- 2 days ago
A police detective (Jake Dengel) teams up with his buddy's daughter (Susann Fletcher) to investigate cult-ritual mutilations.
Category
🎥
Short filmTranscript
00:00:00...
00:00:24Denny?
00:00:25S-stop it!
00:00:27Can't you be more gentle?
00:00:29You love me, don't you?
00:00:30I know I do.
00:00:32But be gentle.
00:00:34I just get impatient.
00:00:36How can we maybe get engaged and maybe get married
00:00:39if I'm not sure you're loved?
00:00:41You can be sure.
00:00:42Prove it.
00:00:45Denny, I said stop it.
00:00:47Oh, oh, ouch.
00:00:49Put that thing back.
00:00:50Oh, you got a cup, a zipper.
00:00:52We're here.
00:00:53Oh, no, no, no, no, no.
00:00:55Stop it.
00:00:56Oh, oh, oh, yes, yes, yes, yes.
00:01:02Can we rest a second here, huh?
00:01:04Oh, mother.
00:01:05Oh, mom.
00:01:06Hey.
00:01:07Oh, mom.
00:01:09Oh, watch out.
00:01:10Here they come.
00:01:11They're coming.
00:01:12Oh, look about it.
00:01:14Oh, stop.
00:01:15Oh, crazy people.
00:01:17Oh, stop.
00:01:18Oh, yeah, mom.
00:01:19Oh, God.
00:01:20Stop.
00:01:21Here, stop it.
00:01:22Stop it.
00:01:23Get off.
00:01:24Oh, no.
00:01:25I just don't understand, Jeremy.
00:01:29You're tearing me apart with your empty promises.
00:01:31That's all I ever get from you.
00:01:33Yeah, your kisses are hot, but your heart is cold.
00:01:37I have got no more tears left to cry for you.
00:01:39You will never be thankful to me.
00:01:41I know you won't.
00:01:43That's not true, Jeremy.
00:01:44I'll change.
00:01:45I promise I will.
00:01:47Hey, this your first time, mother?
00:01:50No, no, no.
00:01:51I've had some experience.
00:01:53I'll tell you what.
00:01:55Give me an extra 20 and you're going to get the extra.
00:01:59The.
00:02:00The.
00:02:01The.
00:02:02The.
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00:02:45The.
00:02:46The.
00:02:47Any veggie burgers left?
00:03:05Too late, Sergeant.
00:03:06All gone.
00:03:07I knew we'd be too late.
00:03:09What took you guys so long?
00:03:10Emmy wants to see you right away.
00:03:12Come on, Joe.
00:03:13Oh, no.
00:03:14Come on, Joe.
00:03:15We gotta go together.
00:03:16I want a cup of coffee.
00:03:17Black.
00:03:18No sugar.
00:03:19It's real bad this time.
00:03:20The most disgusting thing I've ever seen.
00:03:22Here you go, Sweeney.
00:03:23Joe.
00:03:24Young boy saw the whole thing.
00:03:25Come on.
00:03:26Joe, we're the investigating officers in this case, Joe.
00:03:29We gotta go over to the murder scene.
00:03:31It's our job.
00:03:33I need a cigarette, Sweeney.
00:03:35Please.
00:03:36It won't be so bad, big guy.
00:03:38This time he took her brain.
00:03:40Oh, my God.
00:03:42Pop that baby right out of there.
00:03:45Oh, it looks like he used a scoop.
00:03:49You know, like for ice cream or something.
00:03:58Three times this week.
00:04:00Too bad, Birdwell.
00:04:02It's funny if I bit him, Joe.
00:04:04Sweeney!
00:04:06Take a closer look in there.
00:04:07Hey!
00:04:08Don't bother me.
00:04:09Hey!
00:04:10Hey!
00:04:11Block her!
00:04:12Take a look at this!
00:04:13Let's go over here.
00:04:14What are we going to go this way?
00:04:15Yeah, I'm going to go over here.
00:04:16Oh, boy.
00:04:17Come over here.
00:04:18I'm going to go over here.
00:04:19Hey!
00:04:20It's big.
00:04:21It's big.
00:04:22It's big.
00:04:24It's big.
00:04:25That's big.
00:04:26Hey!
00:04:27It's big!
00:04:28Hey!
00:04:30Hey!
00:04:31Hey, block her.
00:04:32Take a look at this!
00:04:33Let's go, bitch.
00:04:34How are we gonna play?
00:04:35It's a bit of a game.
00:04:36It's big!
00:04:37That's big.
00:04:39At least.
00:04:40Come on.
00:04:53I want it all!
00:05:06Is it a note? What's it saying?
00:05:10No, I can't read it.
00:05:12I had a funny writing with little ducks and frogs.
00:05:16It's Egyptian writing, hieroglyphics.
00:05:19I knew that.
00:05:27How are you feeling, Joe? Better?
00:05:30Did you lose money again?
00:05:33I'm sorry.
00:05:35What the hell? We're partners.
00:05:38Easy. Easy. Easy.
00:05:41That face. Dark sunglasses.
00:05:45Take it easy. Now, can you remember anything else?
00:05:48Just the hat.
00:05:50Hat?
00:05:51Yes. He had on a funny hat.
00:05:53Come on now, kid. Just calm down just a few more minutes.
00:05:55Joe, go and get the book.
00:05:57Now, kid, if we showed you some pictures,
00:06:01do you think you could give us a positive ID?
00:06:04I'll try, officer.
00:06:06All right. Now, kid, if you recognize any one of these pictures, speak out.
00:06:13Okay.
00:06:17No.
00:06:20No, no.
00:06:22No, no, no, no, no.
00:06:25No, that's not it.
00:06:26No, no.
00:06:27No, no, no.
00:06:29It's the hat.
00:06:30That's the hat.
00:06:31That's the hat.
00:06:32That's the hat.
00:06:34There. There.
00:06:35Look.
00:06:36Look.
00:06:37The hat.
00:06:38The hat.
00:06:40Look.
00:06:41The hat.
00:06:42You see it?
00:06:43No. No.
00:06:44There.
00:06:45There.
00:06:46I said there.
00:06:47See it.
00:06:48Okay.
00:06:49Be careful with her now.
00:06:50No brutality.
00:06:51Mortality
00:06:59What do you make of that Joe?
00:07:03I'm gonna get deep tailoring on this
00:07:06Deep Taylor yeah, my partner from Vegas. Do you remember Jake Taylor? Sure, but he's in Las Vegas
00:07:12I know he's in Las Vegas. That is the point. It was a similar string of murders 12 years ago in Vegas
00:07:18Lots of girls murdered parts of their bodies taken wait a second
00:07:23What kind of parts the first one had her finger cut off and the second?
