- 2 days ago
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00:00:00Musique
00:00:30Musique
00:00:32Musique
00:00:34Musique
00:00:36Hey Randy, are you ready to get started?
00:00:38I think you are.
00:00:40We gotta make some art here, people.
00:00:42Alright, let's go. Bring that light right now.
00:00:44Down here.
00:00:46Alright, that's not...
00:00:48I need more light than that.
00:00:50You're in the spot.
00:00:52Okay, ready.
00:00:54Good boy.
00:00:56Alright.
00:00:58No, I told you. It's too hot.
00:01:00Turn it over. Give me the other flat side, idiot.
00:01:02Come on, let's go.
00:01:04Come on. Oh, Jesus Christ.
00:01:06Come on.
00:01:08All right.
00:01:14Good. Back in it. Back in it. Back in it.
00:01:16That's a good dog.
00:01:18Such a good dog.
00:01:28Good. All right. That's fine.
00:01:30That's a good dog.
00:01:32Good. All right. That's fine.
00:01:34That's a good dog.
00:01:36Hang on, man.
00:01:38Gotcha.
00:01:40Very much.
00:01:42All right. That is great.
00:01:52I think he looks good, don't you?
00:02:08Yeah, we're out of film. All right, take five.
00:02:10We're reloading now.
00:02:12This is the dumbest dog in the whole world.
00:02:14Where the hell did you get such a dumb dog?
00:02:16It's my dog. I trained that dog.
00:02:18And you are as dumb as the dog.
00:02:36All right.
00:02:38Is everybody ready?
00:02:40Is your camera loaded? Yeah.
00:02:42Are we all happy?
00:02:44Then give me the goddamn dog.
00:03:00This program is sponsored by the Women's Press Club of America, along with the Friends of Public Television.
00:03:07I'm Melissa Kent.
00:03:09And I'm Sander Davis.
00:03:10In a few minutes, we will switch our control to the Women's Press Club to honor Emmanuel Griffith as Woman of the Year.
00:03:17Some people may not know the name, but they should be able to recognize the face.
00:03:22At age 25, Miss Griffith has appeared on the front cover of some of the most famous fashion magazines in the world.
00:03:29The covers of Vision, Olay, and Velary, just to name a few.
00:03:34Emmanuel, as she is best known, has now become the world's standard of beauty and fashion, and is also a major symbol of the feminist movement.
00:03:44She denies any interest in the job of president of the Women's Press Club.
00:03:48So, Melissa, what about those rumors?
00:03:51Well, Sander, it's a demanding position, and she's already in great demand.
00:03:56She's been described as the highest paid fashion model in the history of the business.
00:04:01Now we switch our cameras to Washington, D.C., and Joan Harris, current president of the Women's Press Club.
00:04:13Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:20When I first became president of the Women's Press Club five years ago, I had a problem.
00:04:29Yes, I did.
00:04:30I didn't think that I could handle the job.
00:04:32It was too difficult, too hard, and at times it seemed impossible.
00:04:39Women were second-class citizens then, and they still are today.
00:04:45But let me tell you what.
00:04:47Things are changing.
00:04:54Manuel, I would like you to accept this award as it is given.
00:04:59You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Oh, God.
00:05:07This is really great stuff.
00:05:09This is great stuff.
00:05:17Good morning, ladies, and welcome to a man's world.
00:05:23Let me tell you a little about men, ladies.
00:05:26They'll tell you anything they want you to hear.
00:05:31They'll tell you that they'll pay you as much as they're earning for doing the same jobs.
00:05:35Yes, they will.
00:05:37They will tell you that there is no sexual harassment in the workplace.
00:05:45And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:05:55This is really great stuff.
00:05:57All of this is going to change, ladies.
00:06:00Thank God for that, honey.
00:06:02Thank God for that.
00:06:07I don't want to take this world away from the boys.
00:06:10All I want is for us to have a piece of the pie.
00:06:19And when I'm talking peace, ladies, I don't mean a little one.
00:06:26I am talking 50% right down the middle.
00:06:31I want to thank you so much for having me here tonight.
