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NewsTranscript
00:00Please Gwen should clap her.
00:02Do you you speak in the description?
00:17Don't tell me to Dexter.
00:20Take me from my inn.
00:23We just share them with you
00:24Yeah, we are trading.
00:25How did I get you?
00:30and you're doing the true incident based on the character,
00:33you may research the character.
00:35I didn't expect the original character to be a character.
00:39They're going to be a character.
00:40I think the first time we face is the first time we face.
00:43It's a character that's how I'm looking at it.
00:48I'm getting a character or a character.
00:50I'm getting a character on the other side.
00:52I'm getting a character of him.
00:54I'm getting a character on the other side.
01:00make it the same thing with the video
01:02I think that's the one I know
01:04He's been on this video
01:06I'm talking about a big boss
01:08So I'm talking about a big boss
01:10You guys are going to be a big boss
01:12You guys are going to be a big boss
01:14You guys are going to be a big boss
01:16How is the big boss?
01:18Are you sure how long you are going to be shooting?
01:20I am going to be there
01:22You'll be in the middle of the show
01:24This is the big boss
01:26We have to do a big boss
01:28I don't know how to do it.
01:30I don't know how to do it.
01:31No, I don't know.
01:32Do you want to eat some fish in there?
01:37Sir, tell me what's going on.
01:39It's not Yvonne Sir.
01:41It's not Yvonne Sir.
01:43It's not Yvonne Sir.
01:45It's not Yvonne Sir.
01:47Okay, if you want to go to Yvonne Sir.
01:51Sir, Yvonne Sir.
01:52Don't cry, Sir.
01:53Why don't you try to do it?
01:56You have to tell me what was going on.
01:59I don't know.
02:00Why don't you try to do it?
02:02Why don't you try to do it like that?
02:04I don't know why.
02:05My name is mine.
02:06I don't know why.
02:07I'm a villager.
02:08I am a villager.
02:09I am a villager, Ranjith.
02:12In this special edition,
02:14we are also going to have to play the team in August 1st.
02:18This team is going to launch the first time.
02:20We've got to play out the first time.
02:22So, how are you doing?
02:23How are you?
02:25I am.
02:26I am.
02:27I am.
02:28I am.
02:29I am.
02:30I am.
02:31You will be afraid of being a little bit later.
02:33I am.
02:34I am.
02:35I am.
02:36I am.
02:37I am.
02:38I am.
02:39I am.
02:40I am.
02:41I am.
02:42I am.
02:43I am.
02:44I am.
02:46Now we are going to talk about the game segment.
02:49We are going to talk about the game segment.
02:51It is a music director.
02:53You are here.
02:55You are here.
02:57I am.
02:59I am.
03:00I am.
03:01I am.
03:03I am.
03:05I am.
03:07I am.
03:09I am.
03:11I am.
03:14I am.
03:16I am.
03:18Not!
03:19Hey, I'm going to move on.
03:23Ok, ready?
03:24Yeah.
03:28You know, you clap a little.
03:30We'll tell you something.
03:31That's right.
03:32I'm going to tell you something.
03:33You're going to tell me something.
03:34That's why I'm trying to get you.
03:37You're going to tell me something.
03:39I'm going to tell you something.
03:40Ok, ready?
03:42I'm going to tell you something.
03:44Oh, that's right.
03:45Ok.
03:46First one.
03:47You're going to tell me what you're talking about.
03:49The Finster's Supreme Court is building in the sun.
03:52You're going to tell me what you're talking about.
03:53You're going to tell me what you're talking about.
03:55Why are you doing it?
03:57How do you see that?
03:59Kind of.
04:00Now, this is a list of it as well.
04:02Is it ready?
04:03Say it.
04:09Hey, here.
04:10Come.
04:111.
04:122.
04:132.
04:143.
04:15I am a rapper.
04:24I am a rapper.
04:26I am a rapper.
04:28Okay, there is a mic.
04:30Oh, there is.
04:32Next, I am a rapper.
04:35I am a rapper.
04:38I am a rapper.
04:40I am a rapper.
04:42I am a rapper.
04:45Okay, let's say it.
04:47Saga,
04:48Daham Eduthal,
04:49Megam Pilindu,
04:50Thirthamai Kudipombu.
04:52Saga,
04:54Nara Menudu.
04:56That is a clap.
04:58That is a clap.
05:00Super, super.
05:02Next.
05:04Okay, next.
05:06I am a rapper.
05:10You may havenate somekovish?
05:21Yes.
05:22I can't find a people too.
05:24Because the stage isn't LIVE.
05:26No.
05:27There isn't anything other people?
05:29It is a hero guy.
05:31I could find a person again.
05:33This stone is awesome.
05:35If you're by the power and the power and the power of power,
05:38then you will predict the power of power.
05:40Do you think you're by the power of power?
