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FilmiBeat Interview with the Team of Su from So
ನಟ ರಾಜ್ ಬಿ ಶೆಟ್ಟಿ ನಿರ್ಮಾಣದ Su from so ಸಿನಿಮಾ ಕರಾವಳಿ ಭಾಗದ ಕಥೆಯಾಗಿದ್ದು ಈ ಸಿನಿಮಾದಲ್ಲಿ ಕರಾವಳಿ ಭಾಗದ ನಟರೆ ನಟನೆ ಮಾಡಿದ್ದಾರೆ ಈ ಸಿನಿಮಾ ಹಾರರ್ ಕಾಮಿಡಿ ಜಾನರ್ ಆಗಿದ್ದು ಜುಲೈ 28ಕ್ಕೆ ರಿಲೀಸ್ ಆಗಲು ರೆಡಿಯಾಗಿದೆ. ಈ ಕುರಿತು ಚಿತ್ರತಂಡ ಫಿಲ್ಮಿ ಬೀಟ್ ಜೊತೆ ಮಾತನಾಡಿದೆ
The film Su from So, produced by actor Raj B Shetty, is based on a story set in the coastal region. The cast consists entirely of actors from the coastal area. This film belongs to the horror-comedy genre and is all set to release on July 28. The team spoke to FilmiBeat about the film.

#SuFromSo
#RajBShetty #CoastalCinema
#KannadaHorrorComedy #SuFromSoMovie #KaravaliStory #KannadaFilm2025 #RajBShettyProduction #HorrorComedyKannada #July28Release

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'ಬಾಹುಬಲಿ' ಮುಂದೆ ಸೆಟ್ಟೆದು ನಿಂತಿದ್ದ 'ರಂಗಿತರಂಗ'; ಇತಿಹಾಸ ನೆನಪಿಸಿದ 'ಸು ಫ್ರಮ್ ಸೋ'! :: https://kannada.filmibeat.com/news/su-from-so-movie-repeats-bahubali-rangitaranga-history-101851.html?ref=DMDesc

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Transcript
00:00I'd like to shoot a stick in the front.
00:03I'd like to shoot four.
00:07There's enough folks.
00:09There's no trouble there.
00:10I think the people don't have to contact me.
00:14Definitely the intention is a person who's acting and acting.
00:17The intention is not the one else.
00:19But we have to tell you,
00:20what's going on in the cinema?
00:22When you're on the phone of my photos,
00:24I didn't look on the videos.
00:26So what's the time for the poster.
00:28It's released.
00:29I'm not sure if you're writing the life and experience,
00:33but I'm not sure if you're writing the same thing.
00:35This is a good day,
00:38I'm going to go to Kanta Raad.
00:40I'm not sure if I'm going to go to Kanta Raad.
00:42I'm going to go to Kanta Raad.
00:46Sir, will you come to Karkumba or go to Karkumba or go to Karkumba?
00:49No.
00:50Will you pass views?
00:51No.
00:52Okay, alright?
00:53I'm sorry.
00:55We're going to take care of everything.
00:58I'm not happy. I'm the one.
01:01So here people come here.
01:04All of us understand that you...
01:08Welcome!
01:08Sir in the interview.
01:10Okay, let's talk about the people.
01:13Actually I'm not sure if you are a kid who won't okay.
01:16I'm not sure if you are a kid.
01:17I'm not a kid.
01:19I don't know if he alone is a kid.
01:22The kid is a kid, the kid is killed.
01:24He's a kid and the kid is killed.
01:27No, no.
01:28Do you have to plan a business for you?
01:32No, no.
01:33It's not a card.
01:35No.
01:36Okay, how are you?
01:38Yes, sir.
01:39Yes, sir.
01:40First, you can go to the day.
01:43You can go to the day.
01:46You can go to the day.
01:48You can go to the day.
01:49No, you can go to the day.
01:51You can go to the day.
01:53Do you have to go to the day?
01:55First, I think the character is designed for you.
01:59Okay, so the character is designed to go?
02:02Yes, yes.
02:03The last minute is a good improvisation from that.
02:06Well, he told him he was in the last scene,
02:15When they can go to the day.
02:16He doesn't know when he's going to the day.
02:18After everything is going to the day,
02:20You know she's the one who's the one who likes it.
02:24But she's the one who likes it.
02:28You know she's a spontaneous reaction.
02:30She's like, come on, take a step, take a step.
02:35She's the one who's the one who likes it.
02:38She doesn't have to go.
02:40I can't say anything like that.
02:44I can't say anything like that.
