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Disclaimer:
All content presented on this channel (such as videos, audio, software, games, etc.) is collected from various sources across the internet for educational and entertainment purposes only.
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TVTranscript
00:00Oh my god, look.
00:10Oh!
00:11Wait!
00:12You have to stop!
00:13Wait!
00:14Wait!
00:15Wait!
00:16Coming over this nice piece of cake.
00:18Headed back the other way.
00:20That's the problem.
00:22Last night, my mom told my dad.
00:24Arlo said there's a voice in his head.
00:25I told him there's something coming.
00:27Something that's gonna kill us.
00:29Assassin, kill, murder.
00:30Assassin, kill.
00:31Where are you going?
00:32You should go with him.
00:32You have to listen to Harbinger.
00:34Harbinger is real, Nero.
00:36And he's telling the truth.
00:37We need to go right now.
00:43What is this?
00:45Toxin.
00:46Bad poison.
00:47So what are we gonna do with it?
00:49We drink it.
00:50Anybody here?
00:58Somebody down there?
01:06Oh!
01:07Oh!
01:07God!
01:08Oh!
01:28Oh!
01:29Oh!
01:30Oh!
01:30Oh!
01:31Oh!
01:32Oh!
01:33Oh!
01:33I don't know.
02:03I don't know.
02:33Just a sip with this, and then we walk over the line.
02:36Easy peasy.
02:37Easy peasy.
02:38But it's poison.
02:40Yes, it is poison.
02:42So if we drink too much, like all these animals?
02:46Dead.
02:47Drink too little?
02:48Walk over the line, and then dead.
02:50Don't drink it at all.
02:51Assassin shows up, and...
02:53Dead.
02:55Dead, dead, and...
02:57Dead.
02:59Hey.
03:01Let's go.
03:03Come on.
03:07So you're telling us that everything that has happened, the electricity, the phones, the engines...
03:12And what about that line, and what happens when someone tries to walk over it?
03:15The effect the line has, the odd and aggressive behavior of animals, and as I said, some people too.
03:20Yeah.
03:20Well, all of it, it's terrifying, tragic, but not beyond explanation.
03:25Well, what is the explanation?
03:27We'll get to that, I promise.
03:28First and foremost, I'm here to get you all out of this, safely.
03:33Okay, well, obviously that's good to hear, but...
03:34But this is insanity.
03:36One thing at a time.
03:37Please.
03:38Of course.
03:38Now, you said there are nine.
03:42You two.
03:43Two men who went to the neighbors.
03:45Uh, James and him.
03:46Uh, one man in the clinic injured a woman with him.
03:49It's Donald and Maggie.
03:51Maggie's a veterinarian.
03:52Medical professional.
03:53That's good to know.
03:55And the three children, no one else?
03:57Uh, there was the guy with the mask holding the signs.
04:00I know all about him, but...
04:02No one announced visitors?
04:04No one hurts, acting strange.
04:06No, no, nobody.
04:07Oh, uh...
04:10You must be Maggie.
04:18This is Lieutenant Olson.
04:26We're trapped, but we have a way out.
04:29The way out could kill us, but not if we're careful.
04:31What are you doing?
04:32Your camera told me that when things are screwed up, she just...
04:34She says whatever's going wrong and then says, but?
04:36There's a bad guy coming, but he's not here yet.
04:41It hit my forehead.
04:42It was bloody and it hurt a lot, but...
04:46The girl I've been in love with since the second grade took care of her.
04:48It made me feel better.
04:55You need to go home.
04:59Yeah, okay.
04:59What was she even doing up there?
05:08I don't know.
05:10Unfortunately, I do.
05:11This is why I was asking about unannounced visitors.
05:14What do you mean?
05:16A big part of my job was to locate and isolate Carmen Navarro.
05:21Oh, God, why?
05:22Why?
05:23What would happen?
05:23As I understand it, she had become erratic, confused, left the Navarro property on foot, missing since yesterday.
05:32And what was wrong with her?
05:34Was she sick?
05:36Yes, but that's more than that.
05:39So what happened to Carmen has something to do with that blue line, doesn't it?
05:42It's all connected.
05:44Yeah.
05:44Well, as far as you know, are you the only one who saw Carmen?
