39He is a man.

00:15:40Thank you, sir.

00:15:45Thank you, sir.

00:15:50My name is Ishku Movie.

00:15:53I am a fan, madam.

00:15:56I am a film by this time.

00:15:59I am a man.

00:16:01I am a man.

00:16:03He is a man.

00:16:05A man.

00:16:07He is a man.

00:16:09He is a man.

00:16:10He is a man.

00:16:13I am a man.

00:16:15He has a man.

00:16:18He has a lot of big busters.

00:16:22I want to thank him.

00:16:25Thank you very much, Rambabhagaru. Thank you so much.

00:16:31Yes, and now this cinema's very beautiful visuals are DOP.

00:16:37Here we welcome Sukhmar Garu on stage, please.

00:16:43And we request Sureshgarh.

00:16:55Thank you very much.

00:17:19Hello everyone. Hello everyone.

00:17:23Hello everyone.

00:17:25I am doing this at the first cinema.

00:17:29I respect everyone.

00:17:33I respect that respect.

00:17:37Please support me. Thank you.

00:17:43Thank you, sir. Thank you so much.

00:17:47Thank you very much.

00:17:51You are talking about two of us.

00:17:53I am talking about the stories.

00:17:55Thank you. Thank you so much.

00:17:57Yes, and now our chief guest,

00:17:59our guest is going to be speaking about Nithya Garu.

00:18:03We are going to talk about Nandini Garu.

00:18:05We are going to talk about Sureshgarh.

00:18:07We are going to request Sureshgarh.

00:18:09We are going to talk about Nithya Garu.

00:18:11We are going to talk about Nithya Garu.

00:18:13We are going to talk about Nithya Garu.

00:18:15We are going to talk about Nithya Garu.

00:18:17We are going to talk about Nithya Garu.

00:18:19Hello everyone.

00:18:21Hello everyone.

00:18:23I am here to be guest Garu.

00:18:25I am here to be the audience.

00:18:27I am here to be the audience.

00:18:29I am here to be the cinema.

00:18:31I am here to be the film.

00:18:33I am here to be a topic.

00:18:35I am here to be the audience.

00:18:37First name I am here to be the audience.

00:18:39I am here to be the audience.

00:18:41I am here to be the audience.

00:18:45There are a smile on my head.

00:18:47I am here to be the audience.

00:18:49The audience has shown me as a professional hero.

00:18:51They have shown me a character.

00:18:53I think that is such tribute to the talent of artists

00:18:57like Vijay Sothupati sir and Nithya Madham.

00:19:01Because, if you want to choose the cinema,

00:19:05you should be a member of the audience.

00:19:09And I think that is such a wonderful achievement for any actor.

00:19:12Stars, anybody can become.

00:19:14But to represent audience in a cinema,

00:19:17that we forget,

00:19:18if we don't think about it,

00:19:20we want to think about it.

00:19:22And I think that is why Pandiraj sir has picked you all.

00:19:28Because once you see the film,

00:19:30we don't think about it anymore.

00:19:32We don't think about it anymore.

00:19:34And Pandiraj sir,

00:19:36I have one complaint sir about this film.

00:19:39Sir, after the film.

00:19:42I wanted to eat parota sir.

00:19:45And in Hyderabad, you don't get parota.

00:19:48I had come back from Chennai previous day.

00:19:50Now I wanted to go back and eat parota.

00:19:52That is the only problem.

00:19:53So definitely,

00:19:55if you enjoy the cinema,

00:19:57you are a lot of people.

00:19:58You enjoy the cinema.

00:19:59And in the middle of the film,

00:20:01they also have a conversation.

00:20:03That is,

00:20:04you have to be a dialogue.

00:20:06So,

00:20:08they have a conversation.

00:20:10They have a conversation.

00:20:11They have a conversation.

00:20:12The connection between the audience and the film was so electric sir.

00:20:16Hats off to you sir.

00:20:18And this felt like,

00:20:20my mother cooked a meal sir.

00:20:23Made with love.

00:20:24Made with home ingredients.

00:20:27Made with so much,

00:20:29you know.

00:20:30But,

00:20:31I am feeding our people.

00:20:32And the mother said.

00:20:33So,

00:20:34thank you sir.

00:20:35Because such stories are very rare.

00:20:37And Tyagran sir,

00:20:38you are a legend.

00:20:39I have nothing to say,

00:20:40but thank you for all the wonderful stories.

00:20:42That you have been providing.

00:20:44And again,

00:20:45you have picked an amazing winner sir.

00:20:46And thank you for dubbing this in Telugu.

00:20:48And Nitya,

00:20:49thank you for dubbing.

00:20:50I said,

00:20:51I have a voice in the trailer.

00:20:54Please,

00:20:55I have a dubbing.

00:20:56I have a dubbing.

00:20:57So,

00:20:58Nijanga,

00:20:59start to finish.

00:21:00You are a dubbing.

00:21:02You are a dubbing.

00:21:03You are a dubbing.

00:21:04You are a dubbing.

00:21:05You are a dubbing.

00:21:06You are a dubbing.

00:21:07And you are a dubbing.

00:21:08And you are a dubbing.

00:21:09And the two animation characters.

00:21:10You are a dubbing.

00:21:11In the cinema too.

00:21:12And,

00:21:13Sir, Nijanga,

00:21:14if you make the dolls,

00:21:15I will buy.

00:21:16It is one of the cutest films I have ever seen.

00:21:20Most heart touching films.

00:21:22And,

00:21:23lot of repeat value in the cinema.

00:21:25You are a dubbing.

00:21:26You are a dubbing.

00:21:27You are a dubbing.

00:21:28You are a dubbing.

00:21:29You are a dubbing.

00:21:30You are a dubbing.

00:21:31You are a dubbing.

00:21:32And,

00:21:33you are a dubbing.

00:21:34You are a dubbing.

00:21:35And,

00:21:36you are a dubbing.

00:21:37And,

00:21:38Santosh Narayan,

00:21:39Sir,

00:21:40is not here.

00:21:41But,

00:21:42please congratulate him.

00:21:43The music is amazing.

00:21:44Amazing.

00:21:45That means,

00:21:46that is music.

00:21:47And,

00:21:48Sukuma,

00:21:49definitely you will get more name after Yashoda,

00:21:51for this.

00:21:52This is beautiful work.

00:21:53And,

00:21:54with love,

00:21:55you have made this film.

00:21:56So,

00:21:57congratulations to the entire team.

00:21:59And,

00:22:00definitely,

00:22:01Sir,

00:22:02Madam,

00:22:03I would like Vijay Sir and Nithya,

00:22:12Madam,

00:22:13to do more films together.

00:22:15Sir.

00:22:16Sir,

00:22:17let's do some things.

00:22:18Let's do some things,

00:22:19sir.

00:22:20Let's do some names.

