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  • 2 days ago
Transcript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30Like the traffic of Napoli.
00:01:32Mostre, mostre, mostre.
00:01:35Mais questa si se fa al primo posto.
00:01:37Ssshh.
00:01:43Shit.
00:01:45Whoa.
00:01:46Camp on my wallet.
00:01:51Are you a PC case?
00:01:52No, not a PC case.
00:01:55Somewhere.
00:01:57You can't even find the PC.
00:02:00What do you think?
00:02:02She's lost her purse.
00:02:04She's lost her purse.
00:02:06No, she's lost her purse.
00:02:08She's lost her purse.
00:02:10She's lost her purse.
00:02:12She's lost her purse.
00:02:14She's lost her purse.
00:02:16No, there's nothing.
00:02:18She's lost her purse.
00:02:20Can you just give her a minute?
00:02:22You know, she's not here sitting here.
00:02:24One moment, one moment.
00:02:26I don't care, I don't care.
00:02:28I'm sorry.
00:02:34Where did you have it last?
00:02:36The train station, I think?
00:02:38The exchange group?
00:02:42Oh, Jamie.
00:02:44I'm sorry.
00:02:48That bastard at the train station started when you dropped all your stuff.
00:02:54This is 170, not 70.
00:02:56Where do we need to go?
00:02:58We need sevens.
00:03:10Here we go.
00:03:12This is it.
00:03:14Thanks, man.
00:03:16This isn't.
00:03:18Is this it?
00:03:20Thanks, love.
00:03:22Thanks, Dom.
00:03:24Yeah, it's fine.
00:03:26Yeah!
00:03:28Oh, shit.
00:03:30It's nice.
00:03:44Yes, I have a credit card.
00:03:45The number's on file on my computer.
00:03:49Yes, I have them here.
00:03:52Okay.
00:03:535533
00:03:547645
00:03:578788
00:03:5987
00:04:009157
00:04:0357
00:04:04Yeah.
00:04:08Expires 12.15.
00:04:11No, she'll definitely need another card sent out immediately.
00:04:14We're here for two weeks.
00:04:16No, I'm working here.
00:04:20Yes, I'll hold.
00:04:23You love how they ask.
00:04:25As if I have a choice.
00:04:27Do you know what I'm going to try to do while I'm here?
00:04:30Besides, learn Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:35I don't at all.
00:04:36I admire you.
00:04:37I just think it's too late for me.
00:04:40That's not true.
00:04:41You can't teach an old dog new tricks.
00:04:45And besides,
00:04:46what's the point?
00:04:47The whole bloody world speaks English.
00:04:48Well, I
00:04:50I'm going to finally transcribe the tapes.
00:04:55Yes.
00:04:57All right.
00:04:59Okay.
00:05:02Well, if you can see it through to the end,
00:05:05I think that's wonderful.
00:05:07What does that mean?
00:05:09Nothing.
00:05:11Nothing?
00:05:11I think it's a fantastic idea, Jane.
00:05:15I always have.
00:05:16You know that?
00:05:21You shouldn't sound very supportive.
00:05:25You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:31I just know how emotional listening to them can be.
00:05:34It has been for you.
00:05:36I think enough time has passed.
00:05:37Well, that's great.
00:06:03Why do you think he killed himself?
00:06:07David Foster Wallace.
00:06:14I don't know.
00:06:17You can't get a sense by his writing?
00:06:20You have to read it when I'm done, darling.
00:06:28Do you think he recognized a blank infinity
00:06:30just stretching out?
00:06:34He got to this point, maybe,
00:06:36where it was just day after day after day.
00:06:39I really don't know.
00:06:40Do you know?
00:06:40Just so tedious.
00:06:44And then, of course, he felt guilty.
00:06:46Most people think life is too short,
00:06:48and there he was, all the talent in the world,
00:06:49and it wasn't enough.
00:06:50Jane, can I...
00:06:50Can we not talk about this?
00:06:53Just...
00:06:54Just a bit morbid.
00:06:56Love you.
00:07:13Love you, too.
00:07:16Love you, too.
00:07:18Do you feel all right?
00:07:37Do you feel okay?
00:07:38Yeah.
00:07:38Are you sure?
00:07:41Love you.
00:07:46Mm-hmm.
00:08:07Yeah.
00:08:08I don't know.
00:08:38I don't know.
00:09:08Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:21I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:28True.
00:09:28Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:44I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:10:20Testing, testing.
