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00:00Celebrate the magic of Kashmir 10th Hum Awards at NRG Arena, Houston, Texas.
00:10Featuring Ali Zafar, Ramshah Khan, Yassir Hussain,
00:19Dhananir Mubeen,
00:26Shujah Asad,
00:29Ahmed Ali Akbar and more.
00:33Saturday 11th October 2025 at the NRG Arena, Houston, Texas.
00:40To get the early bird and group discounts, book your tickets now.
00:44Log on to www.hum.tv or www.ticketmaster.com
00:51For sponsorships, contact Mr. Naveed Alam, Hum Network Ltd.
00:57I thought that the truth will pass.
01:03Let's go.
01:04Oh, no, now you're sitting here.
01:07Now you're making a plan for your parents to take care of your parents.
01:11Your parents are taking care of your parents to take care of me.
01:13Your parents are taking care of me, but they're also taking care of me.
01:15So you have to give them the offer that you gave me for the marriage.
01:19If they give me the 3rd school, you'll get my money.
01:23You'll get my money to the marriage.
01:25If you want to take care of such a girl,
01:27then you'll have to change the luffangos.
01:29Please, Mrs. Khan, I don't have to do my marriage.
01:32I have to do my friend's wife.
01:33She's Irfan Kureishi.
01:35Kureishi's furniture's son.
01:37I don't have to take care of them.
01:41Let's take care of it.
01:43I don't have to take care of them.
01:46I don't have to take care of them.
01:46I don't have to take care of them.
01:49Take care of them.
01:52Someone's in the house is asking for biscuits.
01:54We'll have to take care of them.
01:55Let's go.
01:56Let's take care of them.
01:57I have to talk with you very much.
02:00Tell me.
02:02What's your job done with us?
02:05You know how to be the massage of the Sherry's?
02:07We know that you live in the city, and the first time you come to our house, how do you know how your mizaj is going to be?
02:21I'm so bad mizaj of a person that if it doesn't happen to me, I'm going to throw the walls in my own way.
02:30We've heard it, but I've never seen it.
02:34We've got 3-4 cubes and some bugs.
02:41So you can throw it all in the middle of our heart.
02:45No, uncle.
02:46I can't help anyone with this.
02:49I'm only going to throw it away.
02:52The rest of my gym is a gym.
02:55So I can't do any work for anyone.
02:59Oh my God, it's like a hill here.
03:02It's like a morning morning.
03:04Just look at him.
03:06No, we don't look at it.
03:08Let me tell you what we'll get back.
03:10But he'll be scared of himself.
03:15Are you telling me everything you've come to our house?
03:19No, my uncle.
03:20I'm going to ask you for a relationship.
03:22Huh?
03:23I mean,
03:25I'm going to ask you for a relationship.
03:31Yes, my uncle.
03:32Because I believe that after listening to my relationship,
03:35I'll give you a relationship.
03:40Well,
03:41how did you think about it?
03:47Because the past four months,
03:49there were good friends.
03:51I was telling you.
03:53I've seen my friends.
03:55I've done any work.
03:56I've done my work.
03:57I've done my work.
03:58I've done my work.
03:59I've done my work.
04:00I've done my work.
04:01I've done my work.
04:02I've done my work.
04:03The second thing is that,
04:05after going to the house of Bushra,
04:06we'll be able to study Rizwan's money.
04:08We'll be able to study Rizwan's money.
04:11Yes.
04:12Yes.
04:13Well,
04:14you can do it again.
04:15Yes.
04:16So that's okay.
04:17Bushra,
04:19she's a man who's a man.
04:20And Bushra,
04:21she's a man for gold.
04:22She'll be able to study Rizwan's money.
04:24And Bushra,
04:25if she doesn't get to get to,
04:26she'll be able to study Rizwan's money.
04:27Let's do this.
04:30What is that?
04:31What was that, brother?
04:36Sherry?
04:37She asked her to ask her?
04:39That means she has asked her to ask her so easily.
04:44Oh my God!
04:53Habib, I think we will not come back really.
04:56I think Mrs. Khan has gone.
04:58Why are we going there?
05:00She has become our enemy.
05:02Oh my God!
05:03It's a good thing.
05:04There is no one's fault,
05:05who doesn't have a fault,
05:06who doesn't have a fault,
05:07who doesn't have a fault,
05:08who doesn't have a fault,
05:09who doesn't have a job,
05:10who doesn't have a right,
05:11who doesn't have a right.