00:07:28Had her toes clipped off with pruning shears and the third had her ears sawed off her head and the fourth had her lungs
00:07:34Cal and so on and so forth till tonight number 19 and she had a brain scooped out
00:07:39I'll have the zucchini bulger burger and bring one for my partner too
00:07:43Yeah, I remember you telling me about this you and Deke Taylor finally caught the guy
00:07:47so
00:07:49What's the connection? Well, it seems the killer was using the parts for some kind of ritual or something
00:07:56some deranged Egyptian
00:07:59psychotype
00:08:01Summit Cairo
00:08:03Well, Deke got tipped off and we went to pick the guy up and he ran like I'll chase them all over the place
00:08:10Then Deke lost it. I mean he started shooting. He shot the guy to pieces
00:08:17Pizza
00:08:27I'm
00:08:27a
00:08:29Food
00:08:30Lo correct
00:08:31And
00:08:31Dum
00:08:31I'm
00:08:32ham
00:08:32Uncle
00:08:32Big
00:08:33And
00:08:34Do
00:08:34Tell
00:08:34Anything
00:08:36Alright
00:08:36Tell
00:08:37Administrative
00:08:38documents
00:08:38Ticky
00:08:39Has
00:08:40The
00:08:41Cu
00:08:43What
00:08:44Well
00:08:44I don't know.
00:09:14I don't know.
00:09:44Yeah, I remember.
00:09:59You were real cut up about it.
00:10:01Had a complete nervous breakdown.
00:10:03You want to keep it clean, will you?
00:10:04Yeah.
00:10:04Okay.
00:10:05And then your wife left you for that other cop?
00:10:07Hey, hey, you want to keep it down, sweetie?
00:10:09Sure thing, buddy.
00:10:10Because of that sex problem.
00:10:12Wait, will you shut up?
00:10:13Easy, Joe.
00:10:23Joe, listen to me.
00:10:25I know what your problem is.
00:10:27I know what it is.
00:10:27I'm dying to find out.
00:10:29You need a wife.
00:10:30Someone to come home to.
00:10:32To a wife that cares, a home, things that really count.
00:10:36Without those things, my life would be as pathetic and full of emptiness as yours.
00:10:40Emptiness?
00:10:41Yeah.
00:10:42Listen to me, Joe.
00:10:44I honestly don't know how you stand the loneliness of porn.
00:10:54Okay, buddy.
00:10:56Get a good rest.
00:10:58Sweeney.
00:10:59What is it, Joe?
00:11:00There's something else I got to tell you.
00:11:03What?
00:11:06I knew those girls.
00:11:09What girls?
00:11:11The girls that got murdered.
00:11:13I knew them.
00:11:15You knew them?
00:11:16You knew those girls?
00:11:20All of them.
00:11:25See you back at the station, partner.
00:11:30Erna, where are you?
00:11:57I'm in the kitchen!
00:12:00One, two, three, four, to the sky!
00:12:03Haven't I asked you a million times to empty your ashtrays?
00:12:08Where have you been all night?
00:12:09I'm in one of those curtains.
00:12:12Sweeney.
00:12:13I wish you could spend more time at home.
00:12:16We need to have more quality time together.
00:12:19I know I got a job to do.
00:12:20You'll love that job more than me.
00:12:23You'd rather look at dead people than look at your own wife.
00:12:27Hey, we don't get ones like this every day.
00:12:29You see, pretty girl.
00:12:30Oh, why not?
00:12:31Well, Erna.
00:12:32You think I can't be pretty?
00:12:34I do everything you ask me.
00:12:36I exercise real hard.
00:12:38I fix your meals the way you ask me.
00:12:41Why don't you just stop?
00:12:43No!
00:12:45Don't say it!
00:12:46Don't say it!
00:12:47Don't you dare say it!
00:12:56Falling for a time.
00:12:59One thing at a time.
00:13:01I was just going to say...
00:13:02No!
00:13:03No!
00:13:03No!
00:13:03Oh, my God.
00:13:33Good morning, Sarge.
00:13:45Morning, Mavis.
00:13:47You up early this morning?
00:13:49I haven't been to bed.
00:13:51Rainy nights are slow.
00:13:53I'm cold.
00:13:55How about a cup of coffee and a cuddle, huh, Joe?
00:14:00It's on the house.
00:14:03Okay, Joe, sorry. I forgot.
00:14:07Just a cup of coffee?
00:14:13Sorry, Ashley.
00:14:15Here's your breakfast.
00:14:17Papaya and pinto beans.
00:14:20Real healthy.
00:14:22Oh, that's you.
00:14:25Not much, Larry. Pretty much the same deal.
00:14:27Young girl murdered. Part of the body removed from the crime scene.
00:14:30That's terrible, Sargeant.
00:14:32Yes, it is, Larry.
00:14:33Just what was it that was missing this time?
00:14:36Her brain, Larry. Her brain was gone when we got here.
00:14:39Her brain.
00:14:40That's right, Larry. Her brain.
00:14:42I heard it.
00:14:44Where are you going? There's more.
00:14:45Girl who was killed. Was she pretty?
00:14:48Pretty?
00:14:48I bet she was pretty, wasn't she?
00:14:51Someone sawed off the top of her head and ripped on her brains.
00:14:55Does that sound pretty to you?
00:14:57Pretty messy is more like it.
00:14:59Why are you yelling at me?
00:15:02What's the matter with you?
00:15:04What's the matter with me?
00:15:07One, we're homicide cops.
00:15:10And my partner can't stand beside it blood.
00:15:14Two, I find out he mysteriously knows all the victims.
00:15:18And three, the only other suspect is a guy who's been dead for 12 years.
00:15:24Er, I need some quality time in the sack.
00:15:29Wake me in a couple of hours.
00:15:30Are you mad at me?
00:15:38What?
00:15:40Are you mad at me?
00:15:43I can't understand you.
00:15:45You've got to keep fresh batteries at that thing.
00:15:55Another one bites the dust.
00:15:58Erna,
00:15:58Just give up.
00:16:19It's quitting time, honey.
00:16:21I've got to go home and eat my oatmeal.
00:16:24I've got to go home and eat my meal.
00:16:26Oh, that's a lot of hot cereal.
00:16:54Oh, my God.
00:17:24Why don't you take off those sunglasses?
00:17:43Okay, okay, don't be so rough.
00:17:46Your face isn't the important thing, is it?
00:17:48Well, let's freshen up a bit and see what Mr. Zucchini has to say about it.
00:17:58He's the important one, isn't he?
00:18:04Oh, you are going to love where this lipstick winds up, lover.
00:18:09I just love a splash of color, don't you?
00:18:24Hey, I like kinky, too.
00:18:26Just what this same fucking hill is going on here?
00:18:43What are we, a travel agency?
00:18:45Now we buy plane tickets?
00:18:47Do you know who I just got off the phone with?
00:18:49Do you want to guess?
00:18:54Your darling wife and two lovely children, James and Murray.
00:18:58I hate my wife.
00:18:59I hate my children.
00:19:02The commissioner is that new.
00:19:04Who just got off the phone with a D.I.?
00:19:06Who just got off the phone with a mayor?
00:19:09Who just got off the phone with a governor?
00:19:10Do you want to know what we were talking about?
00:19:17Uh, the, uh, uh, the murders.
00:19:21The murders?
00:19:22What murders?
00:19:24The murders that have been happening.
00:19:26No!
00:19:28We were talking about the impending murders of two geek detectives
00:19:35who happen to be the lousiest cops on the force.
00:19:40Try to understand.
00:19:51He's been under tremendous pressure lately.
00:19:58And who the hell authorized one tourist class ticket from Las Vegas
00:20:02for a certain D-tail?