05:50I mean, Donald was talking about her.
05:53He was in the woods last night.
05:56Donald's the one in the clinic?
05:57Yeah.
05:57Do you know if Carmen was dead when Donald saw her?
06:02He didn't know it was Carmen.
06:03He said body, the body.
06:07So yeah, he thought Carmen was dead.
06:10That's, um, actually good.
06:14Is it?
06:16If someone had come into contact with Carmen when she was still alive, well, we'd have a real problem.
06:23Oh, um, what does that mean?
06:25A real problem?
06:26Maggie, Arlo was in the woods last night.
06:31Before Donald.
06:32And, um, I mean, he's definitely been acting.
06:36Well, he hit his head.
06:37I mean, he has a concussion.
06:39Arlo is?
06:44My son.
06:46You know where Arlo is right now?
06:50I think the kids are upstairs.
06:53Take you to them?
06:54They're actually in the barn.
06:56Oh, they are?
06:57Yeah, Arlo was feeling a lot better, and he wanted to go and feed the goats.
07:01And I thought, you know, it's a really good distraction given everything that's happened.
07:04So I can take you over there.
07:07Good.
07:13Here.
07:20What is she doing?
07:21I don't know.
07:22What did the man write on the sign?
07:24Don't trust anyone.
07:26Why did you say that?
07:43Why did I say what?
07:46You know what I'm talking about.
07:48Yeah.
07:50I do.
07:51So?
07:53Because it's true.
07:54I don't know if everything that's going on right now, if I didn't tell you.
08:00Look.
08:06Arlo?
08:08Arbinger?
08:12I want to talk to my brother.
08:17Let me talk to Arlo now.
08:20Enough is enough.
08:21You sound just like Mom.
08:26Good.
08:27No, I'm not kidding around.
08:30I want answers, okay?
08:32Real answers.
08:33Nicholas asked you where Arbinger came from, and you pointed to the sky.
08:37That's right.
08:39So you're saying what?
08:41Outer space?
08:42That's where Arbinger's from?
08:44Yeah.
08:44And an assassin's the one who made that horrible line in order to trap Arbinger.
08:52Yeah.
08:53Why does an assassin want to stop Arbinger?
09:01Arbinger's here.
09:03Arbinger's on a secret mission.
09:07What does that mean, secret mission?
09:09It's a car.
09:14Okay, let's go.
09:17So what are you?
09:19What am I?
09:20You're a police officer?
09:22A lieutenant, yes.
09:25With Birmingham police.
09:26Alabama?
09:29We're nowhere near Birmingham.
09:32I'm part of a task force made up of police, army, marines.
09:37From all over and travel all over.
09:41So where is everybody else?
09:43We work alone.
09:45Until the situation becomes untenable.
09:47And this isn't untenable?
09:51I get it.
09:52But no, it's not.
09:55Not yet.
09:55You want to tell me what's really going on here?
09:59What do you want to know?
10:00Everything.
10:01The line.
10:01What the hell is it?
10:02The line itself.
10:03It's nothing.
10:04It's just a line.
10:07The man who painted it is trying to help, I guess.
10:10But he doesn't have all the information.
10:12And he's unstable.
10:14So he's doing more harm than good.
10:16That's not what I meant.
10:16I know what you meant.
10:19The way things have been explained to me is it's a very strong, concentrated kind of vibration.
10:24And when complex organisms come into contact with it, well, you know what happens.
10:34And what causes it?
10:36Short answer is we don't know.
10:39We do know that it can disrupt signals and currents.
10:43It adversely affects animals and sometimes humans.
10:46So was there some kind of a confrontation?
10:52With Carmen?
10:55Yeah.
10:57Something pretty horrible happened to her.
10:59Obviously there was a very serious altercation after she left.
11:02But before him, no.
11:05And it wasn't with you, right?
11:07And I arrived after Carmen went missing.
11:12And not with anyone from your task force?
11:18I thought, yeah.
11:20I'll look alone.
11:21Right.
11:22But what happened with Carmen, you said it was connected.
11:26You think it might be part of what's happening with Arlo?
11:29It could be your son just has a concussion, like you said.
11:34But there have been instances of whatever this is, moving from person to person.
