Skip to playerSkip to main contentSkip to footer
  • 2 days ago
Designed for Desire 2025 mydrama
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
Transcript
00:00...job and meet the love of my life.
00:07Okay.
00:14This is insane.
00:19Hi, did anyone order these?
00:21Heartless Pervert!
00:23Whoa!
00:25You've got to be kidding me!
00:27Look, you've got it all over me!
00:29You have any idea how much this costs?
00:31And if they can't get it out...
00:32That's enough!
00:37You.
00:41In my office.
00:42Now.
00:52What's your name?
00:59Cecilia Brooks?
01:00Ms. Brooks.
01:01Is there a reason why you came here to interview us as a designer, dressed like this?
01:06Oh.
01:07I think you have the wrong idea, Mr. Mercer.
01:12I'm not here for-
01:13I don't want to hear excuses.
01:21Change into this.
01:22Excuse me?
01:23Yolanda thinks they're very fast-paced here.
01:25I don't have time to ask twice.
01:35Hello?
01:36This is Cecilia.
01:37Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
01:42Until then, we cannot proceed.
01:44Okay, one second.
01:47Hello?
01:49Ms. Brooks?
01:50Shit.
01:54Who is this woman?
01:55His girlfriend or something?
01:57I wasn't done with my interview.
02:00We'll touch base soon, okay?
02:05Oh!
02:06Good luck.
02:10I thought you weren't interested.
02:12Take off your clothes.
02:13Right now.
02:31So, Ms. Brooks, what do you see in this room?
02:34Well, it's deliberate.
02:40Controlled.
02:41Powerful.
02:43It's impressive.
02:44But-
02:45But?
02:47It's not...
02:49satisfying.
02:51Bold again.
02:55Tell me, how do you know it's satisfying?
02:58Satisfaction lies somewhere in between.
03:01You think you can give me that?
03:02Think you can take the risk and find out?
03:14All yours.
03:18Hey.
03:21The women out there would do anything to be in the position you're in.
03:25Unless you have other ideas.
03:27Don't make me regret this risk.
03:33Don't make me regret this risk.
03:35I don't plan to.
03:39The position's been filled.
03:40Go home.
03:43Get out!
03:44Damn.
03:45He doesn't have to be so rude.
03:46Pappy, your phone's upside down.
04:01Hi, how are you feeling?
04:03Hey, jubilation?
04:04Not doing too well, honey.
04:05Damn hospital postponed my surgery again.
04:06I'm so sorry, Pappy.
04:07I'm working things out with the hospital.
04:08I have some good news today, though.
04:09I'm sorry.
04:10Uh, I think that's my landlord.
04:11I have to go.
04:12Love you.
04:13Bye-bye.
04:14Bye-bye.
04:15Oh.
04:16What the hell is he doing here?
04:18What are you doing here?
04:19Oh.
04:20What the hell?
04:21Hey.
04:22Whoa, whoa, whoa.
04:23Guys, whoa.
04:24Hey, don't take that.
04:26I did not agree to this.
04:27Actually, you did.
04:52I can't quite hear you.
04:54Must reside with Mr. Mercer from the hospital.