05:41Pushing the power of power,
05:43Oh yeah, that's right.
05:45I hope you see me now.
05:48You have seen me, too.
05:50I am having mic.
05:52You know, I am not doing that.
05:54You know, anything you need to do.
05:56I am not going to touch it.
05:58The last part was sent to live by the people who had know the people,
06:02Mohan Senja, Kullama Kulluwe, pay pola marittham
06:06I know, I'm a knowledge
06:10I'm a knife, I'm a knife
06:12I'm a knife, I'm a knife
06:14That's it
06:15I'm a knife, I'm a knife, I'm a knife
06:21Come on sir, you can prove it
06:23This is it
06:24Come on sir
06:25Opening like
06:26Annathadirarothiko
06:28Super, super
06:28I can clap for you
06:33You're the two equal.
06:35Okay, you're the two.
06:37Okay, you're the two.
06:40So, you're talking about the problem.
06:43That's the producer.
06:45I'm not going to play the game.
06:48All the stunts released.
06:51All the stunts released.
06:53All the stunts released.
06:57All the stunts released.
07:01I'm gonna fix the release date.
07:03We announced that there's nothing about the release date.
07:08So, there's a challenge.
07:13We're the one who's got artist values.
07:17We're the one who's got artist values.
07:22We're the one who's released.
07:24We're the one who's released.
07:26We're the two of them in Tamil.
07:28We're the one who's released in Tamil.
07:30No one has a try but not another one.
07:33We have a try but also we can get a try.
07:36We can get a try and get a try.
07:39We can get a try and get a try.
07:42We can get a try and get a try and get a try.
07:47We can get a try and get a try.
07:50Director, I think it's a lot.
07:54But I think one thing I thought about is
07:58Most of us are the debut artists.
08:02We are nervous.
08:04Do you speak about it?
08:06I have never heard of it.
08:10I have never heard of it.
08:12I know I have never heard of it.
08:14I know I have never heard of it.
08:16I have never heard of it.
08:18I am happy with everyone.
08:20So, what about the script?
08:22Is there an idea of this script?
08:24Is there an idea?
08:26There is an idea.
08:28I have never heard of it.
08:30I have never heard of it.
08:32I have never heard of it.
08:34I have never heard of it.
08:36I have never heard of it.
08:38So, why do we do it in a language?
08:40We can use it in a language.
08:42I have never heard of it.
08:44Okay. Super.
08:46Kajir.
08:48So, Kajir is coming.
08:50We are going to be doing a video.
08:52You are.
08:54Are you a character?
08:56Did you get a character?
08:58Or you did get more character?
09:00I got some character.
09:02I got a character.
09:04I got a character.
09:06Judge is...
09:08So, you were done.
09:10Yes, I got a character.
09:12Yes, I got a character.
09:14I got a character.
09:16Okay, I got a character.
09:18We should do it.
09:19I don't know.
09:21I'm not.
09:23I'm not.
09:25I'm not.
09:27One.
09:29One.
09:31You don't know.
09:33You can't get to go.
09:35I'm not.
09:37I'm not.
09:39I'm not.
09:41I'm not.
09:43I'm not.
09:45People say I'm unconscious.
09:47They say I'm unconscious.
09:49They say I'm unconscious.
09:51They say I'm unconscious.
09:53You have to be a person.
09:55People say he's become me unconscious.
09:57Don't want him to be conscious.
09:59Пока I'm unconscious.
10:01I'm unconscious.
10:03I'm unconscious.
10:05I love my video.
10:07I love my video.
10:09You know me.
10:11I am driving an action movie.
10:13a fit hour.
10:14Lover by a fit hour.
10:15All of them do something.
10:16Imagine ready lover boy.
10:18Rugged lover by a.
10:20So, two of them are a fit hour.
10:22Shooting spot I told him.
10:24Super, he was playing.
10:26Super, he was playing.
10:28So, he said he was very happy.
10:30He was a big boss.
10:32So, he said he was very happy.
10:34He said he was a character.
10:37He said he was a character.
10:39He said he was a character.
10:41He said, his character is a good guy.
10:44He said he was a good guy.
10:46He said his story.
10:47He said he got a good guy.
10:48He said he was a good guy.
10:50He said, he was a good guy.
10:51So, he was a good guy.
10:53Fit hour and then, he said he was an incredible guy.
10:55He said he did a perfect job.
10:59Did you tell the music right now?
11:00He told him, he was the one.
11:05Then, his wife said how?
11:06I said he was a second hero.
11:08You know the second hero.
11:10Love movie, emotion, etc.
11:13So, that's correct.
11:16You can choose the part.
11:17Kamal, sir, actually, the part is good.
11:20Why did you go to the trailer?
11:24What did you say, sir?
11:26You can go to the trailer.
11:28He's going to the trailer.
11:30He's going to the trailer.
11:31But the part is impressive.