05:12Then what does she do?
05:13The most great girl's wedding in this house?
05:17Do you have to ask her?
05:18Do you remember how many people were listening to the past?
05:24I'm getting an idea.
05:25I feel like we should marry for the first time.
05:30Who will marry her?
05:31Who will marry her from this age?
05:33No, no.
05:34Who will marry her?
05:35No, no.
05:36Who will marry her?
05:37Who will marry her?
05:38And who will marry her?
05:39She is the only one of her?
05:40This is a very bad idea.
05:43And don't think about brother's marriage.
05:46It's the reason we will be married to her daughter's marriage.
05:49And then, brother's daughter's marriage.
05:53We don't have a relationship.
05:55We don't have a relationship.
05:57We don't have a relationship with brother's marriage.
06:00We don't have a relationship with a good marriage.
06:04But they don't have a relationship.
06:07I'm so sorry.
06:08It's scary, we're going to have something very bad with us.
06:11This is the idea that you both came up with me.
06:14But I can't say anything because of this Meeraf.
06:17Whatever is going to happen, bad or bad?
06:19This is how, Bindu,
06:22taking the loaded fries from the last door,
06:24and eating food.
06:26Taliya!
06:33Listen!
06:34Listen!
06:37Hello?
06:38Listen!
06:39What's the problem?
06:40Why are you running like a low-budget film hero like me?
06:44What do you want?
06:45That you will come back first,
06:46I will go out with you,
06:47and I will go out with you,
06:48and I will come back to your house
06:50where you will be dressed up with a blue shirt.
06:52What do you want?
06:53I was just saying that you are bad.
06:57I am bad.
06:58No.
06:59So you were really acting?
07:02When you tell me the truth,
07:04you are talking about it.
07:06I mean,
07:07I mean,
07:07I feel very interesting.
07:09I feel very interesting.
07:09Why won't you go out with my car?
07:12Do you feel interesting?
07:15And also entertaining?
07:18Yes.
07:21So,
07:22you close the door of your car,
07:25and then we will talk about it.
07:26And then,
07:27you close the door.
07:28You close the door.
07:29Yes.
07:30You are talking about it.
07:31Yes.
07:32You are talking about it.
07:33Yes.
07:34You are talking about it.
07:35You are talking about it.
07:36Yes.
07:37Do you feel interesting?
07:38Yes.
07:39As long as I have heard it,
07:41it is very interesting.
07:42Look,
07:43I can tell you more interesting and interesting things,
07:46but you will have to pay me for that.
07:48Look,
07:49you understand me the wrong person.
07:51I am not the one who pays me.
07:53Your mind is bad.
07:55I am a professional actor.
07:57I am not the one who pays me for the job.
07:58And the way a doctor pays me for the job,
08:01he pays me for the job.
08:03He pays me for the job.
08:04He pays me for the job.
08:05He pays me for the job.
08:06I am a professional actor.
08:08I pay me for the job and entertain me.
08:10If you don't talk,
08:11you can talk about it.
08:12But your mind is so dumb.
08:14I am sorry.
08:15I understand.
08:16$50.
08:17What you understand,
08:18is it not your mind.
08:20How many years old people think about it?
08:23But,
08:24you are a problem.
08:25You can go there and talk about it.
08:28Okay?
08:30One minute.
08:32If you have to pay 50% advance,
08:34let me give you $500,000.
08:37Hey, hey, hey, hey.
08:39You are getting out of the job.
08:41At that time,
08:42when a young girl was in a bad mood,
08:45he didn't get out of the job.
08:47And now,
08:47he's getting out of the entertainment.
08:50I'm not getting out of the job.
08:51I was just checking.
08:52Yes.
08:53Okay.
08:54We'll become a big producer.
08:56Yes.
08:57Okay.
08:58Okay.
08:59I'm going to transfer my account to my account.
09:01I don't know.
09:01Okay.
09:02Let's go.
09:03Sakyat,
09:04listen to my story.
09:06That...
09:07I...
09:09I...
09:10I wanted to say that...
09:12You're living for me now.
09:13You've been talking to me today.
09:14And you're talking to me now.
09:15If this is like,
09:16then there's no problem.
09:18But...
09:18I don't want to tell you it's on your face.
09:20I'm not sure how this is on your face.
09:21You're lying on your face.
09:22And your face will be on your face.
09:24No.