04:55with mr mercer for the duration of the project how long keep reading and definitely without exception
05:10a gift what the a gift in exchange for being kidnapped no thanks
05:16i need to know where you're at at all times it's a tracker what like a dog collar do you think you
05:28own me now i wouldn't do that come on let's go this is insane just give me a second put crumpet in his
05:36carrier and call my grandfather no there are no animals in the mansion you must say goodbye to your
05:42little crumpet what absolutely not i told you in the contract that i will take care of everything
05:50i don't care about the contract what oh my god goodbyes are always so hard put me down what are
05:57you doing welcome back miss brooks so i'm not allowed to leave if you leave your contract will
06:08be terminated immediately and what you're just going to leave me all alone in here would you like
06:12me to join you no no no no why is it making that sound damn if i leave pappy dies
06:28shit i'm trapped with this monster oh my god is this really happening i'm stuck
06:45this is your uniform work hours have started already tidy yourself up report to mr mercer
06:52oh and uh chop chop miss brooks mr mercer does not like to be kept waiting
07:14your body moves you're my desire touch the edge hold me tight lost in this moment
07:25enjoying the view no i um just didn't want to disturb you i don't mind if you stare
07:33sorry sir i was just interested in your build the building the build of the mansion that
07:41we're building to work on today what time are we leaving for it car leaves in 10 minutes great i'll be ready
08:01how much further
08:05patience miss brooks
08:11oh my gosh
08:23hey foxy i got something that'll keep that jaw clenched wow original mr mercer
08:29we didn't know you was coming in today get off my property what you're fired leave
08:35oh the hell i worked on the last nine mercer mansions and now i'm fired because of this bit
08:42if i collapse your loan wait did he just stand up for me
08:46sir how about you continue your work with miss brooks and i'll handle this
08:53come on
08:56everything's nearly finished i'm gonna have a team come in and make some final measurements over here
09:01and i'll ensure they know how to keep their mouth shut
09:03uh is this all marble
09:06seeing her in my house gives me a strange feeling it's so beautiful what is it about her
09:17why do i want to follow me
09:25wow an elevator by the way what you did out there thank you i'd dismiss you just as fast
09:32if i wasn't pleased with your work miss brooks remember that
09:35your first task for the client i don't know anything about the client who is we don't ask about
09:47the client we only worry about what they desire okay am i allowed to know what the purpose of this
09:55room is yes great the client would like this room transformed into their bdsm chambers
10:05i hope she doesn't see right through me
10:11so how would you do it uh um paint me a picture right uh over here i would
10:23put a chaise lounge velvet obviously obviously and over here would be a great place to mount a swing
10:31one of the adjustable heights and handles and next to it we could put a cabinet for whips and
10:38toys and things you're very well versed i read a lot certain genres of certain books have certain
10:47details that's right right of course yeah it's perfectly normal a lot of women read fantasy and
10:55romance and romance and fantasy romance anyway uh this would be a great place to announce wall cuffs
11:15i don't pick up
11:31hello miss brooks i'm sorry we need the payment i i understand is there anything i could do now to hold him
11:39there? Anything that could be done right now? We need your payment, Miss Brooks. By tomorrow
11:44morning, all $200,000. Okay, I'll get it to you, I promise. Sorry. Your contract explicitly
11:53states that I receive 100% of your attention at work. Who was that? It's personal. There
12:03are no personal calls at work. I'm sorry. Mr. Mercer, it won't happen again. I'll get
12:16to work right away. I'll have designs to you by tomorrow morning. Take it off. What? Your
12:28jacket. Mr. Mercer. I won't ask twice. What's this for? It's perfect. Now go get dressed.
12:58No need to pout, Miss Brooks. You'll be reading some of the top designers. I don't understand.
13:17How does this take priority over work? Am I your date or your designer? You are when I say
13:26you are. Ladies and gentlemen, it is my pleasure to welcome you all to the annual architectural
13:45ball, proudly hosted by the Mercer Group.
13:48I'd also like to welcome and introduce our newest interior designer, Miss Cecilia Brooks.
14:02I thought you said you had the job. I did everything that I could. Bitch must have slept with him
14:08in the interview. Fine. I'll fix it myself. So without further ado, please enjoy your drinks
14:17and have a wonderful night.
14:19Thank you. May I have this dance? Oh. Sterling. I was hoping that maybe we could walk and
14:38talk. Or maybe dance and discuss. You must be working so hard. I was thinking maybe you would
14:48benefit from a designer who really knows you. Your past. I'm not interested in rehashing
14:55old relationships, no. I was just a flint. Doesn't mean we can't be close. Sterling could
15:03be a difficult person to work for. You know you can come to me if you need anything.
15:15Get your hands off of her.
15:20What the hell are you doing here, Vincent?
15:25Folks, looks like the jester came to play. Get him out of here. It's all right, folks. Enjoy
15:39the party. It's okay. Are you okay? Why don't you go grab a drink? I'm going to take care of this.
