- 2 days ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30Sì, come si.
00:01:31Alla prossima.
00:01:32Sì.
00:01:33Sì, siamo in una nuova.
00:01:37Sì, siamo in una nuova.
00:01:43Sì.
00:01:45C'è il mio bar.
00:01:47Sì.
00:01:48È un'accusa.
00:01:49È un'alto.
00:01:51È un'accusa.
00:01:52È un'accusa.
00:01:53È un'accusa.
00:01:55È un'accusa.
00:01:56È un'accusa.
00:01:57È un'accusa.
00:01:59She's lost her purse.
00:02:22Can you just give her a minute?
00:02:29Where did you have it last?
00:02:36The train station, I think.
00:02:38The exchange booth.
00:02:42Oh, Jamie.
00:02:43I'm sorry.
00:02:47That bastard at the train station started when you dropped all your stuff.
00:02:53This is 170, not 70.
00:02:56Where do we need to go?
00:02:57We need, we need, we need sevens.
00:03:10Here we go.
00:03:20Is this it?
00:03:22Thanks, man.
00:03:22Yes, I have a credit card.
00:03:28The number's on file on my computer.
00:03:33Yes, I have a credit card.
00:03:45The number's on file on my computer.
00:03:47Yes, I have them here.
00:03:50Okay.
00:03:52Five, five, three, three.
00:03:55Seven, six, four, five.
00:03:58Eight, seven, eight, seven.
00:04:01Nine, one, five, seven.
00:04:04Five, seven.
00:04:05Six, seven, eight, seven.
00:04:06Yeah.
00:04:08Expires 12.15.
00:04:11No, she'll definitely need another card sent out immediately.
00:04:14We're here for two weeks.
00:04:14No, I'm working here.
00:04:21Yes, I'll hold.
00:04:23You love how they ask, as if I have a choice.
00:04:27Do you know what I'm going to try to do while I'm here?
00:04:30Besides knowing Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:35I don't at all.
00:04:36I admire you.
00:04:37I just think it's too late for me.
00:04:40That's not true.
00:04:41You can't teach an old dog new tricks.
00:04:44And besides, what's the point?
00:04:47The whole bloody world speaks English.
00:04:49Well, I am going to finally transcribe the tapes.
00:04:55Yes.
00:04:57All right.
00:04:59Okay.
00:05:02Well, if you can see it through to the end, I think that's wonderful.
00:05:07What does that mean?
00:05:09Nothing.
00:05:11Nothing?
00:05:11I think it's a fantastic idea, Jane.
00:05:15I always have.
00:05:16You know that?
00:05:21You shouldn't sound very supportive.
00:05:25You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:31I just know how emotional listening to them can be.
00:05:34Has been for you.
00:05:36I think enough time has passed.
00:05:38Well, that's great.
00:05:39Why do you think he killed himself?
00:06:04I don't know.
00:06:06I don't know.
00:06:07You can't get a sense by his writing?
00:06:09You have to read it when I'm done, don't I?
00:06:21Do you think he recognized a blank infinity just stretching out?
00:06:31He got to this point, maybe, where it was just day after day after day.
00:06:38I really don't know.
00:06:40Do you know?
00:06:40Just so tedious.
00:06:44And then, of course, he felt guilty.
00:06:46Most people think life is too short, and there he was, all the talent in the world, and it wasn't
00:06:50I.
00:06:50Jane, can I?
00:06:50Can we not talk about this?
00:06:54Just a bit more, then.
00:06:56I love you.
00:07:13I love you, too.
00:07:16I love you, too.
00:07:18Do you feel all right?
00:07:37Do you feel okay?
00:07:38Yeah.
00:07:40Are you sure?
00:07:41I love you.
00:08:09I don't know.
00:08:39I don't know.
00:09:09Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:21I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:28True.
00:09:28Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:49I left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:10:26What kind of stories?
00:10:30Stories that you've prepared for, I can ask them a list of stories that Dad told me about.
00:10:34Go ahead and ask from your father's list.
00:10:36God rest his soul.
00:10:37Let's start with the war.
00:10:38We went into an air raid shelter.
00:10:42My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and then there was the sound of a bomb.
00:10:50And the man next to us, he said,
00:10:52I was in a shelter last night with my wife and my little boy and half of it got blown away.