02:46I had to go to work with a girl who was going to work and she was in the hospital.
02:52She was in the hospital.
02:55She was in the hospital and she was in the hospital.
02:58I always thought, no one was going to leave.
03:01That's why we were looking for a girl.
03:03She told me, I am going to go.
03:06But at the time, how much do we feel?
03:11First day shoot the first day.
03:18The first day shoot the first day.
03:22I was like, I was like, I don't know.
03:27I was like, I don't know.
03:31I was like, I don't know.
03:33I'm like, okay.
03:37That's the problem.
03:39So, I don't know.
03:42Sir, did you talk about this film?
03:48I was like, I'm a person.
03:51When he comes back to the trailer, he will pick up a right hand.
03:58He will pick up a calendar, like they will pick up,
04:04like they will pick up a calendar,
04:08I will pick up a calendar.
04:12That's why he will pick up a calendar.
04:15Yeah.
04:17He will pick up a calendar, doesn't he?
04:19Yes, I'm not sure.
04:20Yes, I'm not sure.
04:22I'm not sure.
04:23He's not sure.
04:24He's not sure.
04:25I'm not sure.
04:26Yes, I'm sure.
04:27Yeah.
04:28If you're looking at the show,
04:30it's a little bit better.
04:32Can you tell the show handle?
04:35Yes, it's a bit more than the show.
04:40I'm looking at the show.
04:42I was looking at the show.
04:45I'm looking at the show.
04:47The audience, the audience, always look at that.
04:52The audience is in a number of audience audiences.
04:55In the audience, the audience is interested in the audience.
05:00Now, I also find the audience audience,
05:04and I have taught the audience,
05:06but I have taught the audience audience as well.
05:10I can't make the audience audience audience.
05:14So, they have to do their intentions intentionally.
05:19They have to select auditions, they have to do their work-shops.
05:25They have to do their work-shops.
05:27They have to do their work-shops.
05:32No, I have to tell you,
05:35that when they are playing movies, they have to do their expectations.
05:40And the people who have to do their work-shops,
05:42they have to do their work-shops.
05:44They have to do their work-shops.
05:47They have to do their work-shops,
05:50and they have to do their work-shops.
05:53Do you think you're the same thing about this?
05:56No, I am not familiar with this.
05:59In the first place, I have to live close.
06:02As long as possible, I was in most auditions.
06:04Like the Canadian cinema.
06:06Like the cinema store,
06:07like the people who are watching movies,
06:08the film band TV and the music band TV,
06:11I have to get to the camera.
06:13I have to get to the Stop-Shops.
06:15So, I was watching a movie.
06:17I would be walking through that film.
06:20I was called the movie for the film.
06:24I would have a poster and been released.
06:26So, it was the film.
06:28They said, I have a lot of fun, but they say, I want to watch one, or two, or two.
06:35But, if you want to watch one, then you'll have a shot.
06:40But, when you go to the movie, you'll have to watch the movie.
06:47They'll have to watch the movie.
06:52And he's been a great fan of the film.
06:54In the long run, he's been the famous film, and he's been the famous film.
06:59He's been the famous film.
07:01He's been the famous film as well.
07:05He's also a famous actor.
07:09He's a famous actor.
07:11He's a former Bengaluru.
07:13He's a famous actor.
07:15The men in the movie were the famous actor.
07:18so if we can have a justice and try it with our father
07:24Ashok Noda's group is from Mumbaye
07:29Hara is a song and to dance
07:35I am a group of members who will come and choose to dance
07:39I find my songs and my music is different
07:46But I don't know if I was a real singer.
07:50But if you have a comment,
07:53If you have a comment on Kerala style,
07:56If you have a comment on Kerala style,
07:59Who has a Kerala song feel?
08:01If you have a comment on Kerala's song,
08:03You're not playing any other song.
08:04How does that feel like you?
08:05How do you feel like that?
08:06No, you don't have to do that.
08:07We don't have to do that.
08:08It's not like we are.
08:09It's not like we are.
08:10We are playing a song, we are making a movie, you know.
08:13It's like we are singing.
08:14It's like we are in Malayalam.
08:16Yeah, I know.
08:18I know.
08:19We are very familiar with that.
08:20We are very familiar with that.
08:21We have very similar seminar in culture.
08:23We have to do that.
08:24We are very familiar with that.
08:26We are in the same situation.
08:28We have to do that.
08:29You can listen to our language, and you can listen to them.
08:34It's a tone.
08:36You can speak a little bit, and you can speak a little bit, and you can speak a little bit.
08:40It's similar to that.
