- 4 days ago
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00:00:00Musique
00:00:30Musique
00:00:32Musique
00:00:34Musique
00:00:36Hey, Randy, are you ready to get started?
00:00:38I think you are.
00:00:40We've got to make some art here, people.
00:00:42Okay, that's it.
00:00:44All right, let's go. Bring that light right here.
00:00:46Down here.
00:00:48All right, that's not it.
00:00:50I need more light than that.
00:00:52You're in the spot.
00:00:54Okay.
00:00:56Good boy.
00:00:58No, I told you. It's too hot.
00:01:00Turn it over. Give me the other flat side, idiot.
00:01:02Come on, let's go. Come on.
00:01:04Oh, Jesus Christ.
00:01:06Come on.
00:01:08All right.
00:01:14Good. Back in it. Back in it. Back in it.
00:01:16That's a good dog.
00:01:18Such a good dog.
00:01:28Good. All right, that's fine.
00:01:30That's a good dog.
00:01:32Good. All right, that's fine.
00:01:34That's a good dog.
00:01:36Hang on, man.
00:01:38Gotcha.
00:01:40Very much.
00:01:42All right, that is great.
00:01:52I think he looks good, don't you?
00:02:08Yeah, we're out of film. All right, take five. We're reloading now.
00:02:11This is the dumbest dog in the whole world. Where the hell did you get such a dumb dog?
00:02:15It's my dog. It's my dog. I trained that dog. I love this dog.
00:02:19And you are as dumb as the dog.
00:02:21All right. Is everybody ready? Is your camera loaded?
00:02:41Yeah.
00:02:42Are we all happy?
00:02:46Then give me the goddamn dog.
00:02:51This program is sponsored by the Women's Press Club of America, along with the Friends of Public Television.
00:03:07I'm Melissa Kent.
00:03:08And I'm Sander Davis.
00:03:10In a few minutes, we will switch our control to the Women's Press Club to honor Emmanuel Griffith as Woman of the Year.
00:03:17Some people may not know the name, but they should be able to recognize the face.
00:03:22At age 25, Miss Griffith has appeared on the front cover of some of the most famous fashion magazines in the world.
00:03:29The covers of Vision, Olay, and Velary, just to name a few.
00:03:34Thank you.
00:03:35Emmanuel, as she is best known, has now become the world's standard of beauty and fashion, and is also a major symbol of the feminist movement.
00:03:44She denies any interest in the job of president of the Women's Press Club. So, Melissa, what about those rumors?
00:03:51Well, Sander, it's a demanding position, and she's already in great demand.
00:03:56She's been described as the highest paid fashion model in the history of the business.
00:04:01Now we switch our cameras to Washington, D.C., and Joan Harris, current president of the Women's Press Club.
00:04:12Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:19When I first became president of the Women's Press Club five years ago, I had a problem.
00:04:29Yes, I did.
00:04:30I didn't think that I could handle the job.
00:04:32It was too difficult, too hard, and at times it seemed impossible.
00:04:39Women were second-class citizens then, and they still are today.
00:04:44But let me tell you what.
00:04:47Things are changing.
00:04:54Manuel, I would like you to accept this award as it is given.
00:04:59You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Thank you.
00:05:07Oh, God.
00:05:08This is really great stuff.
00:05:09This is great stuff.
00:05:10Good morning, ladies, and welcome to a man's world.
00:05:23Let me tell you a little about men, ladies.
00:05:26They'll tell you anything they want you to hear.
00:05:31They'll tell you that they'll pay you as much as they're earning for doing the same job.
00:05:35Yes, they will.
00:05:37They will tell you that there is no sexual harassment in the workplace.
00:05:44And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:05:54This is really great stuff.
00:05:57All of this is going to change, ladies.
00:05:59Thank God for that, honey.
00:06:01Thank God for that.
00:06:03I don't want to take this world away from the boys.
00:06:12All I want is for us to have a piece of the pie.
00:06:19And when I'm talking peace, ladies, I don't mean a little one.
00:06:26I am talking 50% right down the middle.
00:06:41I want to thank you so much for having me here tonight.
00:06:47I will cherish this moment for the rest of my life.
00:06:56Lord, Lord, I can't believe this.
00:06:58I mean, I can't believe it.
00:06:59I mean, God, this is beautiful.