00:22:24Maybe,

00:22:25sir,

00:22:26part two,

00:22:27sir.

00:22:30Sir,

00:22:31I understand,

00:22:32sir.

00:22:33Sir,

00:22:34I understand.

00:22:35When I asked her for something,

00:22:36she said,

00:22:37I know your problems.

00:22:38So,

00:22:39all the very best.

00:22:41Thank you, ma'am.

00:22:42Thank you so much.

00:22:43Yes.

00:22:44And,

00:22:45I am going to show you the cinema.

00:22:46And,

00:22:47all the very best.

00:22:49Thank you, ma'am.

00:22:50Thank you so much.

00:22:51Yes.

00:22:52And,

00:22:53now,

00:22:54I am going to show you the cinema.

00:22:56of Pandira's

00:22:57time in the past week.

00:22:58As you can tell,

00:22:59we had a great job in the past two,

00:23:00we had a career in both of us.

00:23:02We have two national film awards,

00:23:03five,

00:23:04And,

00:23:05And,

00:23:06who is a State award.

00:23:07Pandira's Sir is here.

00:23:26Yes, I have requested the request, right?

00:23:37Okay.

00:23:38Okay.

00:23:39So, Pandirajghartho part, my real sir, the real madam.

00:23:42Put your hands together for our very own Nithyaminan Garu, our Muckle Selvana.

00:23:48Vijay Sethupati Garu on stage, please.

00:23:51So, the combo is here, and Gajamalatho satkaristhuunnaaru.

00:24:23Thank you, Mr400.

00:24:24I keep feeling good.

00:24:26If you are ready for our first time, please.

00:24:28I see.

00:24:30ayanan.

00:25:04Sir, Madam, and Alani channels, okay, captain of the ship, our director.

00:25:53Thank you very much.

00:25:57Thank you so much.

00:26:03Thank you so much.

00:26:10I have seen a lot of cinema in Telugu for many days, so I will definitely be a dub for this film.

00:26:25I think I will wait for this day.

00:26:31I am very, very happy with this film.

00:26:35Vijay sir, I have already made a movie in 1901.

00:26:44This day, the film was three years of release of 1901, sir.

00:26:51You know, you remember.

00:26:53Today is the day of release of 1901, three years before.

00:27:00Now, there is a lot of different cinema.

00:27:04The film is North and South.

00:27:07There is a lot of different cinema.

00:27:09There is a lot of silent cinema.

00:27:11In the previous film, there is a lot of silence.

00:27:15There is a lot of silence.

00:27:17There is a lot of violence.

00:27:21There is silence.

00:27:23There is a lot of silence.

00:27:24But, as we did it, we will talk about it.

00:27:28We will talk about the cinema and explore the cinema.

00:27:33In what we could have done, I think this is the best film that we could have done together.

00:27:40And, because of our chemistry and performance, we have a lot of experience.

00:27:47This is the most beautiful way that we could have explored.

00:27:50So, I am really, really happy.

00:27:53Pandirat, sir, is a lot of talented people.

00:27:59In the writing and direction,

00:28:02I am very natural and I am very happy.

00:28:06I am very happy.

00:28:10With the narration I am just made at all the consequences of all the time,

00:28:11I am very happy.

00:28:12I am very happy that I am in the text and me like this.

00:28:16I am 100% making this film to the call.

00:28:20So, as I am aware of it,

00:28:23I am very happy.

00:28:26And, of course,

00:28:29we are in a room for a family member,

00:28:33This cinema is not a hero heroine cinema.

00:28:37There is a family in the cinema.

00:28:40And off-screen, we all have a family in the off-screen.

00:28:45That is rare.

00:28:48But we shoot a lot of happy.

00:28:53I am a superb cinematographer, Sukmar Garu.

00:28:58He is a great cinematographer, but he is also a great person.

00:29:03I love him so much.

00:29:04He is such a good person.

00:29:06I am not a music director here, Santosh Narayan.

00:29:10His music is so perfect for the film.

00:29:15It is so beautiful to elevate the film.

00:29:19I have not been able to talk about it.

00:29:22He is also a wonderful producer and a wonderful human being.

00:29:27Rambav Garu, thank you so much.

00:29:30You are very proud of me.

00:29:32I am very proud of you.

00:29:34We are so used to Tamil.

00:29:37It is not easy.

00:29:42I can't do it.

00:29:43It is a great talent.

00:29:45Thank you for that.

00:29:46Nandu, thank you so much for coming and entertaining all of us.

00:29:50You are always the entertainment.

00:29:55So thank you so much.

00:29:57Nenu, Nandu, we watched the film together a few days back.

00:30:02So we enjoyed it a lot.

00:30:05Nenu, yeah.

00:30:06So thank you everybody for coming.

00:30:08Nenu, thank you.

00:30:09Nenu, thank you.

00:30:10Nenu, thank you.

00:30:11Nenu, thank you.

00:30:12Nenu, thank you.

00:30:13I mean, the Tamil film is a lot of hits.

00:30:17It's a lot of hits.

00:30:18In my career, it was a lot of hits.

00:30:21Not just numbers.

00:30:25It was a lot of hits.

00:30:28but the characters, the characters, the film has a lot of impact on each other.

00:30:37I have no doubt that the characters have a lot of impact on each other.

00:30:41I am confident about it.

00:30:44So, I have no doubt.

00:30:46Because this story is a very universal story.

00:30:50It is a very relatable story.

00:30:54So, I will also take this opportunity to thank everybody.

00:31:07Thank you so much, thank you for all the love.

00:31:15And we expect round two with Telugu.

00:31:18Yes, we will wait for Telugu version.

00:31:23On August 1st, we are also eagerly waiting.

00:31:26And to our fans, there is a question about how do Telugu cinema will be able to go to Telugu?

00:31:33I am very interested in the film, actually.

00:31:39I have not been able to do Telugu cinema for a long time.

00:31:44I have been able to do it a little bit.

00:31:46I have been able to do it in the last year.

00:31:48So, I will always choose.

00:31:50I am able to choose.

00:31:51But we will choose.

00:31:52We will choose one of our fans.

00:31:53We will choose one of the fans.

00:31:56Huh?

00:31:57Huh?

00:31:58Huh?

00:31:59Huh?

00:32:00Huh?

00:32:01Huh?

00:32:02Huh?

00:32:03Huh?

00:32:04Huh?

00:32:05Huh?

00:32:06Huh?

00:32:07Now I request to speak our Director Pandirajgaru.

00:32:14Translate.

00:32:17Hello everyone.

00:32:19I will talk to you in Tamil.

00:32:23Okay?

00:32:24Translate.

00:32:25Yeah, translate.

00:32:27I know.

00:32:28Let's do that.

00:32:33I'll say Carthy, Sir.

00:32:35I'm a director of Sinna Babu.

00:32:37I'll tell you recently.

00:32:43Carthy, Sir.

