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  • 2 days ago
Transcript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30Il traffico di Napoli...
00:01:32Vedi, le due, le due, i capi.
00:01:34Non, non, non, non.
00:01:35Ma, non, non, non, non, non, non, non, non, non, non.
00:01:43Shit.
00:01:45Woah.
00:01:46Camp on my wallet.
00:01:51Il mio c4?
00:01:52Non, non, non...
00:01:53Il mezzo è un c4.
00:01:55L'arrivo è un c4.
00:01:56È un c4.
00:01:57È un c4.
00:01:58Come on.
00:02:17Just give her a minute.
00:02:20Can you give her a minuteony?
00:02:23Just give her a minute.
00:02:25Okay, okay, okay, okay, okay.
00:02:26Thank you, Sonny.
00:02:27Come on, Manny.
00:02:33Where did you have it last?
00:02:35Um, the train station, I think?
00:02:38The exchange cruise?
00:02:42Oh, Jamie, I'm sorry.
00:02:47That bastard at the train station started when you dropped all your stuff.
00:02:50This is 170, not 70.
00:02:55Where do we need to go?
00:02:57We need to, we need 70.
00:03:10Here we go.
00:03:20Is this it?
00:03:21Thank you, Sonny.
00:03:41It's nice.
00:03:43Yes, I have a credit card.
00:03:45The number is on file on my computer.
00:03:48Yes, I have them here.
00:03:51Okay.
00:03:525533
00:03:557645
00:03:588787
00:04:019157
00:04:0357
00:04:06Yeah.
00:04:08Expires 1215.
00:04:09No, she'll definitely need another card sent out immediately.
00:04:13We're here for two weeks.
00:04:16No, I'm working here.
00:04:20Yes, I'll hold.
00:04:23You love how they ask.
00:04:24As if I have a choice.
00:04:26Do you know what I'm going to try to do while I'm here?
00:04:29Besides learn Italian.
00:04:31I don't know why you think that's so ridiculous.
00:04:34I don't at all.
00:04:36I admire you.
00:04:37I just think it's too late for me.
00:04:39That's not true.
00:04:41You can't teach an old dog new tricks.
00:04:44And besides,
00:04:46what's the point?
00:04:47The whole bloody world speaks English.
00:04:49Well, I...
00:04:51Want to finally transcribe the tapes?
00:04:55Yes.
00:04:57All right.
00:04:59Okay.
00:05:01Well, if you can see it through to the end.
00:05:04I think that's wonderful.
00:05:07What does that mean?
00:05:09Nothing.
00:05:11Nothing?
00:05:13I think it's a fantastic idea, Jen.
00:05:15I always have.
00:05:16You know that?
00:05:20You shouldn't sound very supportive.
00:05:25You have my support.
00:05:26I'm sorry if that came out wrong.
00:05:31I just know how emotional listening to them can be.
00:05:34Has been for you.
00:05:35I think enough time has passed.
00:05:37Well, that's great.
00:05:56I don't know.
00:05:57I don't know.
00:05:58I don't know.
00:06:00Why do you think he killed himself?
00:06:02I don't know.
00:06:03Why do you think he killed himself?
00:06:09David Foster Wallace?
00:06:11I don't know.
00:06:13You can't get a sense by his writing?
00:06:16You have to read it when I'm done, don't I?
00:06:18I don't know.
00:06:19I don't know.
00:06:21Do you think he recognized a blank infinity just stretching out?
00:06:27He got to this point maybe where it was just day after day after day.
00:06:32I really don't know, Jen.
00:06:33Just so tedious.
00:06:37And of course he felt guilty.
00:06:39Most people think life is too short and there he was, all the talent in the world, and it wasn't it not.
00:06:49Jane, can I, can we not talk about this?
00:06:52Just, just, just a bit morbid.
00:06:55Just a bit morbid.
00:07:12Love you.
00:07:15Love you too.
00:07:25Love you too.
00:07:35Do you feel alright?
00:07:37Do you feel okay?
00:07:38Yeah.
00:07:40Are you sure?