09:25I'm not sure that this is...
09:28That's the one.
09:29Oh!
09:30I'm not sure that you're here.
09:31Oh, no.
09:32Oh no, I didn't have a marriage like that.
09:36But it's just like...
09:38What is it just like that?
09:40What do you think?
09:42It's going to be a drama of 200 people.
09:44It's going to be a mosque.
09:46I have an ID card.
09:48It's going to be a gift.
09:50Let's do it.
09:52But...
09:54Look, Habib.
09:56It's the last time you're giving.
09:58It's the opportunity to give you a gift.
10:00If you have a gift,
10:02you will have a gift.
10:04If you have a gift,
10:06if you have a gift,
10:08put your gift,
10:10then put it.
10:12That's right.
10:14But you don't have to be a gift.
10:16Look,
10:18if you don't have to be a gift.
10:20You don't have to be a gift.
10:22I will be a gift.
10:24I will be a gift.
10:26God will not give you a gift.
10:28You don't have to be a gift.
10:30You will have to be a gift.
10:32God will give you a gift.
10:34Give me a gift.
10:36Safiya.
10:43Listen.
10:45Yes.
10:47It's a gift card for me.
10:51If you get a gift,
10:53then you'll have to be a gift.
10:55I'll give you a gift.
10:57I'll give you a gift.
10:59Your heart will give you a gift.
11:05I'm so excited about acting.
11:07I want to make it a profession.
11:09Before I met before,
11:11there were four other girls.
11:13Then I put my name on Bushra,
11:15so that you're a girl.
11:16And Guga.
11:17Interesting.
11:18Isn't it interesting?
11:19Yes.
11:20And listen.
11:21So, when I grew up with Bushra,
11:23I watched a lot of drama in my house.
11:25I watched those dramas,
11:26and watched them,
11:27and watched them,
11:28and watched them,
11:29and watched my heart of acting.
11:30And through that acting,
11:32I'm going to enjoy it.
11:34Very interesting.
11:35Isn't it?
11:36Now,
11:38I'm hungry.
11:39I'm hungry.
11:40I'm hungry.
11:41I'm hungry.
11:42I'm hungry.
11:43I've eaten it.
11:44I've been hungry,
11:45and I've caught my money.
11:46I've been hungry,
11:47and I'm hungry.
11:48If I could not eat it,
11:49I could just ask my house,
11:50and my family can be hungry.
11:52We're hungry.
11:53We're hungry too.
11:54We're hungry.
11:55We're hungry.
11:56We're hungry.
11:57We're hungry.
11:58We're hungry.
11:59So,
12:00and my family comes to our house
12:01when we get sick.
12:02That's good.
12:04Yes.
12:05That's better.
12:06Do you know that?
12:08Now, it happens that I have made this whole job very seriously.
12:13I became a professional.
12:15This is my bag. It's my costume. It's my makeup.
12:18I started to work myself in my own.
12:20Get up!
12:21Get up!
12:22Fake blood.
12:24It's in my bag.
12:25I started to work myself in my own script.
12:29Very interesting.
12:31Isn't it interesting?
12:33I was going to perform.
12:36That's why I didn't get a lot of clothing.
12:38Look at your car.
12:40I hit him in front of me.
12:41Maybe there's something here.
12:44This is all makeup.
12:46Wow!
12:48Now, you can see all of these on the screen.
12:50You can do a lot.
12:52If you're watching live, you don't have money.
12:55No, no.
12:57I'll give you money for your performance.
13:00But why are you doing all this?
13:03What does this mean?
13:05I mean, you're doing it in the film, TV, or in the theatre, right?
13:12Nanny?
13:13Huh?
13:14Huh?
13:15Huh?
13:16Huh?
13:17I mean...
13:18I mean...
13:19The stereotypical women of us...
13:21They are either...
13:22Ayash...
13:23Or...
13:24Then...
13:25You say...
13:26You say...
13:27You think...
13:28You think...
13:29To come on the screen, acting...
13:30It's very easy.
13:31You'll get a role to find anyone.
13:35YouTuber?
13:36You become influencer, right?
13:38Tanned-up comedian.
13:39Tanned-up comedian.
13:40No, no.
13:41I don't want to become all of them.
13:42I don't want to learn acting.
13:44I'm a professional actor.
13:46I want to go to the academy.
13:48To learn about the theatre.
13:49To learn about it.
13:50To learn about it.