00:06:46I will cherish this moment for the rest of my life.
00:06:49Lord, Lord, I can't believe this. I mean, I can't believe it.
00:07:00I mean, God, this is beautiful.
00:07:01I mean, this woman could be the president of the United States.
00:07:04I've got to see this again.
00:07:05This is history in the making.
00:07:06I mean, this is tape at its best.
00:07:08I've got history right in front of me.
00:07:09I can't believe it.
00:07:10Let me rewind this.
00:07:11Let me see this again.
00:07:12Come on, let's go, man.
00:07:13I will tell you, you should remain barefoot and pregnant.
00:07:21Well, ladies, all of this is going to change, ladies.
00:07:25Yes, 50-50, 50%, honey.
00:07:27Come on, come on.
00:07:30Wake them up.
00:07:32I don't want to take this world away from the boys.
00:07:35No, 50-50.
00:07:37All I want is for us to have our piece of the pie.
00:07:41Yes, 50% down the middle.
00:07:43Nothing more, nothing less.
00:07:44Come on, baby.
00:07:46When I'm talking piece, ladies, I'm not talking a small piece.
00:07:53I am talking 50% right down the middle.
00:07:58Yes, yes, yes.
00:08:00Just get them, honey.
00:08:02Come on.
00:08:04I want to thank you so very much for having me here today.
00:08:08I will treasure this for the rest of my life.
00:08:10Thank you.
00:08:11Thank you.
00:08:12Applause
00:08:13Applause
00:08:44C'est parti
00:09:14I go to a lot of movies
00:09:15I hope I haven't created a problem
00:09:18I'm always ready when you need me
00:09:20I know you're a very good boy, Phil
00:09:23I know you're a very good boy, Phil
00:09:29Girl, I see you
00:09:41Walking that certain way
00:09:43There's something about you
00:09:46That turns heads the other way
00:09:48They all adore you
00:09:50That's easy to see
00:09:52That all you love is
00:09:54But it won't be me
00:09:57It's something that's just coming to my heart
00:10:00Girl, I'm not a ton of art
00:10:03It's something that's just coming to my heart
00:10:05Girl, I can't see you with somebody else
00:10:13Gotta have you, darling, now
00:10:18Hold me and nobody else
00:10:22Gonna make you love me
00:10:25Hold you through the sky
00:10:30Look what you're just under my heart
00:10:35Girl, I'm not a ton of art
00:10:37Look what you're just under my heart
00:10:40Oh, baby
00:10:41Look what you're just under my heart
00:10:45Yeah
00:10:46Look what you're just under my heart
00:10:49Girl, I'm not a ton of art
00:10:51Sous-titrage Société Radio-Canada
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00:27:32C'est bon, c'est bon.
00:28:02C'est bon, c'est bon, c'est bon.
00:28:32All right, all right, this is the gold we have been searching for.
00:28:39Oh, yes.
00:28:43Oh, yes.
00:28:46Yes, baby.
00:28:49Oh, yeah.
00:28:50Come on, come on, come on, come on.
00:28:51Move over a little bit.
00:28:52I see a touch of you, babe.
00:28:54Come on.
00:28:54Come on, honey.
00:28:56Come to daddy.
00:28:57That's it.
00:28:57That's better.
00:28:58That helps.
00:28:59Not enough.
00:29:00Just get your magi...
00:29:02Oh, come on.
00:29:03Get in the view.
00:29:04Come on.
00:29:05Let me strike a close-up on your magic spot.
00:29:10What are you doing to me?
00:29:16Come on.
00:29:17Yeah, no, I want to go someplace where I can totally be lost.
00:29:32But at the same time, if I wish to escape into some excitement, it's nearby.
00:29:38Oh, I understand, I think.
00:29:42But I want it to be magnificent.
00:29:44First class all the way.
00:29:46Of course.
00:29:47I like the ocean, but it has to be more than that.
00:29:52I want something that oozes love.
00:29:56Oozes?
00:29:58I beg your pardon?
00:29:59Oh, excuse me, oozes.
00:30:02I was just flashing on something.
00:30:04Oh, right.