00:07:46Mhm.
00:07:55Yeah.
00:07:58Mhm.
00:08:14Yeah.
00:08:15Okay.
00:08:17Yeah.
00:08:21Yeah.
00:08:22Oh, my God.
00:08:52You sure you won't come with?
00:09:18You'll be so busy.
00:09:19I think you're boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:28True.
00:09:33Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:39So I can worry about you.
00:09:44Okay.
00:09:49I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:10:26What kind of stories?
00:10:30Stories that you've prepared for, I can ask them a list of stories that Dad told me about.
00:10:34Go ahead and ask from your father's list, God rest his soul.
00:10:37Let's start with the war.
00:10:38We went into an air raid shelter.
00:10:42My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and then there was the sound of a bomb.
00:10:50And the man next to us, he said,
00:10:52I was in a shelter last night with my wife and my little boy and half of it got blown away.
00:10:59There was blood in his hair.
00:11:02He was all alone.
00:11:03That nearly finished my mother, you know.
00:11:05Here we were in this tiny town in England, miles from Germany, from Russia, from Italy, from any front lines.
00:11:15And this man, he had blood in his hair.
00:11:19There was quite a lot of water.
00:11:28Good night.
00:11:41Good night today,
00:11:44We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:09It feels now as if I'm the only one who remembers that.
00:12:12It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia, or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day.
00:12:35Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children, not just your father.
00:12:50You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:55I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:08All right, then.
00:13:10Uh, scusi.
00:13:12Scusi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato inglese?
00:13:17No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, Castello Aureganese?
00:13:23Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Sì.
00:13:26Ah, grazie.
00:13:27I'm actually going there now, to the castle.
00:13:52Do you speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13Oh.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:16Oh.
00:14:16Sorry, I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So, come on.
00:14:27My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the month.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm, mm, mm.
00:14:40The viola.
00:14:42Any good?
00:14:44Yes.
00:14:45Very.
00:14:46How do you keep your violin from getting stolen?
00:14:53You put it in a viola case, right?
00:14:58That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming,
00:15:14there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes,
00:15:21and I went to this music-slash-nerd summer camp
00:15:23when I was, like, 10, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:32Are you newlywed?
00:15:34No.
00:15:36No.
00:15:46That's it.
00:15:47You're making me feel like a stalker.
00:15:49Fuck.
00:15:49You want to give me 10, please?
00:15:5010, 10.
00:15:5110, 10.
00:15:58One?
00:15:58Done.
00:15:59All right.
00:16:02Oh, hey, have you got 50 cents?
00:16:04If you can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:11Grazie.
00:16:11Grazie.
00:16:34What brought you out of here today?
00:16:36Fairy.
00:16:36Ha!
00:16:37Fairy.
00:16:39I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn up bones.
00:16:48Can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:58In, like, the 1300s,
00:17:00thousands of families lived in this castle.
00:17:02It doesn't smell pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:12I know.
00:17:13I've been coming here every day,
00:17:15and it still gets me.
00:17:17If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago
00:17:26with this volunteer organization
00:17:28dedicated to studying the relic populations
00:17:31of dolphins and whales in the Gulf of Naples.
00:17:35I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:40No, I just didn't want to go to college,
00:17:41and they paid for me to come over.
00:17:43Four connecting flights is 72-hour plane ride,
00:17:45but, you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:49How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:52Is it really?
00:17:52Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:56Yeah, so I left the program after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:02I stayed on the island
00:18:03because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:07Basically, I used to have ancestors in Ischia,
00:18:09so when I come over,
00:18:10I Facebook this second cousin twice removed.
00:18:12The second cousin twice removed,
00:18:13in case you didn't know,
00:18:14is when one person's great-grandparent
00:18:16is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:20Sorry. Anyway,
00:18:21so this relative gave me the name
00:18:23of this great-uncle who lives on the island,
00:18:25so I show up,
00:18:27he answers the door,
00:18:28and he's, like, the oldest fucker I've ever seen,
00:18:30easily pushing a hundred.
00:18:32A hundred?