00:32:45I'm a director of Sinna Babu.

00:32:51That's why I'm a director.

00:32:53I'm a director.

00:32:55I'm a director.

00:32:56I'm a director of the trailer.

00:33:00I will tell you about the trailer. This is a rugged love story.

00:33:05I will tell you about husband and wife.

00:33:07I will tell you about a great love story, and I will tell you about it.

00:33:15I will tell you about it.

00:33:17Sir and Madam, this is a very rugged love story.

00:33:21It is a great love story that has come from a husband and wife.

00:33:26It is a great love story.

00:33:30Yes.

00:33:33What did you say last time?

00:33:35I have come from a very good love story.

00:33:39Mr. Vijay Sethi, Nithya Madam, is a great love story.

00:33:46Mr. Vijay Sethi, Nithya Madam, is a great love story.

00:33:51He is a great love story. He is a great love story.

00:33:54He is a great love story.

00:33:57Follow me today.

00:33:59For our road story.

00:34:00For our career it is just that we will do our step.

00:34:02Absolutely.

00:34:03That's why we are and with us,

00:34:06Love.

00:34:08Comedy.

00:34:08Action.

00:34:09Moss.

00:34:10Emotion.

00:34:11Let us keep our family's정.

00:34:13Fill in that day.

00:34:14So, enjoy. Thank you.

00:34:15That's why I speak Englishly. Thank you all.

00:34:24Yes, now I request to speak Arvijai, sir.

00:34:28I don't know what to speak because I don't know what to speak.

00:34:31I don't know what to speak.

00:34:34The movie is already hit there worldwide.

00:34:37I hope it will be a very big hit here also.

00:34:40And whenever I come to Hyderabad or Telugu industry,

00:34:43I receive a lot of love from you.

00:34:44And thank you so much. Thanks a lot.

00:34:46And thanks to my producer and my director, Nithya,

00:34:50and everybody in our team.

00:34:52Thanks a lot. Thank you.

00:34:56What do you say to the producer?

00:34:59Ram Babu, you have a lot of people.

00:35:02I have a lot of people.

00:35:04I don't know.

00:35:09I don't know.

00:35:11But I don't know.

00:35:13She said it is same like Tamil and you listen to the song.

00:35:18It's very sweet.

00:35:19Thank you so much.

00:35:20Thanks a lot.

00:35:21I have a lot of people.

00:35:23I don't know.

00:35:24Okay.

00:35:24But it was a very live show, sir.

00:35:39That you're speaking.

00:35:41The live show.

00:35:42And you speak and she stands.

00:35:43This is first time, no?

00:35:44Don't you?

00:35:45Don't you?

00:35:46It's very bad.

00:35:46And Nithya, you can say it.

00:35:47That's very nice.

00:35:51Sir, do you have a wife and husband in this cinema?

00:35:53So, do you have the character in this cinema, in real life, in real life?

00:35:57Do you have a matching character in this cinema?

00:35:58Yes, it is.

00:35:59Yes, it is.

00:36:01Everybody will get connected.

00:36:03Sir, how do you make a parata?

00:36:05How do you make a parata in Telugu?

00:36:07When you make a hit,

00:36:09when you make a hit,

00:36:11I will make a parata.

00:36:13I will make a parata.

00:36:15Oh, you know how to cook the parata?

00:36:17I will make a parata.

00:36:19Once course.

00:36:21Nice sir, nice.

00:36:23That is your wife's channel.

00:36:25Thank you sir.

00:36:27Thank you so much.

00:36:29At the shoot time,

00:36:31I will make a cook.

00:36:33If you look at it,

00:36:35I will make a parata.

00:36:37I will make a parata.

00:36:39I will make a parata.

00:36:41I will make a parata.

00:36:43I will make a parata.

00:36:45I will make a parata.

00:36:47In the corner of the corner.

00:36:49You will make a parata.

00:36:51No, I have a parata.

00:36:53I will make a parata.

00:36:55In the creative cooking,

00:36:57I will make a few of them.

00:36:59I will make a hard one.

00:37:01We will test it.

00:37:05We will test it.

00:37:09I have a lot of people in the middle.

00:37:13I will try to make the omelette.

00:37:17Is it special omelette?

00:37:21Thank you sir, thank you ma'am.

00:37:25I am looking for this hook step in Tamil version.

00:37:29Are you ready?

00:37:33No, no, no madam.

00:37:35Sir, just take two steps to the Telugu audience.

00:37:37No madam.

00:37:39I will try to make it.

00:37:41Sir, it's not the same.

00:37:43But the steps are the same.

00:37:45I am not going to stop.

00:37:47I am sorry.

00:37:49Sir, just take two steps to the music.

00:37:53Seriously, I am not going to stop.

00:37:57I am not going to stop.

00:37:59I am not going to stop.

00:38:01Sir, I am not going to stop.

00:38:03I am not going to stop.

00:38:05What do you do, madam?

00:38:07I am not going to stop.

00:38:13Okay, okay, okay.

00:38:15Our voice is not my voice.

00:38:17It's not my voice.

00:38:19But...

00:38:21It's the same exact thing.

00:38:23We can do a talent.

00:38:25No, we can do this.

00:38:27I don't know if I'm talking about any other people.

00:38:29Sir, I'm talking about English.

00:38:31I'm talking about my part.

00:38:35Okay. Please, half-hand.

00:38:37Half-hand.

00:38:39Half-hand.

00:38:43I like the gentleman.

00:38:45Yeah.

00:38:47Madam Kiradu Meek.

00:38:49Sir, can you tell us about dialogue?

00:38:51Sir, don't you tell us about this guy?

00:38:53Is there a dialogue?

00:38:55Is there a dialogue?

00:38:57Now, you're shooting another film.

00:38:59So, you're talking about dialogue?

00:39:01I'm talking about dialogue.

00:39:03I'm talking about the mood.

00:39:05I'm talking about shooting.

00:39:07I'm talking about shooting.

00:39:09I'm talking about dialogue.

00:39:11I'm talking about dialogue.

00:39:13I'm talking about dialogue.

00:39:15I'm talking about dialogue.

00:39:17Okay, sir. Thank you.

00:39:19I'm not big dancers and also.

00:39:21Thank you, sir.

00:39:22You are a very good dancer.

00:39:23No, I am not a good dancer.

00:39:25Okay, that's all now.

00:39:26Yes, sir.

00:39:27We have a Q&A with media.

00:39:29I request D.O.P. Sukumar Garu.

00:39:33And our producer, Tiagarajan Garu.

00:39:35Also, please join.

00:39:37Yeah, yeah, cheers.

00:39:38We are getting the chairs.

00:39:59Good to see you in the room.

00:40:01Thank you, Leila.

00:40:02And our producer, Gaila, we are starting to do this.

00:40:03Good to see you.

00:40:08I am a guest.

00:40:11I have a guest of flowers.

