- 2 days ago
Category
🦄
CreativityTranscript
00:00:00Musique
00:00:30Musique
00:00:32Musique
00:00:34Musique
00:00:36Hey Randy, are you ready to get started?
00:00:38I think you are.
00:00:40We've got to make some art here, people.
00:00:42Alright, let's go. Bring that light right here.
00:00:44Down here.
00:00:46Alright, that's not...
00:00:48I need more light than that.
00:00:50You're in the spot.
00:00:52Okay.
00:00:54Good boy.
00:00:56Alright.
00:00:58No, I told you. It's too hot.
00:01:00Turn it over. Give me the other flat side, idiot.
00:01:02Come on, let's go.
00:01:04Come on. Oh, Jesus Christ.
00:01:06Come on.
00:01:08Alright.
00:01:14Good. Back in it. Back in it. Back in it.
00:01:16That's a good dog.
00:01:18Such a good dog.
00:01:28Good. Alright, that's fine.
00:01:30That's a good dog.
00:01:32Good. Alright, that's fine.
00:01:34That's a good dog.
00:01:36Hang on, man.
00:01:38Gotcha.
00:01:40Very much.
00:01:50Alright, that is great.
00:01:52I think he looks good, don't you?
00:02:08Yeah, we're out of film. Alright, take five. We're reloading now.
00:02:10This is the dumbest dog in the whole world. Where the hell did you get such a dumb dog?
00:02:14It's my dog. I trained that dog. I love this dog.
00:02:18And you are as dumb as the dog.
00:02:20As dumb as the dog.
00:02:37Alright.
00:02:38Is everybody ready?
00:02:40Is your camera loaded?
00:02:41Yeah.
00:02:42Are we all happy?
00:02:46Then give me the goddamn dog.
00:02:50This program is sponsored by the Women's Press Club of America, along with the Friends of Public Television.
00:03:07I'm Melissa Kent.
00:03:08And I'm Sander Davis.
00:03:10In a few minutes, we will switch our control to the Women's Press Club to honor Emmanuel Griffith as Woman of the Year.
00:03:17Some people may not know the name, but they should be able to recognize the face.
00:03:22At age 25, Miss Griffith has appeared on the front cover of some of the most famous fashion magazines in the world.
00:03:29The covers of Vision, Olay, and Velary, just to name a few.
00:03:34Thank you.
00:03:35Emmanuel, as she is best known, has now become the world's standard of beauty and fashion, and is also a major symbol of the feminist movement.
00:03:44She denies any interest in the job of president of the Women's Press Club.
00:03:49So, Melissa, what about those rumors?
00:03:51Well, Sander, it's a demanding position, and she's already in great demand.
00:03:56She's been described as the highest paid fashion model in the history of the business.
00:04:01Now we switch our cameras to Washington, D.C., and Joan Harris, current president of the Women's Press Club.
00:04:08Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:19When I first became president of the Women's Press Club five years ago, I had a problem.
00:04:28No.
00:04:29Yes, I did.
00:04:30I didn't think that I could handle the job.
00:04:33It was too difficult, too hard, and at times it seemed impossible.
00:04:40Women were second-class citizens then, and they still are today.
00:04:44But let me tell you what.
00:04:47Things are changing.
00:04:50I would like you to accept this award as it is given.
00:05:00You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Oh, God.
00:05:07This is really great stuff.
00:05:09This is great stuff.
00:05:11Jesus.
00:05:12Good morning, ladies, and welcome to a man's world.
00:05:19Let me tell you a little about men, ladies.
00:05:25They'll tell you anything they want you to hear.
00:05:30They'll tell you that they'll pay you as much as they're earning for doing the same jobs.
00:05:35Yes, they will.
00:05:37They will tell you that there is no sexual harassment in the workplace.
00:05:44And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:05:55This is really great stuff.
00:05:57All of this is going to change, ladies.
00:06:00Thank God for that, honey.
00:06:02Thank God for that.
00:06:07I don't want to take this world away from the boys.
00:06:12All I want is for us to have a piece of the pie.
00:06:19And when I'm talking peace, ladies, I don't mean a little one.
00:06:25I am talking 50% right down the middle.
00:06:32Yes!
00:06:41I want to thank you so much for having me here tonight.
00:06:46I will cherish this woman for the rest of my life.
00:06:56Lord, Lord, I can't believe this.
00:06:58I mean, I can't believe it.
00:06:59I mean, God, this is beautiful.
00:07:01I mean, this woman could be the President of the United States.
00:07:03I've got to see this again.
00:07:05This is history in the making.
00:07:06I mean, this is tape at its best.
00:07:07I've got history right in front of me.
00:07:09I can't believe it.
00:07:10Let me rewind this.