00:18:33Yeah, if not older,
00:18:34he's, like, deaf and blind
00:18:36and about four feet tall,
00:18:37and he mumbles a couple of things to me
00:18:38in some crazy dialect,
00:18:40ushers me inside,
00:18:41pours me a glass of wine
00:18:42and leads me to this basement apartment,
00:18:44and, uh, yeah, I never left.
00:18:48I never left.
00:19:18Love teaches me to feed on flames and tears,
00:19:41to turn withered hope green through desire,
00:19:47to re-enslave my heart each time
00:19:51love frees his noble face
00:19:53from that heavy disdain.
00:19:56Who is that?
00:19:59Vittoria Colonna.
00:20:00Oh, the woman who lived here.
00:20:05You read that in your guidebook this morning,
00:20:07didn't you, Jane?
00:20:09Sneaky.
00:20:11Yeah, I've decided to learn Italian
00:20:12by committing to memory
00:20:13all the sonnets she wrote to Michelangelo
00:20:15in English and Italian.
00:20:17I thought Michelangelo was gay.
00:20:19Ah, according to history
00:20:21and the muscular thighs of his sculptures, yes,
00:20:25but that didn't stop her from loving him.
00:20:29Let's hear it then.
00:20:31In Italian.
00:20:32Let's hear the poem.
00:20:33Come on.
00:20:36Okay.
00:20:36I'm impressed.
00:21:08You hungry?
00:21:10Why, you gonna take me out?
00:21:13Yeah.
00:21:18All right then.
00:21:19Okay.
00:21:24Two pastas with the house sauce, please.
00:21:28Red.
00:21:28Red.
00:21:28Red.
00:21:28Red.
00:21:29Red.
00:21:29Red.
00:21:30Red.
00:21:30Uh-huh.
00:21:31Grazie.
00:21:33So you're really not going to tell me what you do?
00:21:40I write freelance articles about parties
00:21:43and fashion trends in Town & Country, UK.
00:21:44I'm writing a book about my grandmother's experiences
00:21:57in rural England, living through two world wars.
00:22:00I recorded her for hours and hours.
00:22:03But now, I don't know.
00:22:09What don't you know?
00:22:12You want to listen?
00:22:13A little?
00:22:15Yeah.
00:22:16Yeah?
00:22:17Yeah, I know it.
00:22:17I love to listen.
00:22:34That's tangled up.
00:22:35Oh, God.
00:22:36Awful as it was, it made you stronger.
00:22:45These days, people whine about all sorts of things.
00:22:49I'm not one of those old people who think my time
00:22:51had the only joy and the only problems.
00:22:54We all have our own private wars every era,
00:22:57but it was nothing like...
00:22:59It really brought people together, the war.
00:23:02We helped each other during that time.
00:23:05We had to laugh.
00:23:06We had to smile.
00:23:08Well, if not for ourselves,
00:23:10then for the people we'd lost.
00:23:12I shut that thing off.
00:23:13Would you get it out of my face?
00:23:18That is like...
00:23:20It's like a window in time.
00:23:23The sort of thing you...
00:23:24which you always did before someone died, you know?
00:23:27My husband thinks I'm never going to finish it.
00:23:30I shouldn't care what anyone thinks.
00:23:32We met while I was recording her.
00:23:35Bonding over Granny, huh?
00:23:38Make it sound perverse.
00:23:40That's what it was, right?
00:23:42Buongiorno.
00:23:43Buongiorno.
00:23:44Signori.
00:23:53I got pregnant, so we got married.
00:23:55I lost the baby.
00:24:05I'm sorry.
00:24:06I'm sorry.
00:24:14Scusi.
00:24:16Stato di vostro gradimento.
00:24:17Sì, grazie.
00:24:19Togliere via.
00:24:20Sì.
00:24:21Grazie.
00:24:21I didn't go back after that to the States.
00:24:31Did you, uh...
00:24:38Did you ever hear that story about the Red Strain?
00:24:43I think I might have.
00:24:44Tell me.