00:30:05What do you have in mind?
00:30:07Well, the people in the travel business might call me Mr. T because T stands for travel, of
00:30:15course, so you've come to the right place.
00:30:17What I'm about to show you, young man, is splendor in the sand.
00:30:25Hold your breath.
00:30:26You'll be screaming for oxygen.
00:30:27This.
00:30:29This is Antigua, the island of beaches.
00:30:35Five years ago, very dear, well, close, intimate, a friend of mine and I spent five glorious
00:30:44days there.
00:30:45It was magnificent, I'll never forget it.
00:30:47We'd lay on the beach and write love poems to each other and put them in a sealed, empty
00:30:56orange juice, bondling iron under this rock.
00:30:58Look, look, this is the very rock.
00:31:01And the nights, don't ask, the nights were magical.
00:31:07The wind, the people, the island, the beaches, the love poems.
00:31:15And then, when the mood struck us, which was quite often, we would adjourn to our magical suite.
00:31:23Yeah.
00:31:24This is the actual suite just between us.
00:31:31We did it everywhere.
00:31:34Upstairs, downstairs, in my lady's chamber, so to speak.
00:31:38Upstairs, in my lady's chamber, it was magnificent.
00:31:42It was magnificent.
00:31:43I bet.
00:31:44What a memory.
00:31:45Yes.
00:31:46Oh, excuse me.
00:31:48Now tell me, will you be traveling alone?
00:31:50Uh, no, I'll be traveling with my wife.
00:31:54No, I'll be traveling with my wife.
00:31:55Do I?
00:31:56Mm-hmm.
00:31:57Of course.
00:31:58Sorry.
00:31:59No harm done.
00:32:00Now, you want me to write that up?
00:32:01Yeah, sure thing, pal.
00:32:03Like I said, I want a first class all the way.
00:32:04I'll take the beach.
00:32:05I'll take the sand.
00:32:06I'll take the nightlife.
00:32:07But I definitely do not want that, pal.
00:32:08Oh.
00:32:09Oh.
00:32:10Oh.
00:32:11Oh.
00:32:12Oh.
00:32:13Oh.
00:32:14Oh.
00:32:15Oh.
00:32:16Oh.
00:32:17Oh.
00:32:18Oh.
00:32:19Oh.
00:32:20Oh.
00:32:21Oh.
00:32:22Oh.
00:32:23Oh.
00:32:24Oh.
00:32:25Oh.
00:32:26Oh.
00:32:27Oh.
00:32:28Oh.
00:32:29Oh.
00:32:30Oh.
00:32:31Oh.
00:32:32Hello.
00:32:36This is Dick.
00:32:38What can I do for you?
00:32:40Look, Richard.
00:32:42I have nothing against you.
00:32:45Please let me go.
00:32:48Not until you're acting together my darling.
00:32:51Okay.
00:32:52You're right.
00:32:53I'm sorry.
00:32:55Let me explain something to you, darling.
00:32:58Okay?
00:32:59I kidnapped you.
00:33:00J'ai kidnappé vous.
00:33:01J'ai kidnappé.
00:33:02Tu sais ce que ça veut dire ?
00:33:03Le FBI est en train de se faire avec ça, même ici.
00:33:07Et je ne vais pas vous laisser vous faire que vous en soit.
00:33:10Et ça, mon amour, est assez à vous.
00:33:15Regardez, Richard.
00:33:17Je n'ai pas de vous contre.
00:33:20Por favor, je vais me faire.
00:33:22Pas quand vous faites votre action.
00:33:25Je sais.
00:33:27Tu es le droit.
00:33:27Je suis désolé.
00:33:30Not only do I hate women who use foul words,
00:33:33but I hate women who lie.
00:33:35Good night, sweetheart.
00:33:37Oh, no!
00:33:39Richard!
00:33:41Richard, come back!
00:33:43Oh, please, don't go away!
00:33:47Oh, please, you gotta come back!
00:33:51You gotta talk to me, Richard, please!
00:33:55Oh, God!
00:33:58Oh, God, no, God!
00:34:04Please, Richard.