00:07:01I mean, this woman could be the president of the United States.
00:07:03I've got to see this again.
00:07:05This is history in the making.
00:07:06I mean, this is tape at its best.
00:07:07I've got history right in front of me.
00:07:09I can't believe it.
00:07:10Let me rewind this.
00:07:11Let me see this again.
00:07:12Come on.
00:07:13Let's go, man.
00:07:14Oh, my Lord.
00:07:15I will tell you you should remain barefoot and pregnant.
00:07:21Well, ladies, all of this is going to change, ladies.
00:07:25Yes.
00:07:2650-50.
00:07:2750%, honey.
00:07:28Come on.
00:07:29Come on.
00:07:30Wake them up.
00:07:31I don't want to take this world away from the boys.
00:07:34No.
00:07:3550-50.
00:07:36Honey.
00:07:37All I want is for us to have our piece of the pie.
00:07:41Yes.
00:07:4250% down the middle.
00:07:43Nothing more, nothing less.
00:07:44Come on, baby.
00:07:45Back and forth.
00:07:46When I'm talking peace, ladies, I'm not talking a small piece.
00:07:51I am talking 50% down the middle.
00:07:5250% down the middle.
00:07:53Yes.
00:07:54Yes.
00:07:55Yes.
00:07:56Yes.
00:07:57Let's get the back of it.
00:07:58Let's get them, honey.
00:07:59Come on.
00:08:00I want to thank you so very much for having me here today.
00:08:04I will treasure this for the rest of my life.
00:08:05Thank you.
00:08:06Thank you.
00:08:07Thank you very much for having me here today.
00:08:08I will treasure this for the rest of my life.
00:08:10Thank you.
00:08:36Thank you.
00:08:37Thank you.
00:08:38Thank you.
00:08:39Thank you.
00:08:40Thank you.
00:08:41Okay.
00:08:42I have a suite set up for you at a lovely Japanese hotel in Beverly Hills.
00:08:45Good.
00:08:46Then you have to be at the location by 4 this afternoon.
00:08:49Fine.
00:08:50What about the deal?
00:08:51Okay.
00:08:52For every day they go over, it's an additional $12,000.
00:08:54Good.
00:08:55Now, we aren't sure about after Paris.
00:08:58Howard thinks it may be Mexico City, but he won't know until you get to France.
00:09:01Phil, what do you do when I'm not in town?
00:09:05No, come on, you can tell me.
00:09:08I'm in town three months out of the year.
00:09:10You're on a full salary.
00:09:12Well, I work out.
00:09:14I go to a lot of movies.
00:09:16I hope I haven't created a problem.
00:09:18I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:35To me.
00:09:36The
00:09:47banda tel.
00:29:11Qu'est-ce que vous faites pour moi ?
00:29:15C'est bon !
00:29:27Oui, je veux aller à un endroit où je peux totalement être perdus.
00:29:32Mais au même temps, si j'essaie de l'escalier,
00:29:36c'est... c'est plus loin.
00:29:39Oh, je comprends, je pense.
00:29:42Mais je veux qu'il soit magnifique,
00:29:44un classement tout le monde.
00:29:46Bien sûr !
00:29:47Je veux que l'ocean,
00:29:49mais il doit être plus que ça.
00:29:51Je veux quelque chose que...
00:29:54...ouzes l'amour.
00:29:56O... ouzes ?
00:29:58Je veux que vous pardonne ?
00:30:00Oh, excusez-moi, ouzes.
00:30:02J'ai juste flashé sur quelque chose.
00:30:04Oh, c'est bon.
00:30:05Ah, c'est bon.
00:30:07C'est bon.
00:30:09C'est bon.
00:30:10C'est bon.
00:30:11C'est bon.
00:30:12C'est bon.
00:30:13C'est bon.
00:30:14C'est bon.
00:30:16C'est bon.
00:30:17C'est bon.
00:30:18C'est bon.
00:30:19C'est bon.
00:30:21C'est bon.
00:30:22C'est bon.
00:30:23C'est bon.
00:30:24C'est bon.
00:30:25C'est bon.
00:30:26C'est bon.
00:30:27C'est bon.
00:30:28C'est bon.
00:30:29C'est bon.
00:30:30C'est bon.
00:30:31C'est bon.
00:30:32C'est bon.