00:10:59There was blood in his hair.
00:11:02He was all alone.
00:11:03That nearly finished my mother, you know.
00:11:05Here we were in this tiny town in England, miles from Germany, from Russia, from Italy, from any front lines.
00:11:15And this man, he had blood in his hair.
00:11:19And this man, he had blood in his hair.
00:11:49We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:08It feels nice if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia.
00:12:25Or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:32I hope you'll have a good day.
00:12:35Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children, not just your father.
00:12:50You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:55I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:08All right, then.
00:13:10Uh, scusi.
00:13:12Scusi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parla tu inglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oregonese?
00:13:23Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Si.
00:13:26Ah, grazie.
00:13:29They'd been shot through the neck.
00:13:32The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water,
00:13:39and he couldn't tell which was the German side
00:13:41and which was the Allied side.
00:13:43When he came home after something like that,
00:13:47you couldn't really complain to him about anything,
00:13:50now could you?
00:13:50I'm actually going there now, to the castle.
00:13:52Do you speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13Oh.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:16Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So come on.
00:14:27My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the month.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm-mm-mm.
00:14:40The viola.
00:14:41Any good?
00:14:44Yes.
00:14:45Very.
00:14:49How do you keep your violin from getting stolen?
00:14:53You put it in a viola case.
00:14:55Right?
00:14:57That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:11Because even though you know it's coming,
00:15:15there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes,
00:15:21and I went to this music-slash-nerd summer camp
00:15:23when I was, like, ten, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:32You newlywed?
00:15:34No.
00:15:36No.
00:15:36You're making me feel like a stalker.
00:15:49Fuck.
00:15:49You're making me feel like a stalker, fuck.
00:15:51Oh, hey, have you got 50 cents?
00:16:06If you can catch it.
00:16:10Grazie.
00:16:11That's it.
00:16:34What brought you out of here today?
00:16:36Very.
00:16:37Ha!
00:16:38Very.
00:16:39I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:45They lock you in there until you turn to bones.
00:16:48Can you imagine?
00:16:50Dying by just sitting there?
00:16:51That would suck.
00:16:58In like the 1300s, thousands of families lived in this castle.
00:17:03It doesn't smell pretty bad.
00:17:05All those people crammed onto this rock.
00:17:08Wow.
00:17:09I know.
00:17:10I've been coming here every day and it still gets me.
00:17:15If only we could kill off all the tourists.
00:17:17You're a tourist.
00:17:18No, I'm not.
00:17:19I came out here a few months ago with this volunteer organization dedicated to studying the relic populations of dolphins and whales in the Gulf of Naples.
00:17:34I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:40I just didn't want to go to college and they paid for me to come over.
00:17:43Before connecting flights, a 72 hour plane ride.
00:17:45But you know, it was worth it.
00:17:47My first time out of the US.
00:17:48How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:51Is it really?
00:17:52Uh-huh.
00:17:53Happy birthday.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:56Yeah, so I left the program after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:01I stayed on the island because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:07Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second cousin twice removed.
00:18:12The second cousin twice removed, in case you didn't know, is when one person's great-grandparent is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:20Sorry, anyway.
00:18:21So this relative gave me the name of this great uncle who lives on the island, so I show up.
00:18:27He answers the door and he's like the oldest fucker I've ever seen, easily pushing a hundred.
00:18:31A hundred?
00:18:32Yeah, if not older, he's like deaf and blind and about four feet tall.
00:18:37He mumbles a couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine and leads me to this basement apartment.
00:18:44And, uh, yeah, I never left.
00:18:48I never left.
00:18:49I never left.
00:18:50I never left.
00:18:51I never left.
00:18:52I never left.
00:18:53I never left.
00:18:54I never left.
00:18:55I never left.
00:18:56I never left.
00:18:57I never left.
00:18:58I never left.
00:18:59I never left.
00:19:00I never left.
00:19:01I never left.
00:19:02I never left.
00:19:03I never left.
00:19:04I never left.
00:19:05I never left.
00:19:06I never left.
00:19:07I never left.
00:19:08I never left.
00:19:09I never left.
00:19:10I never left.
00:19:11I never left.
00:19:12I never left.
00:19:13I never left.
00:19:14I never left.
00:19:15I never left.
00:19:16I never left.
00:19:17I never left.