00:10:22Okay.
00:10:24Do you have any stories for my book?
00:10:27What kind of stories?
00:10:30Stories that you've prepared.
00:10:32Or I can ask them a list of stories that Dad told me about.
00:10:34Go ahead and ask from your father's list.
00:10:36God rest his soul.
00:10:37Let's start with the war.
00:10:40We went into an air raid shelter.
00:10:42My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and...
00:10:48and then there was the sound of a bomb
00:10:50and the man next to us, he said,
00:10:53I was in a shelter last night with my wife and my little boy
00:10:56and half of it got blown away.
00:10:59There was blood in his hair.
00:11:02He was all alone.
00:11:03That nearly finished my mother, you know.
00:11:08Here we were in this tiny town in England,
00:11:10miles from Germany, from Russia, from Italy,
00:11:13from any front lines.
00:11:15And this man...
00:11:18he had blood in his hair.
00:11:25Good night, cappuccino, okay?
00:11:27Good night, sir.
00:11:28Good night, sir.
00:11:47Why um...
00:11:48...'He said...
00:11:49...'He said...
00:11:51We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:09It feels now as if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia, or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day. Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children, not just your father.
00:12:48You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:06All right, then.
00:13:10Uh, scusi.
00:13:12Scusi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato anglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oregonese?
00:13:24Andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Ah, grazie.
00:13:28They'd been shot through the neck.
00:13:32The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water,
00:13:39and he couldn't tell which was the German side and which was the allied side.
00:13:43When he came home after something like that,
00:13:46you couldn't really complain to him about anything, now could you?
00:13:50I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So, come on.
00:14:27My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm-mm-mm.
00:14:39The viola.
00:14:42Any good?
00:14:44Yes.
00:14:45Very.
00:14:45How do you keep your violin from getting stolen?
00:14:53You put it in a viola case.
00:14:55Right?
00:14:58That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming, there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes, and I went to this music-slash-nerd summer camp
00:15:23when I was like 10, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:33You newlywed?
00:15:34No.
00:15:36No.
00:15:46That's it.
00:15:47Stop making me feel like a stalker.
00:15:49Fuck.
00:15:49Stop making me feel like a stalker.
00:15:50Fuck.
00:15:51Oh, hey, have you got 50 cents?
00:16:06If you can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:21What brought you out of here today?
00:16:36Fairy.
00:16:36Ha!
00:16:37Fairy.
00:16:39I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn to bones.
00:16:48But can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:58In, like, the 1300s, thousands of families lived in this castle.
00:17:03It must have smelled pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:12I know.
00:17:13I've been coming here every day, and it still gets me.
00:17:16If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago with this volunteer organization dedicated to studying
00:17:30the relic populations of dolphins and whales in the Gulf of Naples.
00:17:35I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:40No, I just didn't want to go to college, and they paid for me to come over.
00:17:43Before connecting flights, it's a 72-hour plane ride, but, you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:49How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:52Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:56Yeah, so I left the program after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:01Because I stayed on the island, because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:07Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second
00:18:11cousin twice removed.
00:18:12The second cousin twice removed, in case you didn't know, is when one person's great-grandparent
00:18:16is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:20Sorry.
00:18:20Anyway, so this relative gave me the name of this great-uncle who lives on the island,
00:18:25so I show up, he answers the door, and he's, like, the oldest fucker I've ever seen, easily
00:18:30pushing a hundred.
00:18:32A hundred?
00:18:33Yeah, if not older, he's, like, deaf and blind and about four feet tall, and he mumbles a
00:18:38couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine,
00:18:42and leads me to this basement apartment, and, uh, yeah, I never left.
00:18:49I don't know.
00:19:19Love teaches me to feed on flames and tears, to turn withered hope green through desire,
00:19:48to re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:56Who is that?
00:19:58Vittoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:04You read that in your guidebook this morning, didn't you, Jane? Sneaky.
00:20:10Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.
00:20:17I thought Michelangelo was gay.
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:24But that didn't stop her from loving him.
00:20:28Let's hear it then.
00:20:30In Italian.
00:20:32Let's hear the poem.
00:20:34Come on.
00:20:36I'm impressed.
00:20:39Are you hungry?
00:20:40No.
00:20:41No.
00:20:42No.
00:20:43No.
00:20:44No.
00:20:45No.
00:20:46No.
00:20:47I'm impressed.
00:20:49Are you hungry?
00:20:50Why, are you going to take me out?