00:34:07Please.
00:34:11Yes, my darling.
00:34:13I can hear you.
00:34:15Isn't it nice to see a friendly face?
00:34:17Look, Richard.
00:34:20I have money.
00:34:23I have a lot of money.
00:34:26I don't need new money.
00:34:29What do you want, then?
00:34:31I want you to be a nice little girl.
00:34:33I want you to be nice to the men who support you.
00:34:36I want you to be barefoot and not pregnant.
00:34:39I hate kids.
00:34:41Look.
00:34:43I will do whatever you want.
00:34:48I have got to get out of here.
00:34:52I am going crazy in here.
00:34:54Okay.
00:34:56Take off the towel.
00:34:58I want to see you.
00:35:00You can see me?
00:35:06You've been watching me?
00:35:09Just relax, baby.
00:35:11How do I turn off this fucking thing?
00:35:16It's locked.
00:35:17I control it from here.
00:35:18Just relax, okay?
00:35:19What is it?
00:35:21Is it a peephole dick, you prick?
00:35:25Oh, no.
00:35:26Not a peephole.
00:35:27Not for Dickie Boy.
00:35:28Dickie Boy is much too clever for that, isn't he?
00:35:31Oh, it's got to be something else, huh?
00:35:33How about a TV camera?
00:35:35How does that sound?
00:35:36And when I find it...
00:35:39And I will find it,
00:35:42I am going to smash the shit out of it!
00:35:45Don't even give it a thought, baby.
00:35:47You'll never find it.
00:35:48Never!
00:35:49You bastard.
00:35:50You sick son of a bitch.
00:35:52Who do you think you are, anyway?
00:35:54You listen to me and you pay attention.
00:35:56I'm the guy with the key to your mind.
00:35:59God, I hate you.
00:36:01You are the lowest of the low.
00:36:04You listen to me, Dickie Boy.
00:36:07When I get out of here,
00:36:09you are dead meat!
00:36:12Don't do it!
00:36:14Don't do it!
00:36:15Don't do it!
00:36:22That was a bad idea, baby.
00:36:24You best plug that back in.
00:36:26Fuck you!
00:36:31Good night, sweetheart.
00:36:34Oh, this is just perfect.
00:36:36Oh, what's the matter, Dickie Boy?
00:36:39Reality gets to be too much for you, huh?
00:36:42Reality gets to be a little tough,
00:36:44and you can't take it.
00:36:45You've got to turn off the sound, huh, buddy?
00:36:48Well, let me tell you something.
00:36:50I'm still going to find it.
00:36:52And when I find it,
00:36:54you can watch yourself for the rest of your fucking life!
00:36:57AAAHHHHHH!
00:37:00That's enough!
00:37:14依須
00:37:15accounts
00:37:16and Для
00:37:17uses
00:37:20ml�
00:37:22C'est parti.
00:37:52C'est parti.
00:38:22C'est parti.
00:38:51C'est parti.
00:38:53C'est parti.
00:38:54C'est parti.
00:38:55C'est parti.
00:38:56C'est parti.
00:38:57C'est parti.
00:38:58C'est parti.
00:38:59C'est parti.
00:39:00C'est parti.
00:39:01C'est parti.
00:39:02C'est parti.
00:39:03C'est parti.
00:39:04C'est parti.
00:39:05C'est parti.
00:39:06C'est parti.
00:39:07C'est parti.
00:39:08C'est parti.
00:39:09C'est parti.
00:39:10C'est parti.
00:39:11C'est parti.
00:39:12C'est parti.
00:39:13C'est parti.
00:39:14C'est parti.
00:39:15C'est parti.
00:39:16C'est parti.
00:39:17C'est parti.
00:39:18C'est parti.
00:39:19C'est parti.
00:39:20C'est parti.
00:39:21C'est parti.
00:39:22C'est parti.
00:39:23C'est parti.
00:39:24C'est parti.
00:39:25C'est parti.
00:39:56I have no water!
00:40:26Honey, honey, I got class and style
00:40:31I'll make sure we're together
00:40:35This stormy weather
00:40:37Mile after mile after mile
00:40:41Yeah, how many ways do I love you?