00:19:18Love teaches me to feed on flames and tears To turn withered hope green through desire
00:19:48To re-enslave my heart each time love frees his noble face from that heavy disdain
00:19:55Who is that?
00:19:58Vittoria Colonna
00:20:01Ah, the woman who lived here
00:20:04You read that in your guidebook this morning, didn't you, Jane?
00:20:08Sneaky
00:20:10Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian
00:20:17I thought Michelangelo was gay
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes
00:20:24But that didn't stop her from loving him
00:20:27Let's hear it then
00:20:30In Italian
00:20:32Let's hear the poem
00:20:34Come on
00:20:36Okay
00:20:37De lacrime a de faco nutria l'alma
00:20:43Con secca speme reinvedia la voglia
00:20:49Lega de nuovo il cor quando de scioglia
00:20:55Segna maggiore la vista tierra ed alma
00:21:02I'm impressed
00:21:06Thank you
00:21:08You hungry?
00:21:10Why, you gonna take me out?
00:21:12Yeah
00:21:14All right then
00:21:19Okay
00:21:24Two pastas with the house sauce, please?
00:21:28Red
00:21:29Red, please
00:21:30Uh-huh
00:21:31Thank you
00:21:32Grazie
00:21:33So you're really not gonna tell me what you do?
00:21:35I write freelance articles about parties and fashion trends in town and country UK
00:21:46There's something else
00:21:54I'm writing a book about my grandmother's experiences in rural England living through two world wars
00:22:00I recorded her for hours and hours
00:22:04But now
00:22:07I don't know
00:22:09What don't you know?
00:22:12You wanna listen?
00:22:13A little?
00:22:15Yeah
00:22:16Yeah?
00:22:17Yeah, I know it
00:22:18I love to listen
00:22:30Well, it's tangled up
00:22:35Not loud
00:22:36Okay
00:22:42Awful as it was, it made you stronger
00:22:45These days people whine about all sorts of things
00:22:48And I'm not one of those old people who think my time had the only joy and the only problems
00:22:54We all have our own private wars
00:22:56Every era
00:22:57But
00:22:58It was nothing like
00:23:00It really brought people together, the war
00:23:02We
00:23:03We helped each other during that time
00:23:05We had to laugh
00:23:06We had to smile
00:23:08Well, if not for ourselves
00:23:10Then for the people we'd lost
00:23:12I'll shut that thing off
00:23:13Would you get it out of my face?
00:23:19That is like
00:23:20It's like a window in time
00:23:21The sort of thing
00:23:24Which you always did before someone died, you know?
00:23:27My husband thinks I'm never gonna finish it
00:23:30I shouldn't care what anyone thinks
00:23:32We met while I was recording her
00:23:35Bonding over granny, huh?
00:23:38Make it sound perverse
00:23:40That's what it was, right?
00:23:42Buongiorno
00:23:43Buongiorno
00:23:44Signori
00:23:51I got pregnant, so we got married
00:23:54I lost the baby
00:24:01I lost the baby
00:24:05I'm sorry
00:24:06I'm sorry
00:24:15Excuse me
00:24:16It was your regret
00:24:17Yes, thank you
00:24:18You can take it away
00:24:19Yes, thank you
00:24:20Yes, thank you
00:24:21Thank you
00:24:29I didn't go back after that to the States
00:24:36Did you, uh, did you ever hear that story about the red string?
00:24:43I think I might have
00:24:44Tell me
00:24:49It's like this Asian proverb
00:24:51It says that
00:24:53Anyone you're destined to meet
00:24:54Like, uh, your soulmate
00:24:56Or
00:24:58Your family
00:24:59Or, you know
00:25:01Someone you bump into on the street
00:25:03We're all connected
00:25:04By this red string
00:25:08It can be
00:25:10Tangled or stretched
00:25:11But it can never be broken
00:25:12There's this
00:25:18Moment in the tape
00:25:20I'm sitting waiting
00:25:22In the airport bar
00:25:23For my flight
00:25:25And I'm talking into the recorder
00:25:28Rambling on about how I'm about to embark on this amazing adventure
00:25:32And how I'm gonna show World War II from a totally different perspective
00:25:37But
00:25:38But
00:25:46I don't know if it's that interesting
00:25:50That's the whole point, isn't it?