15:44Crazy night, huh? Too crazy. I'm Nora, a close friend of Sterling's. So tell me, how's the new position treating you?
16:02It's demanding. The client? What's your feel on them? Oh, I'm not at liberty to discuss that.
16:11Come on, it must be crazy, right? I really can't.
16:17Oh, how embarrassing.
16:21What are you doing in here? Cecilia, I'm sorry. I'm so done with their whole world.
16:33Yeah, the head of the board was barking my ear off. Stop it.
16:38What? I'm just trying to help. Help? Really? That's rich.
16:43I mean, I am rich.
16:44You. You are a lot of things. From the moment I met you, you've controlled every aspect of my life,
16:51every movement I make. You're obsessive, cryptic, a perfectionist.
16:57But you're not rich. Not where it counts.
17:14I mean, this hand. What if? Maybe cuffs? What if we hang something around here?
17:44Is that me?
18:02Did I say you could come in here?
18:03Uh, you'll be happy to know that I worked a lease all night.
18:14Maybe if you stayed at the gala, you would have learned something.
18:19Learned what?
18:20You follow through with your obligations, so you wouldn't waste your time working on garbage.
18:24Garbage?
18:26I'll need five more by tomorrow morning.
18:28That will take me all night.
18:29Even making those two took me all night, and I barely got them done in time.
18:33You've done it once before.
18:35You can do it again.
18:36Don't you think maybe, just maybe, that's an unreasonable amount of time?
18:41Maybe. I don't care.
18:43Wait. I should have remembered. It's not in the contract.
18:57Oh my god.
18:57Excuse me, miss. Where's my grandfather?
19:05I'm sorry. Usually if they're not in the room, it's because the insurance ran out or...
19:08Miss Brooks?
19:23Yes?
19:24I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
19:29He's being very well taken care of.
19:31I don't understand. How is that possible?
19:34I can't afford that.
19:35I told you. I'll take care of everything.
19:39What?
19:40I can't believe this.
19:48Oh, but... but why?
19:50Why would you do that?
19:52Well, when I said I needed your undivided attention, I meant it.
19:58Now the only thing you have to worry about is me.
20:03I'm not your slave.
20:05Five designs by tomorrow morning.
20:16You're welcome.
20:24I've been expecting you.
20:25I have a feeling I'll be impressed.
20:28Brushed work is not work to be proud of.
20:30Is this you?
20:36And my parents.
20:37They must be so proud of you.
20:38They never got to see it.
20:40I inherited this company before I was old enough to run it.
20:43I'm so sorry.
20:44It was a long time ago.
20:46What happened?
20:47They vanished.
20:48On a work trip into Europe.
20:49Guess I don't control everything after all.
20:52I'm going to deliver these designs to everyone.
20:54I have a surprise for you.
21:00To your first approval.
21:07It's beautiful.
21:07I do have a request, though.
21:13I was wondering if I could have a little freedom.
21:16From what?
21:18Me?
21:18No.
21:19No, not you.
21:22From this.
21:23Well, I need to keep track of you.
21:27I mean, what if...
21:28Sterling.
21:29I'm not your parents.
21:32I'll be fine.
21:34I just don't know if I'm ready for that yet.
21:36But you continue to impress me.
21:38I mean, you'll be free as a bird.
21:53I do have more surprises to show you.
21:55But, um...
21:57We're going to have to wait until tomorrow.
21:59Full of surprises, aren't you?
22:06And that's why I can't let you go.
22:23What are you two doing here?
22:24There's not supposed to be anyone working today.
22:26We were just swinging by to assess a minor electrical concern.
22:28It seems that the circuit should...
22:29It's nothing urgent.
22:30We're going to come back tomorrow with the rest of the crew and get it resolved.
22:34Okay.
22:37Thank you for the update.
22:38Thank you, Mr. Mercer.
22:44I've ordered these beautiful pieces.
22:45White marble.
22:48What the hell?
22:49It's kind of beautiful.
22:54No, no, it's a mistake.
22:59It's not too perfect.
23:01It's bold.
23:02It's not trying hard.
23:03It just...
23:04is.