00:24:45It's like this Asian proverb says that anyone you're destined to meet, like your soulmate
00:24:56or your family or, you know, someone you bump into on the street, we're all connected by
00:25:04by this red string to be tangled or stretched, but it can never be broken.
00:25:12There's this moment in the tape.
00:25:21I'm sitting, waiting in the airport bar for my flight.
00:25:26And I'm talking into the recorder, rambling on about how I'm about to embark on this amazing
00:25:32adventure and how I'm going to show World War II from a totally different perspective.
00:25:37But...
00:25:39I don't know if it's that interesting.
00:25:50That's the whole point, isn't it?
00:25:53Keeping it interesting for yourself.
00:25:57Maybe.
00:25:57Maybe.
00:26:00Maybe I just want to write about nothing.
00:26:03Everything is nothing.
00:26:06All the best.
00:26:07No.
00:26:07Leanna.
00:26:08Grazie.
00:26:09Grazie.
00:26:09Grazie.
00:26:13Make a wish.
00:26:16Make a great.
00:26:21Okay.
00:26:25Bravo!
00:26:27Bravo!
00:26:27Ok!
00:26:33Grazie!
00:26:36Pfft!
00:26:36What do you mean I'm ready to go?
00:26:38What?
00:26:40Oh my God!
00:26:42Oh my gosh!
00:26:44Oh no!
00:26:46What? What do you mean?
00:26:52Hey! Hey!
00:26:54It's the carabinieri!
00:26:56It's the police!
00:26:58Hey!
00:27:00Hey!
00:27:02Hey!
00:27:04We can't go back!
00:27:06We can't go back!
00:27:08We can't go back!
00:27:10We can't go back!
00:27:12Oh my God!
00:27:14Oh my God!
00:27:16Oh my God!
00:27:22Hey!
00:27:24Hey!
00:27:26Hey!
00:27:28Hey!
00:27:30Yes! It's true!
00:27:32Is it true?
00:27:34I made the check when I went to the bathroom!
00:27:40You're horrible!
00:27:42You're horrible!
00:27:44You're horrible!
00:27:46Come on!
00:27:48Let's go!
00:27:50Why are we still running?
00:27:52I don't know why we're still running!
00:28:06Oh my gosh!
00:28:08Let's go!
00:28:09Yeah!
00:28:14What up my nose?
00:28:16Do we come back?
00:28:18Maybe.
00:28:20Maybe is not a no!
00:28:24And since I don't have a phone, you're gonna have to give me your number.
00:28:30You're gonna have to give me your number for cheap thrills and future crimes committed.
00:28:37No.
00:28:41Fair enough.
00:28:50I've gotta go catch a fairy.
00:28:57Hey.
00:29:00Why do violists keep their viola cases on their dashboards?
00:29:19Why?
00:29:23So they can park in handicapped spots.
00:29:25Happy birthday.
00:29:46God bless you.
00:30:16God bless you.
00:30:46You're awake.
00:30:52Yeah, I've got so much of this stuff to get through.
00:30:56Got through.
00:30:58Nice.
00:31:16And you didn't know you loved until you touched them.
00:31:20Nelly was this little collie who wouldn't go on a leash, so she had to sit on a bicycle seat.
00:31:27They stay with me too.
00:31:29Jane, Nelly.
00:31:42Got some pastries.
00:31:46You're still asleep?
00:31:54Jane.
00:32:24And we used to go to London, and we saw Glenn Miller one time.
00:32:33We used to go all over the place.
00:32:36They were wonderful times.
00:32:37I never had an American boyfriend.
00:32:42I liked some of them.
00:32:44They were nice boys, but I didn't want to leave my mom and dad.
00:32:51I wish I had sometimes.
00:32:54You know when you were 19 and the world just felt so open and carefree and full of possibility?
00:33:00You reminded me of that.
00:33:02You reminded me of that.
00:33:04At that time.
00:33:06You were 19 when we met?
00:33:07Yeah.
00:33:08I wouldn't have described it as carefree back then.
00:33:11Not at all.
00:33:12Well, I felt nostalgia.
00:33:14Or something.
00:33:15For youth.