00:40:13I am a guest of the time,

00:40:16Today, I'm a guest of Thursday.

00:40:17Everyone is making a guest of the time.

00:40:19I am a guest of the time.

00:40:20I am a guest of course.

00:40:22I am a guest of the time.

00:40:24I am a guest of the time.

00:40:25Same thing, Leila.

00:40:26Thank you very much.

00:40:56I did not see that in the trailer there was a line of a wife and a mother and a sandwich character.

00:41:08That's the one line of the story.

00:41:12In real life, you will figure out how to balance between wife and mother.

00:41:19If you figure out how to balance, life is not entertainment.

00:41:24It's out of love. I believe it's out of love.

00:41:28But this line is very relatable. I hope it will be a big hit in Tamil also.

00:41:35Yeah, we are also expecting that, sir. Thank you.

00:41:38And the first question is a very good question, sir. Thank you.

00:41:42I am surprised that this film is coming from last year's film.

00:41:48There is no confusion at all.

00:41:51You are not saying anything.

00:41:53You are waiting for the script.

00:41:56There is no confusion.

00:41:58I was able to leave it alone.

00:42:01I was afraid of quality compromise.

00:42:06So, I was able to keep it in the cinema.

00:42:10So sweet.

00:42:12So, I was able to compromise in quality.

00:42:17I was able to do double.

00:42:20But one request is that I want to make a lot of languages because I want to make a lot of languages because I want to make a lot of languages.

00:42:28Please watch all the languages with subtitles.

00:42:35Good to see you, Andy. Good to see you. Waiting for your Telugu film next.

00:42:38Thank you so much.

00:42:39Vijay Geru.

00:42:41Yes.

00:42:42In Telugu, Vijay Devarkonda's cinema is Kingdamos.

00:42:47Yes.

00:42:48Vijay Sethi.

00:42:49There is Vijay and Vijay.

00:42:51So, in Telugu, Tamil.

00:42:52Vijay Devarkonda has all the best and wishes to have a very massive hit.

00:42:57And then I wish Vijay Sethi was also a very massive hit.

00:43:01So, you talk about the Vijay and Vijay.

00:43:04You talk about the trailer and the Tamil collection.

00:43:08You talk about the original film.

00:43:09So, I had to say that I was a very famous film.

00:43:10You talk about the original film.

00:43:11You talk about the original film.

00:43:12I was a very famous film.

00:43:13I was a very famous film.

00:43:14I was a very famous film.

00:43:15I was a very famous film.

00:43:16I was a very famous film.

00:43:17But I was a very famous actor.

00:43:22But why should I compete with others when we are in the same industry?

00:43:28The film runs...

00:43:29Suppose in one time, if three films are released and everything is good, we go and watch now.

00:43:34I have been an actor 10-15 years before.

00:43:36Before that, I used to watch films.

00:43:38Water film comes when you hear that the film is good, we go and watch.

00:43:41Even if it is in other language also.

00:43:43So, it depends on the film.

00:43:45But we wish all the films should be hit.

00:43:47It is not only for the hero or the director.

00:43:49There are so many people working in the industry and so many people depends on the industry.

00:43:53If one film is hit, it is very good for the industry and so many people and the families.

00:43:59And it is very hard work.

00:44:00And everybody wanted to give a hit.

00:44:02So, I wish kingdom for great success.

00:44:06Great success.

00:44:07OK.

00:44:10I doubt that this thing happened very much.

00:44:11We are looking forward to talking about what the husbands are doing.

00:44:15People are going to generate social media but also having to focus.

00:44:18They are looking forward to having this situation as possible.

00:44:19They are looking forward to having a hit move.

00:44:20And we will have to do something.

00:44:21Now, that's what I want to know.

00:44:23If someone was missing a person, you'll see him in a movie.

00:44:30Sir, cant be very close to them.

00:44:31Dr. Were you still watching them?

00:44:33Dr. chúngle was making a movie movie.

00:44:35Dr. Mr.

00:44:39Stephen can tell me what was coming out of the movie.

00:44:41Dr. Mr. Stammery's production movie

00:44:45Dr. Mr. Stammery, Mr. Stammery, Mr. Stammery, Mr. Stammery.

00:44:48Dr. Stammery, Mr. Stammery, Mr. Stammery, Mr. Stammery

00:44:52She is a very good actor, she creates that fear on every actor's mind. She kills everybody.

00:45:02Nice!

00:45:02I have a good answer.

00:45:04Yeah, Vijaygaru.

00:45:06Actually, what is the film about the film in the film?

00:45:10What film is the film?

00:45:12Why did you release the film in Tamil and the film first release?

00:45:18Sir, we are just heroes, sir. We just go to set and listen to the director. Whatever he wants, we have to work for it.

00:45:29And just everything, release and everything, my producer will do it. It is not in our hands, sir. We can't take any call on it.

00:45:35In cinema, there is a lot of messages in the film.

00:45:40Sir, Mahara's last time. Now, we are also here.

00:45:43We are also here. We are also here. We are also here.

00:45:45Okay, sir. I will release it. So, we will use time.

00:45:48Thank you, sir.

00:45:49Yeah.

00:45:50Sir, next.

00:45:52I am not saying that last word.

00:45:54Why?

00:45:55Sir, sir, sir.

00:45:56Okay, sir.

00:45:57I am doing a lot of work.

00:45:59I am doing a lot of work.

00:46:01I am doing a lot of work.

00:46:03I am doing a lot of work.

00:46:05I am doing a lot of work.

00:46:06I am doing a lot of work.

00:46:07I am doing a lot of work.

00:46:08I am doing a lot of work.

00:46:09You wait and see, sir.

00:46:10But the movie is coming out really well, sir.

00:46:12The whole film.

00:46:13I am doing a lot of work.

00:46:14Sir, sir.

00:46:15Whatever film is, whatever we do, sir, unless until you and the audience see the film, we

00:46:22can't say.

00:46:23We just try to make good film to entertain the audience.

00:46:26But unless until you say it, you know, that we can't confirm it.

00:46:29It will be a sure hitter.

00:46:31In Taliban, that's our madam also, we showed to so many people and everybody liked it.

00:46:37But still, we didn't get the confidence.

00:46:40We hope it will be a hit.

00:46:42But once the audience saw the film, then we got the confidence.

00:46:45Same way.

00:46:46Any film.

00:46:47We work to give a hit.

00:46:48That's all.

00:46:49Okay.

00:46:50Nithya.

00:46:51Nithya.

00:46:52Nithya.

00:46:53Nithya.

00:46:54Nithya.

00:46:55Nithya.

00:46:56Okay.

00:46:57Nithya.

00:46:58Run, kay.

00:46:59Ile.

00:47:00Nithya.

00:47:01Nithya.

00:47:02Nithya.

00:47:03Nithya.

00:47:04Nithya.