00:30:33C'est bon.
00:30:34C'est bon.
00:30:35C'est bon.
00:30:36C'est bon.
00:30:37C'est bon.
00:30:38C'est bon.
00:30:39C'est bon.
00:30:40Un ami et moi, j'ai passé 5 jours d'aujourd'hui.
00:30:45C'était magnifique, je n'ai jamais oublié.
00:30:47Nous nous étions sur la piste et nous étions dans un poème.
00:30:52Et nous étions dans une piste.
00:30:55L'ombre d'orange jus.
00:30:57Pendant cette pierre.
00:30:59C'est la pierre.
00:31:01Et les nuits...
00:31:03Ne pas te demander.
00:31:05Les nuits sont magiques.
00:31:07Le vent, les gens...
00:31:10L'island, les beaches...
00:31:13Les poèmes de l'amour.
00:31:15Et puis, quand nous étions en train,
00:31:18ce qui était assez souvent,
00:31:20nous avions à notre magique suite.
00:31:24Oui.
00:31:26C'est l'actuale suite.
00:31:29Juste entre nous.
00:31:32Nous l'avons partout.
00:31:34En plus, en plus, en plus, dans ma chambre.
00:31:37C'était magnifique.
00:31:42Oui, je sais.
00:31:44C'est un souvenir.
00:31:46Oui.
00:31:48Oh, excuse-moi.
00:31:50Est-ce que vous allez travailler seul ?
00:31:53Non, je vais travailler avec ma femme.
00:31:56Hein ?
00:31:57Oui.
00:31:58Surtout.
00:31:59Bien.
00:32:26Bonjour, c'est Dick.
00:32:38Qu'est-ce que je peux faire pour toi?
00:32:40Regardez, Richard.
00:32:43Je n'ai rien contre toi.
00:32:47Passez-moi aller.
00:32:49Pas pour que tu es un acte ensemble, mon amour.
00:32:52OK.
00:32:54Tu es raison, je suis désolé.
00:32:56Let me explain something to you, darling, OK?
00:32:59I kidnapped you.
00:33:01I kidnapped you.
00:33:02You know what that means?
00:33:03The FBI is involved with this as we speak even here.
00:33:07And I'm not going to let you out till you get your head straight.
00:33:10And that, my love, is quite up to you.
00:33:15Look, Richard.
00:33:17I have nothing against you.
00:33:20Please let me go.
00:33:22Not until you get your act together.
00:33:24I know.
00:33:27You're right.
00:33:27I'm sorry.
00:33:29Not only do I hate women who use foul words,
00:33:33but I hate women who lie.
00:33:35Good night, sweetheart.
00:33:37Oh, no!
00:33:39Richard!
00:33:40Richard, come back!
00:33:42Oh, please, don't go away.
00:33:47Oh, please, you've got to come back.
00:33:50You've got to talk to me, Richard, please!
00:33:54Oh, God.
00:33:58Oh, God, don't go away.
00:33:59Please, Richard.
00:34:07Please.
00:34:11Yes, my darling.
00:34:13I can hear you.
00:34:14Isn't it nice to see a friendly face?
00:34:17Look, Richard.
00:34:20I have money.
00:34:21I have a lot of money.
00:34:26I don't need new money.
00:34:28What do you want, then?
00:34:31I want you to be a nice little girl.
00:34:33I want you to be nice to the men who support you.
00:34:37I want you to be barefoot and not pregnant.
00:34:39I hate kids.
00:34:40Look, I will do whatever you want.
00:34:49I have got to get out of here.
00:34:52I am going crazy in here.
00:34:54Okay.
00:34:56Take off the town.
00:34:58I want to see you.
00:35:05You can see me?
00:35:08You've been watching me?
00:35:09Just relax, baby.
00:35:13How do I turn off this fucking thing?
00:35:16It's locked.
00:35:17I control it from here.
00:35:18Just relax, okay?
00:35:21What is it?
00:35:22Is it a peephole dick, you prick?
00:35:25Oh, no, not a peephole.
00:35:27Not for Dickie Boy.
00:35:28Dickie Boy is much too clever for that, isn't he?
00:35:31Oh, it's got to be something else, huh?
00:35:33How about a TV camera?
00:35:35How does that sound?
00:35:36And when I find it...
00:35:39And I will find it!