00:25:53Keeping it interesting for yourself
00:25:57Maybe
00:26:00Maybe I just want to write about nothing
00:26:03Everything is nothing
00:26:05All the best
00:26:07Compliano
00:26:08Grazie
00:26:09Grazie
00:26:13Make a wish
00:26:14I
00:26:16Make it great
00:26:21Okay
00:26:25Bravo
00:26:26Bravo
00:26:27Hey
00:26:28Come over here
00:26:35What do you mean?
00:26:37What?
00:26:39Grab my hand
00:26:41Oh my god
00:26:42Oh my gosh
00:26:44Oh no
00:26:45What?
00:26:46What do you mean?
00:26:50Stronzo
00:26:53Hey, hey, hey
00:26:55It's a carabinerie
00:26:57Is it police?
00:26:58No
00:26:59Yeah, yeah, yeah
00:27:00What's that?
00:27:01What's that?
00:27:02Oh my god
00:27:03Wait
00:27:05We can't go back
00:27:06We can't go back
00:27:07We can't go back
00:27:08We can't go back
00:27:10We can't make me
00:27:11I'm going to wake
00:27:14Oh god
00:27:16Oh my god
00:27:17Oh my god
00:27:18Yes, it's true.
00:27:33Yes, it's true.
00:27:35I made the check when I went to the bathroom.
00:27:40You're horrible.
00:27:42You're horrible.
00:27:44You're horrible.
00:27:45Come on, let's go.
00:27:46Come on.
00:27:48Come on, let's go.
00:27:51Why are we still running?
00:27:53I don't know why we're still running.
00:28:06Oh, my gosh.
00:28:14It went up my nose.
00:28:15Can we come back?
00:28:23Maybe.
00:28:26Maybe is not a no.
00:28:29And since I don't have a phone,
00:28:31you're going to have to give me your number
00:28:33for cheap thrills and future crimes committed.
00:28:37No.
00:28:37Fair enough.
00:28:41I've got to go catch a fairy.
00:28:53Hey.
00:28:58Why do violists keep their viola cases on their dashboards?
00:29:09Why?
00:29:20So they can park in handicapped spots.
00:29:27Happy birthday.
00:29:33Happy birthday.
00:29:35Happy birthday.
00:29:35Happy birthday.
00:29:43God bless you.
00:30:13God bless you.
00:30:43God bless you.
00:30:50Are you awake?
00:30:52Yeah, there's so much of this stuff to get through.
00:30:56Got through.
00:30:58Nice.
00:31:03There are the great big events.
00:31:06The things you think you'll always remember, and you do,
00:31:09but there are other smaller.
00:31:11Picking a blackberry that's been in the sun,
00:31:13or brushing the fingertip of someone you didn't know you loved
00:31:16until you touched them.
00:31:19Nellie was this little collie who wouldn't go on a leash,
00:31:23so she had to sit on a bicycle seat.
00:31:26They stayed with me too.
00:31:28Jane.
00:31:29Tony.
00:31:30Got some pastries.
00:31:33Still asleep?
00:31:34Jane.
00:31:35Tony.
00:31:36Got some pastries.
00:31:40Still asleep?
00:31:41Jane.
00:31:42Jane.
00:31:43Jane.
00:31:44Jane.
00:31:45Jane.
00:31:46Jane.
00:31:47Jane.
00:31:48Jane.
00:31:49Jane.
00:31:50Jane.
00:31:51Jane.
00:31:52Jane.
00:31:53Jane.
00:31:54Jane.
00:32:19My friends had lots of American boyfriends.
00:32:23And they used to bring us nylon stockings and chocolates and all sorts of things.
00:32:27And we used to go to London.
00:32:29And we saw Glenn Miller one time.
00:32:33We used to go all over the place.
00:32:36They were wonderful times.
00:32:39I never had an American boyfriend.
00:32:42I liked some of them.
00:32:44They were nice boys.
00:32:45But I didn't want to leave my mum and dad.
00:32:51And I wish I had sometimes.
00:32:54You know when you were 19 and the world just felt so open.
00:32:58And carefree and full of possibility.
00:33:01You reminded me of that.
00:33:04At that time.
00:33:06You were 19 when we met.
00:33:07Yeah.
00:33:08I wouldn't have described you as carefree back then.
00:33:11Not at all.