00:33:16You're not old, Jane.
00:33:17We ran out on the bill.
00:33:21You just ran out?
00:33:22What do you mean you ran out on the bill?
00:33:24Perhaps I'm not explaining it well.
00:33:25It was fun.
00:33:29It was just fun.
00:33:41How was work?
00:33:43The conductor's actually a descendant of Walter Lake, which is fascinating.
00:33:48The three of us should plan a dinner before we leave.
00:33:51I'd like that.
00:33:56Jane?
00:33:59Oh, my God.
00:34:01This is Caleb.
00:34:03Hi.
00:34:04No, no, we were just talking about you.
00:34:05We were?
00:34:06That's so weird.
00:34:07Sit, please.
00:34:08Sit down.
00:34:09Join us.
00:34:10What?
00:34:11Oh.
00:34:12I don't have a chance of a wreck.
00:34:14I know, right?
00:34:19I'm obviously going to get back pretty soon.
00:34:21That's okay.
00:34:22I already ate, so I'll just grab a coffee.
00:34:25Can I have the check, please?
00:34:37In a cafe, put-up-up-up?
00:34:43Oh, no, thank you.
00:34:44Okay.
00:34:48Jane, you don't smoke.
00:34:50Yes, I do.
00:34:53Sometimes, at parties.
00:34:56You know that.
00:34:58Well, I don't do it a lot.
00:35:02Okay?
00:35:02Grazie.
00:35:05Grazie.
00:35:05Okay.
00:35:09Italian food's so overrated.
00:35:10I love it.
00:35:12There's no variety.
00:35:14English food, on the other hand.
00:35:16Say what you like about it.
00:35:18There's nothing like a good steak and kidney pie.
00:35:21I went to this party the other day in this villa owned by this old, drunk ex-pat.
00:35:27They had, like, a private chef and everything.
00:35:30And they were serving this, like, loaf of meat covered in sauce with all these other loaves.
00:35:36And this girl came over to me and said it was cat.
00:35:38No.
00:35:39No joke, like, a roasted mommy cat and her kittens.
00:35:44That is disgusting.
00:35:46True story.
00:35:51Why don't you tell Leonard one of your viola jokes?
00:35:58Come on.
00:35:59I'm selling my aunt.
00:36:02Come on.
00:36:03Let's hear one.
00:36:04I have one.
00:36:12What is the definition of perfect pitch?
00:36:17What?
00:36:20When you throw a viola into the dumpster without hitting the rim.
00:36:26You didn't just make that up.
00:36:27I did.
00:36:28It's too good.
00:36:28I did.
00:36:29Well, I'm impressed and I'm stealing it.
00:36:30You can pretty much make that joke about any instrument.
00:36:38Do you play anything, Caleb?
00:36:40This and that, you know.
00:36:44Shall we?
00:36:46What, time to go?
00:36:47Already?
00:36:49Yeah, I'm going to get back to work.
00:36:50So, what's next on your agenda, Caleb?
00:37:03Um, I'm thinking Tibet.
00:37:06Oh, Tibet, really?
00:37:07Yeah, there's this thing called the Shantan Festival at the end of the summer.
00:37:10Yeah, I've heard about that.
00:37:11That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:16The monks, the monks, the monks.
00:37:17So pretty.
00:37:18How do you support yourself?
00:37:21You know, a bit of this, a bit of that.
00:37:28Oh, all right then.
00:37:30I'll walk you.
00:37:32Does anybody have a pen?
00:37:33You got a pen?
00:37:34Yeah, I have a pen.
00:37:42Okay.
00:37:42Okay.
00:37:48I have a piece of paper.
00:37:50You guys should definitely come over to the island.
00:37:53I'll take you somewhere fun, you know.
00:37:55Don't knock on the front door.
00:37:56Come around the side.
00:37:57I need Regina.
00:38:05And thanks again for yesterday.
00:38:07Oh, no problem.
00:38:10Hey.
00:38:13Ciao.
00:38:13How stoned are you?
00:38:23Come on, man.
00:38:24We should tell him to pop.