00:35:42I am gonna smash the shit out of it!
00:35:45Don't even give it a thought, baby.
00:35:46You'll never find it.
00:35:48Never!
00:35:48You bastard.
00:35:50You sick son of a bitch.
00:35:52Who do you think you are, anyway?
00:35:54You listen to me and you pay attention.
00:35:56I'm the guy with the key to your mind.
00:35:59God, I hate you.
00:36:01You are the lowest of the low.
00:36:05You listen to me, Dickie Boy.
00:36:07When I get out of here, you are dead meat!
00:36:14Don't do it!
00:36:15Don't do it!
00:36:15That was a bad idea, baby.
00:36:24You best plug that back in.
00:36:27Fuck you!
00:36:28Good night, sweetheart.
00:36:32Oh, this is just perfect.
00:36:36Oh, what's the matter, Dickie Boy?
00:36:39Reality gets to be too much for you, huh?
00:36:42Reality gets to be a little tough and you can't take it.
00:36:45You've got to turn off the sound, huh, buddy?
00:36:48Well, let me tell you something.
00:36:50I'm still gonna find it.
00:36:52And when I find it,
00:36:54you can watch yourself for the rest of your fucking life!
00:36:59Ah!
00:37:00Ah!
00:37:04Ah!
00:37:06Ah!
00:37:06Ah!
00:37:06Ah!
00:37:06Ah!
00:37:06Ah!
00:37:06Ah!
00:37:07Ah!
00:37:07Ah!
00:37:07Ah!
00:37:08Ah!
00:37:08Ah!
00:37:09Ah!
00:37:09Ah!
00:37:10Ah!
00:37:11Ah!
00:37:11Ah!
00:37:12Ah!
00:37:12Ah!
00:37:13Ah!
00:37:13Ah!
00:37:14Ah!
00:37:14Ah!
00:37:15Ah!
00:37:15Ah!
00:37:42Ah!
00:37:43Ah!
00:37:44Sous-titrage FR ?
00:38:14Sous-titrage FR ?
00:38:45Well, Sam, while you were flying in first class from New York, I found the last person to see Emanuelle Griffith alive.
00:38:54Good.
00:38:55Yep, Japanese girl.
00:38:57I worked at the hotel, helped her out to the phony limo.
00:39:00Okay.
00:39:02Sam, I gotta tell you.
00:39:03I run one of the best detective agencies in this area.
00:39:07Why don't we get this thing wrapped up real quick and go out and do some more business together.
00:39:12I can have her here on Wednesday.
00:39:14How's 1 p.m. for you?
00:39:15Sounds good.
00:39:17She'll be here.
00:39:18Good.
00:39:19Hello?
00:39:32Hello?
00:39:45I have no water in here.
00:39:52What's going on?
00:39:55Richard, I have no water.
00:39:58How many ways do I love you?
00:40:09I'm gonna show you now.
00:40:12I'll buy you nice little things and a big diamond ring.
00:40:20Oh, wow.
00:40:21You said that you didn't love me, honey.
00:40:29I got class and style.
00:40:33I'll make sure we're together.
00:40:36This stormy weather.
00:40:38Mile after mile after mile.
00:40:41Yeah, how many ways do I love you?
00:40:47Let me tell the world.
00:40:50Let me tell them all.
00:40:53I'll buy you a rainbow.
00:40:55I'll buy you the moon.
00:40:57I'll buy you boats and planes.
00:41:00Horses and trains.
00:41:02I'll buy the size of the hall.
00:41:04Throw in the slaves and all.
00:41:08You'll be the queen of the fall.
00:41:11The gown was $600 and $25.
00:41:25However, if you'd wish to purchase the undergarments we discussed,
00:41:28I'm sure we can come to some kind of agreement for a discount.
00:41:31Let's say, um, 5%.
00:41:35Well, that sounds okay.
00:41:37I'll tell you what.
00:41:37Why don't, uh, why don't you have her try the brown one?
00:41:40I'm sorry, sir, but we don't model underwear.
00:41:45Why not?
00:41:47Company policy.
00:41:48Who said what company?
00:41:49This company.
00:41:50You in charge of this company?
00:41:51I am.
00:41:52You set forth the rule?
00:41:53I did.
00:41:54Why'd you come and do that?
00:41:56I mean, why is everybody going to spoil my fun?