00:20:51Yeah.
00:20:52All right then.
00:20:53Okay.
00:20:54Okay.
00:20:55Two pastas with the...
00:20:56the house.
00:20:57But...
00:20:58You're hungry.
00:20:59You're hungry.
00:21:00I'm not.
00:21:01I'mたい.
00:21:02You're hungry.
00:21:03Betterly.
00:21:04And also...
00:21:05Me'll be hungry.
00:21:06And the house is here...
00:21:07The house is here...
00:21:08You hungry?
00:21:10Why, you gonna take me out?
00:21:12Yeah.
00:21:18Alright then.
00:21:23Two pastas with the house sauce, please.
00:21:27Red. Red, please.
00:21:29Uh-huh.
00:21:30Grazie.
00:21:32So you're really not gonna tell me what you do?
00:21:38I write freelance articles about parties and fashion trends in town and country UK.
00:21:45There's something else.
00:21:53I'm writing a book about my grandmother's experiences in rural England, living through two world wars.
00:22:00I recorded her for hours and hours.
00:22:03But now, I don't know.
00:22:08What don't you know?
00:22:11You wanna listen?
00:22:13A little?
00:22:14Yeah.
00:22:15Yeah?
00:22:16Yeah, I know it.
00:22:17I love to listen.
00:22:19No, I can't.
00:22:22No, I don't know.
00:22:23Yeah.
00:22:28Oh, that's tangled up.
00:22:30I won't learn.
00:22:31Okay.
00:22:32Well, it's tangled up.
00:22:35Don't laugh.
00:22:36Okay.
00:22:42Awful as it was, it made you stronger.
00:22:45These days people whine about all sorts of things.
00:22:48I'm not one of those old people who think my time had the only joy and the only problems.
00:22:54We all have our own private wars every era, but it was nothing like...
00:23:00It really brought people together, the war.
00:23:02We helped each other during that time.
00:23:05We had to laugh.
00:23:06We had to smile.
00:23:08Well, if not for ourselves, then for the people we'd lost.
00:23:12I shut that thing off.
00:23:13Would you get it out of my face?
00:23:18That is like...
00:23:20It's like a window in time.
00:23:23The sort of thing we should always do before someone died, you know?
00:23:27My husband thinks I'm never going to finish it.
00:23:29I shouldn't care what anyone thinks.
00:23:32We met while I was recording her.
00:23:35Bonding over Granny, huh?
00:23:38Make it sound perverse.
00:23:40That's what it was, right?
00:23:43Buongiorno.
00:23:43Buongiorno.
00:23:43I got pregnant, so we got married.
00:24:01I lost the baby.
00:24:05I'm sorry.
00:24:06I didn't go back after that to the States.
00:24:31Did you, uh...
00:24:38Did you ever hear that story about the red strain?
00:24:43I think I might have.
00:24:44Tell me.
00:24:45It's like this Asian proverb says that anyone you're destined to meet, like your soulmate
00:24:56or your family or, you know, someone you bump into on the street, we're all connected
00:25:04by this red string.
00:25:05It can be tangled or stretched, but it can never be broken.
00:25:17There's this moment in the tape.
00:25:20I'm sitting, waiting in the airport bar for my flight.
00:25:26And I'm talking into the recorder, rambling on about how I'm about to embark on this amazing
00:25:32adventure and how I'm going to show World War II from a totally different perspective.
00:25:41But...
00:25:41I don't know if it's that interesting.
00:25:50That's the whole point, isn't it?
00:25:53Keeping it interesting for yourself.
00:25:57Maybe.
00:26:00Maybe I just want to write about nothing.
00:26:03Everything is nothing.
00:26:06All the best.
00:26:07Compliano.
00:26:08Grazie.
00:26:09Grazie.
00:26:11Make a wish.
00:26:14Oh, yeah.
00:26:16Make it great.
00:26:21Okay.
00:26:25Bravo.
00:26:26Bravo.
00:26:27Hey.
00:26:28Come on, we are here.
00:26:36What do you mean, I'm ready to go?
00:26:37Ready?
00:26:38What?
00:26:39Grab my hand.
00:26:39Wait.
00:26:40Go, go, go.
00:26:41Oh, my God.
00:26:41Oh, my gosh.
00:26:43Oh, my gosh.
00:26:44Oh, no.
00:26:45What?
00:26:46What do you mean?
00:26:50Stronzo.
00:26:53Hey.