13:52I want to go to the academy.
13:53I don't have any fees for me.
13:54That's why I'm doing everything.
13:59So, this is the thing.
14:02So, then...
14:03Can you marry me?
14:06Please.
14:07Please, my family and see...
14:10Please.
14:11Please sign and see...
14:12And so, how much is that...
14:13You will be able to golfer from us...
14:16Right?
14:17Say.
14:18Ah..
14:20Ah...
14:21You...
14:22You...
14:28Good.
14:31Good...
14:32Please please see...
14:34Please leave the bottom of your number.
14:35Write it?
14:36Let me transfer the money, I'll message you.
14:38But you can write my number, right?
14:42Oh...
14:44It's in the car.
14:46Okay, let's go.
14:49Tell me the number.
14:58I'll message you.
15:00Let me transfer the money.
15:04I remember.
15:04Oh...
15:09Okay.
15:09Oh, okay.
15:34Oh, okay.
15:36Oh, okay.
15:37Oh, okay.
15:38Oh, okay.
15:39Oh, okay.
15:41Oh, okay.
15:42Oh, okay.
15:45Oh, okay.
15:46Oh, okay.
15:46Oh, okay.
15:47Oh, okay.
15:48Oh, okay.
15:50Oh, okay.
15:51Oh, okay.
15:52Oh, okay.
15:53Oh, okay.
15:56Oh, okay.
15:57Oh, okay.
15:58Oh, okay.
15:59Oh, okay.
16:00Oh, okay.
16:01Oh, okay.
16:01Oh, okay.
16:02Oh, okay.
16:03Oh, okay.
16:05Oh, okay.
16:06Oh, okay.
16:07Oh, okay.
16:08Oh, okay.
16:10Oh, okay.
16:11Oh, okay.
16:12Oh, okay.
16:13Oh, okay.
16:24Oh, okay.
16:25You too!
16:27You'll be dead!
16:29You'll be dead!
16:33In the summer, I'm so shocked to marry a woman.
16:37I'm a woman.
16:45This girl!
16:47Let's go.
16:49Let's go.
16:51Hear!
16:55I'm so hungry.
16:57She hasn't come yet.
16:59She doesn't have to do this.
17:01I'll be angry with her.
17:04I too.
17:05Why don't you call her brother?
17:07You can do it!
17:25Let me go.
17:27I'll be angry with her.
17:29I'll be angry with you.
17:31I'm sorry, I'll be angry with you.
17:33I'll be angry with you.
17:35I'll be angry with you.
17:37I'll be angry with you.
17:39Yeah, brother. Where did you go, my love brother?
17:43Sorry.
17:45I'll be angry with you.
17:47Come on, come on, come on.
17:57Come on, come on, come on.
18:01Come on, brother.
18:06Yes, brother.
18:07With all your list,
18:09all the things come.
18:11Start.
18:17All the things come is empty.
18:25You're not putting stuff on plastic.
18:28You're putting it on plastic, right?
18:31No, I'll take it,
18:34I'll take it on the left.
18:37I'll take it on the left.
18:39I'll take it on the right.
18:41I'll take it off next.
18:44I don't know what to do with this.
18:46I don't know what to do with this.
18:53The rice is also cold. It's very warm.
18:58Why did you come so long?
19:01I was going to tell you that
19:03how much food will be so long.
19:05I didn't have any calls.
19:07I did call myself.
19:11What was the soup?
19:12I didn't take it.
19:14It was so cold.
19:19It's something else.
19:21Brother, tell me the truth.
19:23Does it feel bad for us?
19:27Does it feel bad for us?
19:30No.
19:31No.
19:32No.
19:33No.
19:40Stop.
19:41Please.
19:42I'm sorry.
19:44I'm sorry.
19:47I'm sorry.
19:49Person good.
19:50I'm sorry.
19:51No.
19:52I'm sorry.
19:53I'm sorry.
19:55Oh Allah, what have I done now?
20:18Can you please eat something?
20:20I'll eat it. I'll eat it. I won't eat it.
20:24If you don't have your heart, tell us first.
20:27What do you need to do with it?
20:29I was thinking that the car also ran like this,
20:33that we were bored.
20:35Why don't you say it, brother?
20:38Mama, why did my mom leave me and leave?
20:45Why did my mom leave me?
20:48Why did my mom leave me and leave me?
20:54Mama, what did my mom leave me?
21:01What are you looking for?