23:05Well, I like my work to be...
23:07Intentional.
23:08Well, I would argue that this elevates the intention of the space.
23:15The juxtaposition between control and chaos.
23:19You have good eyes, Ms. Brooks.
23:22Follow me.
23:22Your second task for the client.
23:31Master bedroom and nursery.
23:34Oh, the client's a family man.
23:36We don't discuss the client.
23:38Only satisfy their needs.
23:42Would you like to see your designs?
23:44Is it not what you thought?
24:04No, it's...
24:05It's not that.
24:09It...
24:10The power went up.
24:11There's no signal.
24:12Yeah, the soundproofing they put up, uh...
24:16Cuts signal.
24:17What?
24:18No.
24:31It's not funny.
24:32I'm not laughing.
24:33How long until someone notices that we're gone?
24:36I don't know.
24:37An hour?
24:38Maybe two?
24:40Is it Nora?
24:41The client?
24:42What?
24:44No, you're not supposed to ask about the client.
24:46Just tell me.
24:48No, it's not.
24:49Is she...
24:51more?
24:53I built this room because I believed in your vision.
24:57I cleared your schedule.
24:59I cleared your stressors.
25:00All because...
25:02I wanted you.
25:04I'd be with me.
25:32Sir, your seven o'clock is waiting upstairs.
25:52Tuck your shirt in, sir.
26:00I know.
26:03Who the hell are you?
26:06Calm down, sweetie. Put Crumpet down.
26:11Listen, sweetie, I work for Mr. Mercer. He hired me to take care of your grandpa and Crumpet until you return.
26:18Sweetie, what are you doing home?
26:21What am I doing?
26:23This is Agnes, my nurse. She's taking care of me.
26:26Oh, I'm sorry. I'm so embarrassed.
26:30Hello?
26:34Why are you in your apartment? If you're there, there's no need for Agnes to stay employed.
26:39Cece, you're ruining my chances.
26:42Go back, Cece.
26:43Oh, okay, okay.
26:45Everything's all right. Agnes has taken very good care of me.
26:48Okay, okay, Pappy. I'll go.
26:50Um, it was nice meeting you, Agnes.
26:52Nice to meet you, dear.
26:54What the hell? He has a girlfriend?
27:07What was I thinking?
27:09What was I thinking?
27:10What was I thinking?
27:14I was thinking.
27:21Oh.
27:22Oh.
27:28Oh, my God.
27:31Oh, my God.
27:32Oh, my God.
27:34Oh, my God.
27:35Oh.
27:37Oh, my God.
27:38Gotcha now, bitch.
27:59I found her address.
28:08Sterling.
28:19Sterling, can we talk?
28:21I don't have the time, Ms. Brooks.
28:22Sterling, it's important, please.
28:24Well, I'm dealing with something.
28:25Figure it out yourself.
28:25You might want to ask me why I'm here, you psycho.
28:39I don't give a damn what you have to say.
28:41I don't trust you.
28:42Well, maybe you should start.
28:44Because I know a dirty little secret about you.
28:50You're about to be broke.
28:51Look, I'm here to offer you a buyout.
28:57Get out.
28:59Hear me out.
29:00Instead of your accounts being compromised, facing bankruptcy,
29:05and becoming the embarrassment of architecture,
29:07we could merge as Hale Mercer.
29:11Even has a nice name.
29:13Oh, you're way out of line.
29:15Am I?
29:16Because someone pretty close to you seems to be worried about you.
29:19Besides, if you don't accept this buyout,
29:23I'll publish the information,
29:26and Mercer Designs will go bye-bye.
29:29Is that a threat?
29:30Think of it more of a bribe.
29:37Get the hell out of my property.
29:40And out of my sight.
29:42Now!
29:42Now!
29:49Miss Brooks!
29:56In my office immediately.
29:58Are you sure you want me in there?
30:00Or not your other woman friend?
30:01What are you talking about?
30:03Hand me your sketches.
30:07I have designs, but they're not the originals.
30:09The originals are missing or lost.
30:13What do you mean lost?