11:45Uh, they could be up in the hayloft, so, you know, we should.
11:59His son's not up here.
12:24No, he's not.
12:29Carmen's wrists had marks on them, like she'd been restrained.
12:36What you said about what happened to her, it's not true, is it?
12:41Not all of it.
12:43No.
12:45So is it that you're not telling us everything, or is it that you're just lying?
12:53You're smart.
12:57It won't help.
12:59What do you mean, why not?
13:04Because there was no one else coming.
13:07There's no way out.
13:13The only way for any of you to survive this
13:16is if you take me to your son.
13:22No.
13:24No, I'm not going to do that.
13:26I'm sure you will.
13:29He's not who he says he is.
13:42And all of this, whatever it's for, it's not fucking good.
13:45Okay, but if he is police...
13:47Carmen had marks on her wrists like she'd been tied up.
13:50He has zip ties on his belt.
13:52What does that prove?
13:53Nothing, if it's just about that, but this guy's been lying ever since he got here.
13:59What?
14:00He...
14:00He doesn't look like a liar to me.
14:03Oh.
14:04Well, that's the thing about liars, isn't it, Valeria?
14:06They look just like everybody else.
14:16Okay.
14:17Well, if he's not here to do good, then who the hell is he?
14:23I don't know.
14:24Someone dangerous.
14:25What do we do now?
14:26I have no idea.
14:36You know...
14:39about...
14:41James and me.
14:48Do I?
14:50It's over.
14:52It's over.
14:56It's fine if you hate me.
15:02I don't hate you.
15:05You don't.
15:09What good is that gonna do?
15:13To feel angry, sad, betrayed?
15:20I don't hate you.
15:21I feel bad for you.
15:24Why is that?
15:26I thought it was because you aren't the good person that I thought you were.
15:31But then I realized I feel bad for you because you aren't the good person that you thought you were.
15:39And that's gotta hurt.
15:42Knowing that.
15:43James was right.
15:52Oh, yeah?
15:53About what?
15:56How cold you can be.
16:06Who the hell are you?
16:07It really doesn't matter.
16:19It absolutely matters.
16:23Just bring your son to me.
16:25We're running out of time.
16:27I'm not gonna do that.
16:28You need to bring me, Arlo.
16:30Stop.
16:30Before it's too late.
16:32I'm not gonna say it again.
16:34We can't.
16:35Just keep hitting him.
16:48If Ellen comes back,
16:51just don't let the kids up here.
16:54Where are you going?
16:55She's got it all wrong.
17:05No, I don't think she does.
17:08Then you've got it all wrong, too.
17:10Well, I think I'm okay with that for now.
17:12No.
17:13I want to go.
17:26I want to tell everyone I know.
17:30Living in a home in the heart of the country.
17:36Heart of the country.
17:39What the hell is that about, right?
17:45It's not the time or the place.
17:49I want a sheep.
17:52I want to get me a good night's sleep.
17:55Living in a home in the heart of the country.
17:59It's fucking ridiculous.
18:01Can't get it out of my head.
18:06It's an earworm.
18:07A what?
18:10An earworm.
18:12It's when you can't get a song out of your head.
18:15Earworm.
18:19I like that.
18:30I can't help you like this.
18:34I get it, I do.
18:35This is all scary.
18:36It's very confusing.
18:39Maggie's right to be worried about her son.
18:42But if you don't cut me loose right now, things are going to get me.
18:45I, uh, I saw Maggie on the way to the clinic, so, uh...
18:57I know she'll be back.
18:58The kids?
18:59They're not in the house.
19:00I can't find them.
19:01Maybe they hurt us and got scared and went to hide in the woods.
19:06Yeah.
19:07You want to go?
19:07I'll go and you go.
19:09We have to watch him.
19:20Yell, if...
19:21I will.
19:28I will.
19:29I will.
19:48Shit.
19:52Shit.
19:54Oh, shit.
19:55No.
19:57No.
19:59No.
20:01Oh.
20:04Oh.
20:07No.
20:09No.
20:11Oh.
20:14Oh, yeah.
20:17Oh, hey, hey, hey, hey.
20:20You're up.
20:21Yeah, I don't want to miss the fun.
20:23Anybody find a way out of this mess?
20:25No.