00:38:24It's not a big deal.
00:38:27So you're saying you smoke back at her?
00:38:31Occasionally.
00:38:32Can we do something fun tonight?
00:38:33Sure.
00:38:38I'm fine from here.
00:38:41Okay.
00:38:41See you after work.
00:38:42Yep.
00:38:43I'll be waiting.
00:38:43I'll be waiting.
00:38:43I'll be waiting.
00:38:45I'll be waiting.
00:39:15I'll be waiting.
00:39:16I'll be waiting.
00:39:17I'll be waiting.
00:39:18You scared me.
00:39:19Are you following me?
00:39:20Maybe?
00:39:21Is that weird?
00:39:22Yeah.
00:39:31I couldn't sleep last night.
00:39:36You told me you were staying near the port, so I got the first ferry this morning.
00:39:40I came looking for you, and I can't believe I found you.
00:39:45I came looking for you.
00:39:52Bye.
00:39:53Bye.
00:39:55Bye.
00:39:56Bye.
00:39:58Bye.
00:40:02Bye.
00:40:06Bye.
00:40:09Bye.
00:40:10What are we doing?
00:40:29I think we're making it out.
00:40:33So sexy and beautiful.
00:40:40I can't do this.
00:41:09What?
00:41:10Do you do this a lot?
00:41:11What?
00:41:12Do you do this a lot?
00:41:13What?
00:41:14Do you seduce women?
00:41:15Is this what you do?
00:41:17You need to be less serious.
00:41:18Don't follow me.
00:41:19Don't follow me.
00:41:20Don't follow me.
00:41:21Don't follow me.
00:41:22Don't follow me.
00:41:23Don't follow me.
00:41:24Don't follow me.
00:41:25Don't follow me.
00:41:26Don't follow me.
00:41:27Don't follow me.
00:41:28Don't follow me.
00:41:29Don't follow me.
00:41:30Don't follow me.
00:41:31Don't follow me.
00:41:32Don't follow me.
00:41:33Don't follow me.
00:41:34Don't follow me.
00:41:35Don't follow me.
00:41:40Don't follow me.
00:41:41Don't follow me.
00:41:42Don't follow me.
00:41:43Don't follow me.
00:41:44Don't follow me.
00:41:45Don't follow me.
00:41:46Don't follow me.
00:41:47Don't follow me.
00:42:17There was one boy from
00:42:46Belgium. He was lovely. He had a moustache. My mother hated moustaches. But he was shipped off. I never saw him again. Anyways, I met your grandfather not long after, and we got married.
00:43:09Was it love at first sight with Grandpa?
00:43:12Love at first sight? Stop that thing.
00:43:16You're home early.
00:43:27I do deserve that.
00:43:29Can I just make a free husband?
00:43:36Jane, I'm sorry. Just give me a minute.
00:43:38I have a hell of a rest of my day.
00:43:40I've got so much stuff to do.
00:43:41I'm sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:49Yeah, absolutely.
00:43:50I've got some dinner. I thought we'd just stay in here.
00:43:53Two of us.
00:43:55I've just got to work this thing out before tomorrow.
00:43:57Okay.
00:43:57Okay.
00:43:58I'm sorry.
00:43:59I'm sorry.
00:44:25I don't know.
00:44:55Leonard, can we talk?
00:45:25Say cheese.
00:45:33You should kind of be in the middle.
00:45:37Hold on a second.
00:45:49That's what our living room is missing.
00:45:55What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:25No, no.
00:46:29Come on.
00:46:31Come on, go.
00:46:33Come on.
00:46:35Come on.
00:46:37Come on.
00:46:39Come on, let's go, let's go!
00:48:46Oh, hi.
00:49:00Did I wake you?
00:49:03No.
00:49:06I think I need to be less serious.
00:49:08Yeah.
00:49:13I'm going to put my pants on.
00:49:16Okay.
00:49:17I'm going to put my pants on.
00:49:47I'm going to put my pants on.
00:50:17I'm going to put my pants on.
00:50:47I'm going to put my pants on.