00:40:47Let me tell the world, let me tell them all
00:40:50I'll buy you a rainbow
00:40:54I'll buy you the moon
00:40:57I'll buy you boats and planes
00:41:00Horses and trains
00:41:02I'll buy the sides of the hall
00:41:04Throw in the slaves and all
00:41:06You'll be the queen of the fall
00:41:10The gown is $600.25
00:41:23However, if you wish to purchase the undergarments we discussed
00:41:28I'm sure we can come to some kind of agreement for a discount
00:41:31Let's say, um, 5%
00:41:35Well, that sounds okay
00:41:36I'll tell you what
00:41:37Why don't, uh, why don't you have her try the brown?
00:41:41I'm sorry, sir
00:41:42But we don't model underwear
00:41:44Why not?
00:41:47Company policy
00:41:47Who said what company?
00:41:49This company
00:41:49You in charge of this company?
00:41:51I am
00:41:52You set forth the rule?
00:41:53I did
00:41:53Why's she gonna do that?
00:41:56I mean, why is everybody gonna spoil my fun?
00:41:59Sir, this is a respectable establishment
00:42:02Are you suggesting that I'm not respectable?
00:42:08Honey, could you go over and get me the gold dress?
00:42:11I mean, I don't like this at all
00:42:12I gotta tell you, I don't want that at all
00:42:14I deal with gold and I love gold
00:42:16I mean, look at the shimmering of this
00:42:17I mean, this is beautiful
00:42:18Well, I tell you what
00:42:22Why don't you throw all this shit in the box
00:42:24And, uh, oh
00:42:26Let's see, a 10% discount seems, uh
00:42:30Pretty respectable to me
00:42:32Don't you think?
00:42:34Well, look at that
00:43:02Front page, above the fold, in living color.
00:43:08I really am fantastic.
00:43:32Good morning, Emmanuelle. I have something very special for you.
00:43:39Something pink for pink lady.
00:43:43How are you?
00:43:45Hey you, what's going on here?
00:43:47Plug it back in. There's a little bra for you in black.
00:43:49I've been calling you all day. I don't have any water and where the hell's my food?
00:43:52Plug it back in and things will be quite beautiful for you.
00:43:55Here's something royal for a royal lady.
00:43:57Oh, yes.
00:43:59Prick.
00:44:00Here's some golden threads for you. Just plug it back in.
00:44:03Another thing for pink lady. Here's a little thing for purple.
00:44:06I want some goddamn water. I don't know what the hell you're talking about.
00:44:09Well, try running for the goddamn water with these tennis shoes.
00:44:13You bet your life. There they are. Run for it, baby.
00:44:16I'm going to stick these shoes right up your ass. Give me some water.
00:44:19Come on. Here's the little undies for the baby.
00:44:21You prick. You turned the water off, didn't you?
00:44:24You got it, sweetheart. And if you want it back on, plug it back in.
00:44:28What the hell are you talking about?
00:44:31Oh, well, Jesus Christ.
00:44:35I got faith in you. I mean, I think you'll figure it out.
00:44:40I'm not taking any calls, sweetheart.
00:44:56And I'm going to get some water, all right?
00:45:11Jeez.
00:45:13I'm going to give you something.
00:45:14I'm going to give you two minutes.
00:45:16Let's see.
00:45:17Let's go.
00:45:19Okay.
00:45:20Let's go.
00:45:21Let's go.
00:45:23Let's see.
00:45:24Let's go.
00:45:26Let's go.
00:45:27Let's go.
00:45:28Let's go.
00:45:29Let's go.
00:45:30Let's go.
00:45:32Let's go.
00:45:34Sous-titrage MFP.
00:46:04Sous-titrage MFP.
00:46:34Sous-titrage MFP.
00:47:04You're doing it all to yourself, baby.
00:47:06You make it all happen.
00:47:12All right, Richard.
00:47:14We'll do it your way.
00:47:16Now, you see there, sweetheart?
00:47:32You've already started to learn something.
00:47:37Don't bite the hand that feeds you.