00:07:11Let me see this again.
00:07:12Come on.
00:07:13Let's go, man.
00:07:14Oh, my Lord.
00:07:15I will tell you, you should remain barefoot and pregnant.
00:07:21Well, ladies, all of this is going to change, ladies.
00:07:25Yes!
00:07:2650-50.
00:07:2750%, honey.
00:07:28Come on.
00:07:29Come on.
00:07:30Wake them up.
00:07:31I don't want to take this world away from the boys.
00:07:34No.
00:07:3550-50.
00:07:36All I want is for us to have our piece of the pie.
00:07:40Yes!
00:07:4150% down the middle.
00:07:42Nothing more, nothing less.
00:07:43Come on, baby.
00:07:44Sock of course.
00:07:45When I'm talking piece, ladies, I'm not talking a small piece.
00:07:51I am talking 50% right down the middle.
00:07:5550% down the middle.
00:07:56Yes!
00:07:57Yes!
00:07:58Yes!
00:07:59Yes!
00:08:00Just get them, honey.
00:08:01Come on!
00:08:02I want to thank you so very much for having me here today.
00:08:07I will treasure this for the rest of my life.
00:08:10Thank you.
00:08:11Well, you guys!
00:08:12Thank you.
00:08:13Thank you.
00:08:14Absolutely.
00:08:16Thank you.
00:08:36Yes!
00:08:37Sous-titrage Société Radio-Canada
00:09:07No, come on, you can tell me. I'm in town three months out of the year. You're on a full salary.
00:09:12Well, I work out. I go to a lot of movies. I hope I haven't created a problem. I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:37Girl, I see you, walk in that certain way. There's something about you that turns heads the other way.
00:09:49They all adore you. That's easy to see. They're all your puppets. But it won't be me.
00:09:57It's something that turns into my heart. Girl, it's not a ton of art. It's something that turns into my heart.
00:10:05Girl, I can't see you with somebody else. Gotta have you, darling, now. Hold me and nobody else.
00:10:21Girl, I'm gonna make you laugh. Hold you through the night.
00:10:28Look what you've just done to my heart. Look what you've just done to my heart.
00:10:40Oh, yeah. Look what you've just done to my heart.
00:10:44Oh, yeah.
00:11:11Good morning, ladies. And welcome to a man's world.
00:11:17Let me tell you a little about men, ladies.
00:11:21They'll tell you anything they want you to hear.
00:11:25They'll tell you that they'll pay you as much as they're earning for doing the same job.
00:11:32God, I hope not.
00:11:35Oh, Lord, woman. We have a problem here, Emmanuelle.
00:11:41It's the word they. Now, we all know that they pertains to men.
00:11:48So, why don't you just come out and say, men, you're blessed with great beauty.
00:11:55You should be satisfied with that advantage. But you're not.
00:11:58I think all you girls should remember the terminology.
00:12:02Manpower. Manipulate. The rights of man. Manhole.
00:12:08I mean, all you girls can climb down and it's still gonna be a manhole in the eyes of God.
00:12:12In the eyes of everyone. You can't change that. Not even God can change that.
00:12:15Understand that, lady.
00:12:21You have a lot to learn, Emmanuelle.
00:12:25And one Richard Tate is gonna teach you, darling.
00:12:29I'm gonna teach you, darling.
00:12:50Okora Hotel.
00:12:51Uh, yes. Miss Emmanuelle Griffith, please.
00:12:53May I say who's calling?
00:12:54Uh, yes. Tell her that our studio driver has arrived.
00:12:57One moment, please.
00:12:59Yes?
00:13:00Yes, Miss Griffith?
00:13:01Yes, your limo is here.
00:13:03What time is it?
00:13:04No, I'm an hour from now.
00:13:06Oh, no, but they moved the time up, ma'am.
00:13:08Did they tell you that?
00:13:10No.
00:13:12Alright, fine. Um, I'll be down in a minute.
00:13:15Ok, thank you.
00:13:41Alright.
00:13:42Now, let's go now.
00:13:43Okay.
00:13:44Um, this is my turn.
00:13:45Okay.
00:13:46Okay, let's go.
00:13:53I'm gonna have to go here.
00:13:58Thank you.
00:14:01Alright.
00:15:33...
00:16:03...
00:16:05...
00:16:07...
00:16:09...
00:16:11...
00:16:13...
00:16:15...
00:16:17...
00:16:27...
00:16:29...
00:16:31...
00:16:45...
00:16:47...
00:16:49...
00:16:51...
00:17:07...
00:17:09...
00:17:19...
00:17:21...
00:17:31...
00:17:33...
00:17:43...
00:17:45...
00:17:55...
00:17:57...
00:18:07...
00:18:09...
00:18:19...