21:03We don't eat a plate.
21:04We'll be happy.
21:07What happened to you?
21:11My accident happened.
21:13I didn't do anything wrong with my car.
21:16There was a girl in front of me.
21:19A girl?
21:21Yes, a girl.
21:25What's your age?
21:2725, 30, 35?
21:29Yes, a girl.
21:30Yes, a girl.
21:31Yes, a girl.
21:32What happened?
21:34I took a break.
21:35The soup fell.
21:36She crossed the road.
21:37She crossed the road.
21:38The bus?
21:39Nothing else?
21:40Nothing else?
21:41Nothing else?
21:42Nothing else?
21:43Why?
21:44It wasn't good.
21:45I didn't cry.
21:46Good.
21:47You don't need to see the girls at night.
21:50Of course.
21:53Look, I had so much warm for you.
21:56Please, eat them.
21:58Please.
22:01Please.
22:02Please.
22:03Please.
22:04Please.
22:05Please.
22:06Please.
22:07Please.
22:13Please.
22:14Please.
22:15Please.
22:17Please.
22:18Please.
22:19You should find that for the break
22:34You all
22:38Have got ready for 35 uniformly
22:40Doesn't have to be my phone.
22:41Why?
22:42I'll talk to you later.
22:43I'll talk to you later.
22:45What is your problem?
22:46If you think of all, it's a lie.
22:49God for me, God for you.
22:51I'll tell you all about this.
22:52I was going to deal with one problem.
22:54I fell in love with him.
22:56If I fell in love with you,
22:58I'll take a big deal.
23:00I'll tell you everything.
23:02I'll talk about the kitchen.
23:04I'll talk about the menu.
23:06My son, I'm gonna cry.
23:08I'll tell you, I'll tell you, I'll tell you a lot.
23:14I'll tell you, I'll tell you a lot. I'll tell you a lot.
23:18Well, listen. I was with Mrs. Khang.
23:23I'll go to employment exchange tomorrow.
23:25I should get no solution.
23:27Hey, Mrs. Khang has come.
23:31Today, I'll meet a girl.
23:37A girl?
23:39Yes. She was a diva.
23:42She was a diva. She was a diva.
23:45She was a diva. She was a diva.
23:48What do you say? Who got this?
23:52Bushra.
23:54She was a name Bushra.
23:57How old-fashioned name is this?
23:59She was a diva.
24:02Bushra.
24:03Bushra.
24:04It's like a French name.
24:06Bushra.
24:08Tell me a story.
24:10What kind of girl has to do with this girl?
24:14She's a diva.
24:16She's a diva.
24:17She's not a diva.
24:19She's very interesting.
24:21Maybe entertaining.
24:24Bushra.
24:26Bushra.
24:36Bushra.
24:37Oh.
24:39Bushra.
24:40Bushra.
24:49How are you coming from?
24:55The whole heart was taken away from me.
25:00The whole heart was taken away from me.
25:04But what have you done?
25:07Hey, how are you coming from?
25:10My heart was taken away from me.
25:13My heart was taken away from me.
25:16Yes, yes.
25:18I don't understand these things.
25:20But I think there will be a good meaning.
25:22You will come home tomorrow, Sherry.
25:25That's why I went to the morning.
25:27What did you say?
25:29What did you say?
25:31They said that it could be a good thing.
25:33That you take a divorce from here.
25:36Sherry, there was a reason for the haters and peace.
25:41That's why Sherry forgot.
25:44Why did she forgot?
25:46Look, when you married Sherry's house, you don't need to leave her.
25:52But why don't you need to leave money?
25:55What?
25:56So...
25:57You went to the theater?
25:59You went to the theater?
26:00You...
26:01You are saying the truth, right?
26:02Yes, yes.
26:03Sherry can put the world in the streets.
26:08The whole motorcycle can be taken away from the park.
26:10The whole motorcycle can be taken away from the park.
26:14The whole city can be taken away from the city.
26:16It can be taken away from the city.
26:17Do you know who Sherry is?
26:19You're Sherry.
26:20You're Sherry.
26:21And who will be?
26:22He's saying the dialogue.
26:25Is he also an actor?
26:27Sherry is an alpha male.
26:29Yes.
26:30But you're a human, Sherry.
26:34When you talk about this, you're very lazy.
26:37You've seen a funny film, right?
26:39You're saying the dialogue.
26:40No, no, Sherry has seen a film.