11:34I'm going to ask you a half-hour question.
11:36Thank you very much.
11:37Nice.
11:38That's a great talent.
11:39It's important.
11:40I've got to get a lot of money from my dad.
11:43I've got a lot of money from him.
11:45They're a director.
11:46You can't ask him to do it.
11:47No, he's not.
11:48They're not.
11:49We've got a lot of money from him.
11:50I've got a lot of money from him,
11:52but I've got to get paid.
11:55He's going to get paid.
11:57I'm going to get paid.
12:00Super, super.
12:01TJ,
12:02I will say Kadeer, I will say that.
12:06You're going to sit together.
12:07Bro, I am going to ask you.
12:11Go.
12:12I'm going to ask you.
12:14They want to give birth on your own call.
12:17I am not going to ask that.
12:19You know the word?
12:21You are going to do a rural subject.
12:22This city is going to do a city,
12:23you are going to do something.
12:26You are going to come to your young actors.
12:28You have a promising actor here.
12:30How did you prepare for this character?
12:38After that, I was able to do it simultaneously.
12:45I was able to do it simultaneously.
12:47I was able to do it as a bad girl.
12:50That's why it's called ALVJSR production and Vali's direction.
12:59This is a free love project.
13:06When I compare these things, I'll compare them.
13:12I'll compare them.
13:13If you tell me a story, or if you tell me a story,
13:16you tell me a story,
13:19you tell me a story,
13:21a story,
13:23I'll try to see if this works for you.
13:25It's repeated,
13:28impactful,
13:29audience related.
13:31So,
13:33when you tell me a story,
13:37it's a good character.
13:40As for a story,
13:43it difficiles,
13:45facing oficial,
13:48you can say to me,
13:50the same story.
13:52Like,
14:01the other role is equal to one other.
14:05The ex spotlight was given to us the very form of 훌 ع asi
14:09I also felt like the emotional, or emotional instant touch in the role in the role.
14:21If you look at the family audience, you can find it.
14:26So, in family, there is a lot of sentiment in the scenes.
14:35There is no love, but there are many attachments.
14:41There are friends.
14:46In my experience, there is a young generation of friends.
14:54But there is a village, a village, a village, and a village.
14:58There are many other things.
15:02So, if we look at the experience, if we look at the audience, if we look at the BNC audience, I would say that.
15:11Ashra, this is a true incident based on you.
15:14Do you think about that character or research?
15:18No.
15:19No.
15:20No.
15:21No.
15:22No.
15:23No.
15:24No.
15:25No.
15:26No.
15:27No.
15:28No.
15:29No.
15:30No.
15:31No.
15:32No.
15:33No.
15:34No.
15:35No.
15:36No.
15:37He was a character. He was a character.
15:41He was a character.
15:42In times when we touched a true event,
15:45we would have to break a book.
15:49We would have to break a book.
15:53He would have to break a book.
15:55When he comes to a situation,
15:59we would have to break a book.
16:03That's why you are the character.
16:05Did you tell us about that?
16:08No.
16:09I don't know.
16:10No bro, sometime I don't know.
16:13He was talking about a very real issue.
16:16He was talking about some things.
16:19He was talking about this.
16:21No, it's not that.
16:23This is one of the things we have.
16:25We're seeing a lot of faces and we're seeing a lot of faces.
16:29I'm seeing a lot of faces.
16:33But you still have the cat arrest?
16:35You're a pro.
16:37You're a pro.
16:38You're a pro.
16:40Are you like someone who Roger.
16:44He's very aware of the things he has.
16:48We are not ready anymore.
16:49There's the same person who is the king anymore.
16:53Then the person who has the name of the character has the deep memory.
17:01Sometimes the person knows what the character is.
17:03I'm not sure what I did with.
17:05The other thing is that I don't have to be in a while.
17:07In the case of that, I'm not sure what I do.
17:09That's it?
17:11Friends characters are smart.
17:13My friends is not as good.
17:14I have to do that.
17:15Now, it's a doubt.
17:17Friends are smart.
17:19It's not the right thing, your friends are smart.
17:22If you look at true events,
17:25Manjimaeal by Islam,
17:26you can take a photo of the last time.
17:28You'll be surprised.
17:29I don't know.
17:31You are going to get the photo.
17:33Janani,
17:35you are doing your lead.
17:39Did you start a little nervous?
17:41Yes. Yes.
17:43Yes, I do.
17:45I would like to see the first day.
17:47I would like to see the first day.
17:49I think I would like to see the first day.
17:51I would like to see the first day.
17:53I would like to see a tone.
17:55But the script is a rule.
17:57and I saw this whole world.
17:58You can see how you had to go to the village.
18:03We've started building a lot of trees.
18:07I thought I said there was a bit of trees.
18:09Please don't I think you just did it?
18:12I was like, I'm telling you.
18:15Food is where is it?