00:33:12Well I felt nostalgia.
00:33:14Or something for youth.
00:33:16You're not old Jane.
00:33:17We ran out on the bill.
00:33:21You just ran out?
00:33:22What do you mean you ran out on the bill?
00:33:24Perhaps I'm not explaining it well.
00:33:25It was...
00:33:26It was fun.
00:33:29It was just fun.
00:33:30How was work?
00:33:43The conductor is actually a descendant of Walter Lake.
00:33:47Which is fascinating.
00:33:48The three of us should plan a dinner before we leave.
00:33:51I'd like that.
00:33:56Jane?
00:33:56Oh my god.
00:34:00This is Caleb.
00:34:03Hi.
00:34:04No, no.
00:34:04We were just talking about you.
00:34:05We were?
00:34:06That's so weird.
00:34:07Sit.
00:34:08Please.
00:34:08Sit down.
00:34:09Join us.
00:34:10What?
00:34:11Oh.
00:34:12You had the chance of a wreck.
00:34:14I know, right?
00:34:19I'm obviously going to get back pretty soon.
00:34:21That's okay.
00:34:22I already ate, so I'll just grab a coffee or something.
00:34:34Can I have the check, please?
00:34:37In a cafe, play for play?
00:34:43Oh, no thank you.
00:34:44Okay.
00:34:47Jane?
00:34:49You don't smoke.
00:34:50Yes, I do.
00:34:53Sometimes, at parties.
00:34:56You know that.
00:34:58Well, I don't do it a lot.
00:35:02Okay?
00:35:02Grazie.
00:35:05Grazie.
00:35:08Italian food's so overrated.
00:35:11I love it.
00:35:13There's no variety.
00:35:14English food, on the other hand.
00:35:16Say what you like about it.
00:35:18There's nothing like a good steak and kidney pie.
00:35:21I went to this party the other day,
00:35:23in this villa,
00:35:24owned by this old,
00:35:25drunk ex-pat.
00:35:27They had, like, a private chef and everything.
00:35:30And, uh,
00:35:30they were serving this, like,
00:35:32loaf of meat,
00:35:33covered in sauce,
00:35:34with all these other loaves.
00:35:36And this girl came over to me,
00:35:37and said it was cat.
00:35:38No.
00:35:39No joke.
00:35:40Like, a roasted mommy cat and her kittens.
00:35:44That is disgusting.
00:35:46True story.
00:35:51Why don't you tell Leonard
00:35:53one of your viola jokes?
00:35:58Come on.
00:35:59I'm selling my aunt.
00:36:02Come on.
00:36:03Let's hear one.
00:36:04I have one.
00:36:12What is the definition
00:36:13of perfect pitch?
00:36:17What?
00:36:20When you throw a viola
00:36:22into the dumpster
00:36:23without hitting the rim.
00:36:26You didn't just make that up.
00:36:27I did.
00:36:28It's too good.
00:36:28I did.
00:36:29Well, I'm impressed
00:36:30and I'm stealing it.
00:36:30You can pretty much
00:36:33make that joke
00:36:34about any instrument.
00:36:38Do you play anything, Caleb?
00:36:40This and that, you know.
00:36:44Shall we?
00:36:46What, time to go?
00:36:47Already?
00:36:49Yeah, I'm gonna get back to work.
00:36:50So what's next
00:37:01on your agenda, Caleb?
00:37:04I'm thinking Tibet.
00:37:06Oh, Tibet.
00:37:07Really?
00:37:07Yeah, there's this thing
00:37:08called the Shantan Festival
00:37:09at the end of the summer.
00:37:10Yeah, I've heard about that.
00:37:11That's where the Buddhist monks
00:37:13unroll all the tapestries
00:37:14on the hill, right?
00:37:16The monks, the monks, the monks.
00:37:17So pretty.
00:37:18How do you support yourself?
00:37:21You know,
00:37:22a bit of this,
00:37:23a bit of that.
00:37:28All right, then.
00:37:30I'll walk you.
00:37:32Does anybody have a pen?
00:37:33You got a pen?
00:37:34Yeah, I have a pen.
00:37:42Okay.
00:37:48I have a piece of paper.
00:37:50You guys should definitely
00:37:51come over to the island.
00:37:53I'll take you somewhere fun,
00:37:54you know.