00:20:06The, uh, murders resemble this series of, uh,
00:20:10killings that took place in Vegas a number of years ago
00:20:14and in which Deke Taylor was the officer in charge of the investigation.
00:20:19Oh, yeah.
00:20:19In Las Vegas case.
00:20:22Well, that led to your nervous breakdown and your divorce.
00:20:26You had a sexual problem.
00:20:28Yeah, you had a sexual problem.
00:20:31We got another one.
00:20:32Another murder.
00:20:34On Maple and Fortia Street.
00:20:35That's an East Street hooker by the name of Mavis Keillor.
00:20:38No, chief.
00:20:39No, you can't.
00:20:40No, put, no, give me that.
00:20:42You put that thing down.
00:20:46Easy, chief.
00:20:49You can't shoot him in the station.
00:20:51Locker.
00:20:56Oh, my God.
00:20:58This Taylor guy better be worth it
00:21:01or I'll tear your head off your body with my bare hands.
00:21:05Oh, my God.
00:21:24Oh, my God.
00:21:28Oh, you're so cute.
00:21:46My poor darling.
00:21:49You're shaking.
00:21:51What are you scared of?
00:21:58Hey, what are you doing, Spolo?
00:22:05Hey, let me up out of here.
00:22:06I'm going to tip your teeth out.
00:22:08Hey, what are you doing?
00:22:10What's that?
00:22:13What, do you need some help with your hose, you dork?
00:22:17Hey.
00:22:23You creep.
00:22:25You pay for that glass, you jerk.
00:22:28That thing make you feel big enough?
00:22:30Nothing.
00:22:31You're sitting in probably getting stuck.
00:22:34Oh, you're so stupid.
00:22:36No, I'm so stupid.
00:22:42Oh, no.
00:22:43Oh, no.
00:22:45Oh.
00:22:46Oh.
00:22:46Oh.
00:22:47Oh.
00:22:47Oh.
00:22:48Oh.
00:22:48Oh.
00:22:49Oh.
00:22:50Oh.
00:22:50Oh.
00:22:51Oh.
00:22:52Oh.
00:22:52Oh.
00:22:53Oh.
00:22:53Oh.
00:22:54Oh.
00:22:54Oh.
00:22:54Oh.
00:22:55Oh.
00:22:56Oh.
00:22:56Oh.
00:22:57Oh.
00:22:57Oh.
00:22:57Oh.
00:22:57Oh.
00:22:57Oh.
00:22:58What's that?
00:23:26Bacher, no!
00:23:29Joe, don't do it!
00:23:33Joe, don't! It's me, Didi!
00:23:35Joe, don't shoot me!
00:23:36What are you doing?
00:23:37What are you doing?
00:23:38Joe, don't! It's me, Didi!
00:23:41Huh?
00:23:42It's me, Didi Taylor!
00:23:46Where'd you get in here?
00:23:47Ashley let me in. Your door was open.
00:23:50I was so anxious to get here. I took an earlier plane.
00:23:54Oh, I talked to you on the phone.
00:23:56Right!
00:23:59Please don't do that!
00:24:01I'm sorry.
00:24:06Hi, Joe. Hi, Miss.
00:24:08I went in the car. Don't forget about Taylor.
00:24:11I'm Taylor.
00:24:17Taylor?
00:24:18Didi Taylor.
00:24:20Didi Taylor?
00:24:21I didn't recognize her. I haven't seen her since you were a kid.
00:24:27This is Sweeney Birdwell, my partner.
00:24:32This is Didi Taylor, Deke's daughter.
00:24:35His daughter.
00:24:36His daughter!
00:24:38Hi.
00:24:39Hi.
00:24:40Hi.
00:24:41Hi.
00:24:45So did you come with your father? Where is he?
00:24:50He's not here.
00:24:51He disappeared 18 months ago without a trace. I'm afraid that he's dead.
00:25:06Could you excuse us, Miss?
00:25:08She thinks Deke Taylor is dead.
00:25:09I know. I heard her.
00:25:10I thought you talked to Deke on the phone.
00:25:11I talked to Deedee.
00:25:12I hadn't talked to Deke.
00:25:13She said to wire a plane ticket right away, and she would take care of everything.
00:25:19She's always a weird kid.
00:25:21Now she's a weird big person.
00:25:23Joe.
00:25:25The chief said he was going to tear your head off your body.
00:25:29If this is a weird kid.
00:25:30Now she's a weird big person.
00:25:32Joe.
00:25:34The chief said he was going to tear your head off your body.
00:25:37If this is a weird kid, she's going to tear your head off your body.
00:25:40If this Taylor wasn't worth it.
00:25:44What does this suggest to you?
00:25:47That we're in deep shit.
00:25:49I don't know what you're trying to do, Miss Taylor, but you've broken several laws here, including impersonating an officer.
00:25:54The ticket was made out to Deedee Taylor, and I am a bona fide law enforcement officer.
00:26:02What is regulated parking control?
00:26:05Me to me. She's a me to me.
00:26:06Me to me?
00:26:07We're dead men, Joe.
00:26:08I can help you solve this case.
00:26:11I have my father's notes, and I've been really working hard on it.
00:26:13We're taking you back to the airport.
00:26:15There's no return flights until tomorrow.
00:26:16We'll find one.
00:26:17Get your hands off me, you jerks!
00:26:19I came here to find out what happened to my father, and I'm not going back until I do.
00:26:23And I'm going to scream until you shut up and listen to me!
00:26:25We're not collecting dimes here, Miss Taylor.
00:26:27We're tracking down a serial killer.
00:26:31If you listen to me tonight, I'll take a plane home tomorrow.
00:26:33You're getting back in the car!
00:26:34I can help you solve this case!
00:26:39I can help you solve this case!
00:26:41You're a pain in the ass.
00:26:44Doesn't hurt to listen.
00:26:46What do you say, Joe?
00:26:48Deep, deep shit.
00:26:50Yes, Mrs. Birdwell, using the state-of-the-art behavioral modification systemics, we can free you from the tyranny of tobacco which has enslaved you all these years.
00:27:04The choice is yours.
00:27:09What do I do?
00:27:10Please, have a seat, Mrs. Birdwell.
00:27:21We'd like you to watch a short presentation.
00:27:25Are we quite comfortable?
00:27:28Fine.
00:27:30I'll be back shortly.
00:27:40I'll be back shortly.
00:27:41Got a seat.
00:27:42You are very smart.
00:27:44I'll be back.
00:27:46Let's go.
00:27:47I'm really smart about what you have left.
00:27:48I'll be back.
00:27:50We're really smart.
00:27:53I'll be back.
00:27:55You can walk myself out.
00:27:57To me, I'll be back.
00:27:59You're really smart.
00:28:00My cat.
00:28:02I'm wonderful.
00:28:04I'm afraid you can't stop me now.
00:28:06I'm brave enough to win.
00:28:08Oh, my God, oh, my God, oh, my God!
00:28:38Oh, my God, oh, my God!
00:29:08Well, maybe just a little bit.
00:29:10But when you told me about all these murders and how they match the Las Vegas killings and the Egyptian clues, I just had to get here.