18:16Chithu.
18:19I'm going to the street and Stop meeting everyone.
18:22That's the green area.
18:25And the other one, you can have a break.
18:28And he's in the pool.
18:29I am trying to reflect the relationship between the room and your friends.
18:33Where you're going to be shooting shooting shots?
18:37Yeah, I was doing it.
18:40We want to be doing something else.
18:43Did he make my perspective?
18:45The one known man.
18:46I made him say the same thing.
18:50Wow!
18:53If you want to eat a lot of food and your food, I'll drink everything.
18:57If you want to eat a lot of food, I'll drink anything.
18:59No, seriously, it's not.
19:01A lot of food is in the culture.
19:04You don't have to eat a lot of food.
19:07I'll eat that day.
19:08My food is in the kitchen.
19:10I'll eat some food in the kitchen.
19:16But I think that's why we are a good friend.
19:20So your mother got aELY
19:23You said that
19:25Why Dad am I going to get aELY
19:28And how you're getting aELY
19:29You go and go
19:30You will start your mother
19:33I said it's a the the
19:34My mother did it
19:39They were doing the Kelly
19:42But they are getting the idea
19:44I know they have a good idea
19:45They said they are
19:46They are a good idea
19:47But they look at that
19:49If someone comes to eat and eat, they must have eaten the sweet food.
19:54That's right.
19:55So, it's a good place to eat.
19:56This is good.
19:57I don't want to eat any more.
19:59We don't want to eat any more.
20:01But I don't want to eat any more.
20:03Because they're eating all the time.
20:05No, we don't eat any more.
20:07No, we don't eat any more.
20:08Jenny, what's your dubbing?
20:12You doubt about it.
20:13Have you done a part?
20:15Yeah, you don't like dubbing.
20:18But you have to do the voice match.
20:20You have to do the Tamil and the Tel Aviv.
20:22That's why you have to do the dubbing.
20:25You have to do the voice match.
20:27But how did you talk about the dubbing?
20:31I don't have any idea.
20:33No, in dubbing, there was an incident.
20:34You came to a voice test.
20:36You told me about the take-up.
20:39I didn't hear anything.
20:41You told me about the dialogue.
20:42You talked about it.
20:45You talked about it.
20:47Maybe I'll come back.
20:49The show came back.
20:53You can start your studio mic.
20:56Next, I'll come back.
20:58Are you going to come back?
20:59How are you going?
21:00He was going to come back with a mic.
21:03That's why you came back.
21:05That's it.
21:09I'm going to come back.
21:11There is a counter.
21:13You are in the middle.
21:15He is playing.
21:16So, welcome back to Tamil Srinivasan.
21:18Thanks for joining us.
21:20But, this is a village subject.
21:23Tamil Nadu, Andhara,
21:25two state teams are kind.
21:27How did you do this?
21:29I was in Tamil.
21:31I was in Tamil Nadu.
21:33I don't know the culture.
21:35I don't know the culture.
21:37I don't know the culture.
21:39I don't know the culture.
21:41I don't know the culture.
21:43I don't know.
21:45I don't know the culture where I'm from,
21:48but the culture is almost different.
21:50Chinituru.
21:52Mostly, when I shoot at any location,
21:56if I was coming from Malayadu.
21:58I checked something about Chinituru.
22:02It's been 15 days before.
22:04At the beginning, we take a photo.
22:06We will see the scene here.
22:09We will see the dance sequence.
22:13So, if we go to the other side, we can get the first one.
22:18There is an idea, but we can do it again.
22:21So, we can get the new update.
22:24I'm going to go to a location and get the new one.
22:28That's nice.
22:30It's like a new one.
22:33That's the first thing.
22:36I'm going to finish this.
22:38I think a lot of the nature and culture is different.
22:41So you just see it and see it all.
22:44That's how you're coming.
22:47I just told you about the sound.
22:50I have not heard about the sound.
22:53I have not heard about the sound.
22:55I am not heard about the sound.
22:58I am talking about the sound.
23:00There is a sound.
23:03I am reading the sound.
23:06There are whistles on there.
23:08We still see.
23:09Yeah, we'll see.
23:10But it's sounding like a song.
23:11If you collect a song, you can collect sand.
23:15It's not a weed.
23:17It's a weed.
23:18It's not a weed.
23:19It's a weed.
23:20It's a weed.
23:22It's a sand.
23:24It's a sand.
23:24America's got a sand.
23:27It's a sand.
23:28It's a sand.
23:29Sound is sand.
23:30It's a sand.
23:31It's a sound.
23:33So, you can't compose all the songs?
23:35What are the songs?
23:36Score?
23:37Score.
23:38Score is done.
23:39So, how do you play it?
23:41How do you play it?
23:42How do you elevate the scene?
23:44Because we can elevate the scene and balance the scene.
23:48And we can downgrade the scene.