00:47:05Nithya.

00:47:06Nithya.

00:47:07Nithya.

00:47:08I'm not aware the language most of the language.

00:47:10I'm not surprised if Candela.

00:47:13I found a lot of interpretation in the script.

00:47:16But I don't have to say that in that language.

00:47:21But I don't have to say that.

00:47:25Because my style is a little bit different.

00:47:29When you're 21, 22, I'm okay.

00:47:35But now, it's not enough.

00:47:39Just a love story.

00:47:41I don't have to say anything about it.

00:47:48So, definitely, it is a call.

00:47:51Please, if you have some good scripts, please tell me.

00:47:53I don't have to say anything about it.

00:47:56Okay, Pandira is good.

00:47:59It's right to tell you a movie.

00:48:01Why don't you do it in the movie?

00:48:06Heroes.

00:48:08Nani.

00:48:09Okay.

00:48:10Nani.

00:48:11Yeah.

00:48:12Vijaygaru.

00:48:13Hero.

00:48:14My question.

00:48:15My question too.

00:48:16Why Nani?

00:48:21Why Nani?

00:48:23My favorite hero.

00:48:25Oh.

00:48:26Yeah.

00:48:27Vijaygaru.

00:48:28Hero.

00:48:29Okay.

00:48:30Okay?

00:48:31My first film was with Nani.

00:48:34So, if you're doing it, you can be super.

00:48:36So, the first film is Super.

00:48:37I'll tell you the first film.

00:48:38Okay.

00:48:39My question to Nithiya.

00:48:40Hi.

00:48:41So, Nithiya and Vijaygaru, both of you are versatile actors on screen definitely.

00:48:47You can do it, you can do it, you can do it, you can do it.

00:48:50But, you can do it off screen.

00:48:52You can do it on location.

00:48:53You can be curious.

00:48:54Yes.

00:48:55What do you think?

00:48:56She went and sit next to the monitor.

00:48:59Okay.

00:49:00And she's playing with that kid.

00:49:01The kid is there, no?

00:49:02I...

00:49:03I...

00:49:04I...

00:49:05I...

00:49:06I...

00:49:07I...

00:49:08I...

00:49:09I...

00:49:10I...

00:49:11I...

00:49:12I...

00:49:13I...

00:49:14I...

00:49:15I...

00:49:16I...

00:49:17I...

00:49:18I...

00:49:19I...

00:49:20I...

00:49:21I...

00:49:22I...

00:49:23I...

00:49:24I...

00:49:25I...

00:49:26I...

00:49:27I...

00:49:28I...

00:49:29I...

00:49:30I told you, no?

00:49:31She played with that kid.

00:49:32The...

00:49:33Our daughter is there, no?

00:49:34Okay.

00:49:35Always he's...

00:49:36Even after the shoot also, she spent one or two days with the kid and then left.

00:49:40Why is it you are away from dancing?

00:49:42We danced a lot.

00:49:43If I...

00:49:44I don't know.

00:49:45I don't know.

00:49:46I don't know.

00:49:47I don't know.

00:49:48I try and do it.

00:49:50I don't know.

00:49:52It's such a huge experience you've got.

00:49:54experience you have got with so many movies and so many superstars with you and today with

00:50:00both these talented actors. How are you, sir? Sir, madam, are you successful?

00:50:11I watched the film after the final cut was over. The director was kind enough to show me the film.

00:50:19And the moment I saw the film, I knew that this couple, they have outperformed their roles.

00:50:33Outperformed their roles. The chemistry was good. And I felt, somehow, somewhere along the line,

00:50:39I felt it was like Kamala Hassan and Sridevi performing in Murdam. Oh, sir.

00:50:44That's the kind of, you know, that's the kind of chemistry I could see. And I really, I thoroughly

00:50:52enjoyed it. And then I requested the director to allow me to see the film the second time again,

00:50:58along with my wife. And it was a universal feeling. They both, the chemistry was good. Not only that,

00:51:05each and every character who have acted in the film, you'll all watch it in the theater. The director

00:51:11has made it a point to give everyone that significant performance in the film. You'll watch

00:51:18it and you'll enjoy it in the theater. Such a huge compliment. What do you have to say?

00:51:22It's too much. It's a lot of love. It's too much.

00:51:27Nithya?

00:51:27No, sir.

00:51:32Everything is because of that.

00:51:48Because the director is one who says, you know, this is okay, this is not okay.

00:51:52So we are trying to make him happy, what he has written, what is his vision.

00:51:57It depends on the director, not depends on the actors.

00:51:59We just listen and we try to make it.

00:52:03Right?

00:52:04In many films, you have special roles.

00:52:07Not only a hero, a lead hero, but a lead character.

00:52:11But you have done a lot of hero type of roles in the film.

00:52:16You have done a lot of roles in the film.

00:52:18You have done a lot of roles in the film.

00:52:20How do you enjoy this versatility?

00:52:23I enjoy it, sir.

00:52:25I think I tried so many films in the past 15 years and I enjoyed doing it.

00:52:30Even whether it is a guest role.

00:52:33In the first film of the Malayalam film we did in 1901, I was a guest role.

00:52:38It was a guest role.

00:52:39So I did guest roles also as a villain also.

00:52:42I love it, I am doing it.

00:52:44Thank you, sir.

00:52:45Thank you, sir.

00:52:46Nitya, please.

00:52:47Thank you, sir.

00:52:48Nitya.

00:52:50I'm sorry, you know.

00:52:51I have a question.

00:52:52You have to do a movie in the past 15 years.

00:52:54You are doing a movie in the past 15 years.

00:52:55You have to do a movie in the past 15 years.

00:52:57So you have to do a movie in the past 15 years.

00:53:00You have to do a movie in the past 15 years.

00:53:14The only thing to say is that, more than the same film,

00:53:19we would not have to go straight in a shop.

00:53:23We would never know if we would have to go to a shop.

00:53:24We would have to go to a shop.

00:53:26We would have to go watch the movie or shoot the movie.

00:53:29So, a lot of the food shots had to go.

00:53:33So, that's not the reason for that.

00:53:36It's a lot of people,

00:53:37if they were to go to a note,

00:53:40we should feel like eating.

00:53:42So, that was the intention.

00:53:44I love doing films about food.

00:53:51What I'm saying is there is a good emotion in it.

00:54:00And I think I can relate to it in 10 years, 20 years later.

00:54:09I think it's very difficult for a hero.

00:54:14A hero is a maximum of 5 years.

00:54:16But it's great.

00:54:21But if you want to choose, you want to choose.

00:54:25If you want to choose, you want to choose.

00:54:28If you want to choose, you want to choose what you want.

00:54:39You want to choose what you want.

00:54:41You want to choose why I'm choosing.

00:54:43Even when I'm in a cinema, I'm going to talk about the story.

00:54:50So, I think it's very good.

00:54:55It's very classy and elegant.