00:29:17You just had to get here. Compliments of the police.
00:29:19Yeah, because I'm sure the killings are connected with Daddy's disappearance.
00:29:22Oh, are you sure?
00:29:23Yeah.
00:29:24Uh, where are you, car? 107?
00:29:26Uh, 107, overcommitted.
00:29:29Uh, this is 107, but over.
00:29:31Where the hell are you two geeks?
00:29:35On our way to the airport.
00:29:36Well, there's another one at Box Elder Park. God damn it.
00:29:39Another airport in Box Elder Park, you sure, Chief?
00:29:42Uh, oh, another murder.
00:29:44We're on our way.
00:29:46Pick up this Taylor guy first, and you say it's going to help us so much.
00:29:50Uh, he doesn't know very much, so we thought, uh, we'd take him back.
00:29:54God damn it, I paid for him, and I won him.
00:29:57If you arrive here without Taylor, I'll have you both killed. Over!
00:30:04The killings occur closer together now.
00:30:07This one should be the eyes and the digestive tract.
00:30:12This one should be the eyes and the digestive tract.
00:30:15This time he took her eyes and digestive tract.
00:30:19Whew.
00:30:21How do you think he did it?
00:30:22Easy.
00:30:23High-powered industrial shop vacuum.
00:30:27Sucked it right out.
00:30:28It's all like one long string, you know.
00:30:33Yank on one end, and it all comes in.
00:30:41Please, Mr. Book.
00:30:43Is it like what I said?
00:30:44Stay in the car.
00:30:45Damn it.
00:30:46We ought to listen to her.
00:30:48Maybe we ought to worry how we're going to explain it to the Chief.
00:30:51But how did she know what the missing parts would be?
00:30:56We should listen to her.
00:31:00Joe.
00:31:01Take it easy.
00:31:05You know this one, too, right?
00:31:08Yeah.
00:31:09Right.
00:31:10Another one from Vegas.
00:31:14Betty and the Bootsy Twins.
00:31:17Former showgirl.
00:31:19That Betty and I go back a long way.
00:31:21I get it.
00:31:23Before T.S.P.
00:31:25For what?
00:31:26Before T.S.P.
00:31:28The sexual problem.
00:31:34That's the last goddamn time
00:31:37I'm ever going to hear that from anybody.
00:31:40Don't hesitate.
00:31:41Don't think about it.
00:31:42Just do it, please.
00:31:44Joe, stop it.
00:31:46I'm sorry, sweetie.
00:31:52But you're an asshole.
00:31:54I was just kidding around.
00:31:56When this case is over,
00:31:58you and I are caught.
00:32:01Oh, come on.
00:32:03Joe.
00:32:03I was just kidding around.
00:32:06Joe.
00:32:08Come on.
00:32:09Did I hear you say that all the victims were from Las Vegas?
00:32:15All the victims are from Las Vegas?
00:32:17Shh.
00:32:17What?
00:32:18Then there's got to be a definite connection to the Cairo case.
00:32:22Don't you get it?
00:32:24You see, the killer's brother was the one that tipped my father off.
00:32:31A guy named Jackie Cairo.
00:32:34A small-time casino shark into real estate.
00:32:37Well, Jackie discovered that his brother, Semet, was a murderer
00:32:40and went straight to the police.
00:32:42What the hell is going on here, Jackie Cairo, Las Vegas?
00:32:45Who is this person, anyway?
00:32:46D.D. Taylor, Las Vegas Law Enforcement.
00:32:51D.D.
00:32:53D.D.
00:32:53I thought you said D.D.
00:32:54So, here's what we've got so far.
00:32:56A series of murders which echo exactly the frequency and M.O.
00:33:00of the Las Vegas killings.
00:33:02All of the victims happen to be from Vegas.
00:33:05Two weeks before your murders began,
00:33:08word is Jackie Cairo picked up and left Vegas.
00:33:13So?
00:33:15He moved here.
00:33:17A suspect.
00:33:18A suspect.
00:33:18I can't believe it.
00:33:19An actual suspect.
00:33:21Chief, you don't understand this.
00:33:22Understand this, Blocker.
00:33:24I want her in charge when you look up this Cairo guy.
00:33:28You listen to her.
00:33:30She'll be the brains.
00:33:31You be the brawn.
00:33:32And the M.E. wants to see you in the autopsy room pronto.
00:33:37He says he has something he wants to show you.
00:33:42He confided in me to know it was absolutely vile.
00:33:45Well, that's really something for the medical examiner to say, isn't it?
00:33:50It's great to see you here, Joe.
00:33:56You've got to come down more often.
00:33:58This is a happy place, isn't it, girls?
00:34:00Sure is, Dr. Hooper.
00:34:02We have fun, you know?
00:34:03Look at this, Joe.
00:34:08You can tell by the ragged stump of the splenic artery in that a rapid sawing motion was used to cut this baby out.
00:34:15I'd guess a hedge trimmer.
00:34:16Interesting that the spleen could be removed without the surrounding organs suffering any trauma, especially with the weapon the killer was using.
00:34:26Sure somebody knew what they were doing.
00:34:28What's this thing?
00:34:32Surprise!
00:34:34Another note!
00:34:40We're in hieroglyphics like the other one.
00:34:42This is a real problem.
00:34:45I can decipher them.
00:34:47Daddy showed me how you do it once.
00:34:49Of course.
00:34:51Come on, let's get out of here.
00:34:52Hey, not so fast, Joe.
00:34:55Today is Flo's birthday.
00:34:57Kel made her famous tomato salmon casserole.
00:35:00Show him, Kel.
00:35:01That's a hundred and fifty big one, Jomie, sweetie.
00:35:24Hey, what happened to your lip?
00:35:26Hey, what happened to my hundred and fifty bucks?
00:35:31Monday, goddammit.
00:35:34Come on.
00:35:38You finished?
00:35:43Fuck off.
00:35:47Tomato salmon casserole.
00:35:49nos?
00:35:51Oh, that's it.
00:35:53Oh.
00:35:54Oh, whatever.
00:35:54Oh.
00:35:59Basketballism.
00:35:59Oh, yeah.
00:36:00Oh, yeah.
00:36:02I love it.
00:36:06hug your head.
00:36:08Oh, yeah.
00:36:11Oh, yeah.
00:36:11Oh, yeah.
00:36:12Oh, find out her glory.
00:36:17For all, yeah.
00:36:18Come on, come on, come on.
00:36:48Don't be discouraged, Mrs. Birdwell.
00:37:14We have alternate techniques for difficult cases such as yours.
00:37:18I'd like you to meet Henry, your physical therapist.
00:37:29Hi.
00:37:31Now, Mrs. Birdwell, will you inhale, please?
00:37:36Good?
00:37:39Now, Mrs. Birdwell, could you inhale again, please?
00:37:54I got it! I think I know what they say.
00:38:05It's pretty weird. Listen to this.
00:38:09First one.
00:38:11So shall it be three times seven begins to brew the loss of heaven.
00:38:22Three times seven equals 21.
00:38:28The total number of the Las Vegas killings.
00:38:31If you get to brew the loss of heaven,
00:38:37instead in blackness, void of breath,
00:38:41they'll weep and swallow endless death.