00:51:17I'm going to put my pants on.
00:51:47I'm going to put my pants on.
00:52:17I'm going to put my pants on.
00:52:47I'm going to put my pants on.
00:52:48I'm going to put my pants on.
00:52:49I'm going to put my pants on.
00:52:50I'm going to put my pants on.
00:52:51I'm going to put my pants on.
00:52:52I'm going to put my pants on.
00:52:53I'm going to put my pants on.
00:52:55I'm going to put my pants on.
00:52:56I'm going to put my pants on.
00:52:57Were you?
00:52:58They were delicious.
00:53:18You make me feel nervous.
00:53:23You make me feel calm.
00:53:27You want a drink?
00:53:49Is that him?
00:53:55Yeah, I just shuffled around all night.
00:54:01Must be lonely.
00:54:05Yeah, I just shuffled around all night.
00:54:15Must be lonely.
00:54:19Yeah.
00:54:29Well...
00:55:31Again and again and again
00:55:35Once I was single, my pocket is in jingle
00:55:39I wish I was single again
00:55:43Again and again and again
00:55:47Once I was single, my pocket is in jingle
00:55:57I wish I was single again
00:56:00I didn't sleep at all last night. Where have you been?
00:56:17Just walking
00:56:17All night
00:56:20I've been thinking
00:56:22You left your phone here. I had to plug it in
00:56:25We need to talk, Leonard
00:56:28I have to go to work
00:56:30Can you be late?
00:56:34No, I can't be late
00:56:35Leonard
00:56:39Jay, whatever you have to say to me
00:56:42I want to hear it
00:56:43I've committed myself
00:56:45People are depending on me
00:56:48I have to go to work
00:56:49Okay
00:56:52All right
00:57:00All right
00:57:00Let's go
00:57:01West
00:57:02All right
00:57:02Thank you
00:57:02Stalking
00:57:04I'll try
00:57:05You don't have to go
00:57:06Wait
00:57:06What do you think?
00:57:07Oh yeah
00:57:08Oh yeah
00:57:09Holy crap
00:57:09All right
00:57:10Oh yeah
00:57:10And I'll do that
00:57:11Take a break
00:57:12I'll try
00:57:12Stay
00:57:13If it wasn't the war, it would have been something else.
00:57:31There's always something else, isn't there?
00:57:34That's the thing. That's the thing about struggle.
00:57:43I'm going to make some tea. Do you want some?
00:57:51I'm alright.
00:57:59If you go out like that again, just tell me. Don't worry.
00:58:05Okay.
00:58:08I can't seem to figure out what's going on in your head.
00:58:13Do you think everything we've been through actually does us any good?
00:58:29In the long run?
00:58:34Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:39I'll tell you, next time we come to Italy, to get a proper kitchen.
00:58:56I don't know what you want me to say, Jane.
00:58:57I don't know what you want me to say, Jane.
00:58:58I don't know what you want me to say, Jane.
00:59:02I don't know what you want me to say, Jane.
00:59:03I don't know what you want me to say, Jane.
00:59:07One little thing had changed in my grandmother's life, I might not be here.
00:59:08One little thing had changed in my grandmother's life, I might not be here.
00:59:29Sometimes I worry I'm not honoring her.
00:59:42At the point of time, Jane, would you have the worst rot on your mother's life?
00:59:43Why do you want me to say, Jane?
00:59:44Who do you want me to say, Jane?
00:59:45Why do you want me to say, Jane, a good girl to say, Jane?
00:59:46I don't know.
00:59:47No.
00:59:48I don't know, Jane.
00:59:49I don't know.
00:59:50You want me to say, Jane?
00:59:51Why does you want me to say, Jane?
00:59:52No.
00:59:53That's right.
00:59:54With the book?
00:59:55No, with my life.
00:59:56This is it.
00:59:57You know?
00:59:58It ends with me.
