Passer au playerPasser au contenu principalPasser au pied de page
FilmsActu
  • avant-hier
✩ Les Films à VOIR ? Ils sont ICI ► https://www.youtube.com/playlist?list=PL843D2ED8D80FA673

La trilogie Pusher de Nicolas Winding Refn, dans une version restaurée 4K, le 9 juillet au cinéma

FilmsActu X Nicolas Winding Refn (Interview)
© 2025
Transcription
00:30...
01:00...
01:02...
01:04...
01:06...
01:10...
01:12...
01:14...
01:16...
01:18...
01:20...
01:22...
01:24...
01:26...
01:28...
01:30...
01:32...
01:34...
01:36...
01:42...
01:44...
01:46...
01:48...
01:50...
01:52...
01:54...
01:56...
01:58...
02:00...
02:02...
02:04...
02:24...
02:26...
02:28...
02:38...
02:40...
02:42...
02:48...
02:50...
03:12...
03:14...
03:18...
03:20...
03:22...
03:24...
03:26...
03:28...
03:30...
03:32...
03:34...
03:36...
03:38...
03:40...
03:44...
03:46...
04:08...
04:14...
04:16...
04:18...
04:20...
04:22...
04:24...
04:28...
04:30...
04:32...
04:34...
04:36...
04:38...
04:40...
04:42...
04:44...
04:46...
04:48...
04:50...
04:52...
04:54...
04:56...
04:58...
06:00C'est l'espace théâtre, l'espace d'un-réalité, comme un stage.
06:05Et donc, c'est comme l'évolution.
06:12Je pense que si les directeurs veulent revenir et changer leurs films,
06:16je suis sûr qu'il y a une raison.
06:18Je n'ai pas besoin de faire.
06:20Je n'ai jamais eu de la liberté créative pour faire le film que je voulais faire.
06:25Donc, il n'y a rien à changer.
06:27Je n'ai pas besoin d'un autrement.
06:28Je n'ai pas besoin d'un autrement.
06:30J'ai été éclaté de mon corps.
06:33Il n'est pas encore dans moi.
06:35Je dois continuer à faire.
06:37Je n'ai pas besoin d'un autrement.
06:38Il y a quelque chose dans vous.
06:43Il est difficile de expliquer.
06:49Ils parlent de vous, chau.
06:54Mais vous êtes toujours le même.
06:57Il n'est pas le même.
06:58Il n'est pas le même.
06:59Il y a quelque chose dans vous.
07:04Il est difficile de expliquer.
07:05Ils parlent des autres.
07:06Ils parlent de vous, chau.
07:07Mais vous êtes encore le même.
07:08Il n'est pas le même.
07:09Il n'a pas besoin d'un autrement.
07:10Ils parlent de vous, chau.
07:12Mais vous êtes toujours le même.
07:14But you're still the same
07:44amazing because so many films can be re-watched with even better quality and
07:51and who doesn't want that you know so it's kind of like a new layer of the new
07:57normal for me so I decided to do all my films in 4k slowly rolling them out you
08:03know I think cinema and television for that matter is has had a very tough time
08:12in the last 10 years or so 10-15 years gaming social media VR canvases are
08:20exploding and they're constantly evolving because technology is allowing
08:24them to evolve movies and television TV is becoming more and more just content
08:30that you almost look at while you're doing other things and movies are still
08:34that window of exclusivity of the collective experience but I think that
08:40movies also needs to reevaluate themselves I remember when we were in Cannes for
08:46Only God Forgives and I after everyone had been booing me for so long that during the
08:52my stay I did say look you can be angry with me and about my film but I am from
09:00the future and I'm gonna make something that's gonna predict what it's gonna be
09:04like if you want to make films in the future and I was right because right
09:10after Only God Forgives the industry changed because of Netflix Netflix was the
09:15game changer and it changed not so much what we're making but it's how we
09:19experienced film and content essentially how we viewed it and I think that to
09:25justify or for a movie to exist in longevity you have to see what a film can
09:32become rather than what it used to be
09:36violence like sex it's all about the build-up bang bang and then it's to the
09:42other wall now make it dirty unique interesting never seen before and I'm not
09:50that strategic but I will say that it everything is an evolution of something
09:57and there can be a tendency when something is liked that everyone wants the
10:06same same but I don't necessarily think that's true it's better to give them
10:10something else or something different or something that destroys your past in
10:16order to make something new to transition you know obviously the two films are very
10:22different but what ties them is myself and Ryan's interaction however I find that
10:30interesting it's like taking something and turning it on its head it's taking
10:34the ultimate superhero in one movie and emasculating him in the next it's taking
10:40one movie that's very poppy and another movie that's very esoteric and that I
10:47think is what makes the world interesting is that things can become different it
10:53can evolve into other components rather than just always staying in the same
10:58repeat lane because you very quickly run out of steam in my opinion I was I was
11:04very happy but obviously you know a lot of harsh reactions and a lot of booing and
11:11screaming but then I was like that's kind of cruel because then you like sex
11:17pistols of cinema you know you're like the one everyone throws bottles at but
11:21you can't deny it existence you can't really criticize it because I did it my
11:26way the world will see it as it continues to evolve and and you just have to be do
11:33you have to just to be trust yourself so you never lose your vision when you're
11:37that strong reaction no on the contrary you're like it's like energy it's like
11:42just wait for the next one I love it I'm like you I have no regrets about only God