00:47:39And don't unplug the TV set.
00:47:43Soon, you'll have running water.
00:47:46And tonight, tonight I'm going to fix you a beautiful steak with bernet sauce.
00:47:51God, I love you, Maddie.
00:47:53I love you with my heart and soul, and I would do anything for you.
00:47:56But please cooperate with me.
00:48:07Pour some for yourself, darling.
00:48:09It's wonderful.
00:48:10Here's looking at you, baby.
00:48:20It's wonderful.
00:48:24Why don't you try the steak?
00:48:25It's great.
00:48:26I mean, I'd like to see what you think.
00:48:36It's very good.
00:48:38Later, I'll share the method and the recipe with you as soon as we get to know each other better.
00:48:43The secret is, though, that I use two egg yolks in the sauce at the end.
00:48:48It makes it smoother.
00:48:50It's very smooth.
00:48:52Look, Richard, can we talk?
00:48:56Of course we can.
00:48:57That's what I'm here for.
00:48:59That's good.
00:49:01I wanted to know when I could get out.
00:49:03I mean, when I could be released.
00:49:07That's quite up to you.
00:49:08You know that by now.
00:49:10Why don't you pour yourself some more wine, okay?
00:49:13You know, tonight, I'm going to be the designated driver.
00:49:19Are we going out?
00:49:22No, no.
00:49:23I can't trust you to go anyplace.
00:49:25No.
00:49:25Oh, yes, you can.
00:49:26I'd behave.
00:49:28I love the word behave.
00:49:30Yes, I do.
00:49:31I mean, when you learn to apply that, it'd be better for both of us.
00:49:34I have learned that.
00:49:35Really, I have.
00:49:37Oh.
00:49:38Well, here's this toast.
00:49:40Okay?
00:49:41Oh, it's just a little lower.
00:49:43Tell me this.
00:49:52What did they call you when you were a kid in school?
00:49:57By my name.
00:49:59They called me Dick.
00:50:03What did they call you?
00:50:06By my name.
00:50:07How about Manny?
00:50:12Did they call you that?
00:50:15No.
00:50:16Kids can be so cruel.
00:50:26You are cruel.
00:50:28No.
00:50:29I represent the truth.
00:50:34You have a very nice voice.
00:50:36Thank you.
00:50:38I love compliments.
00:50:46Here's looking at you, kid.
00:50:47Here's looking at you, kid.
00:50:47Oh, I got you back on now.
00:51:09So, after that, I invented this crazy thing that helps idiots program their VCRs, and I, uh, I made a fortune.
00:51:18You're very smart.
00:51:19You're very smart.
00:51:20Oh.
00:51:20Oh.
00:51:21No, just, just lucky.
00:51:25But what about you?
00:51:26I mean, how'd you get into your crazy business?
00:51:32That was funny.
00:51:33I went to New York to become an actress.
00:51:41I was 19.
00:51:43What a joke.
00:51:46So, what happened?
00:51:49I found out I was no actress.
00:51:53Then what?
00:51:57My mom needed money.
00:51:59I didn't know how to do anything.
00:52:02Cheers.
00:52:03I'm not ashamed.
00:52:07It was in all the papers.
00:52:09What?
00:52:12I did nude dancing at a Times Square bar.
00:52:17Well, I mean, uh, how'd you handle that?
00:52:22It was easy.
00:52:27I actually enjoyed it.
00:52:28I got off on guys watching me.
00:52:34It was a turn-on.
00:52:38That's what all models do.
00:52:41Turn guys on.
00:52:43Hmm.
00:52:44I mean, it doesn't matter if you're naked or not.
00:52:47It's a turn-on.
00:52:49It's a sexist thing, so you're a sexist.
00:52:51I didn't say that.
00:52:55Yes, you did.
00:52:59Well, men just take advantage.
00:53:01Oh.
00:53:02Oh.
00:53:02So, so when you're, uh, stuck naked in front of those good old boys, I mean, uh, who has the advantage then?
00:53:13Why don't you play me some music?
00:53:24I want to dance for you.
00:53:29Well, I'm not.
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