00:26:54Hey.
00:26:54What?
00:26:55It's the caribinear.
00:26:56What?
00:26:57Is the police?
00:26:57No.
00:26:58Hey.
00:26:59Yeah.
00:26:59Yeah.
00:27:00Yeah.
00:27:00Yeah.
00:27:02Okay.
00:27:03Okay.
00:27:05We can't go back.
00:27:05We can't go back.
00:27:06We can't go back.
00:27:07Look.
00:27:08I can't pay for that.
00:27:11I'm getting away.
00:27:12Oh, God.
00:27:15I'm getting away.
00:27:17Oh, God.
00:27:19I'm getting away.
00:27:21Oh, God.
00:27:23Here.
00:27:24Here.
00:27:25Here.
00:27:26Here.
00:27:27It would make you feel better if I said I said the whole thing up.
00:27:30Yes, it's true.
00:27:32Yes, it's true.
00:27:34I made the check when I went to the bathroom.
00:27:37You're horrible.
00:27:42You're horrible.
00:27:44You're really horrible.
00:27:45Come on.
00:27:46Let's go.
00:27:47Come on.
00:27:48Quick.
00:27:49Let's go.
00:27:52Why are we still running?
00:27:53I don't know why we're still running.
00:28:07Oh, my God.
00:28:08Oh, my God.
00:28:09Yeah.
00:28:14It went up my nose.
00:28:16Please.
00:28:21We come back?
00:28:23Maybe.
00:28:26Maybe is not a no.
00:28:29And since I don't have a phone, you're gonna have to give me your number.
00:28:34For cheap thrills and future crimes committed.
00:28:37No.
00:28:41Fair enough.
00:28:42I've got to go catch a fairy.
00:28:57Hey.
00:29:03Why do violists keep their viola cases on their dashboards?
00:29:09Why?
00:29:23So they can park in handicapped spots.
00:29:24Oh.
00:29:30Happy Birthday.
00:29:38Let's pray.
00:30:08Let's pray.
00:30:38Let's pray.
00:30:45Are you awake?
00:30:51Yeah, I've got so much of this stuff to get through.
00:30:55Got through.
00:30:57Nice.
00:30:58Nice.
00:30:59There are the great big events.
00:31:05The things you think you'll always remember, and you do, but there are other smaller.
00:31:11Picking a blackberry that's been in the sun or brushing the fingertip of someone you didn't
00:31:16know you loved until you touched them.
00:31:20Nellie was this little collie who wouldn't go on a leash, so she had to sit on a bicycle
00:31:26seat.
00:31:28They stay with me too.
00:31:29Jane.
00:31:30Tony.
00:31:31Got some pastries.
00:31:35You're still asleep?
00:31:36Jane.
00:31:37Tony.
00:31:38Got some pastries.
00:31:42You're still asleep?
00:31:56You're still asleep.
00:31:57I'll be back.
00:31:58I'll be back.
00:31:59I'll be back.
00:32:00I'll be back.
00:32:01My friends had lots of American boyfriends, and they used to bring us nylon stockings
00:32:25and chocolates and all sorts of things. And we used to go to London, and we saw Glenn Miller
00:32:32one time. We used to go all over the place. They were wonderful times. I never had an
00:32:40American boyfriend. I liked some of them. They were nice boys, but I didn't want to leave
00:32:50my mum and dad. I wish I had sometimes. You know when you were 19 and the world just felt
00:32:57so open and carefree and full of possibility? You reminded me of that. At that time.
00:33:06You were 19 when we met? Yeah. I wouldn't have described you as carefree back then. Not
00:33:11at all. Well, I felt nostalgia. Or something for youth. You're not old, Jane. We ran out
00:33:19on the bill. You just ran out? What do you mean you ran out on the bill? Perhaps I'm
00:33:24not explaining it well. It was... It was fun. It was just fun. How was work? The conductor's
00:33:44actually a descendant of Walter Lake, which is fascinating. The three of us were planning
00:33:49dinner before we leave. I'd like that. Jane? Oh my God. This is Caleb. Hi. No, no, we were
00:34:03just talking about you. We were? That's so weird. That's it, please. Sit down. Join us.
00:34:09What? Ugh. You had the chance of a wreck. I know, right? I'm obviously going to get back
00:34:20pretty soon. That's okay. I already ate, so I'll just grab a coffee or something.
00:34:25Can I have the check, please? In a cafe, play for play? Oh, no thank you. Jane, you don't smoke. Yes, I do. Sometimes, at parties.