00:18:21...
00:18:31...
00:18:33...
00:19:35...
00:20:07...
00:20:17...
00:20:19...
00:20:29...
00:20:31...
00:20:33...
00:20:43...
00:20:53...
00:20:57...
00:21:07...
00:21:11...
00:21:13...
00:21:15...
00:21:17...
00:21:27...
00:21:29...
00:21:39...
00:21:41...
00:22:13...
00:22:15...
00:22:25...
00:22:27...
00:22:37...
00:22:39...
00:22:41...
00:22:43...
00:22:45...
00:22:57...
00:25:59...
00:26:01...
00:26:09...
00:26:11...
00:26:43...
00:26:53...
00:26:55...
00:39:27...
00:39:43...
00:39:45...
00:39:47...
00:39:49...
00:39:51...
00:39:55...
00:39:57...
00:40:05...
00:40:07...
00:40:09...
00:40:11...
00:40:13...
00:40:15...
00:43:47Il y a un petit bras pour vous en black.
00:43:49Je suis un peu de la journée, je ne vais pas avoir de l'eau, et où est-ce que c'est mon food ?
00:43:53Il y a un truc très beau pour vous.
00:43:56C'est un truc royal pour une chante.
00:43:58Oh, oui !
00:43:59Prick !
00:44:00C'est un truc pour une chante.
00:44:01C'est un truc pour une chante, une chante pour une chante.
00:44:04C'est un truc pour une chante.
00:44:05Je veux un truc pour une chante.
00:44:07Je ne sais pas ce que tu es talking de !
00:44:09Alors, essayez de la chante avec ces chanteaux.
00:44:13Vous betz votre vie !
00:44:14Il y a un truc, c'est ça !
00:44:16Je vais mettre ces chanteaux sur votre ass !
00:44:18C'est un truc pour une chante !
00:44:19C'est un truc pour une chante !
00:44:21Vous avez l'air !
00:44:22Vous avez l'air !
00:44:23Vous avez l'air !
00:44:24Et si vous voulez que la chante,
00:44:26on va l'air !
00:44:27C'est un truc pour une chante !
00:44:30Oh !
00:44:31Oh !
00:44:32Oh !
00:44:33Jésus !
00:44:35Je suis un truc pour une chante !
00:44:36Je pense que vous allez comprendrez-vous !
00:44:46Je suis un truc pour un truc pour une chante !
00:44:52Jésus ...
00:45:07Je suis un truc pour une chante !
00:45:09Et je vais prendre un peu d'eau, ok ?
00:45:11Jeeze !
00:45:39Jeeze !
00:45:41Jeeze !
00:46:06God, you are persistent !
00:46:08Jeeze !
00:46:12AHH !
00:46:15Honey, these are difficult times for both of us, ok ?
00:46:18But I tell you what.
00:46:20I'm gonna make it as easy on you as possible.
00:46:23Now all you gotta do to get started again,
00:46:26is plug it back in.
00:46:28FUCK YOU !
00:46:30You better not mess your room up, honey.
00:46:32You're gonna be living there for a long time.
00:46:35Also, I've turned the buzzer off so you can save your finger.
00:46:39All you gotta do is come over here and plug it back in.
00:46:43You want something to drink? Plug it back in.
00:46:45You want something to eat? Plug it back in.
00:46:47It's that simple. Plug it back in.
00:46:49I wouldn't do that if I were you.
00:46:52That's your only contact with the outside world.
00:46:58What are you doing to me?
00:47:00Honey, I'm not doing anything to you.
00:47:04You're doing it all to yourself, baby.
00:47:07You make it all happen.
00:47:09All right, Richard.
00:47:14We'll do it your way.
00:47:30Now, you see there, sweetheart?
00:47:33You've already started to learn something.
00:47:37Don't bite the hand that feeds you.
00:47:39And don't unplug the TV set.
00:47:43Soon, you'll have running water.
00:47:45And tonight, tonight I'm going to fix you a beautiful steak with bernet sauce.
00:47:51God, I love you, Matty.
00:47:53I love you with my heart and soul, and I would do anything for you.
00:47:56But please cooperate with me.
00:47:59Pour some for yourself, darling.
00:48:09It's wonderful.
00:48:14Here's looking at you, baby.
00:48:15It's wonderful.
00:48:21Once you try the steak, it's great.
00:48:26I mean, I'd like to see what you think.
00:48:36It's very good.
00:48:37Later, I'll share the method and the recipe with you, as soon as we get to know each other better.
00:48:44The secret is, though, that I use two egg yolks in the sauce at the end.
00:48:48It makes it smoother.
00:48:50It's very smooth.
00:48:52Look, Richard, can we talk?
00:48:54Of course we can.