00:37:55Don't knock on the front door.
00:37:56Come around the side.
00:37:57I need Regina.
00:38:00Iskia.
00:38:02There you go.
00:38:06And thanks again
00:38:07for yesterday.
00:38:08No problem.
00:38:10Okay.
00:38:11How stoned are you?
00:38:23Come on, man.
00:38:24We should tell him
00:38:24it's not a big deal.
00:38:27So you're saying
00:38:29you smoke back at her?
00:38:31Occasionally.
00:38:32Can we do something fun tonight?
00:38:35Sure.
00:38:35I'm fine from here.
00:38:41Okay.
00:38:41See you after work.
00:38:42Yep.
00:38:43I'll be waiting.
00:38:43I'll be waiting.
00:39:05Hey.
00:39:15God, you scared me.
00:39:17Are you following me?
00:39:19Maybe.
00:39:20Is that weird?
00:39:22Yeah.
00:39:31I couldn't sleep last night.
00:39:35You told me you were
00:39:37staying near the port
00:39:38so I got the first ferry
00:39:39this morning.
00:39:41I came looking for you.
00:39:44And I can't believe
00:39:45I found you.
00:39:46I didn't believe
00:40:04I can't believe
00:40:06I'm fine.
00:40:06I told you
00:40:07I can't believe
00:40:09I can't believe
00:40:10it's true.
00:40:11I hope
00:40:12I' poo
00:40:13I can't believe
00:40:14I'll be waiting
00:40:15What are we doing?
00:40:29I think we're making it out.
00:40:33So sexy and beautiful.
00:40:45I can't do this.
00:41:08What?
00:41:09Why?
00:41:10Do you do this a lot?
00:41:23What?
00:41:24Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women?
00:41:28Is this what you do?
00:41:30You need to be less serious.
00:41:34Don't follow me.
00:41:39Don't follow me.
00:42:04Don't follow me.
00:42:05Don't follow me.
00:42:06Don't follow me.
00:42:07Don't follow me.
00:42:08Don't follow me.
00:42:09Don't follow me.
00:42:10Don't follow me.
00:42:11Don't follow me.
00:42:12Don't follow me.
00:42:13Don't follow me.
00:42:14Don't follow me.
00:42:15Don't follow me.
00:42:16Don't follow me.
00:42:17Don't follow me.
00:42:18Don't follow me.
00:42:19Don't follow me.
00:42:20Don't follow me.
00:42:21Don't follow me.
00:42:22Don't follow me.
00:42:23Don't follow me.
00:42:24Don't follow me.
00:42:25Don't follow me.
00:42:26Don't follow me.
00:42:27Don't follow me.
00:42:28Don't follow me.
00:42:29Don't follow me.
00:42:30Don't follow me.
00:42:31Don't follow me.
00:42:32Don't follow me.
00:42:33There was one boy from Belgium, he was lovely, he had a moustache, my mother hated moustaches.
00:42:54But he was shipped off, I never saw him again.
00:43:00Anyways, I met your grandfather not long after and we got married.
00:43:08Was it love at first sight with grandpa?
00:43:11Love at first sight? Stop that thing.
00:43:15I know. You're home early.
00:43:26How'd you deserve that?
00:43:29Can I do some off for your husband?
00:43:35Jenny, I'm sorry, just give me a minute. I have a hell of a rest of my day. I've got so much stuff to do.
00:43:44Sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:48Yeah, absolutely. I've had lots of dinner. I thought we were just staying here. The two of us. I've just got to work this thing out for tomorrow.
00:43:57Okay.
00:43:58YouNow this way.
00:43:59All right.
00:44:00All right.
00:44:04Okay.
00:44:05All right.
00:44:07Mm.
00:44:08It's all right.
00:44:09All right.
00:44:10Yeah, we do.
00:44:11All right.
00:44:43Leonard, can we talk?
00:45:13Say cheese.
00:45:29Oh, you should kind of be in the middle of mine.
00:45:37Hold on a second.
00:45:51Oh, our living room is missing.
00:45:55What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just waved.
00:46:15Oh, my God.
00:46:24Oh, my God.
00:46:30Oh, my God.
00:46:36I'm sorry, I'm sorry, I'm sorry.
00:49:06I think I need to be less serious.
00:49:11Yeah.