00:38:48What's the matter with you guys?
00:39:09D.C.T.
00:39:12Shut up!
00:39:13It's only Sweeney's wife.
00:39:16I'm crying out loud!
00:39:20Berna.
00:39:22Did...
00:39:25Did...
00:39:26Did Dee Dee Taylor of the Las Vegas police
00:39:27work in the case of this?
00:39:29Please.
00:39:30what happened to you come on
00:39:38crimey what happened to her it's a long story kid you don't want to hear it and i don't want to tell
00:39:51it hey your hiccups are gone you're right she works every time i uh i gotta get a glass of water
00:40:19or something
00:40:21would you
00:40:27oh god damn things never affect you give me that thing go inside and play detective
00:40:39you and that girl find some more clues
00:40:42super
00:40:46testing one two three testing sound good on the air again
00:40:57thanks joe you're a sweetheart
00:41:00okay kiddo
00:41:03you want to tell me what happened
00:41:07it doesn't make any difference joe
00:41:12nothing makes any difference anymore
00:41:19she's pretty isn't she joe
00:41:21her
00:41:23yes admit it you think she's pretty
00:41:26pretty ugly is more like it she picks her nose and she hiccups and burps
00:41:35oh joe i see right through you you're just a romantic at heart that's a funny thing to call an old woman hater like me
00:41:46you don't hate me
00:41:49oh of course notron
00:41:50the
00:41:51you're not a woman
00:41:54oh i mean you're not a woman like the rest of them i mean you're uh... you're different
00:41:59i mean you're special
00:42:03special. I'd better, uh, get back out into the circus, so.
00:42:19What's this, Verna?
00:42:21Your favorite. Semolina Kurtz Broutburgers.
00:42:25Great. Thank you very much, Mrs. Birdwell. Looks so healthy.
00:42:30Well, you're welcome.
00:42:38Through the loss of heaven, swallow endless death.
00:42:43Swallow endless death.
00:42:45Well, it sounds like the formula.
00:42:48What is so neat about this Egyptian formula that some nut is killing people for it?
00:42:54Eternal life, sweetie.
00:42:57I mean, the formula is thought to place a body in a state of purity, cleansing it of all earthly contamination, which will ensure an afterlife of perpetual ecstasy.
00:43:10Perpetual ecstasy?
00:43:12A person who is old and diseased?
00:43:14They would enjoy the afterlife forever in a young, beautiful body.
00:43:18But could this formula work on the living?
00:43:21Well, someone's trying to see if it does.
00:43:23But where do we start looking for this Jackie Cairo?
00:43:28The Egyptian part of town.
00:43:43Long time since we've been down here, huh, Joe?
00:43:45This place gives me the heebie-jeebies.
00:43:46Yeah, me too.
00:43:47Why's that?
00:43:48Cops don't come down here much.
00:43:49The place has its own laws.
00:43:50They don't want us down here.
00:43:52Oh!
00:43:53My gosh.
00:43:54My gosh.
00:43:55My gosh.
00:43:56Come on.
00:43:57Why, boy?
00:43:58I'm dead, my gosh, Dude.
00:43:59No!
00:44:01Anyway, wait, we've got a job, huh?
00:44:02No, is it?
00:44:03You're not going to ask me for lying?
00:44:04No, is it?
00:44:05You're not going to ask me for offices.
00:44:06I've got a job.
00:44:07No.
00:44:08You're not going to do it for a while.
00:44:09And it's going to go on now.
00:44:11You're not going to buy the back.
00:44:12Okay, I've got a job.
00:44:14I'm going to go on now.
00:44:16You're not going to go to the kitchen.
00:44:17How are you doing?
00:44:18What's that?
00:44:19Yes, and me too.
00:44:20What's that?
00:44:21Oh, I hate this. This happens every time we come down here.
00:44:26We'll never find Jackie Cairo here.
00:44:28Did you bring the phone book to Egyptown, Birdwell?
00:44:30Yeah, there are a million Kairos with a initial J.
00:44:40It's a very common Egyptian name, but you don't have to bother.
00:44:45What do you mean?
00:44:45Cairo was into all kinds of shady land deals in Vegas.
00:44:48Well, real estate agents have to be licensed in the state in which they operate.
00:44:52So, I traced Cairo's application, and I found his business address in Egyptown.
00:44:57Of course.
00:44:594400 Zozer Court, the Café Nefertiti.
00:45:03Let's go!
00:45:084400 Zozer Court, the Café Nefertiti. This is it!
00:45:14An automobile has arrived.
00:45:18Are you ready, Vince?
00:45:19Oh, yes, Mr. Cairo. I think so.
00:45:23You got a pencil, stupid girl?
00:45:25Yeah. I almost forgot.
00:45:27How about an order pad?
00:45:29Oh, yeah.
00:45:32Oh, so stupid.
00:45:33Here, don't forget the menus.
00:45:47Oh, thank you.
00:45:47I forgot those.
00:45:49You have brought me an exquisite flower, Lobar.
00:45:57Perhaps the best of all of them.
00:45:59But you must be more careful with her.
00:46:02I do not want her bruised.
00:46:05But she is so stupid, Grey One.
00:46:07She is beautiful.
00:46:09You are fat and ugly.
00:46:11I said I do not want her bruised.
00:46:18I don't know.
00:46:19I don't like this.
00:46:20I don't, yeah.
00:46:21Make sure you just look around.
00:46:24You let us do the talking.
00:46:26Aye, aye, Dick Tracy.
00:46:27Aye, aye, Dick Tracy.
00:46:57I can't find my help, huh?
00:47:01In the Fratis de Gourmet drive-in?
00:47:03May I help you?
00:47:06The waiters will be right with you.
00:47:17Look behind you towards that corner.
00:47:20Don't be obvious.
00:47:24Oh, shit.
00:47:27I think he's staring at me.
00:47:36I don't like it.
00:47:37All right, look, let's just take it slow.
00:47:39This could be a problem.
00:47:40Remember, a problem is just an open door to opportunity.
00:47:47Something tells me it's Jackie Cairo.
00:47:49Welcome to Café Nefertiti.
00:48:11Nefertiti.
00:48:12Nefertiti.
00:48:15I'm sorry.
00:48:16It's my first day in the job.
00:48:18I'm nervous.
00:48:19That's okay.
00:48:20That's a real pretty costume.
00:48:24Really adds atmosphere.
00:48:26It's nice, isn't it?
00:48:27It's dynamite.
00:48:28Who would I talk to about a job?
00:48:30Is your boss here?
00:48:31What's the King Tut special?
00:48:36Um, excuse me.
00:48:39I'll go see.
00:48:40Forget it.
00:48:42I have a bird head show.
00:48:44I'll have a cheeseburger.
00:48:46Ketchup, no onions, and a cup of black coffee.
00:48:49One camel burger with goat cheese and ketchup!
00:48:51Camel burger, goat cheese, ketchup!
00:48:53Oh, the couscous one.
00:49:11Me too.
00:49:12Two couscous!
00:49:14Your order will be ready in just a second.
00:49:17Oh, wait, miss.
00:49:18Is that your boss in the back there?
00:49:20I really would like to talk to him about a job.