00:41:58Sir, this is a respectable establishment.
00:42:04Are you suggesting that I'm not respectable?
00:42:08Honey, could you go over and get me the gold dress?
00:42:11I mean, I don't like this at all.
00:42:13I gotta tell you, I don't want that at all.
00:42:14I deal with gold and I love gold.
00:42:16I mean, look at the shimmering of this.
00:42:17I mean, this is beautiful.
00:42:18Well, I'll tell you what.
00:42:22Why don't you throw all this shit in the box and, uh, oh, let's see.
00:42:28A 10% discount seems, uh, pretty respectable to me.
00:42:33Don't you think?
00:42:34Well, look at that.
00:43:02Front page, above the fold, in living color.
00:43:08I really am fantastic.
00:43:11Good morning, Emmanuel.
00:43:37I have something very special for you.
00:43:39Something pink for pink lady.
00:43:44How are you?
00:43:46Hey you, what's going on here?
00:43:47Plug it back in.
00:43:48There's a little bra for you in black.
00:43:49I've been calling you all day.
00:43:51I don't have any water and where the hell's my food?
00:43:53Plug it back in and things will be quite beautiful for you.
00:43:56Here's something royal for a royal lady.
00:43:58Oh, yes.
00:43:59Prick.
00:44:00Here's some golden threads for you.
00:44:01Just plug it back in.
00:44:03Another thing for pink lady.
00:44:04Here's a little thing for purple.
00:44:05I want some goddamn water.
00:44:07I don't know what the hell you're talking about.
00:44:09Well, try running for the goddamn water with these tennis shoes.
00:44:13You bet your life.
00:44:14There they are.
00:44:15Run for it, baby.
00:44:16I'm going to stick these shoes right up your ass.
00:44:18Give me some water.
00:44:19Here's the little undies for the baby.
00:44:21You prick.
00:44:22You turned the water off, didn't you?
00:44:24You got it, sweetheart.
00:44:24And if you want it back on, plug it back in.
00:44:28What the hell are you talking about?
00:44:31Oh, my.
00:44:32Well.
00:44:34Jesus Christ.
00:44:35I got faith in you.
00:44:36I mean, I think you'll figure it out.
00:44:39I'm not taking any calls, sweetheart.
00:45:08And I'm going to get some water, all right?
00:45:11Jesus.
00:45:12I'm going to get some water, all right?
00:45:42Sous-titrage Société Radio-Canada
00:48:16C'est génial.
00:48:20C'est génial.
00:48:22Je vais essayer le steak.
00:48:25C'est génial.
00:48:26Je veux voir ce que vous pensez.
00:48:36C'est très bon.
00:48:38Je vais partager la méthode et la recette avec vous
00:48:41pour que nous connaissons plus.
00:48:43Le secret est que j'utilise
00:48:45que j'utilise deux egg yolks en la sauce.
00:48:47C'est génial.
00:48:49C'est très génial.
00:48:51Regardez, Richard,
00:48:53peut-on nous parler ?
00:48:55Bien sûr.
00:48:57C'est ce que je suis là pour.
00:48:59C'est bon.
00:49:01Je voulais savoir quand je peux sortir.
00:49:03Je veux dire, quand je peux sortir.
00:49:05C'est assez à vous.
00:49:07Vous connaissez ça maintenant.
00:49:09Pourquoi vous pourrez-vous plus de wine ?
00:49:11OK ?
00:49:13C'est bon.
00:49:15C'est bon.
00:49:17C'est bon.
00:49:19C'est bon.
00:49:21Oh !
00:49:23C'est bon !
00:49:24C'est bon.
00:49:25DIInج Espero que tu mais!
00:49:27Completely c'est bon.
00:49:28C'est bon !
00:49:29C'est bon.
00:49:30Non.
00:49:31Je dois entendre.
00:49:32Elle est vraiment mieux.
00:49:33C'est bon pour nos zwarillons.
00:49:35Oui, je n'ai pas.
00:49:37C'est bon.
00:49:39C'est bon.
00:49:41C'est juste un petit peu.
00:49:50C'est bon.
00:49:52Ce qu'ils ont appelé à vous quand vous étiez à l'école?
00:49:57C'est mon nom.
00:49:59Ils m'ont appelé «Dick ».
00:50:01«Dick ».