00:59:59in the harvest time we all went to the field where they were cutting the corn
01:00:08everyone was chasing rabbits and then we had our tea in the harvest fields
01:00:16the horses the horses back then they were kept beautifully dad used to dress them all up brass
01:00:34things and little horseshoes he put braids on them they used to be gorgeous what are your plans for
01:00:43tomorrow there was one duke he was a clydesdale i used to ride down to the marshes every night when
01:00:54he finished working they were lovely days really
01:01:02they're gone for me
01:01:10jane but not for you jane you know it's different for you in some ways it's easier
01:01:19you haven't got the war people don't die as much as they did back then
01:01:24but in some ways it's more disjointed
01:01:27you've got to make your own life one that you love and you can't be afraid of the time
01:01:38time is shiftable
01:01:41there are moments in my life that i would trade 60 years to have back again
01:01:55that's the truth you know the truth when you find it it'll come to you like something you've known
01:02:02before rather than something you're learning for the first time
01:02:06what is it oh you all right you okay yeah it's on my toe oh it's bleeding oh it's fine it's fine it's fine it's fine it's fine it's fine it's fine
01:02:32it's fine it's fine you're doing that
01:02:36Oh, fuck.
01:02:47I met these backpackers last night, Frank and Elsa.
01:02:50She's French, he's German.
01:02:52They're going to Tibet.
01:02:55And I'm going with them.
01:02:59I want you to come with me.
01:03:06I want you to come.
01:03:36I want you to come.
01:04:06Hi.
01:04:07How are you?
01:04:10Long day.
01:04:14God, when are they not?
01:04:17I don't think I'm chomped at doing another stint like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:28I think I've figured out the key to finishing the project.
01:04:38Are you listening?
01:04:43You found the key to finishing this project?
01:04:57Well, the water here tastes so funny.
01:04:58Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:15Absolutely not.
01:05:16Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:27Tedious?
01:05:28I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:39Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:42There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:12I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:40Say it.
01:06:41I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again and again.
01:06:55Please, Jane.
01:06:55And again.
01:06:58How does that make you feel?
01:07:04It's not your fault.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:09You will never be a father.
01:07:13We can adopt.
01:07:15That's not what you want.
01:07:16Is it?
01:07:18Is that what you want?
01:07:20Hmm?
01:07:22Because I think about it all the time.
01:07:27That the one thing you always wanted, I will never be able to give you.
01:07:30What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:46You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:03I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:17I've been seeing someone else.
01:08:19Is he?
01:08:26Caleb.
01:08:28That kid?
01:08:29Yes.
01:08:31That kid?
01:08:31That child?
01:08:32That kid you've known for two days?
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:45What do you think?
01:08:55I kept waiting for you to see it, to smell it, to sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:15I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:30For losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper!
01:09:34No.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44No.
01:09:44That is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:54The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:05I want you to do what you need to do, and then come back to me.
01:10:17No questions asked, no guilt.
01:10:22This is good.
01:10:35I want you to do what you need to do.
01:11:05VIOLIN PLAYS
01:11:35VIOLIN PLAYS
01:12:05VIOLIN PLAYS
01:12:35IX
01:12:37VIOLIN PLAYS
01:12:43VIOLIN PLAYS
01:12:45Frank's house, coming over in a couple hours. Frank bought a car so we're gonna head out in a couple of weeks or so.
01:12:55I'm thinking of driving through Romania and then Ukraine and down through Russia and through Kazakhstan and then straight to Tibet.
01:13:25...
01:13:37...
01:13:41...
01:13:47...
01:13:48See you!
01:14:13Yes!
01:14:45Jay, you've got to come over to this side.
01:14:59The train's going to be here in a minute.
01:15:15It's four in the morning, the end of December.
01:15:31I'm riding you now just to see if you're there.
01:15:37New York is cold, but I like where I live.
01:15:43There's music on Clinton Street all through the evening.
01:15:51I hear that you're building your house deep in the desert.
01:16:03Are you living for nothing now?
01:16:07Hope you're keeping some kind of record, yes.
01:16:13And Jane came by with a lock of your hair.
01:16:21She said that you gave it to her that night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:35Why not?
01:16:36I'm not telling you why not.
01:16:42Now shut that thing off.
01:16:44All the last...

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