00:34:54Sometimes, at parties. You know that. Well, I don't do it a lot.
00:35:01Okay. Grazie. Grazie.
00:35:05Grazie. Italian food's so overrated. I love it. There's no variety. English food, on the other hand.
00:35:16Say what you like about it. There's nothing like a good steak and kidney pie. I went to this party the other day
00:35:23in this villa owned by this old drunk expat. They had like a private chef and everything. And they were serving this like loaf of meat
00:35:33covered in sauce with all these other loaves. And this girl came over to me and said it was cat.
00:35:38No. No joke. Like a roasted mommy cat and her kittens. That is disgusting.
00:35:46True story.
00:35:51Why don't you tell Leonard one of your viola jokes? Come on.
00:35:59I'm selling my ant. Come on. Let's hear one.
00:36:06I have one. What is the definition of perfect pitch? What?
00:36:21When you throw a viola into the dumpster without hitting the rim.
00:36:26You didn't just make that up. I did. It's too good. I did.
00:36:29Well, I'm impressed and I'm stealing it.
00:36:32You can pretty much make that joke about any instrument.
00:36:39Did you play anything, Caleb? This and that, you know.
00:36:44Shall we?
00:36:46What time to go? Already?
00:36:49Yeah, I'm gonna get back to work.
00:36:56So what's next on your agenda, Caleb?
00:37:03Um, I'm thinking Tibet.
00:37:06Oh, Tibet. Really?
00:37:07Yeah, there's this thing called the Shantan Festival at the end of the summer.
00:37:10Yeah, I've heard about that.
00:37:11That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:15The monks, the monks, the monks.
00:37:17So pretty.
00:37:19How do you support yourself?
00:37:21You know, a bit of this, a bit of that.
00:37:24Oh, all right then.
00:37:30I'll walk you.
00:37:31Does anybody have a pen? You got a pen?
00:37:34Yeah, I have a pen.
00:37:41Okay.
00:37:43I have a piece of paper.
00:37:44You guys should definitely come over to the island.
00:37:45I'll take you somewhere fun, you know.
00:37:46But don't knock on the front door.
00:37:47Come around the side.
00:37:48I need Regina.
00:37:49This...
00:37:50Yeah.
00:37:51There you go.
00:37:53And thanks again for yesterday.
00:37:54Oh, no problem.
00:37:56Okay.
00:37:57Ciao.
00:37:58How stoned are you?
00:38:12Come on, man.
00:38:13We should so on pop.
00:38:14It's not a big deal.
00:38:15So you're saying you smoke back at her?
00:38:18Occasionally.
00:38:19Hey, can we do something fun tonight?
00:38:21Sure.
00:38:22I'm fine from here.
00:38:23Okay.
00:38:24See you after work.
00:38:25Yep.
00:38:26I'll be waiting.
00:38:31Occasionally.
00:38:32Hey, can we do something fun tonight?
00:38:35Sure.
00:38:39I'm flying from here.
00:38:41Okay.
00:38:42See you after work.
00:38:43Yep.
00:38:44I'll be waiting.
00:39:01Hey.
00:39:02God, you scared me.
00:39:03Are you following me?
00:39:04Maybe.
00:39:05Is that weird?
00:39:06Yeah.
00:39:07Oh.
00:39:08Whoa.
00:39:09Whoa.
00:39:10Whoa.
00:39:11Whoa.
00:39:12Whoa.
00:39:13Whoa.
00:39:14Whoa.
00:39:15Whoa.
00:39:16Whoa.
00:39:17Whoa.
00:39:18Whoa.
00:39:19Whoa.
00:39:20Whoa.
00:39:21Whoa.
00:39:22Whoa.
00:39:23Whoa.
00:39:24Whoa.
00:39:25Whoa.
00:39:26Whoa.
00:39:27Whoa.
00:39:28Whoa.
00:39:29Whoa.
00:39:32I couldn't sleep last night.
00:39:37You told me you were staying near the port so I got the first ferry this morning.
00:39:41I came looking for you.
00:39:43And I can't believe I found you.
00:39:59You told me you were staying near the port.
00:40:00No.
00:40:01I can't believe I was staying near the port.
00:40:02No.
00:40:03I can't believe I was staying near the port.
00:40:04What are we doing?
00:40:30I think we'll make it out.
00:40:34It's so sexy and beautiful.
00:41:04I can't do this.