20:27No, it's...
20:28It's...
20:30There's just somebody, uh...
20:32He's, um...
20:34Uh-huh, sorry.
20:36Yeah, take it easy.
20:38Oh.
20:40Uh...
20:42It's just, um...
20:46I thought he was, um...
20:49It's Harlow and the kids and the...
20:52Just tell me what's going on.
20:55I need to...
20:57I'm sorry.
20:58I'm sorry.
20:59Oh, it's okay.
21:00It's okay.
21:01You don't have to.
21:02You don't have to.
21:03It's okay.
21:04It feels like everything all at once, yeah?
21:06Yeah.
21:07Claire had him, too.
21:09Claire had him, too.
21:11It feels uncontrollable.
21:14But it's not.
21:17You got this.
21:21You got this.
21:24Just breathe.
21:27Just breathe.
21:28Uh...
21:29Uh...
21:30Uh...
21:31Uh...
21:34Uh...
21:35Uh...
21:40Uh...
21:41Come on.
21:42Hurry up.
21:43Come on.
21:44Come on.
21:49...
21:50Don't stop.
22:20No.
22:22What?
22:35No.
22:36Yeah.
22:38No.
22:45Hey, don't.
22:47The line.
22:50Let go.
22:54Stop.
22:55Stop.
22:56Stop.
22:57No!
22:59God.
23:13Shit.
23:14Shit.
23:15What do we do?
23:19Let me help him.
23:21Hey.
23:22It's okay.
23:23Here.
23:24Here.
23:25Let me help you.
23:27Huh.
23:28Oh, man.
23:31Always give me that.
23:33All right.
23:35Is this gonna hurt?
23:40I'm sorry.
23:41I'm sorry, I'm really, I'm really, he's, he's an assassin, right?
23:52I know you.
24:02You.
24:05You're.
24:08It's you.
24:10Yes.
24:11You were that woman.
24:14Now I am here.
24:16Now I am Arlo.
24:17And you are McNabb.
24:19Yes.
24:21I am.
24:24I was trying to help you.
24:28Almost got you to the car.
24:31We were almost safe.
24:33But then you ran.
24:37I lost you.
24:39But goddammit, I found you again.
24:46Yes.
24:48Yes, you did.
24:49What's wrong with your hands?
24:58Nothing.
24:59They just shake.
25:00Hmm.
25:01I think you're worried Maggie might have lost it.
25:04And I think I'm worried we all might have lost it.
25:08Come get this blood off.
25:17The skin in my eye.
25:20It burns.
25:21Please, what am I going to do?
25:27I can barely move.
25:28I mean, not even barely.
25:30Don't do anything.
25:38I won't.
25:39I won't.
25:39What are you?
25:50No.
26:01No.
26:02No.
26:03No.
26:04No.
26:12that's better
26:22where's mcnab
26:26where's travis
26:27what happened to travis
26:28and where are you
26:38what's happening
26:40fuck
26:41I'm gonna move
26:55I'm gonna go
26:57I'm gonna tell everybody I know
27:00living in a home
27:03in the heart of the country
27:05heart of the country
27:10I'm gonna be with
27:10I'm gonna be with
27:11okay
27:12I'm gonna be with
27:13I'm gonna be with
27:16okay
27:22so
27:23There we go.
27:53There we go.
28:23There we go.
28:53There we go.
29:23There we go.
29:53There we go.
30:23There we go.
30:25There we go.
30:27There we go.
30:29There we go.
30:31There we go.
30:33There we go.
30:35There we go.
30:41There we go.
30:43There we go.
30:45There we go.
30:47There we go.
30:57There we go.
30:59There we go.
31:01There we go.
31:13There we go.
31:15There we go.
31:17I want a horse, I want a sheep
31:21I want to give me a good night's sleep
31:24Letting in a home in the heart of the country
31:28I'm gonna move, I'm gonna go
31:32I'm gonna tell everyone I know
31:35Letting in a home in the heart of the country
31:41Heart of the country where the holy people grow
31:46Heart of the country, smell the grass in the meadow
31:51Don't move, don't go, gonna tell everyone I know
32:00In the heart of the country
32:06Heart of the country where the holy people grow
32:11Wooh wooh wooh
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