23:50So, if we get a lot of elevation, we can get a scene.
23:54So, what is the scene?
23:56That's it.
23:57That's it.
23:58When we get to work and dry experience,
24:00we get to work and dry, sir.
24:01Sir, how do you say it?
24:02How do you say it?
24:03The scene is written, score is written.
24:06Score is written by the scene.
24:08Score is written.
24:09But with the scenes, it is written.
24:12That's the audience is written.
24:14So, the mine says that I can do it.
24:16And it doesn't matter.
24:17What it is said that we can do it.
24:20Well, first look at the fast try,
24:21we are ready for a celebrity.
24:23They say that the music is super.
24:26Super.
24:27But if you are in Tamil, do you have a reference to Tamil cinema?
24:35Yes, it is.
24:36You can see it.
24:38You can see it.
24:40You can see it.
24:42You can see it.
24:44You can see it.
24:46You can use it.
24:48You can use it.
24:51You can see it.
24:53You can see it.
24:55You can see it in the air zone.
24:58So, you can see it in the air zone.
25:01Ok, you can see it in the air zone.
25:03I am going to leave the air zone.
25:06Sir, I am going to leave the air zone.
25:09No, I have a reference to you.
25:12I will also get references to you.
25:15If you are doing anything, I will tell you.
25:17To be frank,
25:19that...
25:21In the air zone.
25:23No, no.
25:25You can see it.
25:27After some time in trillers.
25:29If you apply to the air zone,
25:31there is a scene.
25:32That is the background music.
25:34They are trying to do other physical things.
25:36Yes?
25:37Yes.
25:38You see it.
25:39The fact that you will know,
25:41Kieran is okay.
25:42Satayicharu production time.
25:44That's okay.
25:45That's okay.
25:46That's fine.
25:47I didn't want to do that.
25:49It's worth it.
25:50Satayicharu.
25:51It's a good thing.
25:52You can do music.
25:53I can do music.
25:54That's right.
25:55I don't want to do money.
25:56I don't want to do money.
25:58Why?
25:59You're not a man.
26:00Oh, money.
26:01I don't want to do money.
26:03I don't want to do money.
26:05Money is a man.
26:07At least one character is Mantra.
26:11That's right.
26:12He is the first one.
26:14Who did she?
26:15Who did she?
26:16Who did she?
26:18What did she attract?
26:19You're the only the one.
26:21The only one is the one.
26:23I think she's attractive.
26:24That's right.
26:25That's right.
26:26I don't want to do anything.
26:28That's right.
26:29That's right.
26:32I doubt that sir,
26:33but you've seen the songs.
26:35So, what made you choose one of them?
26:37Actually, this is one of my stories.
26:39In the office, let's select a hero hero.
26:42So, TJ is the hero, Jenny is the hero.
26:45Okay.
26:45Now, the mother's character is the main character.
26:47Why do you do this?
26:48Why do you do this?
26:49When I asked the two names,
26:51I asked Ramayakrishna Madam.
26:55I asked Ramayakrishna Madam.
26:59Prema Madam, Avirami Madam,
27:01the mother's name is the mother's character.
27:03I wanted to choose,
27:05and I asked him to come back.
27:07I said,
27:09he was a young artist,
27:11he was a man,
27:13and my mind-loving enthusiasm.
27:15I asked him,
27:17and he said,
27:19I wanted to choose a new channel,
27:21and he said,
27:23I'll start searching for the mother character.
27:25Why do you choose the mother?
27:27I am a father.
27:29The mother of the mother is the young,
27:31They got us acting.
27:33Budget.
27:35They got us.
27:37They got us.
27:39My name is Vengar Shaharai.
27:41He gave us a channel.
27:43We got us.
27:45We got us.
27:47We got us.
27:49We got us.
27:51We got us.
27:53We got us.
27:55You know the start of the building?
27:57Yes.
27:59Yes, they know what they are doing.
28:03In fact, they said that they are working well.
28:06They are doing well.
28:08They are doing well.
28:10They are doing well.
28:12Okay.
28:13Actually, I promise you, there is a message?
28:16No, there is a message.
28:18A message is not true.
28:19A life.
28:20I have to give a message to you.
28:23I can't tell you.
28:24I have to give a message to you.
28:26Actually, our message is a life.
28:28But in life, we learn from that mistake.
28:34That is a lesson.
28:36Okay, okay.
28:37Moral.
28:38Moral.
28:39Moral.
28:40You are a lesson.
28:41No, no, no.
28:42There is a message to you.
28:43That is.
28:44A producer says,
28:45Debited.
28:46Debited.
28:47Debited.
28:48Debited.
28:49That is,
28:50one of them.
28:51Actually, one of them.
28:52Oh, that is.
28:53Yes, that is.
28:54Yes, that is.
28:55Okay.
28:56They are risked.