00:41:09What?
00:41:10What?
00:41:11I can't do this.
00:41:12Why?
00:41:13Do you do this a lot?
00:41:20What?
00:41:21Do you do this a lot?
00:41:22What?
00:41:23Do you do this a lot?
00:41:24What?
00:41:25Do you seduce women?
00:41:26Is this what you do?
00:41:27You need to be less serious.
00:41:34Don't follow me.
00:41:39Don't follow me.
00:41:41I'd rather be less serious.
00:41:42And you may be so curious.
00:41:46What are we doing?
00:41:49You know what?
00:41:51Is there a lot of happiness?
00:41:53I'm not looking forward to it.
00:41:54I'm not looking forward to it.
00:41:55I'm not looking forward to it.
00:41:58I'm not looking forward to it.
00:41:59Oh, my God.
00:42:29There was one boy from Belgium.
00:42:48He was lovely.
00:42:50He had a moustache.
00:42:52My mother hated moustaches.
00:42:56But he was shipped off.
00:42:57I never saw him again.
00:43:04Anyways, I met your grandfather not long after, and we got married.
00:43:09Was it love at first sight with Grandpa?
00:43:12Love at first sight?
00:43:14Stop that thing.
00:43:15I don't know.
00:43:19You're home early.
00:43:27I do deserve that.
00:43:29Can I just move for your husband?
00:43:31I don't know.
00:43:36Jenny, I'm sorry.
00:43:37Just give me a minute.
00:43:38I have a hell of a rest of my bed.
00:43:40I've got so much stuff to do.
00:43:45Sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:49Yeah, absolutely.
00:43:50I've got some dinner.
00:43:51I thought we'd just stay in here.
00:43:53The two of us.
00:43:53I've just got to work this thing out for tomorrow.
00:43:57Okay.
00:43:58I'm sorry.
00:43:59Okay.
00:44:14Okay.
00:44:17Bye.
00:44:25Bye.
00:44:26Bye.
00:44:26Bye.
00:44:26Bye.
00:44:27Bye.
00:44:27Bye.
00:44:27Bye.
00:44:28Bye.
00:44:28Bye.
00:44:29Bye.
00:44:29Leonard.
00:44:30Leonard.
00:44:31Can we talk?
00:44:33Let's see.
00:44:51Leonard.
00:44:55Leonard.
00:44:57Can we talk?
00:45:03Say cheese.
00:45:33You should kind of be in the middle of mine.
00:45:39Hold on a second.
00:45:50That's what our living room is missing.
00:46:03What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:33What did you do?
00:46:34What did you do?
00:46:43What did you do?
00:46:48How did you do that?
00:46:52Well, I did not feel free.
00:46:57Thank you, thank you.
00:48:57Oh, hi.
00:49:01Did I wake you?
00:49:03No.
00:49:06I think I need to be less serious.
00:49:08Yeah?
00:49:12I'm going to put my pants on.
00:49:16Okay.
00:49:17I'm going to put my pants on.
00:49:47I'm going to put my pants on.
00:50:17I'm going to put my pants on.
00:50:47I'm going to put my pants on.
00:51:17I'm going to put my pants on.
00:51:47I'm going to put my pants on.
00:52:17I'm going to put my pants on.
00:52:47I'm going to put my pants on.
00:52:48Leonard thought you were lying about those cats.
00:52:51You said that?
00:52:53Were you?
00:52:57I'm going to put my pants on.
00:52:58I'm going to put my pants on.
00:52:59I'm going to put my pants on.
00:53:04I'm going to put my pants on.
00:53:13I'm going to put my pants on.
00:53:17You made me feel nervous.
00:53:19You make me feel calm.
00:53:49You want me to drink?
00:54:10Is that him?
00:54:12Yeah, he just shuffled around all night.
00:54:17It must be lonely.
00:54:47It must be lonely.
00:54:49It must be lonely.
00:54:51It must be lonely.
00:54:53It must be lonely.
00:54:57It must be lonely.
00:54:59It must be lonely.
00:55:03Again and again and again
00:55:30Once I was single, my pocket is it, jingle I wish I was single again
00:55:43Again and again and again
00:55:47Once I was single, my pocket is it, jingle I wish I was single again
00:55:59I like it
00:56:13I didn't sleep at all last night, where have you been?
00:56:16Just walking
00:56:18All night
00:56:20I'm thinking
00:56:22You left your phone here, I had to plug it in
00:56:26We need to talk, Leonard
00:56:28I have to go to work
00:56:30Can you be late?