00:49:23Let me check.
00:49:32Oh, I'm sorry.
00:49:35What the hell do you think you're doing?
00:49:36I said we'll ask the questions.
00:49:38The only thing I've heard you ask is what the King Tut special was.
00:49:41Somebody's got to take the initiative.
00:49:47Oh!
00:49:53Who are those people?
00:49:56Customers, I guess.
00:49:58Why don't you feed them in the parking lot?
00:50:00You know we don't like outsiders in here.
00:50:02She is so stupid.
00:50:04And you are fat and ugly.
00:50:08They do not look like customers to me.
00:50:12Name you, Marsha.
00:50:14I'm patient.
00:50:15Your time will come.
00:50:16The girl wants to ask you about a job, Mr. Cairo.
00:50:19She likes the costumes that we have to wear.
00:50:22I think she's nice.
00:50:24What should I tell her?
00:50:27Let me think, child.
00:50:29All right.
00:50:29Excuse me, guys.
00:50:44Hey, I talked to Mr. Cairo, and he says he needs a new waitress.
00:50:48He wants to talk to you.
00:50:49That's great!
00:50:51Dee Dee.
00:50:51Dee Dee Taylor.
00:50:52My name's Grace.
00:50:54We're going to have so much fun together.
00:50:56I just know it.
00:50:58What's our boss like?
00:50:59Very mysterious.
00:51:00Oh, he is mysterious.
00:51:02But he is so nice.
00:51:04You know, I met him in Las Vegas when I was really down and out.
00:51:07But then he paid for my bus ticket so I could come up here and start my new career.
00:51:12That's a waitress.
00:51:14He says he's even going to give me lessons.
00:51:16Lessons?
00:51:17Waitress lessons, you know.
00:51:19No way, Taylor.
00:51:20It's out of the question.
00:51:21That waitress is in danger.
00:51:22I've got to warn her and find out all I can about her boss.
00:51:24She's going to meet with him later tonight.
00:51:26I said no way.
00:51:27Here's her address.
00:51:28I copied it down for you.
00:51:29Now, I might need some backup when I go in the motel.
00:51:32Back up my butt.
00:51:34I'm staying at that motel.
00:51:36I'm asking a few questions.
00:51:37I'm getting a few answers.
00:51:39I'm going to find out what will happen to my father if it kills me.
00:51:41And if it doesn't, I'm going to see that killer fry until his earwax bubbles.
00:51:45And if you try and stop me, I'll tell the chief that you interfered in this investigation
00:51:54and he'll shoot you where you stand.
00:51:55Okay.
00:51:57I'll see you in the然one.
00:52:01I'll see you in the meantime.
00:52:03You look good.
00:52:05Let me see you in the meantime.
00:52:09Yes, beautiful lady.
00:52:29How may I be your sister?
00:52:31I would like a room, please.
00:52:33Certainly. That'll be $12 even.
00:52:39Anything else I could help you with, my dear?
00:52:45Yes. I would like something for later.
00:52:48I know exactly what you mean.
00:52:52If I may suggest a special device with the...
00:52:55No!
00:52:57I meant something to drink. A cup of tea.
00:53:02Could that nice waitress from the restaurant bring me some?
00:53:05We don't normally offer room service.
00:53:09But for a delicate water lily, even the wind must bend.
00:53:14I will see to it personally.
00:53:19You sure you wouldn't like the heat-seeking device?
00:53:23Come on.
00:53:26Come on.
00:53:34Come on, you creep.
00:53:35Somebody's ë”› interest.
00:53:36I don't know what you're talking about.
00:53:53Figures. I will get all the good ones.
00:53:54Get all the good ones.
00:54:24Get all the good ones.
00:54:54Get all the good ones.
00:55:09Girls alcohol, girls. What's your pleasure?
00:55:12Girl, it's Sandy.
00:55:13I've been ringing every ten minutes for an hour.
00:55:15There's nobody here, and it's rainy.
00:55:17Dammit, I want to...
00:55:19I know.
00:55:22Many miles through the snow.
00:55:26Just a working supermarket or something.
00:55:30Okay, I'm gonna get a cab and come in, all right?
00:55:33All right, bye.
00:55:41You gotta be kidding.
00:55:43Two-bit whore without a quarter.
00:55:45It's not my day.
00:55:47Mister, you got a quarter?
00:55:55Oh, yeah.
00:55:56Hey, if you don't have a quarter, that's okay, too, Mitch.
00:56:00Come on.
00:56:30To be continued...
00:57:00To be continued...
00:57:30Hate of the ass. She's been in there over two hours.
00:57:33You gotta stay and wait for her, John.
00:57:36Yeah, right. If she gets killed, it'll save us a trip back out here.
00:57:41You're a warm and caring person, Walker.
00:57:44Uh, 107, go ahead, over.
00:57:47There's been another murder at 226 Fox Elder Lane.
00:57:50Chief wants you guys here on the...
00:57:51So that's your address? That's your address, Joe!
00:57:54No, it's my address. We gotta get over there!
00:58:09Who is it?
00:58:11It's me. Room service.
00:58:15Grace, I never thought you'd get here.
00:58:21This is such a creepy place.
00:58:23You're gonna love this one, Joe. You're just gonna love it.
00:58:38Well, leave me alone, will you?
00:58:39Well, this one's a blockbuster.
00:58:41Two thumbs up on this one.
00:58:42Sweeney, go check it out.
00:58:44Come on, Joe.
00:58:45Even got a note in English this time.
00:58:47Look, I'll be right over in France.
00:58:49The trouble is, it doesn't make any sense.
00:58:52What do you mean?
00:58:52She's not a meter maid.
00:58:54What'd you say?
00:58:55She's a hooker, not a meter maid.
00:58:58What the hell is going on?
00:59:23Where's the fire blocker?
00:59:24Taylor's in trouble. I gotta get back to the motel.
00:59:26You're the ones in trouble. Is that your apartment house?
00:59:28What are you getting at?
00:59:29Can anyone verify where you were in the last 60 minutes?
00:59:33Sure. Sweeney here.
00:59:34Geeks.
00:59:35Not included.
00:59:37God, I can't talk now. Come on, Sweeney. Let's grab him.
00:59:39Dammit, there's a girl about to be murdered.
00:59:42A girl who was murdered.
00:59:44Sandy Kleinbacher from Las Vegas.
00:59:46You knew all of them in Las Vegas,
00:59:48where you were under psychiatric care after your breakdown.
00:59:52And then you move here and the murders start all over again.
00:59:55You've always been a woman-hater, and everybody knows it.
00:59:59Bullshit!
01:00:00Is it? Is it?
01:00:02When you told me everything, that's why she left you.
01:00:05Oh, I know all about you, blocker!
01:00:08Wendelin didn't know shit!
01:00:10She kicked me when I was down.
01:00:11That's all she ever known.
01:00:13No one deserves that silly twat more than you!
01:00:15What do you call my wife?
01:00:20A twat!
01:00:22I can come down there.
01:00:26Take one, I'll...
01:00:27Oh, no, you don't!
01:00:30Oh, yes, I do.
01:00:33I was standing for a geek!
01:00:35Come on, sweetie!