28:57They are risked.
28:58They are risked.
28:59They are risked.
29:00They are risked.
29:01Yes, they are risked.
29:02Yes.
29:03So, that is,
29:04everyone will support us.
29:05August 1st.
29:06August 1st.
29:07Worldwide.
29:08Worldwide.
29:09Telling the answer.
29:10Telling the answer.
29:11I am not sure.
29:12I said to you.
29:14No, no.
29:15I can't.
29:16I can't.
29:17You can't.
29:18I can't.
29:19August 1st.
29:20August 1st.
29:21Okay.
29:22But, DJ Jannani,
29:23he is first.
29:24He is first.
29:25He is first.
29:26Yes.
29:27No.
29:28DJ is first.
29:29He is first.
29:30He is first.
29:31He is first.
29:32He is first.
29:33I mean.
29:34X5.
29:35Yeah, no, no.
29:36You want me to say.
29:38Nobody isвонih.
29:39Keep it clear to us.
29:40Now you won't look away from her.
29:42Help come inside us.
29:43Can you find options again?
29:44If you are as a person they could catch this character
29:46I am okay.
29:48Each guy in big shou dele wants you to arrest.
29:50As shu cycle drops against him not
29:53No.
29:53No.
29:54Kids will cry at Hira.
29:56Maybe we can divide.
29:57Because if you do something like what you could say at the beginning,
30:00you know how to tell this story.
30:02We have to have a deal with the plan.
30:06We have to have a delay and go on.
30:10How do you do that?
30:13They have to have a phone and confirm that they have been on date.
30:19I was told that they are a visa president.
30:23They have to get a visa president.
30:25They have to call me?
30:28They have to tell me.
30:29Yes, yes.
30:30Actually, heroes are very options.
30:36Oh!
30:37Oh!
30:38Oh!
30:39Oh!
30:40Oh!
30:41Oh!
30:42Oh!
30:43Oh!
30:44Oh!
30:45Oh!
30:46Oh!
30:47Oh!
30:48Oh!
30:49Oh!
30:50Oh!
30:51Oh!
30:52Oh!
30:53Oh!
30:54Oh!
30:55Oh!
30:56Oh!
30:57Oh!
30:58Oh!
30:59So, you're already in your house.
31:01It's um...
31:02You should concur.
31:03You should stick up even though.
31:05How long is this?
31:06It is a character you show.
31:07Because he loves you.
31:09God.
31:10My senior marriage is here.
31:11The family rights are there.
31:13But, please.
31:14He is bAAAAAAAA.
31:16I will support him.
31:17A debutant-producer or debutant director.
31:20You said that the cameraman is coming.
31:22What do you say to London?
31:24What do you say?
31:26Your dear friend,
31:28I'm a senior,
31:30junior.
31:32He's not the only one.
31:34That's the noise.
31:36That's the noise.
31:38If you're doing music video,
31:40he's going to school.
31:42I said that.
31:44Sorry.
31:46So, this is the problem.
31:48It's a problem.
31:50It's the problem.
31:52The problem is,
31:54if we can do that in our production,
31:56it's important to get the solutions to our customers.
32:00Everyone.
32:02I'm like,
32:04I'm a fan of Kira.
32:06No matter how many problems.
32:08I think it's a problem that I'm getting the problem.
32:10I think it's the problem.
32:12I think that we've been looking at some problems.
32:14I've always been looking at some problems
32:16in recent times.
32:18So, you know that, we had to pick up that song.
32:20So, we picked up the music videos that we were playing in a music video.
32:23So, we had to pick up one of the options.
32:26So, there were options.
32:27They didn't have to pick up Garudan.
32:29They didn't have to pick up that option.
32:30So, we had to pick up a pick up.
32:32And I was able to pick up the option.
32:34But, if we had to pick up the option.
32:36You can't pick up the option.
32:37Even Janani still said that, we can pick up the option.
32:39Then we say that, we can pick up the passport and visa.
32:42And then, we said that, okay, okay, we already fixed the date.
32:46Tell me.
32:48Contro was.
32:49That's not that.
32:52I don't know.
32:54I'm going to do it like I'm doing this mantra.
32:57And I'll do it double-ex.
32:59You can also do it.
33:01I'll give it to VISA.
33:03That's my opinion.
33:06That's not the hero.
33:08I'm not the one who's in the future.
33:10It's not.
33:11I can't say a person.
33:13If you look at the camera, you can make your heroine because that is a good guy.
33:23That's not true.
33:24No, that's true.
33:25Now you're looking for the guys and shoot.
33:28You wouldn't talk about it right now.
33:31You can talk about it right now.
33:32You're looking for a lady who's going to go to bed.
33:34What did you say?
33:35Lunch and dinner.
33:37That's right.
33:38He's talking about promotion when he started.
33:41Why? Why did you say that?
33:43Michael.