00:56:34No, I can't be late
00:56:36I know
00:56:40Jay, whatever you have to say to me, I want to hear it
00:56:43I've committed myself
00:56:45People are depending on me, I have to go to work
00:56:48Okay
00:56:52Okay
00:56:54Just let me go
00:56:55Okay
00:56:56Wait
00:56:58It's time to do
00:57:02If it wasn't the war, it would have been something else.
00:57:29There's always something else, isn't there?
00:57:34That's the thing. That's the thing about struggle.
00:57:48I'm going to make some tea. Do you want some?
00:57:51I'm all right.
00:57:59If you go out like that again, just tell me. Don't worry.
00:58:05Okay.
00:58:08I can't seem to figure out what's going on in your head.
00:58:12Do you think everything we've been through actually does us any good in the long run?
00:58:31Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:40I'll tell you, next time we come to Italy, to get a proper kitchen.
00:58:56I don't know what you want me to say, Jane.
00:59:26If one little thing had changed in my grandmother's life, I might not be here.
00:59:39Sometimes I worry I'm not honoring her.
00:59:43With the book?
00:59:48No, with my life.
00:59:55This is it, you know.
00:59:57It ends with me.
00:59:59In the harvest time, we all went to the field where they were cutting the corn.
01:00:10Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:20The horses.
01:00:21The horses back then, they were kept beautifully.
01:00:31Dad used to dress them all up, brass things and little horseshoes.
01:00:37He put braids on them.
01:00:40They used to be gorgeous.
01:00:42What are your plans for tomorrow?
01:00:45There was one.
01:00:47Duke.
01:00:48He was a Clydesdale I used to ride down to the marshes.
01:00:53Every night when he finished working.
01:01:00They were lovely days, really.
01:01:08They're gone. For me.
01:01:10Jane.
01:01:13But not for you.
01:01:14Jane.
01:01:16You know, it's different for you.
01:01:18In some ways, it's easier.
01:01:20You haven't got the war.
01:01:21People don't die as much as they did back then.
01:01:24But in some ways, it's more disjointed.
01:01:30You've got to make your own life.
01:01:33One that you love and you can't be afraid of the...
01:01:36...of the time.
01:01:40Time is shiftable.
01:01:41There are moments in my life that I would trade 60 years to have back again.
01:01:55That's the truth.
01:01:57You'll know the truth when you find it.
01:02:00It'll come to you like something you've known before rather than something you're learning for the first time.
01:02:05Oh, sorry.
01:02:10Ah!
01:02:12Ah!
01:02:14What is it?
01:02:15Ah!
01:02:17Ah, you...
01:02:19Ah!
01:02:20You alright?
01:02:22Ah!
01:02:23You okay?
01:02:24Yeah, just on my toe.
01:02:26Ah!
01:02:27You're waiting.
01:02:28Ah!
01:02:29It's fine.
01:02:30It's fine.
01:02:31It's fine.
01:02:32It's fine.
01:02:33It's fine.
01:02:34Are you finishing that?
01:02:35Yes.
01:02:36Ah!
01:02:37Fuck.
01:02:38Ah!
01:02:39I met these backpackers last night, Frank and Elsa.
01:02:50She's French, he's German.
01:02:52They're going to Tibet.
01:02:55And I'm going with them.
01:02:59I want you to come with me.
01:03:09I want you to come with me.
01:03:25I want you to come with me.
01:03:30I want you to come with me.
01:03:32I feel like I'm going with you.
01:03:34I want you to come with me.
01:03:36Hi.
01:04:06How are you?
01:04:11Long day.
01:04:14God, when are they not?
01:04:17I don't think I'd jump to doing another stint like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:32It's fantastic.
01:04:35I think I've figured out the key to finishing the project.
01:04:42Are you listening?
01:04:46Have you found the key to finishing this project?
01:04:57Well, the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:07Can we not?
01:05:08Have you?
01:05:15Absolutely not.
01:05:16Why did you take such a long time to answer that?
01:05:19Because I'm sick.
01:05:21Of what, Leonard?
01:05:23Of what, Leonard?
01:05:24Of it being so hard?
01:05:26Yes.
01:05:27Tedious?
01:05:34I hate talking about sex with you.
01:05:36Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:42There's just huge vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:52Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:57So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:13I get it, Leonard.
01:06:15I get it.