00:54:59For a commercial reason, I'm not going to do it.

00:55:04I'm not going to do it.

00:55:06So, I have a commercial reason.

00:55:11For a reason, I have a reason for me.

00:55:18That's a personal sensibility, personal choice.

00:55:22I'm not going to do it in life.

00:55:24I'm not going to do it in cinema.

00:55:26So, if you're talking about a hero's life, it's not correct.

00:55:33There are many people, and now there are many actresses.

00:55:38So, that's a belief. It's not reality.

00:55:44I don't think that anybody has a time for hero's.

00:55:52You're talking about a film, and you're talking about a lot of people.

00:55:57If you're talking about a film, you're talking about a lot of people.

00:56:00What's your story?

00:56:02I'm talking about a lot of people.

00:56:05I'm talking about a lot of people.

00:56:13Nithya, ma'am.

00:56:15Ma'am, I'm talking about a lot of people in Tamil media.

00:56:22I'm talking about a lot of people.

00:56:24Where are you?

00:56:25So, there are many discussions.

00:56:27No, no.

00:56:28In social media.

00:56:30No, I'm not what I'm talking about in the media.

00:56:35Where do you choose anything?

00:56:36I'm talking about a lot of people.

00:56:39Let's talk about something.

00:56:40Who should do cinema?

00:56:42But if I show you characters, you can't make a lot of people.

00:56:44You choose to make a lot of people.

00:56:45Two of us.

00:56:47We are trying all the characters.

00:56:49The director and the hero.

00:56:51The director.

00:56:52I'll tell you.

00:56:53That's it.

00:56:55That's it.

00:56:57That's it.

00:56:59No, no.

00:57:01You can do it.

00:57:03You can do it.

00:57:05That's it.

00:57:07That's it.

00:57:09That's it.

00:57:11That's it.

00:57:13That's it.

00:57:15They are very pro-marriage.

00:57:17So,

00:57:19that's it.

00:57:21There's a lot of good things.

00:57:23I'm convinced.

00:57:25But, I'm not convinced.

00:57:27You can't pay me.

00:57:29You can't pay me.

00:57:31You can't pay me.

00:57:33You can't pay me.

00:57:35You can't pay me.

00:57:37Please.

00:57:39Sir, Madam Gurinshi Matrami.

00:57:41No personal questions, please.

00:57:43Talaiwa Talaiwi.

00:57:45Last Sunday.

00:57:47You can't pay me.

00:57:49You can't pay me.

00:57:51You can't pay me.

00:57:53You can't pay me.

00:57:55You can't pay me.

00:57:57I know.

00:57:59She threw that.

00:58:01Sir, you said it didn't hurt you.

00:58:03Seriously.

00:58:05I told you, right?

00:58:07Yes.

00:58:09Okay.

00:58:11I told you.

00:58:13If you are Baba Bhaskar Master,

00:58:15that's the first one.

00:58:17This is the Telugu version.

00:58:19It's a Tamil song.

00:58:21So, it's a lot of viral.

00:58:23It's a lot of fun.

00:58:25It's a lot of fun.

00:58:27It's a lot of fun.

00:58:29It's a lot of fun.

00:58:31It's a lot of fun.

00:58:33Baba Bhaskar is a lot of fun.

00:58:35I've watched a film.

00:58:37I've watched a lot of fun.

00:58:39I've watched a lot of fun.

00:58:41He's choreographed so well.

00:58:43It's a lot of fun.

00:58:45My energy is very different.

00:58:47You don't mind if you don't mind.

00:58:49Actually, I'm Baba Bhaskar.

00:58:51I'm doing a dance.

00:58:53It's a difficult time.

00:58:55In the sense of courses,

00:58:57I'm doing a dance.

00:58:58Only he can make me do it.

00:59:00So, I'm not on camera.

00:59:02Behind the camera,

00:59:03he will dance.

00:59:04The energy is for us.

00:59:07Is this one?

00:59:11Here.

00:59:12Hithyam ma'am, first of all, we have a lot of trailers, and do you like a foodie?

00:59:19Not really. It's just a made-up thing.

00:59:23So, in the trailer, you have a lot of foodie.

00:59:25Oh no.

00:59:26So, what do you think about this film? What kind of parotals?

00:59:30What kind of parotals do you think?

00:59:33Actually, I have a parotals. I have a lot of life.

00:59:38I have a lot of fun.

00:59:40I have a lot of fun here.

00:59:45But in this film, they made me eat it.

00:59:48I was a vegetarian at that time.

00:59:52But I have a fish head.

00:59:56I have a lot of food.

01:00:00So, I have a lot of food as an actor.

01:00:04I have a lot of food.

01:00:06I have a lot of food.

01:00:10Okay, I have a lot of food.

01:00:12I have a lot of food.

01:00:14So, I have a lot of food.

01:00:16But now again, no.

01:00:18I have a lot of food.

01:00:20I have a lot of food.

01:00:22I have a lot of food.

01:00:24I am a great actor, no doubt.

01:00:26So, what do you say about Kamal Arsena and Paul Srinivasan?

01:00:28And in recent years, the schedule is completed.

01:00:31The industry record is complete.

01:00:34So, what do you say about that working style?

01:00:39I think it's too much for me.

01:00:43Comparing with Kamal sir, it's too much.

01:00:45But still, out of law, he is saying, I take it.

01:00:47And thanks so much for it.

01:00:49They are legends. They are fans.

01:00:52Okay. Puri sir, Puri sir is a legend.

01:00:55Working with him is a great experience and very sweet.

01:00:57Everyday, I enjoy working with him.

01:01:00The way he writes dialogues, the way he exudes, everything.

01:01:03His timings are so awesome. I am enjoying it.

01:01:06Movies come out really well.

01:01:09Please, only sir, madam, who are asking questions.

01:01:12Please.

01:01:13Hi.

01:01:14So, this is a pop character.

01:01:16How did you see the sequence?

01:01:19Yes, there is.

01:01:21There is.

01:01:22There is one month, even though.

01:01:25Half.

01:01:26Half.

01:01:27So, we used to feel like, oh, my God.

01:01:30He is very cute.

01:01:32But, he is not really real.

01:01:35He is very connected.

01:01:37He is very connected and attached.

01:01:40He is very connected.

01:01:41So, my mother was a first baby.

01:01:43I told you to tell him about his mother's mother's mother's mother.

01:01:47So, my mother was a first time called his mother's mother.

01:01:53So, that was a very nice feeling.

01:01:54So, that was a very nice feeling.

01:01:57But when I was talking about it, I would imitate it.

01:02:01So, that's what you choose in the film.

01:02:04When I was talking about it, I would imitate it.

01:02:06It's a very beautiful baby.

01:02:08But if you're not talking about it, you're not talking about it.

01:02:12She was very happy with us.

01:02:14She was very happy.