33:44That's it.
33:45You can say that.
33:46There's a story.
33:47There's a story.
33:48That's why Abhishek's son
33:50who talked about the last 5 minutes
33:51and he didn't talk about it.
33:52He didn't talk about it.
33:53He didn't talk about it.
33:55He was a silent character.
33:57That's why I didn't talk about it.
33:59Seriously?
34:00No. I'm going to get a little intro.
34:02I'm going to tell you something.
34:04You can tell me something.
34:06I'm going to tell you something.
34:08I'm going to tell you something.
34:11I'm going to tell you something.
34:12Okay.
34:14There's a affair now.
34:15I'm going to tell you something.
34:16You don't know what happened ever.
34:18This affair is said that?
34:20No.
34:21You don't know.
34:22No.
34:24You're speaking loud.
34:26I'm going to tell you something.
34:29Jesus, T.G. is a hero.
34:31Jesus, he is a hero.
34:33You've been in a very good mood.
34:35I know he will tell you something.
34:37I don't have to say that.
34:38No, I don't have to say that.
34:40They are all out of it, I can't do it.
34:42They don't have to sit here anymore.
34:44But I think, they are in space and their debut.
34:47And they have to be prepared for a while.
34:49I'm happy with this idea.
34:52If I have been this, back then I have to speak with them.
34:56I am jamming with them.
34:59So, I have to communicate with them.
35:02In fact, I am the producer,
35:04Shoot time is not enough.
35:06Phone is not enough.
35:07So, what correction is the name of the Laveen.
35:12So, if I am going to show you the inputs.
35:16But, I will show you the same thing.
35:19Okay.
35:20Okay.
35:21You can show me something.
35:22Yes, yes.
35:23Tell me.
35:24Because I am going to show you the songs.
35:28I am going to show you the songs.
35:30I am going to show you the song.
35:31I want to show you the song.
35:32I will say this song.
35:33And, you can also tell me something and he will say something.
35:35And, I will give you some suggestions for the shoot sign.
35:38I will say something like that.
35:39And, you will think that the song is going to be in the studio.
35:44He will say something like that.
35:46I thought like that.
35:48Recently, right now.
35:49I am a little open type.
35:51I am a little topic, bro.
35:52I am a little bit of fire and bubbles.
35:54Not a kid, I am a kid.
35:55You will be familiar with it.
35:57And Kieran's dedication, I felt so as a youngster he is...
36:03You know...
36:04What do you say?
36:06Why do you say that?
36:08Why do you say that?
36:10That's what he said.
36:12He's a hero.
36:15No, he's a hero.
36:18So, you know...
36:19You know...
36:21You know...
36:25Super.
36:26I love you.
36:28Oh, I love you.
36:30I love you.
36:31It's a very good idea.
36:33And everyone is.
36:35Especially...
36:36Optional.
36:38I'm not sure how it is.
36:40I'm not sure...
36:42I'm not sure how it is.
36:45I'm not sure what the idea is.
36:47I don't know if I can do it.
36:49I don't know if I can do it.
36:51I'm not sure if I can do it in August.
36:54I was telling you about August.
36:56You can tell me three things.
36:58I'm talking about a few.
37:00You guys are telling me August first.
37:02I'm telling you August first.
37:04I'm telling you August first.
37:06I'm telling you.
37:08I'm telling you.
37:10I'm telling you.
37:12I'm telling you.
37:14We'll tell you.
37:16We'll tell you the interview.
37:18It's been released in August.
37:20So, what do you think about the world?
37:24I think we can see a life, a lot of people who are living in the world.
37:32We can see a lot of people who are living in the world.
37:38We can see a lot of life and a lot of people who are living in the world.
37:42You are so happy.
37:43Yes, I am so happy.
37:44You are so happy.
37:45You are so happy to see the rest.
37:46Like the balai number you have done.
37:48You are so happy to see the family.
37:51Everybody is watching this show.
37:54They are doing hard work.
37:56Music.
37:58Tell them.
38:04Are you kidding me?
38:05You are watching him shooting.
38:07I am so proud of the scene in my life that is really the best way to go to my own.
38:12I am so proud of you.
38:14I am so proud of you in my life and I am so proud of you.
38:21I am so proud of you.
38:22You are so proud of me.
38:24I am so proud of you.
38:29Everything is happy to do together.
38:34And BNC audience is not available. I think we released worldwide in the international world.
38:41I think we released one of London, Malaysia, and other countries.
38:45All of them can be done.
38:47We have a camera man who is shooting a camera man who is shooting a camera man who is shooting a camera man.
38:56So, you support us.
38:59So, we have a debut and director. So, we are doing a super awesome job.
39:05Adi.
39:07Can you tell us what?
39:09I'm going to tell you.
39:11I'm going to tell you.
39:13I'm going to tell you.
39:15I'm going to tell you.