08:41If you do something, you can influence the influence of the culture.
08:45So, there are cultures such as the Daiva Kola, Daiva Nambika, and Thaiyam.
08:52There are similar cultures.
08:55Most likely, there are the same cultures.
08:58But it was not a deliberated time.
08:59We were concerned about that.
09:03We were concerned about that.
09:05I was concerned about that, but I had no idea.
09:08I had a lot of my life.
09:10We were concerned about it.
09:13If we go to pub on a weekend,
09:16we were concerned about that weekend.
09:19I had been concerned about that.
09:23Do you think it's Tea Party or E Party?
09:26I am a teenager.
09:28No, I'm in Bengal.
09:31I am a teenager and I am a tea party.
09:34In Bengal you are a tea party?
09:36No, I am a teenager.
09:40I am not sure.
09:42I can't tell you about this.
09:44Either you feel a horror or negative feeling.
09:50What do you feel in your life?
09:52That's why we travel to that place.
09:58I am sorry.
10:00I am a little bit of a drama.
10:04I was a little nervous about it.
10:06I was thinking of it.
10:08I was thinking of it.
10:10I was thinking of it.
10:12It is impossible for everyone to do it.
10:14It was a sad thing.
10:16It was sad.
10:20No, on the map, I saw nothing in metal and I saw a cash.
10:24I got the word wrong.
10:27Sathara and I got a negative feeling though?
10:31No.
10:32Do I go?
10:33No.
10:35No.
10:36I don't want to be stuck with a devil.
10:38How did you get on this?
10:40Oh wow.
10:41I'm not in a living room.
10:43I think I'll go.
10:45I'm not.
10:50Me and I can't speak.
10:54You are three people.
10:56You are also an actor.
10:57You are also an actor.
10:59You can do a first time to get a film.
11:02We learn that film are more familiar,
11:04such as Kantar, Saptasagar.
11:08We start to recognize that film will be recognized.
11:12So, we get to start to get the film in life.
11:17The actor is very important. If the actor is a writer or director, he will showcase him.
11:27But he will showcase him to other writers, technicians, directors.
11:35The thought process is very important.
11:39The character is very realistic. But it is not a matter of the writers.
11:49The writers are not a matter of life and experience.
11:55The writers are not a matter of life as an actor.
12:03After that, I had to go to work at the same time in my house.
12:07I was able to move home to my house and I was able to travel to my house.
12:10I was able to walk in my house and to the rest of my house.
12:14I was able to go to the house.
12:16I had a successful life in the house.
12:20Sir, how do you speak to me about my life?
12:23I have been so much happy.
12:30When I was happy when I was just like, I was happy to take on the path.
12:34I was happy to take the path where my Master arrived.
12:40Then, I was happy.
12:42They worshipped the path.
12:44When I said, I was there, as a direct location.
12:50I was really happy to come through the path.
12:54Why I was given the message about my body?
12:58I didn't trust anyone.
13:05I told the message about your message.
13:08I told the message about Andhra, Kerala, Tamil Nadu.
13:11I told the message about OTT, you and I told you.
13:15It's very good to hear the message.
13:19Sir, how do you teach Kantharayish?
13:22We had an industry in Canada,
13:27in the first place.
13:29They were trying to sell their own prices.
13:34They were not able to buy any of those.
13:37They were able to sell a short film.
13:40They kept us on the show.
13:42They still had a picture and they had a picture.
13:47They had to see a picture and see the picture.
13:50You've seen nothing about that at all.
13:53You can't see it anymore, you don't hear it anymore.
13:56That's why I knew I was taking Guruji Patrath.
14:00In the other way we one especially had a Rishabh Shetro.
14:06They wouldn't get a places like that.
14:09I could see that there's a Rishabh Shetro.
14:15There is a right time in the direction of the right people who are associated with the right people.
14:24The country has a great life. In the first country, we have a Raj Bhishetra, Raj Bhishetra, Raj Bhishetra and Rishabh Shethra.
14:31We also have the government, the government, the government, the government, and the government.
14:36The government is not all about this country, but if he is the next country, he is the next country.
14:48Everyone has been doing a long time.
14:52We were doing that.
14:55He is trying to get direction?
14:57No, no need to get direction.
15:00The direction is not going to be the intention, but I don't think it's going to be cool.
15:04What channel are you going to do?
15:06I'm going to be comedy.
15:09I'm going to be horror-comedy.
15:12I'm going to be post-scripted horror-comedy.
15:15I'm not going to be complete.
15:18So, I'm going to be a thriller.
15:20I'll be trying.
15:22I'm not going to be.

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