01:02:15Happy with us. Thank you, sir, for this.

01:02:17Director Pandit,

01:02:19Sir, any chance Pataka was an inspiration for this?

01:02:23For this film?

01:02:25Yeah, a real incident.

01:02:27I don't know.

01:02:29Pataka is a Hindi film.

01:02:31Pataka is a Hindi film.

01:02:33It's not an inspiration.

01:02:35No, no, no.

01:02:36It's not an inspiration.

01:02:37It's not an incident.

01:02:39It's not an incident.

01:02:43It's not an incident in a temple.

01:02:45No, no, no.

01:02:47It's not an inspiration.

01:02:49It's inspired by a real story.

01:02:51Vijay, sir.

01:02:53Yes, madam.

01:02:54Hi, sir.

01:02:55This is Rani.

01:02:56Hi, madam.

01:02:57Sir.

01:02:58Trailer choose the most.

01:02:59Pratidi koda prati point connect out.

01:03:01Hilarious ka navukunnamu.

01:03:03Allaga me can pinch in a best scene.

01:03:05Movie mottam lo gurthindupay a scene and 10 chapter.

01:03:09There were a lot of scenes.

01:03:12There were a lot of scenes.

01:03:14We enjoyed.

01:03:15When we shoot also, we enjoyed so many times.

01:03:17Because the way he written the script was so nice.

01:03:19Even when he was sitting and reading a script scene by scene, no?

01:03:23That time itself I enjoyed so much while working with Nitya and others, no?

01:03:27It was, after the shoot is over, the pack up, the scheduled pack up, no?

01:03:33Once the movie is done.

01:03:35We couldn't move from the set.

01:03:37We removed makeup and everything.

01:03:39We sat for half an hour to one hour.

01:03:41We were sitting and discussing.

01:03:42Just talking with each other.

01:03:44Because it was so, so real and we enjoyed so much.

01:03:49Like a whole family.

01:03:50Like how Nitya said.

01:03:51Nitya, Karu.

01:03:52In the trailer, actually, my name is Rani.

01:03:57I was called Maharani and the first one.

01:03:59But it was very irritated.

01:04:01And...

01:04:05And...

01:04:06Because I was like,

01:04:08I was like,

01:04:10I was like,

01:04:11I was like,

01:04:12I was like,

01:04:13I was like,

01:04:14I was like,

01:04:15I was like,

01:04:16I was like,

01:04:17I was like,

01:04:18I was like,

01:04:19I was like,

01:04:20I was like,

01:04:21I was like,

01:04:22I was like,

01:04:23I was like,

01:04:24I was like,

01:04:25I can't say,

01:04:26I was like,

01:04:27I'm like,

01:04:28I will be like,

01:04:29I'm like,

01:04:30Rani.

01:04:31Not like that.

01:04:32That's a good connection.

01:04:33At that moment,

01:04:34you also have a lot of time.

01:04:36What's the best moment?

01:04:38How are you doing it?

01:04:40We have kind of special moments,

01:04:43we have many beautiful moments.

01:04:46It's very beautiful.

01:04:48But I've been enjoying a lot of a scene, a little bit of a scene.

01:04:53I've been doing a lot of things in my life.

01:04:59That's why I like to have a dialogue.

01:05:02That's why I like to have a dialogue.

01:05:05When I was eating an omelette,

01:05:09I would like to have pepper.

01:05:11That's why I like to have a lot of it.

01:05:13When I was eating an omelette, I would like to have a lot of dialogue.

01:05:20I laugh a lot.

01:05:22Thanks, Nithya.

01:05:23It's your delivery also. And your writing, sir.

01:05:26Vijay, sir.

01:05:28It is, it is. Writing is most important.

01:05:31Vijay, sir. Namaste, sir.

01:05:32Namaste, sir.

01:05:33Namaskaran, sir.

01:05:34Bounan, sir.

01:05:35Miralavna, sir.

01:05:36I'm Bounan, sir.

01:05:37Sir, you have to plan a sequence in the cinema.

01:05:41If you have any entertainment,

01:05:43you can do part two.

01:05:45So, sir, you have to learn more about the story.

01:05:48You can tell this sequence.

01:05:49First, let's take part one.

01:05:50Let's talk about everything.

01:05:52If you want to talk about everything,

01:05:53then I want to talk about the producer.

01:05:57Then I want to talk about the part two.

01:05:59Then I want to talk about the story.

01:06:01Then let's talk about the story.

01:06:03I want to talk about the story.

01:06:05You have to talk about a part two.

01:06:06It's an idea.

01:06:07Yes.

01:06:20The director, and the director, and the director other.

01:06:21I don't want to talk about part two.

01:06:22What do you want to talk about part two?

01:06:26one village backdrop,

01:06:28and in the same time,

01:06:30a great emotion,

01:06:31and a great entertainment,

01:06:32and the humor that was in the movie.

01:06:34We have done a lot in the last movies,

01:06:36and in this movie,

01:06:38and we have to get into the entertainment,

01:06:40and we have to get into the mix along.

01:06:42We have to get into the genre too.

01:06:44We have to get into the genre.

01:06:46It is a good genre.

01:06:48It is a very small genre.

01:06:50It has a great genre.

01:06:52It is my family, sir.

01:06:54That's her genre, it's a unique genre.

01:06:57It's not a ghost movie, it's not a genre.

01:07:00It's not a ghost movie, it's not a genre.

01:07:02It's not a genre, but it's another genre.

01:07:06Drama, emotion, comedy, action, mass, and a genre.

01:07:12But if you say, you don't have a genre,

01:07:15but you don't have a husband or wife in a situation,

01:07:19but you don't have to do it.

01:07:20You don't have to do it, I don't know.

01:07:22You don't have to do it.

01:07:24You don't have to do it, sir.

01:07:27But you don't have to do it.

01:07:29You don't have to do it in this film.

01:07:31You don't have to do it in this film.

01:07:33You don't have to do it in this film.

01:07:35You don't have to do it in this film.

01:07:37Thank you, thank you so much.

01:07:39Last question, please.

01:07:41This question is about Nithya Menengar,

01:07:43DOP, or Director.

01:07:45Can you answer this question?

01:07:46It's very fun, don't take it.

01:07:49Basically, these kind of movies,

01:07:51like food-related,

01:07:52like,

01:07:53like,

01:07:54like,

01:07:55like,

01:07:56like,

01:07:57like,

01:07:58like,

01:07:59like,

01:08:00like,

01:08:01like,

01:08:02I'm not going to do it in this film.

01:08:03Even food vision,

01:08:04I'm going to prepare it in this film.

01:08:05So,

01:08:06throughout the movie,

01:08:07you can do it in this sequence,

01:08:08and it makes you more difficult to do that.

01:08:12What's your answer?