00:49:13I'm going to put my pants on.
00:49:16Okay.
00:49:36I'm going to put my pants on.
00:50:06I'm going to put my pants on.
00:50:36I'm going to put my pants on.
00:51:06I'm going to put my pants on.
00:51:36I'm going to put my pants on.
00:52:06I'm going to put my pants on.
00:52:36I'm going to put my pants on.
00:52:37I'm going to put my pants on.
00:52:46I'm going to put my pants on.
00:52:47I'm going to put my pants on.
00:52:48I'm going to put my pants on.
00:52:52You said that?
00:52:53You said that?
00:52:54You said that?
00:52:57Were you?
00:52:58You're delicious.
00:52:59I'm going to put my pants on.
00:53:00I'm going to put my pants on.
00:53:01You made me feel nervous.
00:53:05You made me feel calm.
00:53:06You made me feel calm.
00:53:07You made me feel calm.
00:53:12You make me feel nervous.
00:53:23You make me feel calm.
00:53:42Do you want a drink?
00:54:09Is that him?
00:54:12Yeah, I just shuffled around all night.
00:54:17Must be lonely.
00:54:42You make me feel calm.
00:54:45You make me feel calm.
00:54:47You make me feel calm.
00:54:50You make me feel calm.
00:54:52You make me feel calm.
00:54:54But you make me feel calm.
00:54:57But you make me feel calm.
00:54:59You make me feel calm.
00:55:00And I while you are walking down the hall,
00:55:02fickle blue bright blue bright brown brown brown brown brown blue light.
00:55:05Again and again and again
00:55:30Again and again and again
00:55:34Once I was single, my pocket is in jingle
00:55:39I wish I was single again
00:55:43Again and again and again
00:55:47Again and again and again
00:55:52Once I was single, my pocket is in jingle
00:55:57I wish I was single again
00:56:00I didn't sleep at all last night, where have you been?
00:56:15I was walking.
00:56:18All night.
00:56:20I've been thinking.
00:56:22You left your phone here, I had to plug it in.
00:56:25We need to talk, Leonard.
00:56:28I have to go to work.
00:56:33Can you be late?
00:56:34No, I can't be late.
00:56:39Leonard.
00:56:40Jay, whatever you have to say to me, I want to hear it.
00:56:43I've committed myself.
00:56:46People are depending on me, I have to go to work.
00:56:52Okay.
00:57:22If it wasn't the war, it would have been something else.
00:57:29There's always something else, isn't there?
00:57:33That's the thing.
00:57:35That's the thing about struggle.
00:57:37I'm going to make some tea.
00:57:50Do you want some?
00:57:52I'm alright.
00:57:56If you go out like that again, just tell me.
00:58:02Don't worry.
00:58:04Okay.
00:58:05I can't seem to figure out what's going on in your head.
00:58:11Do you think everything we've been through actually does us any good?
00:58:28In the long run?
00:58:31Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:52I'll tell you next time we come to Italy to get a proper kitchen.
00:59:05I don't know what you want me to say, Jane.
00:59:22One little thing had changed in my grandmother's life, I might not be here.
00:59:39Sometimes I worry I'm not honoring her.
00:59:44With the book?
00:59:48No, with my life.
00:59:55This is it, you know.
00:59:58It ends with me.
01:00:04In the harvest time we all went to the field where they were cutting the corn.
01:00:11Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:17The horses.
01:00:18Yeah.
01:00:19The horses back then they were kept beautifully.
01:00:32Dad used to dress them all up.
01:00:34Brass things and little horseshoes.
01:00:37He put braids on them.
01:00:40They used to be gorgeous.
01:00:42What are your plans for tomorrow?
01:00:45There was one.
01:00:47Duke.
01:00:48He was a Clydesdale I used to ride down to the marshes.
01:00:52Every night when he finished working.
01:00:55They were lovely days really.
01:01:01They're gone.
01:01:02Jane.
01:01:03But not for you.
01:01:04Jane.
01:01:05You know it's different for you.
01:01:06In some ways it's easier.
01:01:07You haven't got the war.
01:01:08People don't die as much as they did back then.
01:01:10But in some ways it's more disjointed.
01:01:11You've got to make your own life.
01:01:12One that you love and you can't be afraid of the time.
01:01:17Time is shiftable.