00:50:03C'est quoi, c'est un peu ?
00:50:05Oui, c'est un peu, je n'ai pas l'églé.
00:50:07«Mani ».
00:50:10C'est bon.
00:50:12C'est bon.
00:50:13C'est bon.
00:50:15C'est bon.
00:50:18C'est bon.
00:50:20C'est bon.
00:50:22C'est bon.
00:50:24C'est bon.
00:50:26Non.
00:50:29Je représente la vérité.
00:50:33Vous avez une très belle voix.
00:50:36Merci.
00:50:38Je l'aime les compliments.
00:50:45C'est à regarder toi, chérie.
00:50:59C'est parti.
00:51:07Je suis retourné maintenant.
00:51:10Donc, après ça, j'ai inventé ce truc qui aide les idiots à programmer les VCRs.
00:51:16Et j'ai fait une fortune.
00:51:18Vous êtes très gentil.
00:51:20Non, c'est juste le succès.
00:51:24Mais c'est toi.
00:51:26Je suis un peu plus.
00:51:28Je suis un peu plus.
00:51:30C'est quelque chose.
00:51:32C'est ça, c'est un peu plus.
00:51:35Je suis à New York pour devenir une actrice.
00:51:41Je suis 19.
00:51:43C'est un truc.
00:51:46Donc, ce qui a fait ?
00:51:49Je suis un peu plus.
00:51:53C'est un peu plus.
00:51:56Je suis un peu plus.
00:51:58Mon Dieu a besoin de l'argent.
00:51:59Je ne savais pas comment faire.
00:52:01C'est quoi ?
00:52:02J'ai bien.
00:52:05Je ne suis pas mal.
00:52:07C'est dans les documents.
00:52:09C'est quoi ?
00:52:11Je fais du bouton dans un bar de tableau.
00:52:14C'est quoi ?
00:52:15Well, I mean, uh, how'd you handle that?
00:52:22It was easy.
00:52:26I actually enjoyed it.
00:52:30I got off on guys watching me.
00:52:35It was a turn-on.
00:52:38That's what all models do.
00:52:41Turn guys on.
00:52:43Hmm.
00:52:44It doesn't matter if you're naked or not.
00:52:47It's a turn-on.
00:52:49It's a sexist thing, so you're a sexist.
00:52:54I didn't say that.
00:52:56Yes, you did.
00:52:59Well, men just take advantage.
00:53:01Oh.
00:53:05So, when you're, uh, stark naked in front of those good old boys,
00:53:09I mean, uh, who has the advantage then?
00:53:14Why don't you play me some music?
00:53:27I want to dance for you.
00:53:29Ah, no, no.
00:53:35No.
00:53:36No.
00:53:37No.
00:53:39No.
00:53:39No.
00:53:40No.
00:53:40No.
00:53:41No.
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01:18:54Merci.
01:18:57C'est Stu Lange.
01:18:58Hey, I got a lead.
01:19:03You got a what?
01:19:04A lead.
01:19:05You know what a lead is, don't you?
01:19:08Talk to me, Jim.
01:19:09I called this guy up in Pacoima.
01:19:12He says that he rented a black limo to this guy at this address
01:19:16at 5.45 a.m. on the morning of the 5th.
01:19:21Rick.
01:19:22Hey, I just dialed the next number on your list.
01:19:27What's the problem?
01:19:29No problem.
01:19:31Yeah, but you're acting like there's a problem.
01:19:34Me? Acting like there's a problem?
01:19:36Oh, yeah.
01:19:38I just spent 27 hours on that telephone calling everybody in the world.
01:19:43You got nothing.
01:19:45Now, you make one phone call, and you got our man.
01:19:49I know exactly what you're doing.
01:19:51What am I doing?
01:19:54You people. How you work.
01:19:56Because I know damn well that since you know you can't go in and arrest him,
01:20:01you want me to do the dirty work for you, don't you?
01:20:03Isn't that how you people work?
01:20:05And what the hell do you mean by you people?
01:20:06I don't tell me the racial innuendos are starting.
01:20:09There was no racial innuendo.
01:20:15I just call him as I see him.
01:20:19I call a spade a spade.
01:20:21I was talking about LAPD, the way you people do business.
01:20:28I should have spoken more clearly.
01:20:30I should have been referring to you people as assholes.