26:42No, Sherry.
26:43And now, you go home.
26:44And wait for me.
26:45If you look at Sherry's eyes,
26:48then it's only Sherry's eyes.
26:50It's happening.
26:52Yes, it's happening.
26:54Yes, it's happening.
26:56Okay.
26:57I go home.
26:58It's been a long time.
26:59Yes, you go home.
27:00I'm watching you.
27:01Because Sherry is an alpha male,
27:03so it's not necessary to leave you at home.
27:09Okay, Sherry?
27:10You're saying what you're saying.
27:12You're saying what you're saying.
27:13You're saying what you're saying.
27:14Huh?
27:17Oh, God.
27:18Please tell her.
27:19I'll tell her.
27:20I'll tell her.
27:21I'll tell her, Sherry.
27:22Yes, go.
27:23No, Sherry.
27:24Sherry is seeing you.
27:25Sherry's eyes will go to your house.
27:28Why won't she be a little further from here?
27:30Just so.
27:31Because I don't know who Sherry is.
27:33Yes, I know.
27:34Sherry is an alpha male.
27:37Yes, Sherry is an alpha male.
27:39If I want to go to the theater again,
27:41I'll do it.
27:42I'll do it.
27:44I'll do it.
27:45I'll do it.
27:46I'll do it.
27:47I'll do it.
27:48I'll do it.
27:49I'll do it.
27:50I'll do it.
27:51I'll do it.
27:52It's a drama, sir.
27:53I don't want to say that.
27:54I don't want to say that.
27:55You know, they all made a dog.
27:57Because that's a dog.
27:59You're a dog.
28:00You're a young man.
28:01You don't know.
28:02Who?
28:03Who doesn't know?
28:04I know.
28:05I'll do it.
28:06I'll do it.
28:07I'll do it.
28:08I'll do it.
28:09You are a young man.
28:10You are an older than a child.
28:11I'll do it.
28:12I'll do it.
28:13You get caught up.
28:14Oh.
28:15Oh!
28:16Yes.
28:17And some days, he will take care of his wife.
28:20No, but for this reason...
28:22I don't know, Fareed.
28:24The mother-in-law doesn't do this before
28:26that the children will take care of their children
28:28but the children will take care of their children.
28:30Yes, I know.
28:32Yes, but...
28:33That's our brother-in-law too.
28:35That until the first three daughters will not get married,
28:38the brother will not get married.
28:40And I think that Irfan has increased the problem
28:42so that at the end there will only be one thing.
28:45And that is her marriage.
28:47Hmm...
28:48I think that's what it is.
28:50You do so,
28:52that Mr. Khan wants to take care of their children.
28:54He will lose their self-confidence daily.
28:57And then he will not be able to take care of their children.
29:01That's not the case.
29:03Okay, Fareed.
29:05You just take care of me.
29:07Please.
29:08Don't stay here.
29:09Just a few days, Bindu.
29:12Just a few days.
29:13Hmm...
29:14Hmm...
29:16What do you feel like?
29:17What do you feel like?
29:29Don't do that.
29:31You feel like you are a lot of confusion.
29:34That's right, right?
29:35What?
29:36You feel like you are a little bit too.
29:37You know,
29:38I feel like you are a little bit too.
29:39I don't know.
29:40You feel like you are a little bit too.
29:41You feel like you are a little bit too.
29:42I feel like you are a little bit too.
29:44And now, Habib Sahib,
29:46where is this?
29:47Hmm...
29:48No, it's not a confusion.
29:49There is a real question.
29:50But where is this Bindu?
29:51Where is this Bindu?
29:53And where is Nasra?
29:55And where is Nasra?
29:59Habib Sahib's philosophy,
30:00I have to do all my work.
30:02I have to put all the doors in my house.
30:05Oh my God!
30:06There are all the doors.
30:08Main gate, main door, back door, kitchen door,
30:11front terrace, patio door,
30:14patio door,
30:15and laundry door.
30:17Oh my God!
30:18Oh my God!
30:19I'm tired.
30:20Don't drink water.
30:22Really?
30:23Before today,
30:25I didn't realize that
30:26locking doors in my house
30:28is such a big job.
30:29When I do a hospital,
30:31I know that
30:32there is no difficult work.
30:34So, you do it, right?
30:36Yes?
30:37You go straight to the door,
30:38on the door, on the door,
30:39on the door, on the door,
30:40on the door, on the door,
30:41and on the door.