30:14I finished the designs last night and I fell asleep,
30:16but when I woke up, they weren't in my room anymore.
30:19You're lying.
30:20I'm lying?
30:22Why don't you tell that to the next girl you bring over?
30:24Excuse me?
30:26You're so careless.
30:27Careless?
30:28Me?
30:28I'm pretty sure you're the one who's talking about losing sketches.
30:32Something you won't have to deal with anymore.
30:35Marley's going to be taking you to the project mansion.
30:38Hopefully you can figure out your sketches problems there.
30:43You may go.
30:44Take her and her belongings to the project mansion.
30:53Anything I should know, sir.
30:55She can't be trusted.
30:57And check the cameras.
31:00We have them all.
31:02Yes, sir.
31:06Miss Brooks.
31:09What are you doing here?
31:10Well, um, I, uh, had to get some artwork for the client.
31:19You don't trust me.
31:21Not too.
31:23You not trusting me?
31:25You were the one with another woman after all that I did this all for you bullshit.
31:29Okay, what woman are you talking about here?
31:31You can't lie to me.
31:32I saw you with her.
31:33I saw you with her.
31:34Okay, okay, okay.
31:36If it makes you feel any better, I...
31:38I promise I'm looking into her.
31:41I promise.
31:44I promise.
31:47I promise.
31:48No!
31:49You're the one with another woman after all that I did this all for you.
32:10Let's go inside.
32:40Cut right through. Every look says what you do. Pull me under, soft and deep. You're the secret I can't keep. Breath on glass, you trace my name. No one else can play this game. You don't ask, you just take. And I give, and I pray.
33:04Well, hello. I'm here for Mr. Brooks. I'm sorry, what exactly is this for? I'm the treatment nurse. I'll be taking him to his appointment for today. Oh, Mr. Brooks doesn't have an appointment today. I can assure you he does. Well, thank you for coming. Can I bring Crumpet? Yes, Mr. Brooks. Bring the cat.
33:34Hello, Cecilia. I'll need your full cooperation. I have something of yours you might want back. Now that I've got your attention, I need a little favor. Bring me Mercer's Legacy One design.
33:59You can't do this. But see, I already have, sweetheart. Give me the designs. Tell Sterling, and your sweet old pappy dies. And your little cat, too. Your choice.
34:10I've been reviewing project management assets. You're four days late on the Hudson property. The client is not happy. Mr. Mercer is not happy. Pick it up or I'll give your work to her. She's three days ahead.
34:24Is that a personal email?
34:29Sweetie, you don't have to do this.
34:46Too late, old man.
34:49Who the fuck are you?
34:51Your worst nightmare.
34:52Baby!
34:54I'm so glad you made it. I set all this up for you.
34:57This better work.
35:02No, no, you won't eat.
35:04No, no, you won't eat.
35:27Show me the video.
35:41Yes, sir.
35:45She knew how to evade the cameras.
35:47I can't identify her, but we knew her enough to let her in.
35:50Keep this video between us.
35:54Yes, sir.
36:08Cecilia!
36:10Sterling!
36:11You're not working from home today?
36:12What are you doing here?
36:14Who have you been talking to?
36:16No one.
36:16I, uh, just, I needed to pick up some paint samples and this was on the way.
36:20On the way to what?
36:22We're like 20 miles south of home.
36:25I'm getting my necklace cleaned.
36:26So if you can't find me or track me for any reason, that's why.
36:38Why do you need your necklace cleaned?
36:40I've just been working a lot.
36:42The drafting table is super dusty and I don't want to take a mess up.
36:47It's a woman thing.
36:48I'm trusting you, right now.
36:57I know.
37:12What the hell is going on?
37:18Good girl.
37:33Right on time.
37:36Well, don't hesitate now, sweetheart.
37:38Or they're dead.
37:42Come on, Cecilia.
37:43Do it.
37:43Sterling Worcester's legacy designs.
37:51Just like I asked.
37:52Oh.
37:54Sterling, you won't even know what hit you.
37:56Now let my grandfather go.
37:58He's all yours.
38:00A deal is a deal, pretty lady.