39:17I'm going to tell you.
39:19I'm going to tell you.
39:23I'm going to tell you.
39:25I'm going to tell you.
39:29Sorry, guys.
39:31I'm a very jolly type.
39:33Sometimes, sometimes, they say jokes and jokes.
39:43I'm not going to tell you why.
39:46You're not going to tell me.
39:47Oh, I'm going to tell you.
39:49Yeah, like this. Sometimes, daddy jokes will tell us that we don't know.
39:55So, that's what we're doing. But, my father is a lot.
39:58He's a master. He's a sister, a husband, a career fan, etc.
40:02He's a coach. He's a coach. He's a coach.
40:05He's a coach.
40:06He's a coach.
40:08He's a coach.
40:10He's a coach.
40:12He's a coach.
40:14He's a coach.
40:16What's your coach?
40:18He has a coach.
40:19He's a coach.
40:20I love today.
40:22He's a coach.
40:23I love today has been a coach.
40:25He's been a coach.
40:26I love today has been a good chance.
40:29He's been a coach.
40:31I feel very friendly.
40:33I feel very well.
40:35That power is super backed up.
40:37You know how power is.
40:38Yeah, power is very good.
40:39Melvin also has done it.
40:40Oh, okay.
40:41I have been very proud of him.
40:42He did perform.
40:43He did perform.
40:45That is how we perform.
40:46He came to his character.
40:48He came to his character already.
40:50He worked already for him.
40:52So, I can go and do that.
40:54He must be able to do it.
40:57I'll show you three characters.
40:59Friends characters.
41:01Yeah, we'll cross the three characters.
41:03Ah, Yogi, Yogi.
41:05Yogi, okay.
41:07I saw that I was able to get in the set.
41:09I saw that recently,
41:11I saw that he was a character.
41:13He was outstanding.
41:15That's why I was a mantra.
41:17I used to say,
41:19I used to say,
41:21I used to say,
41:23I used to say,
41:25I used to say,
41:27I used to say,
41:29I used to say,
41:31I used to say,
41:33I used to say,
41:35I used to say,
41:37I used to say,
41:39It's fantastic
41:41and good.
41:43I used to say,
41:45my character,
41:47you know,
41:49I like it.
41:51One time
41:53and play a chance
41:55to play your role.
41:57No, no, follow me.
41:59Now, if you have 10 names, you will be very important to each other.
42:04Like Mantra, T.J. Broome, Janani, Kadir, Thangadur, Pavel, Melvin, and they are very good.
42:19So, if you have any artist or KPI, you will be very good.
42:26You will be very good.
42:30Jananiya, Jananiya.
42:32Jananiya, you are the one who is Ranjana.
42:40You are the one who is Ranjana.
42:44So, what is Ranjana?
42:48There's Ranjita.
42:49He's got the title of Ranjita.
42:52Ranjita. Nice.
42:54He's got the title of Ranjita.
42:57He's got the number.
42:59Insta ID.
43:00Insta ID doesn't use.
43:02No, it doesn't use.
43:03He doesn't use it.
43:05He doesn't use it.
43:07He's got the first music.
43:09He's got the first music.
43:11Okay.
43:12So, the release will be released.
43:14We are going to get the first music.
43:21It's a first release.
43:24Everyone will go to my mom.
43:26Now, the training program is going to be a big part.
43:28They'll say,
43:29He's going to be a kid.
43:30He's going to be a kid.
43:32He's going to be a kid.
43:34He's going to be a kid.
43:36The producers are super.
43:38He's going to be a kid.
43:40He's going to be a kid.
43:42Startfik.
43:44You're interested.
43:45It's really good.
43:46You got to cut me.
43:47Now, what is that?
43:48Let's cut him.
43:54I didn't cut it.
43:56I'll cut it down.
43:58I'm exactly that.
44:00i'm like.
44:01Modding!
44:02Conclude.
44:03She's going to make one another.
44:05Second...
44:07It wasn't.
44:08Okay.
44:10This is the one you know.
44:13That's the song.
44:13I'm going to take a picture.
44:20Hey, just turn around.
44:21I'm going to tell you.
44:23Then, you follow.
44:25Okay.
44:25When you do,
44:27August 1st,
44:28you're going to release a lot of things.
44:30You'll come here.
44:32Okay?
44:33I'm going to do it.
44:34You're going to do it.
44:36You are saying.
44:37Now you're saying you are saying.
44:40That's one of the very specific content.
44:42I could be telling you.
44:44I know.
44:45You're saying that I didn't make a meme.
44:47I can't believe you are saying.
44:48Okay. Ready?
44:49Three, two, one, stop.
44:51Coming to the party...
44:54Coming to the party...
44:57Coming to the party...
44:59Coming to the party...
45:02Sir, can you tell us about it?
45:06I'm going to call the chorus.
45:08I'm going to call the chorus.