01:00:39Oh!
01:00:41Oh, six!
01:00:47Where's my one, six?
01:00:51Five...
01:00:52Diddy!
01:00:54It's a briefcase!
01:00:56He's got her!
01:00:57Shh!
01:00:59The address.
01:01:01She gave you the waitress's address.
01:01:02The waitress can tell us where to find Cairo.
01:01:05Shit, where did I put it?
01:01:08The parking lot!
01:01:10You threw it out the window!
01:01:15You seem very interested in a poor businessman
01:01:18down in Egypt.
01:01:20Why is that?
01:01:23I just wanted to apply for Java's waitress.
01:01:27Girl likes to know who she's working for.
01:01:29Yes.
01:01:30So our lovely Grace has told me.
01:01:35You know, of course, my waitresses are very special.
01:01:38They possess very special qualities.
01:01:42I trade them personally.
01:01:45Hold her.
01:01:45Hey, what are you doing?
01:01:48We discussed special qualities.
01:01:52I'm going to see if you have them.
01:01:54Stop it!
01:01:55Oh, you will show me, child.
01:02:00You will show me all.
01:02:13Unfortunately, I have a previous appointment.
01:02:17Anoint her body
01:02:18in special oils.
01:02:22Dress her in lovely garments.
01:02:26Then lock her ass up until I get back.
01:02:33This is a parking ticket.
01:02:35I can't believe someone just threw away a parking ticket.
01:02:37You just can't ignore this thing.
01:02:38Sweeney, will you put that down
01:02:39and just keep looking?
01:02:41Right here.
01:02:42Here.
01:02:42Here.
01:02:42I found it.
01:02:43Let's go.
01:02:43Okay.
01:02:44Okay.
01:02:44Okay.
01:02:48It's time for your lessons, my child.
01:02:58Mr. Cairo, come on in.
01:03:01I'm so happy you're willing
01:03:21to spend all this time with me.
01:03:22I'm so happy you're willing to spend all this time with me.
01:03:31I just hope you'll let me show my appreciation.
01:03:37Of course, my dear.
01:03:42You.
01:03:49Come, come, come.
01:03:51Come, come, come.
01:03:51Come, come, come.
01:03:56So soft.
01:04:00So pale.
01:04:02Like the translucent underbelly of a lily.
01:04:07Go into the bedroom, Grace, dear.
01:04:10Put on this uniform.
01:04:12Wow, that's a pretty skimpy uniform
01:04:19I don't understand
01:04:23You need only understand
01:04:26That to allow the correct processes
01:04:29To assert their autonomous natures
01:04:31The uniform must be as unencumbering
01:04:35As is humanly possible
01:04:36Trust me, my dear
01:04:41Okay
01:04:44Now, put them on
01:04:48Put them on very quickly
01:04:51This is dark and scary
01:05:15I get the flashlights
01:05:17Let's go
01:05:25Great, wonderful
01:05:43Let's go once again
01:05:46And
01:05:46One, two, three, four
01:05:48Step, two, three, four
01:05:49Climb
01:05:50Two, three, four
01:05:51To the sky
01:05:52Good
01:05:53Wonderful
01:05:55Let's stretch
01:05:56Don't forget to breathe
01:05:58Breathe
01:05:58Two, three
01:06:00One, two, three, four
01:06:02Step, two, three, four
01:06:03Knees high
01:06:04Up
01:06:05Wonderful
01:06:20Energy and calories are burning
01:06:23That's it good, people
01:06:26Keep it going, people
01:06:28One, two, three, four
01:06:29Go on
01:06:30One, two, three, four
01:06:30Step
01:06:30I'm ready, Mr. Kyra
01:06:41I'm ready, Mr. Kyra
01:06:45Should I come out now?
01:07:01Perhaps we will need to remove all of your garments
01:07:05Yes, all of them
01:07:07All the better to see your lovely buttocks
01:07:11Like my other flowers
01:07:13We must begin
01:07:29Oh, yes
01:07:30Oh, just
01:07:32Just
01:07:34Recline on the davenport, my child
01:07:37Recline and relax
01:07:39When I prepare
01:07:42For the documentation
01:07:44Of your achieving perfection
01:07:47As a waitress
01:07:48That's it
01:07:50As a waitress
01:07:52Yes
01:07:54I dare
01:07:56I dare
01:07:57I dare
01:08:05I dare
01:08:08To be
01:08:09I dare
01:08:10I dare
01:08:12I dare
01:08:12You
01:08:12Até
01:08:13I dare
01:08:14No
01:08:14somethin
01:08:15I dare
01:08:16ij
01:08:22Games?
01:08:36Where the hell's Cairo?
01:08:37You better tell us!
01:08:39They're still in his clothes.
01:08:41Where the hell is she?
01:08:42Where the hell is she?
01:08:43They gotta be fucking kidding.
01:08:53I don't think they're kidding me, Joe.
01:08:56They're not kidding, Joe!
01:09:00Shoot him.
01:09:01Shoot him.
01:09:03Better I'll shoot him.
01:09:05Oh, God.
01:09:05Oh, God, shut up.
01:09:06Start with one.
01:09:08This one.
01:09:09Just this one.
01:09:10Just this one.
01:09:13I can't...
01:09:43I can't believe you actually shot those women.
01:09:56Because they're pretty, is that it? Admit it, Sweeney, you think they're pretty!
01:10:02What the hell are you doing here?
01:10:13No, no, no, no!
01:10:43Just in time, Dede. A very important element.
01:10:59The brain binds the broth together in a jelly of fear.
01:11:06Fear the poor girl felt before I ripped it from her head.
01:11:10Fear. Like you're feeling now?
01:11:15You're the killer? Bingo.
01:11:19There's only one more ingredient needed. Something very special.
01:11:26Luma! Oh, thank the gods! Help me! Please, help me!
01:11:31I cannot great one unless she commands me.
01:11:34Oh, get me down, you fat pig! She is not your master, I am your master!
01:11:38She is my master! She has always been my master.
01:11:42Besides, she never calls me fat and ugly like you do.
01:11:46I'm very sensitive about my weight problem.
01:11:49You and Erna, look through there. I'm gonna look down here.
01:12:03How would it come with you, Joe?
01:12:05Sweeney, just do it!
01:12:07Do you know what I need, Dede?
01:12:25Why don't you guess?
01:12:28Tears.
01:12:30Tears.
01:12:31Just tears.
01:12:32Tears from a virgin taken in sorrow.
01:12:35Are you a virgin, kiddo?
01:12:38Aren't we lucky?
01:12:43Go ahead, Lobar.
01:12:44She's yours.
01:12:45But hurt her.
01:12:46Hurt her bad.
01:12:47If you think you're gonna get tears because this bozo bounces me, you're nuts, lady!
01:13:04No tears.
01:13:05No tears.
01:13:06No tears.
01:13:07You wanna bet?
01:13:11No tears.
01:13:12You wanna bet?
01:13:17No.
01:13:21Daddy!
01:13:24Gotcha.
01:13:29Oh, no.
01:13:52Why?
01:13:53Why?
01:13:54To avenge my father.
01:13:56Three men killed him,
01:13:58and three will pay.