01:01:18Time is shiftable.
01:01:24There are moments in my life that I would trade sixty years to do.
01:01:25There are moments in my life that I would trade sixty years to do.
01:01:26But in some ways it's more disjointed.
01:01:31You've got to make your own life.
01:01:33One that you love and you can't be afraid of the time.
01:01:38Time is shiftable.
01:01:43There are moments in my life that I would trade sixty years to have back again.
01:01:55That's the truth.
01:01:58You'll know the truth when you find it.
01:02:00It'll come to you like something you've known before rather than something you're learning
01:02:05for the first time.
01:02:08What is it?
01:02:18Are you alright?
01:02:21You okay?
01:02:23Yeah, I stung my toe.
01:02:26It's bleeding.
01:02:28It's fine.
01:02:29It's fine.
01:02:30It's fine.
01:02:31It's fine.
01:02:32You losing it?
01:02:34Yes.
01:02:35Fuck.
01:02:37I met these backpackers last night.
01:02:49Frank and Elsa.
01:02:50She's French.
01:02:51He's German.
01:02:52They're going to Tibet.
01:02:54And I'm going with them.
01:02:59I want you to come with me.
01:03:04I want you to come with me.
01:03:21I want you to travel.
01:03:23Everything is going with me.
01:03:24No, I love you.
01:03:56Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10I'm not good.
01:04:11Long day.
01:04:14God, when are they not?
01:04:17I don't think I'm chomped at doing another stick like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:32It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:40Are you listening?
01:04:45You found the key to finishing this project?
01:04:48Well, the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:03Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:15Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:21Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:27Tedious?
01:05:34I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:39People talk about sex, Leonard.
01:05:41And we don't?
01:05:43There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:56So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:13I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:39Say it.
01:06:42Jane.
01:06:42Say it.
01:06:45I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again and again.
01:06:55Please.
01:06:55And again.
01:06:58How does that make you feel?
01:07:04It's not your father.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:13We can adopt.
01:07:15That's not what you want.
01:07:16Is it?
01:07:16Is that what you want?
01:07:20Hmm?
01:07:22Because I think about it all the time.
01:07:27That the one thing you always wanted, I will never be able to give you.
01:07:30What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:46You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:03I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24See you.
01:08:26Caleb.
01:08:27That kid?
01:08:29Yes.
01:08:31That kid?
01:08:31That child?
01:08:32That kid you've known for two days?
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:48What do you think?
01:08:49I kept waiting for you to see it, to smell it, to sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:03You don't see me!
01:09:19I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:30Losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper!
01:09:34No, no, no, no.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44No, that is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:07I want you to do what you need to do.
01:10:13And then come back to me.
01:10:16No questions asked.
01:10:19No guilt.
01:10:22This is good.
01:10:23No guilt.
01:10:27I want you to do what you need to do.
01:10:28No guilt.
01:10:28I want you to do what you need to do.
01:10:29No guilt.
01:10:29No guilt.
01:11:30Hi.
01:11:46Hi.
01:11:48You want some?
01:12:02Oh, thanks.
01:12:33Frank and Elsa coming over in a couple of hours.
01:12:48Frank bought a car, so we're going to head out in a couple of weeks or so, you know.
01:13:00We're thinking of driving through Romania and then Ukraine and down through Russia and through Kazakhstan and then straight to Tibet.
01:14:07.
01:14:11ج
01:14:23The
01:14:29The
01:14:33The
01:14:40The
01:14:44The
01:14:46The
01:14:50The
01:14:52The
01:14:53Jay, you've got to come over to this side.
01:15:00The train's going to be here in a minute.
01:15:23It's four in the morning, the end of December.
01:15:31I'm riding you now just to see if you're there.
01:15:37New York is cold, but I like where I'm living.
01:15:43There's music on Clinton Street all through the evening.
01:15:50I hear that you're building your house deep in the desert.
01:16:03Are you living for nothing now?
01:16:07Hope you're keeping some kind of record.
01:16:13Yes.
01:16:14And Jane came by with a lock of your hair.
01:16:23She said that you gave it to her that night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:36Why not?
01:16:37I'm not telling you why not.
01:16:39Did you ever go clear?
01:16:43Now shut that thing off.
01:16:45Let's go.
01:16:46Let's go.
01:16:47Let's go.
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