01:06:16It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No.
01:06:27That's not what I'm saying.
01:06:28You're just...
01:06:29Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:40Say it.
01:06:42Jane.
01:06:43Say it.
01:06:45I can't have children, Leonard.
01:06:49I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Please, Jane.
01:06:54Jane.
01:06:55Please.
01:06:56And again.
01:06:57And again.
01:06:58Please.
01:06:59How does that make you feel?
01:07:05It's not your fault.
01:07:06How does it make you feel, Leonard?
01:07:08How does it make you feel?
01:07:10You will never be a father.
01:07:14We can adopt.
01:07:15That's not what you want.
01:07:16Is it?
01:07:19Is that what you want?
01:07:20Hmm?
01:07:22Because I think about it all the time.
01:07:27That the one thing you always wanted, I will never be able to give you.
01:07:30What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:47You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:04I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:11I'm leaving you.
01:08:16I've been seeing someone else.
01:08:24See him.
01:08:26Caleb.
01:08:28That kid?
01:08:29Yes.
01:08:31That kid?
01:08:32That child?
01:08:33That kid you've known for two days?
01:08:34It's been longer than that.
01:08:35Please tell me you're joking.
01:08:37Time is shiftable.
01:08:38I don't get it.
01:08:39I don't get it.
01:08:40Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:45Are you sleeping with him?
01:08:48What do you think?
01:08:56I kept waiting for you to see it, to smell it, to sense it!
01:09:00So what? I failed your test?
01:09:02You don't see me!
01:09:09I'm sorry.
01:09:10For what?
01:09:12I'm sorry.
01:09:13For what?
01:09:14I shouldn't have done that.
01:09:15No.
01:09:16I'm losing my temper.
01:09:17I shouldn't have done that.
01:09:18You had every right to lose your temper!
01:09:19No, no, no, no.
01:09:20If you think that this is what's going to make you feel better, then you should go.
01:09:24You should go.
01:09:25You should go with him.
01:09:26You've been through a terrible, terrible thing, Jane.
01:09:27No.
01:09:28That is not what this is about.
01:09:29Of course it is.
01:09:30You don't love me anymore, Leonard!
01:09:31You don't love me!
01:09:32That's rubbish!
01:09:33This is your ticket.
01:09:34The day after my performance, meet me at the train station.
01:09:35Our train is at 4.30.
01:09:36I'm not going to lose my temper.
01:09:37You're not going to lose your temper!
01:09:38No, no, no, no.
01:09:39If you think that this is what's going to make you feel better, then you should go.
01:09:40You should go.
01:09:41You should go with him.
01:09:42You've been through a terrible, terrible thing, Jane.
01:09:43No.
01:09:44That is not what this is about.
01:09:45Of course it is.
01:09:46You don't love me anymore, Leonard!
01:09:47You don't love me!
01:09:48That's rubbish!
01:09:49This is your ticket.
01:09:50The day after my performance, meet me at the train station.
01:10:02At 4.30.
01:10:03We'll go home together.
01:10:07I want you to do what you need to do.
01:10:14Then come back to me.
01:10:17No questions asked.
01:10:19No guilt.
01:10:23This is good.
01:10:32Good.
01:10:37You have to go back all the way throughikutus.
01:10:42Let go back!
01:11:49You want some?
01:12:00Oh, thanks.
01:12:33Frank and Elsa coming over in a couple of hours.
01:12:48Frank bought a car, so we're going to head out in a couple of weeks or so, you know.
01:12:55I'm thinking of driving through Romania and then Ukraine and down through Russia and through
01:13:10Kazakhstan and then straight to Tibet.
01:13:44Let's go.
01:14:14ORGAN PLAYS
01:14:44Jase!
01:14:54You've got to come over to this side.
01:15:00The train's going to be here in a minute.
01:15:14It's four in the morning, the end of December.
01:15:31I'm riding you now just to see if you're there.
01:15:38New York is cold, but I like where I'm living.
01:15:44There's music on Clinton Street all through the evening.
01:15:49I hear that you're building your house deep in the desert.
01:16:02Are you living for nothing now?
01:16:07Hope you're keeping some kind of record.
01:16:11Yes.
01:16:13And Jane came by with a lock of your hair.
01:16:22She said that you gave it to her.
01:16:28That night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:36Why not?
01:16:37I'm not telling you why not.
01:16:39Did you ever go clear?
01:16:43Now shut that thing off.
01:16:44Are the last...

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