01:20:34Real nice. Real good. I'm out of here.
01:20:37Sam.
01:20:39What?
01:20:41Good luck.
01:20:46You owe me 50 cents for that phone call.
01:20:47See ya.
01:20:48You're okay?
01:20:49Okay.
01:20:50Great.
01:20:51Gets a little rough up in here.
01:20:52Come on, mate.
01:20:53Great.
01:20:54Oh, come here.
01:20:55I want you to see something.
01:20:57Look at that view.
01:20:58I don't see much of anything.
01:21:00Well, you will when I cut that tree down.
01:21:02Hey, look at this rope. Here, grab this, okay?
01:21:04Cause we're gonna have to pull ourselves up the rest of the hill.
01:21:05I'm gonna lead the way over here.
01:21:06Let's go.
01:21:07Go to the place.
01:21:08You're ready for that.
01:21:09Okay, go to the next place.
01:21:10What is it?
01:21:11What is it?
01:21:12Let's go.
01:21:13What is it?
01:21:14What is it?
01:21:15What is it?
01:21:16It's a little rough up in here.
01:21:17Come on, babe.
01:21:18Come on, babe.
01:21:19Great.
01:21:20Well, come here.
01:21:21I want you to see something.
01:21:22Look at it at you.
01:21:23Look at that view.
01:21:24I don't see much of anything.
01:21:25C'est parti !
01:21:55C'est parti !
01:22:25C'est parti !
01:22:55C'est parti !
01:22:57C'est parti !
01:22:59C'est parti !
01:23:01C'est parti !
01:23:03C'est parti !
01:23:05C'est parti !
01:23:07C'est parti !
01:23:09C'est parti !
01:23:11C'est parti !
01:23:13C'est parti !
01:23:15C'est parti !
01:23:17C'est parti !
01:23:19C'est parti !
01:23:21C'est parti !
01:23:23C'est parti !
01:23:25C'est parti !
01:23:27C'est parti !
01:23:29C'est parti !
01:23:31C'est parti !
01:23:33C'est parti !
01:23:35C'est parti !
01:23:37C'est parti !
01:23:39C'est parti !
01:23:41C'est parti !
01:23:43C'est parti !
01:23:45C'est parti !
01:23:47C'est parti !
01:23:49C'est parti !
01:23:51C'est parti !
01:23:53C'est parti !
01:23:55C'est parti !
01:23:56C'est parti !
01:23:57C'est parti !
01:24:14Manuel ?
01:24:16Emanuel ?
01:24:18Come on...
01:24:19Honey...
01:24:20We've made a deal !
01:24:21Don't break the deal !
01:24:22Open the door !
01:24:23Open the goddamn door!
01:24:53Hi, Dick. How's it going?
01:25:18Hi. Is that you?
01:25:22How you doing? It's me, Richard. Listen, it was all over, baby. I mean, it was all over. I was letting you go. You're free to go anywhere you want, anytime you want, anyplace you want. I love you, baby.
01:25:35Thanks, Dick.
01:25:36You're welcome. Listen to me. I got us first-class tickets to the Bahamas. Just you and me, baby. Just you and me. I mean, all the way. Do you understand that? I mean, are you staying with me?
01:25:49Royal Danish cruise lines. You don't believe me? Well, check it out, okay? Check it out, guys. I got the tickets in my tan coat. I mean, go ahead. You see? Inside breast pocket. Go up there and look. Please for me, okay? Please for me right now. Would you check one for me? God, I miss you. I miss you, baby.
01:26:06Are you listening to me, honey? You're not thinking of leaving me here, are you?
01:26:13Of course I hear you, sweet cakes. Oh, thank God. Jesus, you made me feel alone.
01:26:23What would you like for dinner? For dinner? For dinner? For dinner?
01:26:53Yes. Emmanuel Griffith? Yes. I'm Sam Weston. I was hired by your mother to find you.
01:27:05Oh. Well, you found me. Hold it. Lady, a lot of people worried about you.
01:27:16The thing is, Sam, I just needed a break. I needed some time for myself, okay? So you tell my mom I love her, everything's fine, and I'll send her the money for the rent. You tell the rest of the world I love them, too. You tell them I'll be back. Thanks a lot, Sam.
01:27:42Yeah. Good morning, ladies, and welcome to a man's world.
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