00:48:57That's what I'm here for.
00:48:59That's good.
00:49:01I wanted to know when I could get out.
00:49:03I mean, when I could be released.
00:49:07That's quite up to you.
00:49:08You know that by now.
00:49:10Why don't you pour yourself some more wine, okay?
00:49:15You know, tonight, I'm going to be the designated driver.
00:49:19Are we going out?
00:49:20No, no.
00:49:23I can't trust you to go anyplace.
00:49:25No.
00:49:25Oh, yes, you can.
00:49:26I'd behave.
00:49:28I love the word behave.
00:49:30Yes, I do.
00:49:31I mean, when you learn to apply that, it'd be better for both of us.
00:49:34I have learned that.
00:49:35Really, I have.
00:49:37Oh.
00:49:38Well, here's this toast.
00:49:40Okay?
00:49:41Oh, it's just a little lower.
00:49:47Ah.
00:49:50Tell me this.
00:49:52What did they call you when you were a kid in school?
00:49:57By my name.
00:49:59They called me Dick.
00:50:03What did they call you?
00:50:06By my name.
00:50:10How about Manny?
00:50:14Did they call you that?
00:50:15No.
00:50:23Kids can be so cruel.
00:50:26You are cruel.
00:50:28No.
00:50:29I represent the truth.
00:50:34You have a very nice voice.
00:50:37Thank you.
00:50:38I love compliments.
00:50:40Here's looking at you, kid.
00:50:47Oh, I got you back on now.
00:51:09Well, so, after that, I invented this crazy thing that helps idiots program their VCRs, and I, uh, I made a fortune.
00:51:19You're very smart.
00:51:21Oh.
00:51:22No, just, just lucky.
00:51:25What about you?
00:51:26I mean, I mean, how'd you get into your crazy business?
00:51:32That was funny.
00:51:35I went to New York to become an actress.
00:51:41I was 19.
00:51:43What a joke.
00:51:44So, what happened?
00:51:49I found out I was no actress.
00:51:53Then what?
00:51:57My mom needed money.
00:51:59I didn't know how to do anything.
00:52:02Cheers.
00:52:05I'm not ashamed.
00:52:07It was in all the papers.
00:52:09What?
00:52:09I did nude dancing at a Times Square bar.
00:52:17Well, I mean, uh, how'd you handle that?
00:52:22It was easy.
00:52:27I actually enjoyed it.
00:52:31I got off on guys watching me.
00:52:34It was a turn-on.
00:52:36That's what all models do.
00:52:41Turn guys on.
00:52:43Hmm.
00:52:45Doesn't matter if you're naked or not.
00:52:47It's a turn-on.
00:52:49It's a sexist thing, so you're a sexist.
00:52:54I didn't say that.
00:52:56Yes, you did.
00:52:56Well, men just take advantage.
00:53:01Oh.
00:53:02Oh.
00:53:05So, so when you're, uh, stuck naked in front of those good old boys,
00:53:10I mean, uh, who has the advantage then?
00:53:13Why don't you play me some music?
00:53:27I want to dance for you.
00:53:32Ah.
00:53:33I don't know.
00:55:21...
00:55:51...
00:55:53...
00:55:57...
00:56:01...
00:56:05...
00:56:07...
00:56:09...
00:56:11...
00:56:13...
00:56:19...
00:56:21...
00:56:31...
00:56:33...
00:56:35...
00:56:45...
00:56:47...
00:56:57...
00:56:59...
00:57:01...
00:57:11...
00:57:13...
00:57:15...
00:57:25...
00:57:27...
00:57:37...
00:57:41...
00:57:51...
00:57:53...
00:58:03...
00:58:07...
00:58:17...
00:58:19...
00:58:29...
00:58:31...
00:58:41...
00:58:43...
00:58:45...
00:58:55...
00:58:57...
00:58:59...
00:59:09...
00:59:11...
00:59:13...
00:59:23...
00:59:55...
01:00:07...
01:00:09...
01:00:23...
01:00:25...
01:00:39...
01:00:41...
01:00:55...
01:00:57...
01:00:59...
01:01:05...
01:01:09...
01:01:19...
01:01:21...
01:01:35...
01:01:37...
01:11:39...
01:11:51...
01:13:53...
01:14:03...
01:14:05...
01:23:37...
01:23:39...
01:23:43...
01:24:47...
01:25:01...
01:25:03...
01:25:05...
01:25:15...
01:25:17...
01:25:19...
01:25:21...
Recommended
1:13:12
|
Up next
1:02:56
1:54:41
46:46
1:51:44
43:05
1:29:09
50:15
38:45
1:27:01
54:07
1:00:21
1:56:25
1:17:51
1:59:21
1:18:16
1:25:03
40:50