38:07Cece, don't!
38:08Get out of here!
38:10Look, look!
38:13I've had a change of heart.
38:27Please.
38:29No.
38:30This way.
38:31You really know how to tie the room together, darling.
38:45Sterling has my location.
38:47You have no idea what you're in for.
38:49Oh.
38:49But I think I do.
38:52You see,
38:53when that timer goes off,
38:56you and that little tracker
38:58and this entire place will go bye-bye
39:00and then that will pave way
39:02for the construction site
39:03of all hail designs.
39:05He'll find me.
39:07And when he does...
39:08That's...
39:09very unlikely, Cecilia.
39:11Now that Sterling has this video,
39:14no one's coming to save you.
39:16Screw you.
39:18Screw both of you!
39:19Oh.
39:19Oh.
39:20Oh.
39:20But I almost have everything I need.
39:25Hmm?
39:26His financials, his accounts.
39:28You see,
39:29the only thing that is missing,
39:31my dear,
39:32is the contact for Sterling's project mansion.
39:36What?
39:37Why does that matter?
39:39Well,
39:40once I have the contact,
39:42I can put in a bid under his.
39:45Therefore,
39:46Mercer will no longer have any names
39:48attached to any property.
39:52That will never happen.
39:57Who's the client?
40:00How much was the bid offer?
40:03I don't know.
40:06Oh, you'll remember.
40:09Trust me.
40:11Even if I did,
40:13I wouldn't tell you.
40:15No!
40:22So,
40:23tell me,
40:25who is the client?
40:29He took care of my family.
40:31I'm never going to sell him out.
40:36Unless you forget, sweetheart.
40:39You already gave me
40:40the plans.
40:41So, therefore,
40:43you are already a betrayer.
40:46Promise?
40:47I don't know anything.
40:50Hmm.
40:50Well, I can see that you're a lady of your word,
40:53which makes it kind of harder to believe you.
40:56So,
40:57tell you what,
40:58this is how it's going to go.
41:00You're going to tell me,
41:02and then you,
41:04Pappy,
41:04and little Kitty
41:05can go free
41:07while Mercer Designs
41:09burns to the ground.
41:10or
41:12I could kill you
41:14right here,
41:16right now,
41:19and Mercer Designs
41:20falls anyway.
41:24Okay.
41:25Decisions,
41:26decisions, darling!
41:26Wait, no!
41:27No, I'll tell you!
41:28I'll tell you anything you want to know!
41:29Please,
41:29don't touch him!
41:30I'll tell you!
41:40Tell me
41:41everything.
41:45I don't,
41:46I don't know a lot.
41:48I just,
41:50I know she's very private,
41:52very secretive.
41:54She only talks to Sterling.
41:55She's an older,
41:58conservative woman.
42:00Liar!
42:02That night that I dosed Sterling
42:04with that sleeping elixir,
42:06I found your little project mansion
42:08and that newly built BDSM room.
42:11Oh,
42:12and then all the plans
42:13that I stole from Cecilia's bedroom,
42:15they were for a nursery.
42:17Both rooms that an elderly woman
42:19wouldn't need in a new home.
42:21You drugged him?
42:21Yes!
42:22I drugged him!
42:25And then,
42:30I ransacked his mail.
42:32That's where I found you,
42:34your address,
42:36and your little cat, too.
42:41Well then,
42:43looks like you chose...
42:46Oh!
42:47Oh, I'm sorry,
42:49my sweet miss,
42:49but our short little affair
42:52is over.
42:54Excuse me.
42:55Well,
42:56obviously,
42:57I don't need your services
42:58any longer.
43:00Besides,
43:01I don't
43:03do
43:04witnesses.
43:11Sterling,
43:12help me, please!
43:13Sterling, wait,
43:13it's a trap!
43:14No, Sterling,
43:15please,
43:15you have to help me!
43:16Watch out!
43:17tell me how to do
43:24farm it!
43:26Now!
43:28Black wire!
43:36You little bitch!
43:38Nora, stop!
43:39Put down the knife!
43:41She kidnapped me!