01:08:14Like,

01:08:15like,

01:08:16like,

01:08:17like,

01:08:18like,

01:08:19like,

01:08:20it's a lot of takes,

01:08:21like,

01:08:22like,

01:08:23very bad takes.

01:08:24Yes,

01:08:25the way she hit me with the tin,

01:08:26it was...

01:08:27I think it was six,

01:08:28seven takes.

01:08:29Every time she threw forcefully and says,

01:08:32sorry,

01:08:33you're sorry sir.

01:08:34Actually, I threw it at him. And then, actually, he's cut out.

01:08:39Because I'm like, oh my god, he said.

01:08:42He said, you can't do anything. You continue.

01:08:46I'm not doing anything. I'm a co-actor.

01:08:50Okay. Director.

01:08:53One take. Actually, we...

01:08:57I'm not going to go.

01:09:00I'm not going to shoot him.

01:09:03He's going to go. Like, it'll keep on going.

01:09:07Sir, enough. Time is up.

01:09:11Lunch break.

01:09:12I'm not going to talk. It's not going to go.

01:09:16You're a chooser, right? He's a real rain.

01:09:19He's got an umbrella, sir.

01:09:21Okay. He's got rain.

01:09:23He's going to take a montage.

01:09:25Change change.

01:09:26I'm going to make a change.

01:09:28Sir, I've changed how many costumes are.

01:09:30Seven-eight costumes daily change.

01:09:33I'm going to make a change.

01:09:35I'm going to make a change.

01:09:38Okay. Director.

01:09:40I'm going to go.

01:09:42I'm going to go.

01:09:44Sir, I'm going to go to the trailer.

01:09:46I was really interested in this trailer.

01:09:48I was very interested in this trailer.

01:09:50The passion and passion is good.

01:09:52I'm going to go.

01:09:53I'm going to go.

01:09:54I'm going to go.

01:09:55I'm going to go.

01:09:56I'm going to go.

01:09:57I'm going to go.

01:09:58Which is difficult.

01:09:59Like...

01:10:02What are you doing?

01:10:03What are you doing in this trailer?

01:10:05What are you doing in the trailer?

01:10:06I'm going to go.

01:10:07I'm going to go.

01:10:08Okay.

01:10:09My brother.

01:10:10I'm going to go.

01:10:11I'm going to go.

01:10:12What's your reaction?

01:10:13I'm going to go.

01:10:14Sorry.

01:10:15I'm going to go.

01:10:16I'm going to go.

01:10:17I'll go.

01:10:18I don't want to go.

01:10:19You're going to go.

01:10:20I've got everything

01:10:25Let go.

01:10:26What are you doing?

01:10:28What is your reaction?

01:10:30What are you thinking?

01:10:31Two more questions.

01:10:32That's fine.

01:10:33All right.

01:10:34No way.

01:10:35Why are you wrong?

01:10:36That means your English pronunciation.

01:10:38Trace the translation speaking.

01:10:40Chalas have a different challenge from a cách that.

01:10:42The situation of my mind's happened.

01:10:45You tell us, holding it together is only custom.

01:10:48That's custom, sir.

01:10:49Hundred percent.

01:10:50Sir, if you have a relationship with a professional relationship,

01:10:55it's a start, break, and start.

01:10:58If you're a hero, you're a hero.

01:11:00Ah, yes.

01:11:02If you're a hero,

01:11:04it's a relationship, break, and start.

01:11:08So, it's for the good.

01:11:12It's for the good, that's all.

01:11:13Sir, but now, you haven't talked about it.

01:11:17What's the problem? What's the issue?

01:11:18What's the problem?

01:11:20Why don't you talk about it?

01:11:22Let's talk about it.

01:11:23That's why I'm not talking about it.

01:11:27Vijay Shethpa, sir.

01:11:28Yes, thank you.

01:11:30This is Prajhani.

01:11:31Sir, I've seen many scenes in this film.

01:11:36You choose.

01:11:37Yes, you choose.

01:11:38Thanks, Manu.

01:11:39Now, in the trailer, there's a board in the trailer.

01:11:44There's a board in the room.

01:11:46There's a board in the room.

01:11:47There's a board in the room.

01:11:48There's a lot of people in the room.

01:11:49It's a lot of hilarious stuff.

01:11:52In the cinema, there's a lot of scenes.

01:11:55There's a lot of scenes.

01:11:58I've seen it.

01:11:59It's pain.

01:12:01She's asking for brain.

01:12:05Yes, thank you, thank you to all.

01:12:09Madam.

01:12:10It didn't reply, it didn't reply.

01:12:12Madam, it's not, Madam.

01:12:14We're all right.

01:12:15It's not.

01:12:18Because it's tough, it's tough.

01:12:23Yeah.

01:12:24Because it's so loved and then we have to…

01:12:30Always in the anger and the fight, no?

01:12:32So all the scenes are really difficult.

01:12:34Some small, small reactions are difficult.

01:12:37Especially to handle Nithya in front of frame is very difficult.

01:12:40Because she gives a lot of expression in one second.

01:12:43In one second.

01:12:44She can just convince you in just one expression.

01:12:50A lot of expressions, I love Nithya's expression.

01:12:53When I was doing dubbing, every time…

01:12:55Because I dub alone and she dub alone, no?

01:12:58So I tell to director and my…

01:13:00This is Nithya killed it here, Nithya killed it there.

01:13:03There he came.

01:13:04Please tell her.

01:13:05And so…

01:13:06We enjoy totally.

01:13:07Nothing is difficult.

01:13:09Madam, thanks, Madam.

01:13:11Last?

01:13:12Yes.

01:13:13It's possible.

01:13:14Okay.

01:13:15Yes.

01:13:16Yes.

01:13:17No.

01:13:18No.

01:13:19No.

01:13:20No.

01:13:21No.

01:13:22Yes.

01:13:23No.

01:13:24Because I always follow, Madam…

01:13:25«I'm a wife and wife and mom…»

01:13:30«Hah?»

01:13:31Huh?

01:13:32I'm not.

01:13:33I'm not.

01:13:34I'm not.

01:13:35I'm not.

01:13:36I'm not.

01:13:37I'm not.

01:13:38Thank you, sir.

01:13:39Thank you, sir.

01:13:40Thank you, sir.

01:13:41Thank you, sir.

01:13:42Thank you so much.

01:13:43Thank you to all the media.

01:13:44So, August 1st, now, Worldwide, sir, madam, release.

01:13:49And today, our Telugu PR was our Vamsi Shekar, event by UV Media.

01:13:56Thank you, all the very best to the whole team of sir, madam, eagerly waiting for August 1st.

01:14:00Thank you, all of you.

01:14:01Thank you, sir, madam.

01:14:02Please come and watch sir, madam.

01:14:04Telugu media, they make it more fun.

01:14:31Very much here.

01:14:32I will just go to the front.

01:14:33Please stay από.

01:14:34I will just pay you for your petition.

01:14:35Bye.

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