11:47forgives I think it's a masterpiece and it is I just didn't make it very
11:52expensive doctor in the house we we need to get a medic in here is there is there a
11:58doctor around when you were mentioning 2001 citizen Kane you forgot to add drive
12:04we'll let that slip we won't know about drive for another 30 years 30 seconds
12:10whether it lives or die I'm talking about films 2001 was made in 1968 I made this
12:19film about four years ago so it's about four years is a zip it's not even a blip
12:23it's not a pimple on on the asshole of humanity well what's funny about talking to
12:30Billy Friedkin was that it was he had a man who had struggled a lot in Hollywood and started
12:38very successfully at a young age and then gone into sorceress and you know was still
12:46traumatized by that experience after so many years and and I think that was what was so
12:51sad in a way that that that it had such an effect on him it's a little bit like Michael
12:55Chimino doing Heaven's Gate these amazing films about sorcerers and Heaven's Gate
13:02are probably their best films for some reason get so destroyed and then they
13:08lose sight of themselves or they lose their confidence and it affects all the
13:13other movies they make afterwards and I was like I'm never gonna be like that
13:17because I'm right you're wrong
13:23I mean I've done two shows one with Amazon one with Netflix and I like what I was
13:29making obviously but I I don't know how how much I want to continue I may want to
13:37take a break and go and make movies again I decided to do more visual arts you know
13:45and trying to find other areas of creativity but I think it's time to to go
13:52make a film again you said you work on two shows that you work on the famous five
13:56also the famous five was a television show that I I just how do you say
14:02executive produced or created but I had no involvement in it otherwise I just
14:07created the kind of concept in the story based on these very famous books the
14:12famous five was more because my kids would read the books when they were young I
14:16remember my mother reading me the books so it was more like a past history thing
14:21that came up as an opportunity
14:23well I mean if anything if something is interesting you know why not look at it
14:31I've had some wonderful meetings in Hollywood met wonderful people but but in
14:35the end I like my freedom that's all I really want it's just to be free when you
14:41work in Hollywood there is a contract some people love that and can work within
14:46that I it's maybe not so much my thing right now but who knows maybe next year
14:52I'll do a big you know big superhero movie that could be fun maybe I don't know
14:59I'm pretty open to anything but the same time at the end you should just make what
15:04makes you happy it's one thing having creative control which is easier enough
15:10but it's where all the money that's invested puts a burden on you because
15:16all that money has to get re you know recouped and then you have to make a
15:20certain type of movie you don't have the freedom to do whatever you want
15:23because you're you're a slave to the economics if your film costs 200 million
15:28dollars or 100 million dollars you need to make three 400 million dollars to
15:32break even that already puts a strain on what kind of movie can you make and I
15:37don't want any conditions on me at all you have to be completely free I mean in the
15:48beginning a lot of people were talking about another drive but it was like that
15:53would be the worst idea I've ever heard of so never I've been very lucky to live a
16:08fun life and it has nothing to do with fame you realize very quickly it has that
16:17I've had opportunities and I've been able to work with people I've met people
16:23I've spoken with people and it's all been a lot of fun but I think when I
16:28started the idea of being seen was very essential to dear fame and fame being
16:36up an opportunity it's like an opportunity it's like a stage one thing is
16:40becoming famous the next what are you going to do with it and obviously it's
16:44like anything it's an opportunity
16:46I do not get any kind of affection you want to work every time
16:52I also got to work
16:54I got to work
16:58we should be here in Bangkok for 6 months
17:00Yang Han will take his next movie and I have told him yeah to film the process
17:04it is beautiful that we're together with him when he is filming
17:09Je suis venu chez DRIVE. Je suis venu chez DRIVE chez les enfants.
17:13J'ai pris 10 mois, et c'était trop difficile.
17:20Mon quotidien est une routine.
17:23Je me réveille, je fais deux heures de sport tous les jours.
17:27J'ai généralement j'ai l'air.
17:29J'ai l'air. J'ai l'air.
17:32J'ai l'air.
17:34J'ai l'air.
17:36Je suis venu au soleil et en l'air.
17:40L'honneur dit, et c'est la semaine prochaine.
17:43J'essaie de aller mieux.
17:47Tu vois des films ?
17:49Je regardais beaucoup aux films quand je suis plus jeune.
17:53Maintenant, c'est plus difficile.
17:54Ce sont des choses, je trouve autres intéressantes.
17:56Comme quoi ?
17:57J'ai fait mes firstes expériences qui a été ouvert à Tokyo.
18:03Il y a une collaboration avec Hideo Kojima, peux-tu parler de ça ?
18:08J'ai créé une expérience qui s'ouvre la semaine dernière à Tokyo, où j'ai créé cette installation entre nous.
18:20J'ai vu ma femme et ma fille dans la procession.
18:24Hey, c'est moi !
18:26Je suis un Harte Man et Harte Man est toujours en Death Stranding.
18:56Sous-titrage Société Radio-Canada
19:26...
19:56...
19:58...
20:00...
20:02...
20:04...
20:06...
20:08...