01:14:04Number one will be Uncle Jack,
01:14:06who turned my father into the police
01:14:08so he can grab the formula.
01:14:12Oh, are you surprised, Uncle Jack?
01:14:17Stick me away in a con when I walk away?
01:14:20Why don't you walk away from this?
01:14:28No!
01:14:30Oh, no.
01:14:31No!
01:14:32Don't do this!
01:14:33I'm your family!
01:14:34I'm your uncle!
01:14:35Don't do this!
01:14:36Don't do this!
01:14:37Don't do this!
01:14:38Don't do this!
01:14:39Don't do this!
01:14:40Don't do this!
01:14:41No!
01:14:42No!
01:14:43No!
01:14:44No!
01:14:45Oh, no!
01:14:46My God!
01:14:47Grace, don't kill him!
01:14:52More than kill.
01:14:54Much more than kill.
01:14:56Used in pure blood.
01:14:58I've reversed my father's formula for purification.
01:15:01The body is shriveled,
01:15:03and the soul is locked in him
01:15:06until the end of diamond.
01:15:21Eternal damnation city.
01:15:36The body is dead.
01:15:37It's under the size of your father's formula for purification.
01:15:38Only the dead is getting worse.
01:15:39I'm
01:15:41Great!
01:15:42My god!
01:15:43Are you serious?
01:15:44I'm trying to get him out of my life?
01:15:45I'm trying to get him out of my way?
01:15:48You're really impure him.
01:15:49You're not trying to get an?
01:15:50Just go away!
01:15:51Oh!
01:15:52I'm trying to get him out of my way.
01:15:53I'm trying to get him out of my way.
01:15:54The body is still in theamous chair.
01:15:57Daddy!
01:16:03Daddy, I'm sorry.
01:16:09Daddy, I'm sorry.
01:16:25Daddy! Daddy, I'm here!
01:16:28Hold on, please, hold on!
01:16:30And now, Dee Dee, time for number two, Daddy Taylor.
01:16:34If you put him in that step, I swear I'll rip your guts out with my teeth!
01:16:39Now do it to her and do it bad.
01:16:55Ah, ah, ah, ah, ah, ah, ah...
01:17:00My teeth, ah, ah...
01:17:02What the...
01:17:04I can't!
01:17:06You what?
01:17:07I'm trying, I just can't.
01:17:10You make me nervous with that weird costume and everything.
01:17:13You're smiling everything!
01:17:14I need more tears!
01:17:25That's better.
01:17:39Leave her father alone, you crazy bitch!
01:17:44Somebody!
01:17:46Somebody!
01:17:49Help me!
01:17:56Joe!
01:17:57Get off of you, sweaty ape!
01:17:59Or I'll blow your ass off!
01:18:03Take him, Lobar!
01:18:04Yes, highness.
01:18:08Slap him.
01:18:09Or I'll shoot!
01:18:10No matter.
01:18:13I'll kill him!
01:18:14Get down!
01:18:16Charge!
01:18:17Turn around!
01:18:18Get him!
01:18:19Run!
01:18:20Hurry!
01:18:21Run!
01:18:22Just hit him!
01:18:23We're at him!
01:18:24Where are we?
01:18:25Run!
01:18:26Run!
01:18:28Run!
01:18:31Run!
01:18:33Run!
01:18:36Run!
01:18:38Run!
01:18:39Run!
01:18:41Run!
01:18:42Joe!
01:18:43Joe!
01:18:44Look out!
01:18:45Joe!
01:18:46Joe!
01:18:47Joe!
01:18:48Just who the hell are you?
01:18:50Simit Cairo's daughter.
01:19:03Welcome, Joe Blocker.
01:19:06Number 3.
01:19:07My vengeance is complete.
01:19:10Instead, in blackness, void of breath, weep and swallow endless death.
01:19:36Look at her in that outfit!
01:19:38You think she's pretty?
01:19:42It is Anubis, dreadlord of the underground!
01:19:47He comes to take us, highness!
01:19:50It is not Anubis, you fool!
01:19:53Keep him down!
01:19:56It is Anubis!
01:19:57It is not Anubis!
01:19:58It is Anubis!
01:19:59It is Anubis!
01:20:00Oh!
01:20:01Shit!
01:20:02Anubis!
01:20:03It is Anubis!
01:20:05It is not Anubis!
01:20:07It is not Anubis!
01:20:08It is Anubis!
01:20:09It is Anubis!
01:20:10It is Anubis!
01:20:11It is Anubis!
01:20:12Oh, no!
01:20:14Oh, no!
01:20:42If anybody makes a move, she buys it.
01:20:44Ear to little ear.
01:20:46Don't anybody move a muscle!
01:21:12Let the girl go, now!
01:21:31I said let the girl go.
01:21:34Anubis commands it.
01:21:37Damn it! Anubis says let her go!
01:22:07Come on, you guys! This way!
01:22:20This is for my father!
01:22:24Ow!
01:22:29Ow!
01:22:30Don't bite!
01:22:31Ow!
01:22:45Ow!
01:22:46Ow!
01:22:49Ow!
01:22:50Ow!
01:22:51Ow!
01:22:53Ow!
01:22:54Ow!
01:22:59Aw!
01:23:01Oh!
01:23:02You're one!
01:23:03Ow!
01:23:12Oh!
01:23:13Hold it right there, lady. I'll shoot.
01:23:32You better hold my holding. If I take my foot on this safety, this pressure's going to turn your biffle in apple butter.
01:23:43You're under arrest. You have the right to remain silent. Anything you say, candidate, and will be used against you.
01:23:51In the court of law, you have the right to talk to a lawyer, and I have him present with you while you are being questioned.
01:23:58Put it down.
01:23:59No, not this time, no nuts. This time, I'm going to really give you something to remember.
01:24:05I'm going to saw this bitch's face off the throne until you're like a frisbee.
01:24:10Sweetie, shut up!
01:24:12Shut up, sweetie!
01:24:14I gotta read her her rights!
01:24:16Not this time!
01:24:24Sayonara, sweetheart. You can kiss your father in hell.
01:24:28You can kiss my ass in the same place. You're coming with me!
01:24:33Ah!
01:24:35Oh, no!
01:24:45Come on!
01:24:47Come on!
01:24:48Turn!
01:24:49Oh!
01:24:50Oh!
01:24:51Oh!
01:24:52Oh!
01:24:53Oh!
01:24:54Oh!
01:24:55Oh!
01:24:56Oh!
01:24:57Oh!
01:24:58Oh!
01:24:59Oh!
01:25:00Oh!
01:25:01Oh!
01:25:04Oh!
01:25:05You can throw a pit in time now, pussy!
01:25:07It's gonna get ugly!
01:25:08Oh, I wouldn't want to miss this one.
01:25:11I tell you, don't find me out!
01:25:14Left this!
01:25:16Y-y-y-y-y-y-y-y-y-y-y-y-y-y!
01:25:19I can't believe it!
01:25:34My spring ring!
01:25:35Oh, God.
01:25:58Tomato, salmon, casserole.
01:26:05Ha ha ha ha ha.
01:26:07Ha ha ha ha ha.
01:26:09Ha ha ha ha ha.
01:26:11Woo!
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