30:42Oh, Nasra!
30:43You forgot one door.
30:44There is no door.
30:45There is no door in the main gate.
30:47Where is the door?
30:48Where is the door?
30:49There is no door.
30:50There is no door.
30:51You will see yourself from tomorrow.
30:53Oh my God!
30:54Oh my God!
31:15How are you?
31:16The door locked?
31:17The door locked?
31:18I think it will open.
31:19What will happen now?
31:20The door will open.
31:21The door will open.
31:22I will open.
31:23The door will open.
31:24Me too?
31:25No!
31:26I will go inside,
31:27I will open the door,
31:28I will open the door,
31:29and take you inside.
31:30Oh my God!
31:31You are running from here.
31:33I will open the door,
31:34and then I will open the door.
31:36You are running from here.
31:37You are running from here.
31:39I am running from here.
31:40You can't even know what the hell is going on.
31:41You are running from here.
31:42I don't know how much you are going to be in the house, but I don't know what you have to do.
31:58I don't know how much you are going to be in the house.
32:01Whatever you are going to be in the house, just listen to me.
32:06You are so big, don't talk to me like this.
32:09You're not so big, you're only two years old.
32:12You're going to teach me two years old in my class,
32:16and you're going to sleep with me.
32:19Tell me what's going on in this house.
32:22Yesterday, the girl who spoke to the girl,
32:24he got the truth to me.
32:26Really?
32:27Listen to me.
32:29The girl who spoke to her friends at night,
32:33and he spoke to the girl who got the truth,
32:38and his name seemed romantic.
32:40Bushra.
32:42Why?
32:43He's a romantic name.
32:45He said he was French.
32:47Let's just think about what will happen.
32:51If he liked Bushra's brother,
32:54he'll take his home to his house.
32:58He'll take care of his mother.
33:02This will be a big new thing.
33:03You're going to get a house in a house.
33:07He'll take care of his mother.
33:11If the people are so angry with our brothers,
33:16then the girl who will come to his house,
33:20will be fine.
33:22Absolutely not.
33:23He'll take care of someone.
33:26We won't do this planning.
33:28Absolutely not.
33:29You're not a girl.
33:31You're not a girl.
33:32Shh.
33:33There's someone in the house.
33:35I'll take care of someone.
33:37There's a dog in the house.
33:38If it happens, what do you say?
33:40This is my house.
33:41I've come to this house from childhood.
33:43It was so much.
33:44Those people don't know so much,
33:46as much as I know this house.
33:48That's why you don't have to grow up.
33:50When are you in the house?
33:52You're doing it, Safiya.
33:53What is the story of the house,
33:54you're doing,
33:55you're about to sit about the house.
33:55We'll have to do the gate again.
33:57I'll open it inside.
33:58We'll do these through the house.
34:00Who are you?
34:03You're a fool.
34:05Who's from us?
34:06Who's from that house?
34:08You're a fool.
34:09You're the fool.
34:10You've got to know that
34:11five boys in the house.
34:13A fool.
34:13I'll take a fool.
34:15I'll take care of you.
34:16You can see how they make it.
34:20Put it on the hook.
34:21Put it on the hook.
34:23And put it on the hook.
34:26My mouth is scared.
34:32Listen, before opening the door,
34:35I'll take some marches and gold.
34:38What's that?
34:39My grandmother came,
34:41so I had to put some marches on the door
34:43and put gold in the door.
34:44So the door of the house
34:46opened and opened the door again.
34:48That's it!
34:49How fun!
34:51I'll put it all in the door and put it all in the door.
34:54I'll start the door again, okay?
34:57Why don't you put it on the door?
34:58I don't know.
34:59If you put it on the door,
35:01you'll start the door again.
35:03Okay.
35:04That's how I had this idea.
35:11In this door,
35:13there's gold, gold and gold.
35:15Ooh.
35:23And I've also put it on the door again.
35:25I didn't put it on the door again.
35:26In this door and my mouth was sitting on the door again,
35:27and then,
35:28I'll take it on the door again.
35:29He will come to Khakrabad.
35:31He is also my pleasure.
35:33Dulaluna.
35:36Habib Sahib.
35:38Habib Sahib.
35:41He doesn't give any answers.
35:43He seems to fall down.
35:45Sofiyah.
35:56Sofiyah.
35:57Sofiyah.
36:06How do you get out of here?
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