43:42I've been waiting here for hours for you!
43:44Put down the knife!
43:45Come on,
43:45let me at her one last time!
43:47She betrayed you!
43:48She's the one who gave up the Legacy One
43:50and the third floor!
43:53Wait,
43:53how do you know about the Legacy One project?
43:55That was confidential.
43:56That little bitch,
43:57she told Vincent everything!
43:59No,
44:00she's lying!
44:01It's all because of her!
44:05She drugged you!
44:06No,
44:06I didn't,
44:07you bitch!
44:08When I thought I saw you
44:09with that woman?
44:11Then now you lost the designs.
44:13No!
44:14No,
44:14that wasn't me!
44:15Okay,
44:16Vincent made me do it!
44:17He said he threatened my family!
44:18I had no other choice!
44:21I don't believe you.
44:23Arrest her!
44:25No!
44:28Stop the knife!
44:29No!
44:29No!
44:30No!
44:30No!
44:30No!
44:30No!
44:32Vincent,
44:33you can't leave me!
44:34You have the right to
44:35not be silent!
44:36No!
44:36Anything you say
44:37can't move against
44:38against you
44:38and you want to fall!
44:39No!
44:39Get this,
44:40I'm sorry!
44:40Wait,
44:40no,
44:41no,
44:41I'm tying first.
44:42I'm so sorry!
44:43It's okay.
44:44It's okay.
44:45But I gave him your designs.
44:46I didn't know what else to do.
44:48I was trying to save them.
44:49I didn't mean to.
44:50You're safe.
44:50You're safe.
44:52Okay?
44:53Vincent,
44:53we'll be able to touch the project.
44:59I'm so happy you found me.
45:03I thought...
45:04Always find you.
45:08How?
45:12Because I know you.
45:14That moment in the parking lot,
45:16I knew from your eyes
45:17that you needed me.
45:19I will always keep you safe.
45:28Hey,
45:29hey,
45:30would you two take it
45:30someplace else?
45:34Sorry,
45:35I'll take you
45:36and Crump at home.
45:42Oh,
45:42thank goodness
45:43you're okay.
45:46I want to tell you
45:47something,
45:47sweetheart.
45:48I love Agnes.
45:50I really mean it.
45:51Okay,
45:51Pappy.
45:52Just get some rest.
45:53I mean it,
45:55Cece.
45:55When a man knows,
45:56he knows.
46:01Agnes,
46:02it's been a long time
46:03since I've met
46:03someone as caring as you
46:04and I'd like you
46:06to be my wife.
46:09Yes!
46:10I love you,
46:11Agnes.
46:18Marley,
46:20what are you doing here?
46:22Miss Brooks.
46:23Mind coming with me?
46:25Will you give me a second?
46:26I want to change first.
46:27I want to change first.
46:28to be your wife.
46:29I love you.
46:33I love you.
46:40What is it?
46:45Oh, it's over!
47:00Come here.
47:10this is really beautiful
47:13we work well together
47:17I'm glad you think so, Cecilia
47:20um
47:22yes, Sterling?
47:26I have something I need to tell you
47:27about?
47:31there isn't a legacy, Kalai
47:33well, there is, but
47:36it's not who you think
47:39I don't follow
47:41it's me
47:44what?
47:46this, this is my legacy
47:48come here
47:51I need to show you something
48:01I made this for you
48:03wait, one second
48:05I thought
48:16if we put them next to each other
48:18it would create balance
48:20balance
48:20but then you came in
48:37you're kind
48:40old
48:41intuitive
48:44Sterling
48:45beautiful
48:47you gave this place
48:50a soul
48:51Cecilia Brooks
48:55would you share the love
48:59we built together?
49:01yes
49:03yes, Sterling
49:04I said yes
49:14to you
49:15to forever
49:17to
49:18to every dream
49:20we're walking
49:22through
49:23red dragon
49:30record by
49:31short drama free
49:32follow for more
49:33then
49:46to
49:47to
49:51please
49:51you
49:52to
49:52help
49:52me
49:52just
49:54share
49:54them
49:54you
49:58you

Recommended